Mid-Century Modern Sofas

Gorgeous down filled sofa upholstered in Jack Lenor Larsen Primavera velvet with a pair of oversize matching ottomans. This is a huge livi...

Modern curved serpentine sofa in orange velvet w gold & wood details Giulia sofa is a modern mid-century style sofa. This luxury sofa pr...

Discover the timeless elegance of the Cornelius sofa, an authentic piece of design from the 80s. Manufactured by the renowned Belgian brand Durlet, this sofa is known for its high-qu...

Florence Knoll Mid-Century Modern manner linen upholstered couch, upon four gold-tone metal bracket feet. 31" H x 92" W x 35" D; seat: 19" H. D...

Caramulo Swivel Armchair, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Experience the epitome of unparalleled comfort and unrivaled elegance with the Caramulo a...

Collectible Vintage Italian armchair designed by Gio Ponti for the Casa e Giardino manufacturing company in the late 1930s. This iconic design piece has been completely restored fro...

Black leather sofa on rosewood legs, 3 seater. The sofa is attributed to Georg Thams and produced by Vejen møbelfabrik. A nice and stylish sofa with very good sitting comfort.

Florence Knoll for Knoll International, sofa, model '67A', steel, fabric, United States, design 1958, production 1960s/70s This sofa model 67A is designed by Florence Knoll for Knol...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Extremely rare & stunning! This fully original ''Minerva seating group'' by Peter Hvidt & Orla Mølgaard-Nielsen for France & Daverkosen 1950. The design & luxurious feeling of this set are just superb. The combination of teak, rattan, wool & chrome are breathtaking. It looks stunning from any angle with the minimalist teak & chrome backrests so you can place it in the center of your room. The set has its original finish & original padded wool upholstery in grey/green. which remains in amazing condition! The FD516 coffee table...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This two-piece set can be configured into one large sofa or used a...

Sofa designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1934. Relaunched by Cassina in 2014. Manufactured by Cassina in Italy. Contemporary and comfortable lines fo...

A timeless Mid-Century Modern style Sofa in the manner of Finn Juhl ( Danish 1912- 1989). The sofa features sculptural shape inspired by the Modern free art. The seat and back of the...

Mid-Century teak daybed and matching headboard with storage cabinets and shelves. The headboard is detached, bed can easily be pushed in as a sofa o...

Johannes Spalt for Wittmann, sofa or settee, leather, chromed steel, Austria, 1960s This subtle and modest sofa is designed by the talented Austrian furniture designer Johannes Spal...

A wonderful curvaceous 1960s woven wicker and wood three seater sofa with, beaded detail on the back and front

Settee, ash, cane, leatherette, metal, Spain, 1950s. Joyful Spanish two-seater sofa with soft organic lines. This settee features a stained ash frame of which a dynamic grain patte...

Chic and playful Mid-Century Modern loveseat / sofa made in Switzerland by master leather ateliers De Sede.

Curved sofa, upholstery, Italy, 1960s This sofa bears multiple dynamic features. The shape of the sofa is slightly curved. Four loose seat cushions structure the sofa. Elegant legs ...

Mario Bellini for B&B Italia, 'Amanta' lounge chair, fabric and fiberglass, Italy, 1966. Grand and bulky lounge chair created for comfort. The "Amanta" lounge chairs or modular sofa...

Iconic Mid-Century Modern three-seat sofa in bamboo and rattan. This amazing piece was produced by Vivai del Sud in Italy during 1970s. This wonderful hand-crafted sofa has a str...

A vintage parsons 3 piece sectional from the 1970's. It features a boxy clean line design with its original sage tweed upholstery. Overall depth is 37 inches. Recovering is recommended.

The beautiful rare sofa is statement piece which is also extremely comfortable and packed with personality! Just look at the gorgeous lines and curves on this beauty! Bright and vibr...

Mario Bellini “Le Bambole” two-seater sofa for B&B Italia, Mongolian faux-fur, Italy, 1971, set of two. This is a timeless Postmodern design icon. The starting point was a shopping ...

A high-quality Mid Century designer sofa by Danish maker Komfort, a superb piece in excellent original condition. A piece with great form a...

Mario Bellini "Camaleonda" modular sofa for B&B Italia, brown mohair, Italy, 1970, five elements. "Camaleonda" is an icon, rediscovered. First designed in 1970 by Mario Bellini, it ...

Pierre Cardin, a trailblazing fashion designer known for his innovative and unconventional approach, extended his creative vision into the realm of furniture design. Pierre Cardin's ...

Rare ‘Corbi’ modular sectional sofa by Klaus Uredat for COR, Germany – circa 1972. The Corbi sofa consists of sections with roll cushions. It can be used a...

The iconic Togo sofa, originally designed by Michel Ducaroy for Ligne Roset in 1973 has become a design Classic. This three-piece modular set is incredibly versatile and can be conf...

Elegant and wide Italian three-seat curved sofa. Circa 1950/60. Soft and comfortable seat. Light beech waxed feet. Perfect condition. Original pieces from the 1950s newly re-upholstered in the traditional way by the best French craftsmen, we used a high quality velvet fabric from Kvadrat Raf Simons' collection and new foams. We can particularly appreciate the work and savoir-faire of our team of upholsterers respecting the original design, using the right proportions and lines as it was designed in the 50's. If needed for a project, we also have the pair of armchairs in stock...

Kaare Klint & Rud Rasmussen Snedkerier - Scandinavian Modern Rare 3-seater sofa model no 5011 designed by Kaare Klint and manufactured by cabinetmaker Rud Rasmussens Snedkerier in...

The "Maralunga" set, designed by Vico Magistretti for Cassina, is a classic and iconic collection in the world of Italian furniture. Introduced in the 1970s, the Maralunga sofa is pa...

Divano modello "920" di Afra & Tobia Scarpa per Cassina, 1964. Il modello è quello di un divano a due posti comodi. Cuscini e rivestimento rinnovato con tessuto lavabile e antimacc...

LC3 two-seat sofa for Cassina. An iconic piece of modernist design, designed in 1928 by Le Corbusier, his cousin and colleague Pierre Jeanneret, and Charlotte Perriand. The sofa is a symbol of timeless elegance and exceptional comfort, with a unique combination of high-quality materials and craftsmanship. Made of high-quality materials by Italian manufacturer Cassina in the 1990s, this LC3 sofa...

Exposition "S'asseoir" - 1974, Musée de Grenoble 12 posters in DIN A2 (420 x 594 mm) as high-quality reprints on cardboard Wonderful hand drawings of several design classics, wh...

This midcentury couch/sofabed was made in the former Czechoslovakia in the 1960´s. Material: wood, fabric. The sofa is in good Vintage condition, showing slight signs of age and us...

3 seater sofa, day bed Anfibio designed by Alessandro Becchi and produced by Giovannnetti in 1970s. Designed in 1970, the Anfibio sofa bed has been described by critics around the wo...

The geometric pattern is amazing! I love the different shades of greens and pinks mixed throughout! This sofa is in good vintage condition without any rips, tears, or stains. The fa...

Ray and Charles Eames were commissioned to design the perfect utilitarian seating for the first international airports in 1962, created for comfort and convenience. For the modern-da...

A sizeable organic black-painted wood and brown beige bouclé fabric sofa designed by Vladimir Kagan and produced by Vladimir Kagan Designs, Inc, US...

This sofa was produced by the Brazilian company Celina Decorações in the 1960s. The sofa is made of solid Rosewood, with seats and backs upholstered with a gorgeous fabric 100% Organic Silk, from our collection Bossa Fabrics. The armrests have a rectangular design that favors the visualization of the beautiful veins of the wood, with upholstered sides. The base consists of four rectangular legs, providing lightness to this three-seat sofa. Celina Decorações signed one of the most modern lines of Brazilian furniture in the 1960s. Based in Rio de Janeiro, the Celina Decorações factory imposed high-quality standards, maintaining handcrafted characteristics. With a color pallet rooted in natural shades, our Fabric collection tells a bit about Brazilian biodiversity, through raw and natural materials and artisanal processes. For dyeing this textured fabric was used yerba mate...

Iconic "Non Stop Sofa", model DS600, with 17 sections in full grain leather, by Ueli Berger, Elenora Peduzzi-Riva, Heinz Ulrich and Klaus Vogt for De Sede, Switzerland 1970’s. The le...

Sergio Rodrigues, 'Sheriff' sofa, faux leather, imbuia wood, Brazil, 1960s Comfortable and large sofa by Brazilian designer Sergio Rodriques. This sofa breaths the characteristics o...

Mid-century Norwegian Post Modern Ekornes leather teak sofa. Great light brown/tan leather with solid Blonde birch wood frames. Beautiful condition ...

This four seat midcentury sofa features comfortable two cushion design complete with unique vintage fabric. Slender Italian style legs giv...

Amazing mid-century design Sheepskin Sofa, attributed to Otto Schulz. Big proportions and newly reupholstered and renovated. Fast shipping with white glove packaging.

De Sede, 'DS-15' sectional sofa, patinated leather, Switzerland, 1970s. This high-quality sectional sofa designed by De Sede in the 1970s contains six regular elements and one corne...

Mid-century modern dark chocolate brown leather three-seat sofa with removable cushions and hard wood frame. The years of use are revealed in the aged patina of the leather, includin...

Three-seater 1960s sofa with foam padding and new fabric upholstery with enameled metal legs.

Mid-century folding sofa or daybed, 1960's. Made in Czechoslovakia Made of fabric, wood Good original condition. Cleaned When unfolded, size 87cm Seat Height 43cm

Original ‘Togo’ designed by Michel Ducaroy for Ligne Roset, France 1960’s. This iconic sofa is completely made out of foam and is freshly re-upholstered in a wool blend fabric uphols...

W100 D35 H26 SW78 SD24 SH15 AH19 Fully restored vintage sofa. Item sits low and offers ample seating depth. Item sits on hidden casters. Original upholstery tufting was replicated a...

Mid-Century Modern 1950s Italian sofa attributed to Guglielmo Ulrich. Shell-shaped in Blue velvet. with wooden feet. This sofa showcases elegant form and rich details with its beauti...

A three-section curved sofa featuring ribbed detailing and a sculptural shape reminiscent of designs by Michel Ducaroy. Low slung, ultra comfy and ready for a kitchen banquette, livi...

Teak Danish sofa bed, circa 1960's. Solid teak construction, fresh long-lasting foam, new sage green quality silk & wool upholstery, with a lovely feel to it! Transformative design a...

Elevate your space with this elegant cocktail sofa by Jacob Kjær. Inspired by traditional English silhouettes, this perfectly-proportioned sofa features thin sloped shelter arms and ...

Designed in the early phase of what we know today as mid-century modern, this charming sofa is evidence of how traditional Danish craftsmanship was brought into modernism. The sofa’...

Domenico Parisi, nicknamed Ico, is one of the most famous architects and interior designers from the Italian mid-century period. The 1950s saw brilliant Italian designers working to ...