Sculptures

Cute vintage Murano hand blown red and clear Italian art glass puppy dog sculpture / paperweight. Documented to the Fratelli Toso company. It still retains its original "Murano Glass...

Very elaborate and lovingly designed group of animal figures: European roller leaning forward, also known as almond crow in German-speaking countries, sitting on a tree trunk with o...

Carrara marble sculpture "Schiava" attributed to Giacomo Ginotti (1845-1897). Italy, late 19th Century.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2015. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

This incredible abstract sculpture was created by the internationally well known designer André Fu, founder of the André Fu Studio, based in Hong Kong. Title "Eternal flame". This intense scultpture can be filled of water in the base and the little brass bowl can be put on, floating. A lit candle completes the scene. This is a one-of-the kind piece, hand made by the Italian factory specilized in brass work who collaborated with the designer to realised it. Wallpaper magazine assigned the Award to this iconic brass sculpture and it was an event focus during the Salone del Mobile in Milan. About Studio Fu: With an extensive portfolio of projects throughout Asia and Europe, Fu has revolutionized the concept of modern luxury with a series of projects that reflect Fu's signature artistic perspective and timeless sensibility. This artwork is the sum of his philosophy. In 2016 was named designer of the year for M&O Asia...

Circa 1925, an absolutely charming cold painted Spelter figure of a standing greyhound. This elegant lady captured standing head alert, looking fo...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A beautiful and very high quality Italian late 19th century Trets and white Carrara marble statue by Pasquale Rizzoli. The statue, in the manner of Etienne Maurice Falconet (1716-1791), is raised by a most decorative circular Trets marble base with a superb double mottled and elegantly curved design. The wonderfully executed white Carrara marble statue above depicts a charming winged young man...

Antique French pressed botanical from 1897. For those of you that may be interested, we will be listings many more antique French botanical's in the c...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Anthropomorphic terracotta of a standing dog by Laurence Lenglare. Measures 16" x 12" x H 52". Weighs: 50 lbs.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A small ceramic statue of a bird in yellow, green, blue, and brown. Dimensions: 6.5" Tall 4" Wide 3" Deep.  

The folio made of strong card stock opens to reveal 12 samples with each specimen described in French. Measures: Each Specimen 2 1/2” x 1 1/2”. Case closed. 5”x9” 1/2”.

A set of two (2) Organic Modern Lucite flower bud cubes decorative objects in the style of French designer Pierre Giraudion, circa 20th century...

This sculpture depicts the Virgin Mary, who is known as the mother of Jesus in Christian mythology. Weighing 1.5 kg, this sculpture is produced from pressed marble powder and made using the original molds from the museum. It can be used both indoors and outdoors. This work of art holds a special place for those interested in Christian art. The original depiction of the Virgin Mary makes it an excellent choice for art enthusiasts and collectors. Thanks to the high-quality material used in its production and the quality craftsmanship, it provides durability for many years. It can be used as a wonderful decorative piece in your garden, home, or office since it is suitable for both indoor and outdoor use. This Virgin Mary sculpture...

Beautiful bird of prey by Brazilian artist Abraham Palatnik. Rare colored XXL eagle. The brown-red plumage has been applied consciously on the resin. The white neck and tail feather...

Article: Ceramic pottery vase Origin: Germany Designer: Gerda Heukeroth Producer: Carstens Tönnieshof, Germany Decade: 1970s This original vin...

A stunning and extremely high quality French 19th century Neo-Classical st. white Carrara marble statue titled Not Wanting To Hear Love. The statue is raised by a oblong base with a ...

A superb 19th-Century English Staffordshire prancing zebra figurine. This charming zebra is hand painted with fine details and would be perfect for disp...

Rare Goldscheider Vienna Art Déco Art Ceramic Group of the late 1930s: Little blond girl with curly hair in a white and blue checked summer dress with red edges holding a fox terrie...

This stylish two piece set of stylized egrets date to the 1960s-1970s, and they will definetly make a subtle statement with their form and finish. Note: Dimensions of the taller e...

Rare brass cross designed by Arnaldo Pomodoro and his brother Giò Pomodoro in the 1950s, of fine Italian manufacture. It is part of the V/58/16 model. The...

Fine marble bust on pedestal after the antique. The bust sculpted as the goddess Psyche Of Capua presented as a nude female with a draped partial robe ...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

'Bracket Mushrooms in Grey and White' is a unique glass artwork by the British artist, Verity Pulford. Verity Pulford is a curator and artist, specialising in glass, who lives and...

Awesome vintage Modern frosted Lucite kudu sculpture by David Fisher for Austin Sculptures. Beautiful condition, keeping in mind that this is vintage an...

A finely detailed and realistically modeled and hand painted piece from the Royal Porcelain Manufacturer of Germany, KPM, circa 1900 and in really nice antique condition and ready fo...

Carl Auböck #5039 'Jingle Bell' Paperweight. Originally designed by Carl Auböck III in the early 1960s, this handmade piece was inspired by charming sl...

Very rare Goldscheider Vienna Ceramic Figurine of the 1930s: Representation of a young lady in a brown, Japanese silk coat over light, baggy trousers, hai...

Drill vases Part chaos and part control, drill vases are an exercise in improvisation.   The origin of the project lies in Carrara, and the small fragments of marble found discarded by quarries in the region. I began to collect these stones. Working in the workshop with only hand and hammer...

An Akari model « 40XP » on « Single Stem Base » (T1) by Isamu Noguchi Original shade in washi & bamboo rims Structure in black lacquered metal Hand-made form realized by Ozeki Com...

Piet Mondrian was and still is a pioneer in abstract art. This 3D wall sculpture is an homage to his contributions. Though his body of work spans several styles, his compositions usi...

Meissen Porcelain Germany JJ Kaendler Origin Germany Circa 1850 Design by J.J. Kaendler Porcelain material. hand made and painted rococo style Very good conditions. Natural wear due to the passage of time. Meissen porcelain (in German Meißner Porzellan...

This is a great pair of saw tooth bills on metal stands They came from a wonderful collection of under the sea items from an avid collector.

Yua Shell Currency, Bride’s Price Sepik River Region, Papua New Guinea Hand carved from a clam shell 8 x 9.25 in / 20.5 x 23.5 cm Height on custom d...

A Spanish cast-stone bust art piece. This vintage decoration from Spain, created from cast stone, features a male bust, in military attire with Roman-style helmet. There is a nicely ...

Carved stone figure of a woman, 20th century, modeled as a woman captured in a moment of contemplation, inscribed to base "J. Todak". 22.75” H x 10.25” W x 6.75” D. Dealer: S138XX.

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

Ceramica Art Deco Colasanta 1940 - Art - Anno: 1940 circa Colasanta firmata alla base Materiali: Ceramica firmata e smaltata Condizioni: Molto Buone Misure: Cm 44 x cm 1...

Original 18th Century Roman Marble Lion Bath It has the Lions head to the front, rings either side,with a beautifully veined patina These ...

Berd Vay'e limited edition "Rook" Lucite sculpture The third ranking piece protects the higher-ranking royal court. “Rook” comes from the Persian word rukh...

Yua Shell Currency, Bride’s Price Sepik River Region, Papua New Guinea Hand carved from a clam shell Measures: 7.5 x 8.5 in / 19 x 22 cm Height on c...

Early 20th Century figural cast clay face mask mounted on steel stand.

Vintage Tibetan porcelain statue depicting a seated Buddha, with hand painted orange detail.

Art Nouveau ceramic sculpture attributable to the LENCI manufacture " Woman with a pair of greyhounds " Period 30s Author The piece is not signed but, due to the age, style...

A delightful and scarce Royal Worcester porcelain figurine entitled Joan modelled by Freda G Doughty and dated 1935. The very young child figure stands raised on a half-moon shaped b...

Neo Art Deco copper-tone female flapper dancer statue dancer fixed to an alabaster base, signed Biess. Circa 1980.

Three Cubist Art Deco style musicians sculptures in ceramic. These large statues are done in a French technique called Craquele (crackle ware). They are signed and numbered “N.R” (Natacha Roche). Groups of ceramic musicians...

1970s Original travertine horse sculpture by F.lli Mannelli. The item is in excellent condition. Made in Italy. Dimension: 1,77 w x 0,39 D x 1,57 H...

A Stunning and beautiful Hand Painted ceramic Barzoi sculpture made in Austria by Goldscheider in the 1930s. This very decorative ceramic barzoi figurine by the renowned company of Friedrich Goldscheider in Vienna - Austria. The manufactory of Goldscheider, one of the most successful companies in European ceramic history, was founded 1885 and is world famous for their outstanding figurines and amazing shaped busts. This beautiful crafted early 20th century prowling ceramic barzoi dogs impresses with its realistic depiction. The timeless beauty and quality of this Goldscheider dogs sculpture makes...

Abraham Palatnik (1928-2020) Bird Sculpture, circa 1960 Polyester resin and pigments. Measures: (21.5 x 9.5 x 2.5 cm) This Polyester resin sculpture representing a bird, in the colors yellow and black It is part of the series of animal sculptures that Abraham Palatnik made from the 1960s, in small format, they are small jewels of kinetic art, a movement that Palatnik was one of the pioneers. "Born in Natal, Rio Grande do Norte, Brazil, in 1928 to a family of Russian Jews, Palatnik moved with his family to Tel Aviv (then Palestine) when he was four years old. He attended Montefiori Technical School, where he specialized in internal combustion engines, and studied art under the tutelage of the painter Haaron Avni and the sculptor Sternshus at the Municipal Institute of Art. When he returned to Brazil in 1948, his output consisted mainly of figurative and landscape paintings and charcoal drawings. However, his encounters with the complex works made by schizophrenic patients at the Pedro II Psychiatric Hospital, where he taught painting workshops alongside Almir Mavignier...

Carl Aubo¨ck Model #4867 'Egg' brass paperweight. Designed in the 1950s, this incredibly clean and refined Viennese paperweight is hand fabricated in polished brass by Werkstätte Car...

Antique Victorian Staffordshire flatback figure of a young boy dressed as a sailor holding his toy boat. In lovely original condition. H 16cm...

Vintage Italian ceramic dog figurine features our cute long-eared friend sitting atop a comfy pillow. Ready to enhance the decor of his new home....

Hermes is the messenger god in Greek mythology. He is the quickest and most clever of the gods. The original is displayed in the Side Museum. Measure: height: 11.8'' / Weight: 2 k...

A Fantastic and Large Pair of 19th Century Meissen Porcelain "Day & Night" Figures of Putti. Each is beautifully hand-carved and hand-painted by the finest Meissen artists. They are both gorgeous with draped attire and a plethora of various day and night based attributes. Day is seen wearing a pink...