Decorative Objects

A very good quality pair of 19th century German Meissen porcelain three branch candelabra, each with two children representing 'Summer' and 'Fall' holding the harvest and grapes. Bl...

Old clock, brass case roundherum flanked with polished glass. Digit with Arabic / Roman numerals three pointers. Clockwork should be overtaken. Left glass plate at the lower corner m...

Sevres porcelain box Origin France Circa 1900 Interior decoration (flowers) bronze mount hand painted box.

A gorgeous English Papier Mâché gilt and polychrome tray with hand-painted floral motifs, circa 1850.

For thirty years Douglas Kirkland's camera has negotiated our relationship with the stars. Light Years is his photographic autobiography --a brilliant cons...

Pair of lapis lazuli and ormolu mounted 'Medici' vases after Galberg French, 20th Century Height 52cm, diameter 32.5cm These stunning vases are made from lapis lazuli and ormolu: an exceptional and precious combination of materials, appropriate for the superb design by the Russian maker Galberg, which is known from a variety of famous examples, including the monumental vase in the Grand Reception Hall of Windsor Castle. They are in Campana form, in the so called 'Medici Vase' design: bell-shaped bodies which are reminiscent of Ancient Classical vases, especially calyx kraters...

A Wedgwood Portland Jasperware Vase, 19th Century. A beautiful pale Yellow color with matching stand. This vase is "Full Size" and in excellent condition for it's 19th century age....

Kitsch brass and glass table lamp, featuring three art glass swans in pinkish hues.

A bronze sculpture of Euterpe attributed to French metalworker Ferdinand Barbedienne (1810-1892). Embellished to the reverse with the official stamp of the Collas et Barbedienne foun...

Emotive FRENCH Neoclassical Bust. Intentional unfinished appearance; unglazed rough texture, emphasizes the beauty and imperfection of natural forms.

A beautiful English Wedgwood Jasperware sage green and white round jewelry dish with neoclassical design, circa 20th century, 1979, England...

Small hand carved mirror with grapes. Unique period piece. France, circa 1780-1850 Weathered, small , small losses. Measurements include the wooden base. H:38cm W:26,5cm D:9cm

Beautiful handcarved giltwood bird ornament. Italy circa 1780-1820 . Weathered and small losses Measurements individual and include the wooden base. H:23,5cm W:41cm D:6,5cm

This is a fabulous KPM bowl beautifully decorated with reticulation and raised pink flowers. Each side of the KPM bowl is painted with a different bird painting. The inside of the bo...

This brass Mignonnette No.3 carriage clock features a rectangular top with folding handle over rectangular beveled glass escapement. The four beveled glass sides are held by plain og...

Gorgeous hexagonal crystal vase by Tiffany & Co. Signed and in very good condition with no chips or cracks. Heavy and solid. Decorative urn shape elegant on its own, also with ample ...

Baccarat (French, founded 1764), circa mid to late 19th century. This pair of magnificent and highly unusual glass and bronze ormolu trumpet vases are almost certainly created by th...

Antique bronze sculpture titled "Sabine" is attributed to the renowned French sculptor Jean-Antoine Houdon (1741-1828). The bust depicts a young girl, Sabine Houdon (Jean-Antoine Ho...

Pair of important Russian gilt bronze and metal vases Russian, circa 1820 Dimensions: Height 98cm, width 43cm, depth 38cm This monumental pair of vases are exquisitely crafted in gilt bronze and metal. They both feature twin scrolled handles, which are decorated with leaves and foliate patterns, as well as classical profiles at the top. These touch the ormolu rims, which feature an egg and dart pattern. The body of each vase is of ovoid form and features further ormolu mounts, including a thick band underneath the waisted neck, twin dog heads at the base of the handles, flowers, stars and more Classical masks with foliate scrolls. The vases are supported by square plinths, with socle form bases and decorations of fluted ribbing and scrolled foliate forms. Heavily inspired by the neoclassical style, which was popular in Russia in the late 18th and 19th centuries, the vases are decorated with gilt bronze relief scenes which allude to motifs in classical mythology. On a rich burgundy ground, the metal body of the vases show figures flanked by palm trees. One vase shows a woman dressed in a classical draped fabric garment playing two flutes and leaning on a pedestal with twirling ivy, while a baby stands...

A beautiful collectible plate by Wedgwood. This is the perfect piece for the true southerner. This decorative plate or vide poche would make a fantastic catchall. The motif is dedicated to the state of Georgia. The center bears the State Seal in an applied cream and says State of Georgia 1776. Around the rim, are applied cream stars. A well designed room is all in the details. And this small decorative...

Pair of very fine quality antique (19th century) French Greek/Roman neoclassical Grand Tour gilt and patinated bronze figural candelabra on Italian Siena marble bases.

One of the only known sculptures rendered in Blue John to exist in the world, this extraordinary George III panther exemplifies Georgian sophistication. Georgian — and later Regency — aesthetics revived classical themes of the ancient Mediterranean and Near East. With a proud stance, gaping jaw and unyielding gaze, the stately panther closely resembles the grand ancient Roman panthers often carved from marble as trapezophoros table supports. The regal cat rests atop a plinth, also made of Blue John, with Siena and Ashford marble detailing. The intrinsic and richly hued mineral inclusions of the Blue John replicate the textures and colors of the animal’s fur. The rare stone is a variety of natural calcium fluorite found exclusively in Derbyshire, England. It was first discovered in the early 18th century, but its mining did not being until circa 1760. Blue John was a wildly popular material in the decorative arts during the Georgian and Regency...

Pair of Italian neoclassical style urns in relief that can either stand on their own or hang from the wall as decorative elements. Quite handsome, with acanthus leaf decoration and f...

A sensational and extremely high quality pair of Russian 19th century neo-classical st. Imperial Porphyry lidded urns. Each urn is raised by a fine circular base with an elegant mott...

A monumental pair of neoclassical period, Swedish Porphyry Campagna shaped vases, circa 1810. These magnificent handcrafted urns are carved from the uniquely Swedish Porphyry stone, rest on square plinths. Purchased from Didier Aaron in Paris by Michael Taylor. A vase of this shape based on the Borghese vase in the Louvre is shown in a French catalogue of 1805 advertising porphyry from Elfdal in Sweden (H. Sundblom et al., Porfyr, exhibition catalogue, December 1985-February 1986, p.31). A vase of the same shape and size in Blyberg porphyry...

Pair of finely chaste bronze and dore bronze of dog and cat. Very life like.

Two modern Neolithic style Chinese ceramic pots. Sold separately. Large pot has a small hairline crack on the bottom that has been repaired. please...

This elegant gilt bronze (ormolu) fireplace fender was created in France in the late 19th century. The item will add splendour and beauty to a fireplace, making it the focal point of a room. The fender features a pierced rail which is decorated with a central cartouche, flanked by stylized acanthus leaves. The ends of the fender are topped by full-length, semi-nude figures. These include a beautiful young woman and a bearded male, holding a blacksmith’s hammer. The latter can be identified as Hephaestus (or Vulcan), the classical god...

A fine antique topographical porcelain waste bowl. By Doccia porcelain manufactory circa 1820. With painted enamel topographical scenes, ...

A superb bronze model of a classical maiden and a putto entitled 'Le Merchand de Plaisir' the winged putto holding a posey vase, the maiden with a rose, on ...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Antqiue late 19th Century French Japy Freres gilt brass enameled mantel clock featuring neoclassical styling with polychrome champleve enamel accents, four columns with spire finials, beveled glass sides and trophy vase topper. Stamped with Japy Freres Medaille D'honneur stamp. Eight day striking movement. 9470. Made in France. Japy Freres was founded in 1806 by Frédéric and his sons.. Japy Freres manufactured their clocks and watches in one place on a production line using machines...

A superb Neoclassic frieze fragment hand-carved in stone, depicting a young decorated soldier. Mounted on a wood / bronze base. Mid 18th Century, possibly earlier. The technique is...

A mid-late 19th century antique Italian alabaster sculpture depicting Leda and the Swan mounted on a green marble base. This figure of neoclassical interest is brilliantly detailed, ...

A large Russian neoclassical malachite, Campana shaped urn or Vase, the ormolu twin handles modeled with acorns, on a circular spreading foot with square stepped plinth, 19th centu...

Polished basalt, decorated with Victoria, Goddess of Victory, in her chariot; possibly after a Roman model such as the wall paintings at Herculaneum. T...

Decorate a side table or enfilade with this elegant antique vase. Crafted in Germany circa 1960 of the Hampton Hall line, the tall neoclassical vase sits on a round base and embellished with a wide mouth at the top. The Classic, cut crystal vase is decorated with a scalloped edge and etched with geographical and fern-like patterns. The luxurious piece is in excellent condition. The Noritake of today grew out of a trading company that was originally established by the Morimura Brothers in New York in 1876. This trading company imported chinaware, curios, paper lanterns and other gift items. In 1904, the forerunner of the Noritake Company was established in the village of Noritake, a small suburb near Nagoya, Japan. The goal of this first factory was to create western style dinnerware for export. It took until 1914, however, to create the first porcelain dinnerware plate...

Antique McClelland Barclay bronze figurine in the shape of a neoclassically inspired female figure without arms or head, embedded in a half r...

19th Century Roman Revival Vase Grand Tour Amphora Style, After Thomas Hope This 19th-century amphora-style vase is a superb example of Roman Reviv...

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

A gorgeous arrangement of enamel flowers, "Fleurs Des Siecles" By Jane Hutcheson for Gorham Circa 1970s Enamel flowers, in a porcelain container...

An amazing crater vase hand-crafted in Grottaglie, small town in Puglia famous for high quality ceramics. It's in original condition with normal signs of use and age, it's composed b...

After the antique “Piping Faun” now in the Louvre Museum; the result of it being bought by Napoleon from the Borghese collection. The "Piping Faun" is...

A fine pair of Italian Neoclassical style marble urns, with bronze mounts including bronze heads of Satyr or Faun the sides of each urn, bronze bud finials, and a bronze acanthus de...

Rare and large ormolu mounted malachite mantel clock signed Manière French, 19th Century Height 60cm, width 35.5cm, depth 13cm With an enamel dial signed 'Maniére / A Paris', th...

Patinated pair of English cast iron jardinaire garden planters featuring a rare demi-lune form. The planters are decorated with floral motif swag on each side centered by a Greco-Rom...

Pair of large grey marble Neoclassical Campana form garden vases Continental, late 19th century Measures: Height 46cm, diameter 44cm These fantastic pieces are a pair of large n...

A gorgeous Neoclassical style bronze censer featuring lion heads and paw feet In the manner of Oscar Bach USA, Mid-20th Century Measures: 5.5"W x 5.5"D x 12.25"H. Very go...

This is a gorgeous signed statue in bronze of a deer with a huge rack of antlers. The deers is signed and done in the manner of Francois Cartier. It is beautifully cast and dates to ...

We are delighted to offer for sale this rare and quite exquisite original 19th century Napoleon III French bust of a stunning young lady signed to the rear. A truly stunning sculp...

An Antoine-Louis Barye bronze sculpture from the 19th century depicting a horse with left foot raised and dark patina. Discover the evocative e...

Pocket watch, Deroches Brothers. Gilded metal, enamels, etc. Possibly towards the end of the 18th century. Pocket watch with a case with a transparent glass part and a composition ...

This magnificent silver-gilt Portland vase was crafted by the pioneering silversmithing firm of Elkington & Co. The iconic classical scenes are chased up...

Beautiful Murano hand blown Italian art glass vase. Created by Roberto Rossi (signed). Blue on the outside, white glass on the inside, handles and foot i...

This charming Dutch Delft garniture comprises the traditional five pieces: two beaker vases and three baluster-form jars with their covers. It is in excellent condition. We see a rom...

Plaster bust of Diana of Versailles, a statue of the Greek goddess Artemis.   

Rare and possibly unique neoclassical urn made in solid marble made in Denmark in the 1860’s. The urn is the perfect decorative object for any style of interior from a classic neocla...

French Renaissance style gilt bronze and enamel mounted onyx longcase clock French, late 19th century Measures: Height 126cm, width 37cm, depth 30cm This colourful longcase clock was created in France in the late 19th Century. It has been crafted from red marble and green onyx and decorated with gilt bronze and champlevé enamel. The clock consists of a circular enamel dial, mounted onto a cube-shaped case, placed on a tall body which is set on a short marble plinth. The circular clock dial features Arabic numerals and is ornamented with gilt bronze and colourful champlevé enamel designs. This is set within a circular gilt bronze and enamel frame and mounted onto the green onyx block. The corners of the block are lined with gilt bronze bands, and the sides are set with circular, gilt-bronze-framed champlevé enamel forms. The clock case is surmounted by a slim projecting green onyx and red marble top. This is edged with curvaceous champlevé enamel forms with gilt bronze drop-finials, which imitate fabric. This clock case is mounted onto a slim, red marble slab...