Decorative Objects

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the color...

Massive lapis lazuki elephants sculpture from Greece, circa 1990s. The piece is well detailed, nicely veined and has an absolutely stunning pallet of blue shades. The entire sculpt...

Pink and light blue crystal box with cut engravings embellished with brass detail made with the artisan lost wax technique with patinated silver finish. Each object is handcrafted an...

A 19th century French Sèvres biscuit porcelain figurine of a couple seated in the garden. The gentleman is feeding grapes to the lady, whose l...

21st Century bowl in hand-carved clear crystal and with finely chiseled lost wax castings embellished with malachite stones, the base is in white marble. On request to customer can m...

21st Century hand carved clear crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the color of crystal: pink, amber, amethist etc and we can change also the metal finishing: french gold, burnished...

21st century white veined marble and golden bronze candelabra. This candelabra is finely chiseled lost wax castings. This Candelabra has got 5-flames. On request to customer can modi...

21st Century hand carved clear crystal,golden bronze and "Capodimonte" bisquit roses potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to...

21st Century hand carved clear crystal and golden bronze bowl. This vase is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the color...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

Porcelain box with cut engravings embellished with brass detail made with the artisan lost wax technique with silver finish. Each object is handcrafted and the care for every detail ...

Pair of early 20th century Sèvres porcelain vases. A pair of early 20th century Sèvres porcelain vases, circa 1936, stamped Sèvres Manuf...

21st century clear crystal with flower hand-cut centrepiece and base in silver patinated bronze. Each object is handcrafted and the care for every detail makes each item unique in it...

21-st century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate th...

Hand carved clear crystal and patinated golden bronze box. Each object is handcrafted and the care for every detail makes each item unique in its kind. The style of this box is a mo...

Clear crystal box with opaque cut engravings embellished with brass detail made with the artisan lost wax technique with patinated gold finish. Each object is handcrafted and the car...

Elegant pair of Sèvres-style porcelain vases, crafted in France circa 1900, Napoleon III These vases are finely hand-painted with detailed gallant scenes on the front and landscapes ...

One of the most exquisitely designed and painted Art Deco pieces we have ever seen, this flaring vase by Anne Marie Fontaine for Sevres features a flaring, trumpet-form upper section...

21-st century hand carved turquoise crystal bowl with metal parts in lost wax in golden bronze. This centrepiece is a limited edition, we have o...

21st Century hand carved clear crystal and golden bronze potiche. This potiche is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the...

21st century hand carved clear crystal and golden bronze clock. This clock is finely chiseled lost wax castings and hand-grounded crystal. This clock has a mechanical 8 days wind mov...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the color...

21st century Hand carved clear crystal, golden bronze clock and "Capodimonte" biscuit roses. This clock is in hand-carved clear crystal. This clock has the quarts and mechanical move...

sevres box circa 1900 perfect state cobalt blue with gold hand painted origin france. The Manufacture nationale de Sèvres is one of the most important and w...

21st century Hand carved amethyst crystal and golden bronze whisky bottle. This bottle is finely chiseled lost wax castings . On request to custom...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

21st century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

This white ceramic elephant, produced by the renowned Sèvres Manufacture in France during the 1950s, is a fine example of mid-20th-century French ceramic design. The piece has a stro...

21st century 7- flame gold bronze candelabra. The three figures representing the Venuses are made with the lost wax casting technique and then finely chiselled. This Candelabra has g...

Handcarved clear crystal box with Crocodrile made with the artisan lost wax technique with patinated gold finish. This box has got a oval shape. Each object is handcrafted and the ca...

21st century Hand carved clear crystal and golden bronze clock. This clock is in hand-carved clear crystal. This clock has the quarts and mechanical movement. On request to customer...

Elegant picture frame made of lost wax casting bronze, patinated gold, ideal for enhancing your most precious memories. Italian artisan product. The richly decorated border features...

Elegant picture frame made of lost wax casting bronze, silvered, ideal for enhancing your most precious memories. Italian artisan product. The richly decorated border features ivy l...

21-st Century hand carved turquoise crystal bowl with metal parts in lost wax in silver bronze. This centrepiece is a limited edition, we have o...

21-st century hand carved black and clear crystal vase with the frame in lost wax bronze. This vase is a limited edition, we have only a few pieces. It's particular hand-carved and t...

21st century hand carved amber crystal and golden bronze bowl. This bowl is finely chiseled lost wax castings and hand-grounded crystal. The golden bronze rhinoceros on the base was...

A very fine French Sevres biscuit (Bisc) porcelain figure of a recumbent nude lady titled "Le Repos" after a model by Alfred Boucher (French, 1850-1934) Sensually depicting a young w...

Hand-carved clear crystal box with Panther made with the artisan lost wax technique with patinated gold finish. This box has got a oval shape. Each object is handcrafted and the care...

21st century hand carved clear crystal and golden bronze candelabra. This candelabra is finely chiseled lost wax castings and hand-grounded crystal. This Candelabra has got 3-flames....

21-st century hand carved turquoise crystal bowl with metal parts in lost wax in golden bronze. This centrepiece is a limited edition, we have o...

21st century Hand carved clear crystal and golden bronze clock. This clock is in hand-carved amber crystal and the dial is in white porcelain decorated in pure gold. On request to c...

21st century Hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand ground crystal. On request to customer can modificate the color...

21st century Hand carved amber crystal and silver bronze clock. This clock is in hand-carved amber crystal and the dial is in black porcelain dec...

21st century hand carved clear crystal and golden bronze candelabra. This candelabra is finely chiseled lost wax castings and hand-grounded crystal. This Candelabra has got 5-flames....

21-st century hand carved clear crystal centrepiece with golden bronze frame. This centrepiece is a limited edition, we have only a piece. It's particular hand -carved and the frame...

Table lamp with 5 lights in hand-cut crystal and bronze in patinated gold. This crystal table lamp is realized similar a candelabra only that instead the candel has the bulb-lamp. E...

An Art Deco large Sèvres ceramic box,1933 Large Sèvres Glazed ceramic box with stylized Art Deco floral decoration Shape created by Gensoli Designed by André Naudy Sèvres stamp unde...

Elegant picture frame made of lost wax casting bronze, patinated gold, ideal for enhancing your most precious memories. Italian artisan product. The richly decorated border features...

Elegant picture frame made of lost wax casting bronze, silvered, ideal for enhancing your most precious memories. Italian artisan product. The richly decorated border features a del...

Sèvre -Cup Pop shade of green porcelain cup Manufacture de Sèvres, dated 1962 Decor in shades of green by Bernard Bannier. Measures: H 5.5 cm / 2,2 in. Ø 18 cm / 7 in.

These pieces are dual-purpose — they serve as decorative urns, and they transform into candlestick candelabras with candleholders. The urns feature intricately sculpted gilt bronze ...

This striking pair of 13-inch Sèvres Paul Millet vases features a deep Sang de Boeuf glaze, a rich oxblood red that complements the ornate ormolu mounts. Crafted in the early 20th ce...

Fantastic Art Deco vase in gilt decor over rich turquoise ground. Form designed by Emile Decoeur (1876-1953) Decoration possibly designed by Suzanne Lalique-Haviland or Emile-Jacques...

Signed/dated 1984 on bottom.

Sevres Blue Ground Baluster Vase and Cover, late 19th century, painted with a courting couple and cupid within a romantic landscape, signed "Maxant", with elaborate gilded borders. 2...

A pair of vase -Sèvres Manufacture Nationale de Sèvres France, Sèvres, 1986. Unique pieces Pair of oval-roll-shape porcelain vases, each presents a unique decor of fine crysta...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A pair of amphorae Sevres hand-painted porcelain with champlevé glaze Origin France perfect condition. The Manufacture nationale de Sèvres is one of the most important and well-known European madame-de-pompadour porcelain...

"Medallion of the king of France Louis XVIII, in sèvres biscuit". Beautiful Medallion of Louis XVIII in sèvres biscuit and gilded brass, restoration ...

A large Sèvres style porcelain urn raised on a bronze plinth. France, circa 1880. Measures: Height 25" x width 11". CW5129.