Memphis Group Cabinets

"Perf" is a bar cabinet, designed by Diesel Creative Team and manufactured by Moroso, in varnished steel black mat, with doors in varnished steel available in these colors: copper, b...

This pair of cabinet / drybar pair are absolutely stunning! Designed by Guido Faleschini for Mariani in the late 60's, the front of these cabinets is wrapped in a chocolate leather, with chrome drawer and door pulls, with shiny chrome accents; while the sides and the finished backs of the cabinets are wrapped in a slightly lighter chocolate suede (actual leather and suede). The icing on the cake are the marble tops, almost onyx looking, a cream and yellow, heavily veined marble with bullnose finish. These cabinets absolutely ooze Italian mid century modern luxury down to every detail. These cabinets can be placed together to create a wonderful dry bar area that feature an abundance of storage for your every need. These cabinets can be seen in our Fall Palm Springs Modernism booth alongside a Vladimir Kagan cloud sofa, a pair of Pierre Paulin Groovy chairs...

This is a vertical wooden storage cabinet made of Japanese cedar in the first half of the 20th century. Although it is unknown where it was used, its appearance oozes a beauty that transcends practical use. The rustic feel of the material and its quiet presence give it a nostalgic warmth not found in modern furniture. This piece is made entirely of solid Japanese cedar, and the simple and disciplined structure of the vertical cleats, especially on the doors, and the cedar planks passed horizontally and overlapping from the reverse side, bring a perfect balance and rhythm to the overall look of the piece. This kind of design reveals a uniquely Japanese sense of design. The deep candy-colored texture created by the aging process is a taste that only antique pieces can have. The subtle changes in color from suntanning and areas touched by the hand tell a quiet story of the passage of time. The doors are simple and close with small wooden stoppers, preserving the practicality and warmth of the past. The shelves are securely fastened and provide ample storage capacity. Books, clothes, daily necessities, and various other items can be beautifully organized. The backs and shelves are stained and worn from use, and there are also some holes repaired on the sides and small chips. In a modern living space, this shelf can be used as a shelf in a study, as an accent in a living room, or as a quiet corner of a room where one spends quiet time alone, bringing a sense of calmness and flavor to the entire space. These long, locker-like proportions of antique shelves...

Spectacular burled cabinet/wall unit designed by Johan Tapp for Gumps. Cabinet features beautiful book-matched burl veneered doors, solid brass hardwa...

We are delighted to offer for sale this very rare, now discontinued, Thomas Chippendale Library bookcase which is an exact authorised copy of one from Princess’s Diana’s family home, the Althorp Estate, it was part of the Living History collection, made by Theodore Alexander and retailed through Brights of Nettlebed and has touch activated top lights The Althorp estate is widely considered one of, if not the finest English country home left standing. You can see clips of the tours online, the place is an absolute marvel of English history. The estate is owned, and has been by the Spencer family’s for over 500 years, I’ll include the history below. The estate is currently in the stewardship of the Earl of Spencer, Princess Diana’s brother The bookcase itself is very fine, in flamed mahogany and has glass shelves and top spot lights which are activated by touching any one of the three right door hinges, each light has three dimness settings. The piece is fully stamped for Theodore Alexander the maker on the locks, Brights of Nettlebed for the retailer and the right drawer has what looks to be pewter, Althorp family crest inside. This bookcase breaks down into five easy to transport pieces, you have the base which is one unit, the three top bookcase sections are all separate and the top cornice is also one removable piece Condition wise this piece is exquisite, there is very little in terms of wear or use, it has been cherished since new and is a very fine piece indeed Dimensions Height:- 233cm, the brass urns on the very top can be unscrewed if ceiling height is an issue, they are 11cm tall each Width:- 167cm Depth:- 50.5cm Please note all measurements are taken at the widest point Althorp history Althorp (popularly pronounced /'??l???rp/ AWL-thorp) is a Grade I listed stately home and estate in the civil parish of Althorp, in West Northamptonshire, England of about 13,000 acres (5,300 ha). By road it is about 6 miles (9.7 km) northwest of the county town of Northampton and about 75 miles (121 km) northwest of central London, situated between the villages of Great Brington and Harlestone. It has been held by the prominent aristocratic Spencer family for more than 500 years, and has been owned by Charles Spencer, 9th Earl Spencer since 1992. It was also the home of Lady Diana Spencer (later Princess of Wales) from her parents' divorce until her marriage to Charles, Prince of Wales. Althorp is mentioned as a small hamlet in the Domesday Book as "Olletorp", and by 1377 it had become a village with a population of more than fifty people. By 1505 there were no longer any tenants living there, and in 1508, John Spencer purchased Althorp estate with the funds generated from his family's sheep-rearing business. Althorp became one of the prominent stately homes in England. The palace dates to 1688, replacing an earlier house that was once visited by Charles I. The Spencer family amassed an extensive art collection and other valuable household items. During the 18th century, the house became a major cultural hub in England, and parties were regularly held, attracting many prominent members of Great Britain's ruling class. George John, 2nd Earl Spencer, who owned Althorp between 1783 and his death in 1834, developed one of the largest private libraries in Europe at the palace, which grew to over 100,000 books by the 1830s. After falling on hard times, John Spencer, 5th Earl Spencer, known as the Red Earl, in 1892 sold much of the collection to Enriqueta Rylands, who was building the University of Manchester Library. Many of Althorp's furnishings were sold off during the twentieth century, and between 1975 and 1992 alone approximately 20% of the contents were auctioned. The house at Althorp was a "classically beautiful" red brick Tudor building, but its appearance was radically altered, starting in 1788, when the architect Henry Holland was commissioned to make extensive changes. Mathematical tiles were added to the exterior, encasing the brick, and four Corinthian pilasters were added to the front. The grand hall entrance to the house, Wootton Hall, was cited by Sir Nikolaus Pevsner as "the noblest Georgian room in the county". The Great Dining Room in the east wing extension of the house was added in 1877 to designs by John Macvicar Anderson, its walls hung with faded, red damask silk. Numerous fireplaces and furnishings were brought to Althorp from Spencer House in London during the Blitz for safekeeping and still remain. The Picture Gallery stretches for 115 feet (35 m) on the first floor of the west wing, and is one of the best remaining examples of the original Tudor oak woodwork and ambiance in the mansion. It has an extensive collection of portraits, including Anthony van Dyck's War and Peace, a John de Critz...

Bar cabinet by Gio Frigerio. Red lacquer doors and mirrored interior. Makers label affixed to back.

Carlton is the most famous and iconic of all the objects designed for Memphis Milano. The piece was designed by Ettore Sottsass and first presented at the historic Memphis exhibition...

K0450 stylish Art Nouveau mahogany and marquetry hall cabinet with arched cresting above divided mirror flanked by a pair of circular platforms on downswept supports, the projecting ...

This very rare sculptural caned cabinet was designed by Vladimir Kagan and crafted by Grosfeld House during the 1950s in New York, documented in early Grosfeld House advertisements (see photos). Featuring sculpted legs, a caned door (with original unaltered caning in excellent vintage condition) with brass handle, and interior outfitted with two compartments, one side with an adjustable shelf. While the cabinet is small in size, it is huge in personality. Vladimir Kagan's works have been highly valued by collectors and art / design investors, and his earlier works in the 1950s for Grosfeld House and Kagan-Dreyfuss are among the most sought after by 'purist collectors' like myself. Why do I prize his 1950s works above all else? I can write a short book on this, but one easy to explain reason is that this was a period unlike the rest of his career, where items produced in this time are hallmarked within that period - a distinction that his later works lacked. Essentially, everything post the early 60s blended together with the decades thereafter. A novice Kagan collector is content with anything by Kagan, even items produced by Directional and American Leather Company...

Rare console or cabinet set by Luciano Frigerio composed of a large central console and two smaller cabinets which can be used with the larger piece or interdependently. All pieces f...

Fine mahogany free standing cabinet bar by Paolo Buffa made in Italy, circa 1950s. Opposing doors swing open to reveal mirrored and fitted interi...

Nairobi Bar Cabinet by Ettore Sottsass for Zanotta Edizioni 1989 Mod. 7500 Signed original. Red veneered laminate frame (design E. Sottsass). Base and inner frame with drawer and fol...