Art Deco Figurative Sculptures

This sexy young nude maiden displays two mediums used to create a sculpture, cast bronze and hand carved alabaster. The white alabaster brings the statue to life, and is a nice addition to any statue of a female. The beautiful nude has flowing hair and the body reveals just enough to create a sexy pose. Mounted on a sienna marble base is always a plus, and not often used for sculpture. Artist signed "Vale", and also bearing the foundry signature and seal of Henry Schumacher...

An early Art Deco bronze nude sculpture of a Dancer by Affortunato Gory. This is one of the most spectacular pieces we have been able to offer. The darkly gilded patina is smooth and flawless, highlighting all the delicate features of the subject. Note her lovely face, perfectly rendered hands, and feet (the details many sculptors do not execute so deftly). Her elaborate headdress has great texture, and the alabaster ball...

Sculpted by America’s foremost artist with a focus on the form and performance of male athletes, this masterpiece of 20th century sculpture -- especially large and rare -- depicts a nude discus thrower as he is about to hurl the disc forward. Robert Tait McKenzie...

An Art Deco bronze pin dish with a ladies head looking outward. Signed 'B. Zach' and stamped 'Made in Austria' Artist: Bruno Zach (1891-1935) Dimension...

1930s Art Deco French Craquelè sculpture.

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a young variety dancer in pose. She wears a short, low-cut, blue ruffled dress, the skirt ends of whi...

An erotically charged early 20th century Art Deco cold painted bronze figure of a seductively dressed young lady holding a riding crop behind her back standing in a domineering pose and wearing a revealing basque with gartered stockings, raised on an oval shaped Brazilian green onyx plinth, signed Zach. Bruno Zach (German, 1891–1935) - Bruno Zach was a prolific creator of tall, athletic, independent women in bronze...

An exceptional and large impressive French Art Deco earthenware figural study of a seated young naked girl sat between two Borzoi hounds by Armand Godard produced by Marcel Guillard (1896-1932) for Editions Etling, Paris and dating from around 1925. This huge pottery figure is mounted on a long rectangular shaped integral base and portrays the naked girl...

Depiction of a standing lady, proudly looking to the side in oriental garb. She is wrapped in a large beige cloth that extends to the floor, the front is decorated with a stylized, g...

Nude fem sculpture (Descomps) gilt bronze and onyx material perfect condition with natural wear Art Deco, 1920.

Italian unique hand painted plaster mannequin head 1920s.   

1920s Steelcraft "inter-city-bus" antique pressed steel truck, wonderful original condition, color surface, patina.

Beautifully sculpted by Tore Strindberg, one of Sweden's leading sculptors in the early 20th century, and sensitively cast and gilded by the Otto Meyers fou...

Rare Large Goldscheider Art Deco ceramic figure around 1925 Standing Pierrette, bent slightly forward, putting one foot in front of the other, supporting her hands on her hips, smiling and looking to the right. She wears a cap over her chin-length hair, a dress patterned with bouquets of flowers and a wide ruff, over it a striped jacket and a wide, long, black cloak with a light brown-orange lining. The figure is based on a cream-colored, round base, artist's signature 'Kostial' on the back at the bottom of the cape. designed by Josef KOSTIAL...

Art Deco bronze sculpture seated nude with flowers by Maxime Real del Sarte, France 1888-1954. Ca. 1920 Information about the artist: Bronzes, sculptors and founders by H. Berman, Abage. The dictionary of sculptors in bronze by James Mackay...

Fabulous and rare, this pair of gilded bronze door pulls depict two joyous nude female figures, one a dancer and the other playing the tambourine. Although the sculptor is not known,...

French Art Deco patinated bronze sculpture, by E. Popineau, circa 1920, cymbals dancer. Signed. Also stamped by foundry, la Stele. 36.25" high. 17" wide at hands. Francois-Emile ...

Vienna cold painted bronze dancing flapper, attributed to Bergman Fantastically modeled and painted, beautifully patinated surface, unsigned This work stands 6.5-inches high x 3-i...

Rare Art Déco Goldscheider Ceramics figurine The dancer wears a dance dress in red-brown tones cut low at the front and back with a wide, short ...

A fine signed original French Art Deco terracotta sculpture of a naked young woman seated on a rectangular shaped self plinth. The bare chested ...

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a blue and rose two-piece suit with a slouchy top and ruff...

Rare and very fine, this set of bronze-toned bookends feature a nude male figure in repose, his arms resting on one knee, in a Renaissance setting topped with an arched cornice and p...

Signed on the plinth “Silvestre” Original wooden base. Dimensions Height: 11.75 inches (29.37cm) Width: 23.25 inches (58.12cm) Depth: 6 inches (15cm) PAUL SILVESTRE (French...

Rare goldscheider figure of the 1920s: The standing dancer wears a pink cylinder hat on her short brown locks. The flower-patterned top of her costume is tight-fitting and sleeveles...

Exceptional Art Deco Goldscheider figurine by Josef Lorenzl. Designed by Josef Lorenzl (1892-1950), one of the most important designers having been active for Goldscheider manufactory in the period of 1920-1940. Model 5193 was created 1923-1924. Made circa 1925-1930 Specifications: The young man dressed as a jester with a fool's cap sits on a black base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

An Art Deco bronze sculpture by Darcles entitled “Nu Allonge” (Reclining Nude) on a marble base. Created in 1925 and embodying all the stylistic elements of the Deco Era and executed...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a dancer in pose. She wears a headdress that tapers to a point at the front and frames her face, and a sh...

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing Pierrot in a slightly bent position, his right hand in the...

Bronzed Statue Material: Ceramic bronze Source: Czech - Art Deco Period: 1920-1929.  

Exceptional Art Déco Goldscheider Figurine by Josef Lorenzl The young man dressed as a jester with a fool's cap sits on a green base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

Signed on the plinth “Lucile Swan” Valsuani Foundry stamp. Original black patina. Dimensions Height: 14.5 inches (36.25cm) Width: 5 inches (12.5cm) Depth: 2.5 inches (6.25cm) LUCILE SWAN (American, 1887-1965) was born in Sioux City, Iowa. She attended the Art Institute of Chicago from 1908 to 1912. In December 1912 she married painter Jerome Blum...

Rare Art Deco Goldscheider Ceramics Figurine A young musician is depicted who, dressed as Pierrette, sits on a pedestal with her lute. Her wide ...

Very Rare Goldscheider Vienna Figurine of the 1920s: Standing pierrette leaned forward and holding her hands together behind her back, in a white costume with a multi-layered, pine-cone-like balloon...

Depicted is a young musician, dressed up as Pierrot, who is sitting on the elongated base with his legs outstretched and hugging his lute. He wears a green suit with a wide, multi-la...

Clearly influenced by the geometric forms and exaggerations of French Cubism, this rare and striking bronze presents an African mother nursing her child,...

One of the rarest and most important sculptures eminating from the ARKO ceramic school established by Alexander Archipenko in Woodstock, New York, this stylized group of praying figu...

Italian ceramics Cacciapuotti Art Deco in perfect condition.

Art Deco bronze sculpture of a nude in split pose with arm outstretched holding a scarf behind her on a marble base. Beautiful multi-color patina. Signed in the bronze F. Trinque, ci...

Beautiful 20th century Art Deco bronze man with a bow signed by G.Gori from the 1925. Very nice brown patina. Very elegant statue. Perfect condition.

Rare Art Deco Goldscheider ceramics figurine The dancer wears a blue-green dance dress cut low in front and at the back with a wide, short skirt...

Very rare Art Deco goldscheider ceramics figurine The young lady with a brunette page-boy head, shown is the German actress Emmy Sturm (1900-1977), is wearing turquoise silk pajamas...

Very rare Art Deco Goldscheider ceramic figure of the 1920s. Depiction of Till Eulenspiegel in a uniform costume with brown ribbons, framed by a black zigzag pattern, with matching shoes, a large ruff and a brown fool's cap, leaning on a pedestal covered with a colored cloth and playing a flute. On a black oval base with the artist's signature 'Kostial' on the back of the pedestal. Originally from Germany, Till Eulenspiegel allegedly lived as a wandering rogue in the 14th century, born around 1300 in Kneitlingen near Brunswick. He traveled around the Holy Roman Empire and other parts of Europe, as a country traveler he became the protagonist of a Middle Low German collection of swans, which was first published by a Strasbourg publisher without naming an author long after his death around 1510. In later illustrations, the fool's cap became his most important attribute and distinguishing mark, often with 'Donkey ears' and / or bells occupied. 'Eulenspiegel' made his main entrance in English- speaking culture late in the 19th century as 'Owlglass', but was first mentioned in English literature by Ben Jonson in his comedic play The Alchemist. Designed by Josef KOSTIAL...

A fabulous gilded bronze car mascot modelled as a lady golfer and mounted on a marble base. Signed on the base J Dunach; Jose Dunach (1886-1957) was bor...

Charles Vyse British Studio Art Pottery figure of cineraria boy, circa 1925.

Very rare Goldscheider Vienna Figurine of the 1920s A standing dancer looking to the side with arms crossed and raised in front of her is shown. The young lady wears a Russian costume, decorated with elaborate blue embroidery, with a high fur cap and a highly tailored, fur-lined coat with wide sleeves, tight trousers and high, black heeled boots...

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a green two-piece suit with a slouchy top and ruff...

A brilliant example of early French cubist sculpture, this depiction of an African drummer, her hands beating the two-sided drum and her head looking up as she sings or chants to the music, illustrates the fractured, reinvented reality that Picasso and Braque invented just ten or twenty years before. The abstracted breasts of the figure bring to mind the mature Cubism of Ossip Zadkine, Jean Souverbie...

A very large and stunning hand painted French Art Deco necklace and/or camisole display mannequin bust of a chic woman. Her expression is not ...

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

Whirling, spectacular circular marble centerpiece with a bronze sculpture of two dancing girls holding hands by the French artist Andre Gilbert, circa 19...

Bacchus and a boy with grapes by Kai Nielsen (1882–1924). From Bing and Gröndahl. Signed on the base. Boy: Number 21. (1912) 11 x 10 cm. And A 51. (t279) 13 x 13 cm. The figurines is...

Admirable Rosenthal figurine group by Josef Limburg Manufactory: Rosenthal / Selb / Bavaria / Germany Dating: manufactured circa 1925 Material and technique: porcelain / chinaware / painted / glossy finish Design: Josef Limburg 1923 'Young Love' Two naked cherubs kissing each other; a seated putto hugs the second boy crawling towards him and kisses him on the mouth; modest painting; The group of figures is based on a flat rock...

Exquisitely sculpted, probably by an Italian artist, this lovely and beautiful marble sculpture depicts a nude Venus figure emerging from a scallop shell,...

Very nice terracotta girl by the well known Austrian artist Susi singer. Made by Gudrun Baudisch. (SS). Made in Austria.

Entirely charming and whimsical, this Classic -- and rare -- pair of bronze candlesticks depict male and female sprites, each standing on a gilded sphere and carrying an Amphora. The...

Large and rare, this bronze sculpture depicting a half-nude laborer in the field, straining to move his plow through the soil, was sculpted by Jeanne Bertrand...

Silver statue 'Bowling player' with a wooden base, used as award or trophy Maker: W.J.L (unidentified) Made in 1923 Fully hallmarked. Dimensions: Approximate 13 x 8.5 x 17 cm ...