Wood Sculptures

French sculpture, original good vintage condition. All damages on pictures. Zebra was produced in 60s in France.

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. . Measurement here below includes the wooden ba...

Wonderful period piece. Beautiful weathered Neoclassical hand carved oak caryatid angel figure. Weathered. france circa 1780 H:34,5cm W:10cm D:5,5cm

Finest quality carved, Victorian era, Black Forest deer / stag wall sculpture. One of the main reasons for people wanting to own and enjoy antiques is for their decorative appeal an...

Abstract Wood Sculpture, Brown and Gold color Base France 1970

Vintage Flexible Wooden Snake Sculpture, in Very Good conditions. Designed 1970 to 1979. Additional information: Material: Wood Color: Beige Item Typ...

This extraordinary jointed doll – a so-called Santo figure – probably originates from Florence and dates back to the 18th century. With a height of 78 cm, a depth of 20 cm and a widt...

Early 20th Century bronze sculpture depicting a young goat, rendered with a charmingly simple yet expressive form, and mounted on a solid rectangular block of wood. The piece capture...

This tiki-style carved wooden rack is unique. With its mid-century desert tiki vibe, it's the perfect example of the cool artifacts found on the West Coast. This piece is painstakin...

Cast Iron Tang Horse Sculptures in Aged Verdigris over Brass, on Plinths (Pair Available but priced per each) Striking vintage Tang-style horse sculpturescrafted in cast iron and cl...

Fun Mid-Century ferris wheel with red enameled metal frame and wooden cabins mounted on a wooden block. The wheels spins and the little cabins move as wel...

There are several smaller and lesser-known independent workshops across Scandinavia some producing exceptional and stunning work. Birger Åberg is one such artist or perhaps ceramic s...

Very Large Spanish Silver Nef Ship Model Juan Sebastián Elcano Spanish, 20th Century Height 92cm, width 128cm, depth 23cm This exceptional Spanish silver nef is based on the Juan S...

Abstract bronze sculpture on matte black be by Elvio Becheroni.

The heartwood is the inner part of the wood, its steel-hard core corresponds to the oldest growth zones formed by the tree. It is this dark material that persisted in the European walnut logs...

Assemblage No.02 is a captivating statement piece. Heavy, Rough and impenetrable, this sculpture is a testament to Jim Rose's work. Meticulously crafted, artist Jim Rose was a master...

Beautiful wooden wall plaque relief sign, made in the Brutalist style in Germany in the 1970s. This is a wonderful Zodiac sign. This can be used as a Wall decoration or as a decorati...

One of a kind coat-rack with hand carved oakwood deer heads. With hand carved items being one of our favourite, we are always thrilled to find rare hand carved antiques. Especially ...

Intriguing horse sculpture made of hand carved solid wood, vivid carving details, hand painted with beautiful rustic patina. Professionally mounted on wood base. Exceptional object ...

Beautiful handcarved giltwoodornament depicting two birds. Italy circa 1780-1820 . Weathered and small losses Measurements individual and include the wooden base. H:28,5cm W:56cm D...

Carved Mahogany Relief of the Lion of Saint Mark with the Wheel of Saint Catherine A finely carved and deeply modeled wooden relief, depicting the iconic Lion of Saint Mark in a str...

Black Forest Hunting-Theme Hand-Carved Wooden Wall Mounted Salt Box. This beautiful and compact Black Forest wall salt box depicts a masterful...

ABOUT A mid to late 19th century carved wooden horse with horsehair mane and tail, fabric ears, saddle, harness and nail-head eyes. CREATOR Unknown. Made in Germany or the USA....

Rare Gothic revival church crucifix and a wonderful hand crafted work of religious art. Made and marked by Brom, Utrecht (see image 17). Brom of Utrecht was a family (or dynasty) of...

18th century Italian gilded and hand-carved tabernacle adorned with an 18th century Italian gilt chalice and Sabina Faye Braxton gaufrage fabric. This tabernacle once belonged in a h...

A hand carved wooden female figure sculpture. The wooden carved sculpture is in the shape of a female figure and sits on a square base. This sculptural figure appears to be made out ...

T. Frederick, "Jack Russell Terriers with Balloon" Bronze Sculpture, 1992 Limited Edition, Signed and Numbered 3/26 Dimensions: 9.5" H x 13.5" W Medium: Cast bronze with verdigris ba...

This amazing German chandelier features a delicate hand-carved and polychrome hand-painted mythical lady or mermaid with a scaly fishtail. The adorable and handsome lady is holding a cartouche-shaped shield. The light fixture is hung on a chain suspension, mounted on real antlers, and decorated with red and yellow wrought iron...

This is an antique wooden netsuke made in Japan around Showa period 1980s. The signature is written on the back side 'Ishikawa'. Netsuke is a miniature sculpture, originating in 17t...

Rosario Russell Fiore (American, 1908-1994) Art Deco figural nude bronze, 1930s 5 inches wide by 3 ½ inches deep by 10 ½ inches tall Rosario R. Fiore was a prominent American scul...

Late 19th Century Fa’alautalinga War Club, Samoa A short cylindrical handle flares and flattens into a paddle form tapering to an edge, with a raised medial ridge on both sides. Fin...

The vintage 1960s teakwood lion toy brush figurine was designed by Gunnar Florning for Laurids Lonborg Denmark. It was created using teakwood, a high-q...

Smallest elephant: height: 13 cm, width 13 cm and depth; 7 cm

A fun solid walnut sculptural jewelry box by Eric Arcese, circa 2000s. The piece is in very good vintage condition and measures 5.75"W x 4.25"D x 4"H. The box's lid pivots in two pl...

Early 20th century continental decorative carousel horse circa 1900. Unique continental painted merry-go-round horse circa 1900. Excellent opportunity to own this highly decorative ...

Wonderful hand carved baroque angel figure. . Spain, circa 1750-1800 Weathered. small losses and old repair. Measurement here below includes the wooden base. H:57cm W:18cm D:20,5cm

Beautiful handcarved giltwood bird ornament. Made out of wood with later chalk restorations. Italy circa 1780 . Weathered, losses and old repairs. Measurements individual and includ...

The "Birds Eye" sculptures by Patrick Coard Paris are an embodiment of modern abstract elegance. Expertly crafted from a luxurious black oak veneer inlaid on a fiberglass core, these...

A pair of English carved fruitwood griffins, on plinths.

This sculpture is a hand carved reclaimed natural teak wood root sphere. The outer section is polished and the inner root left untouched in contrast. By leaving the live edge it give...

Mid-Century Modern metal tree sculpture by Curtis Jere. This Brutalist art sculpture features brass painted leaves with wire spray bursts and is mounted on a black wood base. Signed ...

Bark painting of Namarrkon, Northern Territory, Australia A bark painting of Namarrkon, the lightning spirit. Wearing axes in his belt, he holds another in his hand, which he uses t...

A beautiful and exceptionally 19 inches tall classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the early 20th century, covered with a layer of wax. Signed by the artist on its underneath. In good condition with charming patina. A classic traditional doll with a simple but lovely design, a decorative piece. In Japan these dolls symbolize love, friendship and believed to be a lucky charm. We offer more large Kokeshi...

Just discovered and coming from a Shinto Shrine deaccession Call or message us for details or to reserve. Japan an early and superb pair (2) of mythical Shi Shi Temple Foo Dogs als...

Y vase made for the collection of twenty-seven woods for Chinese artificial flowers vase by Ettore Sottsass, Edited by Design Gallery Milano, 1995. Limited edition of 12 numbered pi...

A rustic yet sophisticated 19th century Bulgarian flax thresher comprised of two curved wood panels covered in hundreds of flint blades and mou...

Antique crucifix with stunning hand carved details and an amazing patina. This remarkable and good size crucifix with a sculpture of a suffering Christ on the cross is another one...

1970s Carved Horn Sailing Ship on Horn Base String and metal rods. - cork for tops Colors: Brown, White, Cream Sailing ship Nautical Handmade with real Horn bone, it has great detail...

Beautifully carved and large size corpus of Jesus, made in the Arts & Crafts era. This meaningful and unique crucifix from the early 1900s comes with a larger than life, hand carved oak Corpus of Christ. The details in the anatomy of this Christ are very well carved and they clearly reveal the suffering and dehydration that His body endured in the final days of his life. The artist/sculptor is clearly showing us the image of Jesus when or right after he bowed his head and died. The solid oak cross is original to this corpus and it was given a different color so that the unique and impressive corpus stands out perfectly. Have you also noticed the perfectly carved and thick crown of thorns on the head of Christ. The patina of this excellent condition and large corpus is another great feature that will never fail to impress. The former owners gave us the photo that you see in image 3 in this listing and in it you can see where this antique corpus...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Handcrafted Art Lull No102 – Wooden Totem Sculpture by Joel Escalona ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded forms and...

Extremely rare, very decorative and lifelike horse made of leather. Probably from the house "Liberty's London" in England. The proportions are wonderf...

Good quality gilt colored coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing lions. Gilt has been worn through to allow the red ba...

Good quality gilt coloured coat of arms. Central shield with acanthus decoration, flanked either side by outward facing standing greyhounds. Gilt has been worn through to allow the ...

This is an antique wooden netsuke made in Japan around Taisho period 1920s. Netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fas...

Made using a manufacturing process utilized for railways, medical devices, and electronics, the Fin Trivets bring an Industrial touch to your tabletop....

The Oval Queen by Patrick Coard Paris, shown here in its black oak veneer inlaid on a fiberglass core, exudes an understated elegance that brings a sense of depth and warmth to its m...

Rare decorative driftwood toteme sculpture in a wabi sabi and brutalist style with a black stained foot. In good condition. Dimensions: H: 140 cm / 55" W: 25 cm / 9.85" D: 20 cm / ...

An african carved wood Senufo Rhythm Pounder

Love this set of Three Vikings . all original from the sixties . One slightly bigger . All complete with there armory . Very scary . Handmade .