Art Deco Figurative Sculptures

Karl Hagenauer (Austrian, 1898-1956) statue depicting the dancer Josephine Baker, cast brass in chrome finish, circa the 1930s. Stamped ATELIER HAGENAUER WIEN, MADE IN AUSTRIA with W...

Art Deco Vintage vintage hand carved sculpture from lacquered limewood 1930s Vienna. A stunning figurative sculpture showing the main figure Lumpacivagabundus from a popular Viennese...

Art Deco bronze sculpture hoop dancer by Georges Duvernet. Patinated bronze on a Portor marble and onyx base. France 1930. A slightly different version of this bronze is illust...

This Art Deco sculpture was produced in Italy and more precisely in Milan, by Guido Cacciapuoti in the 1930s.  The base is in ebonized wood and the sculpture, a typical Art Deco sty...

iconic sculpture by Marcel Andre Bouraine of “Penthesilea, queen of the amazons”, is cast bronze in the rarest original antique silver color patina. Depicted is a nude woman archer i...

Incredible bronze original Art Deco signed and numbered Franz Hagenauer circa 1930.

Rare and excellent Goldscheider art ceramic figure of the 1930's: Young standing Japanese woman in traditional kimono with wide sleeves and colored floral decoration on dark blue ba...

OLYMPIA Big, dynamic sculpure of an Greek athlete. Colored patinated white bronze with original patina. Sloping stone base with signature. Original ...

Eugene Riboulet Art Deco White Clown "Paillasse", Biscuit Proof circa 1930

Elegant dance couple, performing a long dance step to the side: the leading figure with a black hat, red jacket with wide sleeves and matching red breeches hugs the dance partner from behind in a strapless, black and white lace dress...

Large original bronze by P. Hugonnet signed on the marble, it is depicting the classic javelin thrower. This is a very well-detailed and quite intense figure. Look at his face, his h...

Elegant Goldscheider Art Déco art ceramic figure from the 1930s: Dancer with chin-length brunette hair in light gray-blue long dance dress with abstract floral decoration, posing wi...

Incredible sculpture in german porcelain signed Rosenthal Moortgat circa 1930 representing Jesus Art deco

Incredible french Art Deco figure attributed to Bruno Zach dancer circa 1930

Graceful sculpture of a dancer with disk in green finish standing on black marble by Alexandre-Joseph Derenne for Max Le Verrier.

Art Deco bronze sculpture Diana the huntress with bow and fawn by Charles Eugène Breton on a rectangular bronze base. With artist signature and title. France 1930. Art Deco bronze...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, gray skirt with floral decoration and a pink...

Depiction of a dancer in Spanish costume: she wears a mantilla, a veil cloth that covers the head and neck down to the shoulders. Often, as here, a high comb is also tucked underneath, the peineta. The cloth is still worn today for festive costumes and is mostly made in lace technique. In addition, the dancer wears an elaborately decorated with floral patterns asymmetrical ruffled skirt. On oval, black-beige marbled base in rare execution. This figure also exists as a group 'Spanish Dance' with dance partner, model number 7557, a more frequent version. Designed by Josef LORENZL (1892 - 1950), an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long...

This important example of WPA art, which celebrates American history and folklore like so many murals and other artworks in the 1930s, presents the bearded fig...

Beautiful art deco sculpture signed by Charles Henri Molins. The sculpture is signed by the author in the corner of the marble base.

ATALANTE Big, dynamic sculpure of a female archer and an antelope. Colored patinated white bronze. Sloping stone base with signature. Original work o...

Porcelain sculpture "Vanity" signed Fraureuth Kunstabteilung. Germany, circa 1930.

Fabulous simple yet elegant design by Walter Von Neesen for Chase circa 1935. Brass & copper stylized in the form of a arching cat. Rare find. In excellent vintage condition with min...

For those who loves motorcycles, here is a little gem. Beautifully cast and finished in a warm dark brown with hints of copper showing through, not quite what is referred to as "ja...

Art Deco sculpture of a girl playing with a cat by Uriano. Metal with multi color patina on a marble & onyx base. France ca. 1930.

Limousin Art Deco sculpture named "A Woman and her Two Dogs" was created circa 1930s. This very attractive sculpture by the French Art Deco master...

Rare Goldscheider Art Deco ceramic figurine: Depiction of a seated dancer in a blue, strapless ball gown with lace flounces, the right leg folded over the left and the left arm on the knee, holding a ball mask...

Very rare Goldscheider Vienna ceramic figure of the 1930s: Young pretty lady, chin-length hair fastened with a hair band, posing in a long green dress with a wide, high-slit skirt decorated with flowers, which she holds up with both arms stretched out to the side, her head turned to the side with a straight look. On a cream-colored oval base shaded on the side. Manufactory: Goldscheider Vienna / Austria Technique: handcrafted ceramics, finest hand painting, glossy finish Designer: Claire Weiss /= Klára Herczeg (1906-1997) Sculptor, childhood in Vienna, apprenticeship as a sculptor at the Vienna Arsenal Foundry, studies at the Budapest Art...

Lady Icarus gilded Art Deco statue adorns French marble clock. A beautiful rendition of the female form of Icarus with Art Deco-style wings spread across the top of this lovely serene female form. Her head is set back in a special way as she contemplates the time and life’s unusual spiritual and psychological pursuits. A unique piece of Art Deco mythology...

Mythologically perceived small group figurine with faun and rino by Just Andersen, Denmark. Designed and made around 1930. Composed of Just Andersens own alloy called Disko Metal. Th...

French Art Deco ceramic sculpture by BERLOT-MUSSIER (Vierzon, 1929-1939), France, 1930s. Measures: Height: 9"(23cm), Width : 16.9"(43cm), Depth: 4"(10.2cm). Marked "Odyv" under the base. The ODYV brand is a creation of the Berlot-Mussier manufacture in Vierzon near Bourges (Cher, France). Created in 1927 from the meeting of Mr. Berlot, a coal wholesaler, and Mr. Mussier, a coal salesman, the company first produced porcelain before specializing in the production of earthenware. Art Deco style, it is a great success for the manufacture. If production slows down sharply during the Second World War, exports to big families in North Africa allow the company to recover well after 1945. Becoming its majority outlet, Berlot-Mussier will experience great difficulties after the independence of the Morocco and Tunisia in 1956, but especially Algeria in 1962. In the 1970s, the company was drawn into bankruptcy, following a crisis affecting the entire sector in Vierzon. The ODYV brand is a set of Art Deco objects produced between 1929 and 1939. It includes clocks with pendants, vases, shaped pieces as well as lamp bases. Art Deco appeared in Paris in 1925, during the international decorative arts fair. This style, based on the simplification and geometrization of shapes, will be very successful during the 1930s and ensure great success for ODYV. The specificity of this collection is its adaptability to customers. Indeed, the colors but also the shapes are chosen by the customer who can then order a unique piece according to his tastes. Customers may hesitate between a choice of pastel colors such as shades of pale green, beige, white or pink, all accented with gold or silver. All these objects were distributed by independent distributors who worked with Berlot-Mussier. A book retracing the history of the factory was published by the Charles VII...

Pair of 1930's French art deco bronze sculptures of dancing girls finished in Verdi green and black lacquered.

A delightful and finely made English Art Deco porcelain figure titled The Thief in Middle Eastern dress made by Royal Worcester and dated 1936. The figure of...

DIMENSIONS Height: 9.5 inches Width: 6.5 inches Depth: 3.75 inches MARKINGS Brown-patinated bronze, inscribed on base: H. Scholter

Sculpture, attributed to Georges Lavroff Lady with kitten Bronze with original patina and partial gilding Stepped plinth Original Art Deco, France 1930s Dimensions: Width...

French Model Propeller Airplane Wood Metal Art Deco. Mixed wood with lots of metalwork. Wings, propeller, tail, and windows. Fashioned after The Dewoitine which was an Art Deco 1930s...

Raymonde Guerbe (1894-1995), Rare Art Deco Bronze Sculpture Lady With Cape Guillemard Edition is a remarkable piece of artwork from the Art Deco era. Created in France in the 1930s, ...

This graceful dancer in bronze was done by the distinguished and highly regarded Austrian sculptor, Josef Lorenzl. Many of his other works are shown in the book "Art Deco and Other F...

Art Deco Valkyrie ceramic sculpture by Charles Lemanceau at Saint-Clement's, France Ca, 1930. Crackle glaze ceramic. Signed "Lemanceau" on the base. Biography: Charles Leman...

Stunning French Art Deco bronze patina spelter figure gracefully kneeling and decorated in two colors: bronze patinated blue color for her dress and gilt col...

An Art Deco Bronze Statue by Armand Godard, produced by the Parisian foundry of Edmond Etling. This is an example of a high style rendered in the highest quality. Nothing is more emb...

This woman bust is in Plaster. It is an Art Deco sculpture, made circa 1930, in France. In a white color.

Art Deco 1930 porcelain figure by Karl Tutter (1883-1969) for Hutschenreuther. This piece has been created in Bavaria, Germany back in the 1930. This was designed by the artist Karl Tutter-one of the premiere porcelain modelers of his day!-and made by the Lorenz Hutschenreuther depicting a naked women, with the arms open in direction to the sun, this pose called Sun Child. The main body is decorated with delicate skin cream color, with accents of black, red and light gilding. all mounted in a ball on a round pedestal base. This piece have a height measure of 12.75 inches (32.40 Cm) and the base have a diameter of 3 inches (7.6 Cm). Signed at the base, with the company maker's logo for "HUTSCHENREUTHER GERMANY" and the incised inscription "K TUTTER...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

Art Deco Rare Porcelain Figurine, Flower frog by the Porzellanfabrik Günthersfeld AG, Gehren, Germany 1930s. Rare find, this piece was made of porcelain trimmed in gold, it is in gre...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, light gray skirt with floral decoration and ...

The Cobbler working on Boots and the Nobleman protecting his Money. Bookends by “Max Le Verrier”, signed Original French Art Deco, 1930s Bookends made in “Régule” (spelter) S...

Rare Goldscheider Art Deco Ceramic Figure Of The 1930: Young dancer with chin-length, dark blonde hair in a form-fitting, short, light-blue dress with a long train attached to the back with white-blue floral decoration, holding it up on both sides with outstretched arms and taking a step to the left. On a beige, slightly curved, stepped oval base with light green painting. Designed by Josef Lorenzl (1892 - 1950), was an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long legs and closed eyes. Lorenzl designed numerous ceramics for Friedrich Goldscheider and Keramos and was one of the most popular artists...

Italian Art Deco terracotta sculpture signed U. Cipriani. Italian Art Deco terra cotta sculpture of a male athlete artist signed, Ugo Cipriani. This terra cotta...

Bookends Pierrot and lady with fan White bronze with original patina on a base of Portor marble Original Art Deco, France 1930s Dimensions: Width: 22 cm Height: 19 cm Dept...

A very fine Art Deco pottery figure of a North American Native figure of a kneeling girl made by Van Briggle Art Pottery in the 1930’s. Van Briggle Art p...

Le Bertetti Sculpture depicting a bicaudate mermaid by Le Bertetti, 1920s-1930s. Model no. 40. Sculpture dated and signed.

Art Deco lamp standing nude with ball by Max Le Verrier. This figural table lamp is the smaller version of the famous Clarté model. The statue is executed in Art metal with green pat...

Dancer with hat and fan by Marcel Bouraine (1886-1948), signed on the base bronze, silver plated detailed decorated base made of Portor marble Original Art Deco, France 1930s...

Three children walking side by side: in the middle a blond boy dressed as Pierrot with a pointed hat, arm in arm with two girls, one in a red tutu dress, th...

Little curly girl in a blue spotted dress, her hands on her hips and looking at a ball in front of her. On a beige, round flat base. Designer: GERMAINE BOURET (1907 - 1953) Dra...

Sculptural group in patinated metal based on a solid plate of Belgian marble. Made in France Ca, 1930. Signed by J de Roncourt. Cataloged in the dossier...