Stone Decorative Objects

Pair of Carrara marble Putti, depicted in a mirror-image position to each other: softly reclining, the torso advanced and slightly off to the side, one arm resting on the thigh, whil...

Product Description: Material: Alabaster Subject: Saint Joseph with the Child Origin: Trapani, Italy Era: 17th Century Technique: Finely carved and polychromed Condition: Excellent,...

This rare fossil of a prehistoric fish is an impressive specimen originating from Brazil, preserved by time over millions of years. Mounted on a metal bracket with complementary ston...

Male profile relief in Marble Italian Renaissance of the 17th century Measures: 18cm - Height 27 Cm Good condition for the time.

18th century Italian "Florence fragment" with a fossil coral head on a rock coral base with miniature fossil shells. This fragment is from a church in Florence. It was found and sav...

Prehistoric Brazilian agate geode on stand. White, taupe with a thin rust line. Metal stand measures 6" x 4". One of several from a large collection o...

French Louis XVI Ormolu-Mounted Marble Mantel Clock, circa 1780. Enamel dial with Roman numerals, signed in red 'Hilger A Paris', fine pierced engraved gilt hands, 8-day anchor move...

18th Century Italian Marble Bust of Caesar Augustus. His draped robe is hand-carved in red rosso levanto marble with the face modelled in contrasting white Carrara marble. The piece ...

Sculptural 18th century Italian hand-carved angel wing mounted on a calcite crystal cluster and adorned with citrine points. The hand-carved angel wing was once part of a heavenly, a...

Our monumental pair of 18th century candelabra of French origin depict Roman neoclassical male and female holding cornucopia, finely carved from white marble, with four light ormolu bronze candleholders of foliate design with fruits, nuts and grape bunches. Provenance: Arne Schlesch & José Juárez...

The bust intricately carved from Italian Carrara marble with lifelike features including textured hair and shaped chest. The bust carved as Gaius Julius Caesar Augustus Octavius (lat...

Sculptural 18th century Italian hand-carved angel wing mounted on aragonite and adorned with tangerine quartz crystals and a baroque pearl. The hand-carved angel wing was once part...

An Aztec Stone Sculpture of a dog-like creature, seated with one raised paw, having large round ears, deep set eyes, mouth with exposed upper fangs, and an unusual curved tail with c...

Sculptural 18th century Italian hand-carved brown and gilt angel wing adorned with citrine and quartz crystals and mounted on a polished hematoid slab. The hand-carved angel wing was...

A large 18th century or earlier statuary marble head of Venus, goddess of Love. Life-size and beautifully carved with superb detail to her hair & face. Probably Italian and an early ...

Imposing monumental Louis XVI temple mantel clock with osculating sunburst pendulum surrounded with Strass Chrystal topped with a female angel with trumpet. The beautiful skeletonize...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Sculptural 18th century Italian hand-carved angel wing mounted on a chalcopyrite and adorned with kyanite. The hand-carved angel wing was once part of a heavenly, angelic depiction i...

This Italian Limestone Venus Sculpture is a stunning depiction of the goddess of love, carved with incredible detail and from authentic 18th century limestone sourced from Italy. The...

The electric intensity of this piece's coloration makes it both stunning and unique. The sparkling color and natural wave-like form makes for a hypnotic sculpture evoking a sense of ...

This magnificent Louis XVI period overmantel cock was made by Charles Bertrand in Paris, circa 1790. It is constructed like an architectural monument consisting of two Obelisks on to...

Prehistoric Brazilian thick agate geode on stand. Center hole reveals beautiful natural silver crystals. Metal stand measures 6" x 4". One of several ...

Banded Iron Fossil Formation Circa 2.9 Billion y/o This spectacular banded iron formation from Port Hedland, Western Australia, provides evid...

Weight : 143.28 Gram Dimension: 5.7 x 5.4 x 4.2 Cm Origin : Paprook Mine, Afghanistan Tourmaline is a crystalline silicate mineral group in which boron is compounded with element...

A stately and large scale Italian 17th century Sarrancolin Marble planter/urn. The impressive urn is supported by a mottled and turned base below the solid Sarrancolin marble bowl. The oval body is flanked by solid marble handles...

Prehistoric Brazilian thick agate geode on stand. White center with brown border. Metal stand measures 5" x 3.5". One of several from a large collecti...

Wedgewood encaustic painted , matte finished black basalt stone urn. Hand painted decoration with 2 scenes. Egyptian Revival style. Circa 1790-1820.

A richly weathered marble Roman style head with skilfully carved features and full lips. The piece would have been part of a larger statue or carving. The marble has a lovely warm pa...

Embark on a gastronomic journey through time with our unparalleled culinary treasure, the Exquisite 16th Century Spanish White Stone Mortar. This ...

Unveil the enigma of our Marble Male Bust from France, an undated masterpiece shrouded in historical allure. This finely sculpted piece captures the essence of a bygone era, portrayi...

Ancient Roman Carnelian Intaglio. An intaglio is defined as a small Gemstone, generally semi-precious, that has been carved with images or inscriptions only on the face. This style of carving is the opposite of the cameo technique. The engraving of gemstones was a major luxury art form in the ancient world and an important one in some later periods. This particular Intaglio is Carnelian and dates from the second century AD and shows the head of a figure in profile. It is in very nice original condition and would be ideal for making into a ring. The word Intaglio comes from the Italian word intagliare, meaning “to engrave” or “cut into.” Intaglio describes the process in which an image is engraved into a stone, creating an image in the negative. When a stone carved in this way is pressed into hot wax...

This piece is an 18th century dancing putto marble statue, now available for purchase. The sculpture features a small dancing Angel 'Putto" supported on...

A stunning grape agate with calcium carbonate arrangement! Origin: Indonesia

Prehistoric Chinese stone sculpture. Shape formed from years of underwater motion. Polished finish. One of a kind decorative item. Stand measures 5" x 5"

18th Century Classical Warrior Mounted Bust Hand-Carved Out of Solid Roman Stone Sourced from Rome, Italy by Martyn Lawrence Bullard

20.68 Gram Pretty Demantoid Garnet Specimen Weight: 20.68 Gram Dimension: 2.2 x 2.9 x 2.7 Cm Origin: Belqeys Mountains ( Koh-e-Belgheys), Iran Color: Green Demantoid is the green gemstone variety of the mineral andradite, a member of the garnet group of Minerals. Andradite is a calcium- and iron-rich garnet. The chemical formula is Ca₃Fe₂(SiO₄)₃ with chromium substitution as the cause of the demantoid green color. Ferric iron is the cause of the yellow in the stone Demantoid was a popular gemstone during the Belle Époque period (1890-1915), especially in Art Nouveau jewelry. The Russian Czars...

This fine and imposing sculpture is an excellent example of 16th century Italian craftsmanship. The figure is stood on a raised, shaped rectangular base with a carved "dolphin" at th...

This piece is an 18th century dancing putto marble statue, now available for purchase. The sculpture features a small dancing Angel 'Putto" supported on...

Weight: 316.67 Gram Dimension: 8.2 x 10.9 x 4.7 Cm Origin: Skardu Valley, Pakistan Feldspar is the name given to a group of minerals distinguished by the presence of alumina and sil...

A late Louis XVI marble and ormolu portico clock, comprising a central drum-shaped clock with a sunburst pendulum, surmounted by the gilded figure of Athena wearing armour with a plu...

This 1890s French White Carrara Marble Sculpture is a timeless and elegant masterpiece, hand-crafted from the finest marble in France. Its classic design and high-quality material ma...

Weight: 359.98 Gram Dimension: 13.6 x 7.1 x 7.3 Cm Origin: Skardu Valley, Pakistan Feldspar is the name given to a group of minerals distinguished by the presence of alumina and sil...

French terracotta bust of young man resting on circular marble plinth. Signed Houdon, Late 18th century.

A decorative group of large mounted natural coral specimens displayed on our medium painted plaster plinths for display. Included in the collect...

Sculptural 18th century Italian candlestick base with natural-forming mica and tourmaline. The gilded fragment base was originally part of a candlestick in a historical Italian churc...

Sculptural 18th century Italian fragment base with coordinating pyrite and a baroque pearl on a lucite base. The fragment was originally part of a hand-carved piece in a historical I...

An extremely elegant and high quality set of four Louis XVI period candle wall sconces of doré bronze (fire-gilded bronze), wonderfully elaborate in fine and precise detail, decorate...

Weight: 200 Gram Dimension: 8.1 x 6.6 x 6.8 Cm Origin: Skardu Valley, Pakistan Aquamarine is a pale-blue to light-green variety of beryl. The color of aquamarine can be changed by...

Sculptural 18th century Italian fragment decorated with mica and crystal quartz points on a polished agate base. The 18th century fragment originally came from a candlestick in a his...

Sculptural 18th century Italian gilded candlestick with pyrite in matrix on a coordinating chalcopyrite mineral base. The gilded fragment was originally part of a candlestick in a ...

18th century Italian fragment with gold mica and baroque pearls on a phantom optical calcite base. The fragment originally came from a historical church in Italy. It is adorned with...

Sculptural 18th century Italian base decorated with mica in matrix, and silver leaf shells on an antique metal base decorated with church vestment braid. The 18th century fragment ba...

Rare vintage Buddha, the Bodhisattva of compassion and mercy.

Weight: 144.31 Gram Dimension: 9.6 x 3.5 x 2.9 Cm Origin: Afghanistan Colour: Black Tourmaline is a crystalline silicate mineral group in which boron is compounded with elements...

Fine Costa Rican Jade Axe God, Guanacaste-Nicoya region, ca. A.D. 1-1500 Of celt form depicting the mythical part human- part avian figure, with circular eyes...

Sculptural Sacred Heart - 18th century Italian sunray mounted on a yellow hematoid heart and adorned with yellow crystal quartz points. The piece is inspired by "The Sacred Heart" in...

Weight: 172.35 Gram Dimension: 6.9 x 4.7 x 5.2 Cm Origin: Skardu Valley, Pakistan Feldspar is the name given to a group of minerals distinguished by the presence of alumina and si...

A large and impressive Indian carved sandstone architectural frieze featuring a central image of the Hindu goddess Lakshmi flanked by two atten...