Cast Sculptures

Supermarine Spitfire Airplane Model, desk / counters / sculpture. Made in United Kindom 1930´s. Perfect Gift for any pilot or aviation fan. The Supermarine Spitfire is a British sin...

This antique whimsical cast bronze figural bell is unsigned and has no foundry mark, but is presumed to originate from the United States and date to appro...

This exclusive pair of Italian sculpture custom design lamps, handcrafted for Cosulich Interiors & Antiques, presents a very interesting Brutalist cast bronze base and sail-shaped fr...

Bust fragment of Venus, goddess of Love, seduction, and beauty in Roman mythology. The original statue dates back to the 5th century BC. Sourced by Martyn Lawrence Bullard from Paris...

Stunning pair of white enameled cast iron shell motif sculptures, perfect for a mantel statement. These were refashioned andirons cut down to fit on top of a mantel in Palm Beach.

In the first plaquette the putti drink wine, eat grapes, make music and wrestle in a field with a round temple in the background. Signed CLODION In the second plaquette, young sat...

Plaster Figure of the Doryphoros of Polykleitos, Early 20th Century Cast of 5th century Classical Greek sculpture Description: A splendid plaster model of the Doryphoros or ‘spear-b...

A French bronze figure of the Borghese Gladiator, mid-19th century, cast by Ferdinand Barbedienne, after the antique. Base dimensions: 34.5cm...

A large cast bronze sculpture of a Buddha's left hand. Indonesia, circa 1980. Dark brown patinated finish. The gesture is known as Dharmachakra Mudra, the traditional Buddhist gest...

This small bronze sculpture is a maquette for a large scale sculpture at the Olbrich Gardens in Madison, Wisconsin. Made with the ancient lost wax method, a process dating back to th...

An endearing early 20th Century patinated bronze study of a standing terrier with excellent textured surface detail and colour, raised on a bronze base and signed PB Parsons ADDITI...

American Art Deco Roman Bronze Works, New York Anubis Patinated Bronze Circa 1920s DIMENSIONS Height: 34 in (86.36 cm) Width: 17 in (43.18 cm) Depth: 3 in (7.62 cm) ABOUT An Art Dec...

Signed Loet Vanderveen Bronze Bull Sculpture, 160/500. The earlier number, e.g., 160, in the edition tends to make a sculpture more valuable compared to later numbers. This handsome ...

19th Century Japan Tiger Bronze Sculpture Circa 1860s DIMENSIONS Tiger with base is 33" L x 21" H x 21" D The bronze tiger is 28" L x 15" H ABOUT A finely cast bronze sculpture of a...

"Speed" by Josef Lorenzl An attractive early 20th Century Art Deco cold painted bronze figure of a young dancer with her arms stretched out behind her in an elegant pose holding the...

Hollywood Regency solid ram's head tabletop animal sculpture. Well-aged patina can be polished to perfection. Will look stunning on a column, pedestal or stand. A-443-335    

Rafael Muyor Spanish, Madrid, born 1943 Bronze Sculpture ‘Manzanas y Naranjas’ (Apples and Oranges ) Signed on the center bottom. A beautiful bronze sculpture of ‘Manzanas y Naranj...

"Taureau Debout" by Rosa Bonheur. An excellent late 19th Century French animalier bronze study of a standing bull with fine hand chased surface that accentuates the muscle definition of the subject, signed Rosa B. ADDITIONAL INFORMATION Measures: Width: 32 cm Height: 18 cm Depth: 11cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Payne Page no. 174 DESCRIPTION Bonheur, Rosa (1822-1899) The most popular artist of nineteenth-century France, Rosa Bonheur was also one of the first renowned painters of animals and the first woman awarded the Grand Cross by the French Legion of Honor. A professional artist with a successful career, Bonheur lived in two consecutive committed relationships with women. Born on March 16, 1822 in Bordeaux, Marie Rosalie Bonheur was the oldest of the four children of Raimond Oscar Bonheur (1796-1849) and Sophie Marquis. Bonheur's father was an art teacher who came from a poor family, while her mother, a musician, had descended from a middle-class family and had been her husband's art student. Bonheur's father, who taught drawing and landscape painting, was an ardent member of the utopian Saint Simeon society. The group held idealistic beliefs about the reform of work, property, marriage, and the role of women in society. Most importantly, for the artist's future, the Saint Simeons questioned traditional gender norms and firmly believed in the equality of women. While teaching artistic techniques to his oldest daughter, Raimond Bonheur also encouraged her independence and taught her to consider art as a career. In 1828 Raimond Bonheur joined the Saint Simeons at their retreat outside Paris. Sophie and the children joined him in Paris the following year. Four years later, however, Raimond abandoned his family to live in isolation with his fellow Saint Simeons. Sophie Bonheur died in 1833 at the age of thirty-six. Rosa was only eleven years old when her mother died, but she was aware of the heavy price her mother paid for married life with a man who was more dedicated to his own ideals than to meeting his family's needs. Rosa also saw that her mother's marriage led to poverty and her death from exhaustion. After her mother's death, Bonheur was taken in by the Micas family who resided nearby. Mme Micas and Bonheur's mother had been friends. When Mme Bonheur died, the Micas family paid Raimond Bonheur's debts and cared for Rosa. Their daughther, Nathalie, who would later become an amateur inventor and unschooled veterinarian, and Rosa became enamored with each other. When Rosa Bonheur began her career as a professional artist, she had already been trained by her father who had allowed her to study in all male classes. Rosa also learned by sketching masterworks at the Louvre from the age of fourteen, and later, by studying with Léon Cogniet. From the very beginning, Bonheur's favorite subject was animals. She learned their anatomy completely by dissecting them in local slaughterhouses. She also visited the horse market two times a week. Study of animals by direct observation led to the formation of the realist style in which Bonheur worked. It was for such work that Bonheur obtained written permission from the French government to wear men's slacks. Her working attire also consisted of a loose smock and heavy boots that protected her feet from the dangerous environment in which she painted. The style of dress that the artist adopted for work and home may well have been influenced by her father's attire, which was based on St. Simeonian clothing experiments. Bonheur also cropped her hair, perhaps to facilitate her work. She did, however, always wear dresses for social occasions because she knew that appropriate dress would further her career. Bonheur earned a successful living as a painter of animals. She exhibited at the annual Paris Salon regularly from the age of nineteen in 1841 through 1853, when she was thirty-one. She won the salon's gold medal at the age of twenty-six in 1848 and was commissioned by the French government to paint Plowing on the Nivernais in 1849. In the same year Bonheur and her sister Juliette became directors of l'École gratuite de dessin pour les jeunes filles, a post their father had once held. Bonheur completed her most renowned work, The Horse Fair, in 1855. The successful representation of percherons (a breed native to Normandy) was purchased by Ernest Gambart, a London art dealer whose gallery specialized in work by French artists. He exhibited The Horse Fair in London where Bonheur visited with Nathalie. Queen Victoria requested a private viewing of the painting at Windsor Castle. It would later be purchased in 1887 by Cornelius Vanderbilt and donated to the new Metropolitan Museum of Art in New York City. Bonheur's trip to England allowed her to meet Charles Eastlake, then President of the Royal Academy, John Ruskin, the English writer and critic, and Edwin Landseer, the British animalier. She also toured the English and Scottish countrysides and executed some paintings based on her observations of new breeds of animals found there. Gambart made engravings of Bonheur's work, including The Horse Fair, and sold them in England, Europe, and the United States. Bonheur became one of the most renowned painters of the time. Little girls, such as Anna Klumpke in the United States, even had dolls in her likeness, much as American girls played with Shirley Temple dolls...

This whimsical antique bronze sculpture was done by Eutrope Bouret of France in approximately 1890 in the period Empire style. This very well executed bronze sculpture depicts two yo...

This pair of 19th century busts are after noted French sculptor Albert Ernest Carrier-Belleuse (1824 - 1887). The pieces are exquisitely detailed and depict the head and torso of a ...

The plaster cast of a herm with the head of Dionysos has a beautiful green patina and sits on a mahogany base France circa 1860-1870.

'Individual Twist in Green' is a unique glass sculpture by the British artist, Nina Casson McGarva. Casson McGarva firstly casts her glass in a flat mould where she introduces all o...

Study of a Satyr Bronze, cast using the lost-wax (cire perdue) method Italy, early 19th century 14 x 7 x 10 cm This evocative bronze sculpture represents a satyr, the half-human, h...

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

This large antique Meiji period Japanese patinated and polychromed bronze is signed by an unknown artist and presumed to have been made in approximately 1880 in the period Meiji styl...

Stehender, weiblicher Akt, nach vorne gebeugt. Dunkel patinierte Bronze (Kratzer, fehlender Schmetterling). Auf runder Plinthe sign. , auf Marmorpostament. Victor Heinrich Seifert...

Lot of two victorian brass door stops Late 19th century The first, Scottish cast in brass, “Bobert Burns ploughman”. Mounted on a maple base. Measures: 4 1/2" - in.(11.5 cm.) h...

Margaret Lovell DIPFA(Lond), FRBS, RWA ''Diamond Relief'' C.1968. Bronze mounted to a wooden base. This is a limited edition sculpture and number 3 of 4 and a unique version. Please ...

Lot of three ornately cast and cold-painted antique Austrian bronze miniatures of whimsical cats; two sculptures depicting dancing and the other portrays a mother with her kittens sh...

Commissioned by Rotary International to celebrate its 25th Anniversary in 1930, the "The Idea of Rotary" was sculpted by Giannino Castiglioni in Milan and cast by the renowned Stefan...

This nice example of a young boy holding a stick and standing in front of a stone wall demonstrates the attention to detail that the Bergmann Foundry in Austria produced. While unsig...

Dancer by Demétre Chiparus 1886 - 1947 Large chrysoelephantine sculpture in gilt bronze Marble base. Signed "D. H. Chiparus". Measures: height 37cm and 22 cms. diam. base Excellent c...

A very fine early 20th Century cold painted Austrian bronze figure of a young Arab boy dressed in full period orientalist attire seated with his head resting upon his hands in deep t...

Enormously important, both artistically and historically, this unique bronze depicting a monumental Poseidon figure calming the sea and making space for swimmers to complete below, w...

This miniature cast bronze architectural model of the Trajan Column dates to the 19th century to commemorate one of the Grand Tours of Europ...

Beautiful Oriental Japanese Meiji period style bronze sculpture of a walking elephant with his trunk up. Well casted metal art, heavy, bronze elephant in a dark brown copper finish. Elephant figurine statue in a triumphant pose, will make an excellent display ornament. Created with the traditional technique of the lost-wax that allows a great precision and finesse in the details, this bronze sculpture charms is with its exquisite depiction of a trumpeting elephant. Heavy bronze presents striking detail and cool copper tones with a hint of natural bronze. Raising its trunk skywards, the elephant will grace any desk as a paperweight or display case. This is a delightful vintage elephant statue...

Lalique Crystal Hirondelle Bookends or paperweights shaped in the form of a diving swallow bird. A pair of René Lalique frosted and polished glass ‘Hirondelle’ book ends, 1950s. Engr...

Saint John the Baptist
 Bronze
 After a model by Bertoldo di Giovanni (ca. 1440–1491)
 Northern Italy, 18th century 27,5 x 8 x 5 cm This finely cast and patinated bronze statuette ...

An artistically created sculpture table decorative objects, After Jules Moigniez (French 1835-1894), bronze figure group modelled as a bull, cow and calf on the naturalistically modelled ground before a fence, upon an oval base, signed J Moigniez. This bronze with a brown patina, entitled “Bovine family...

This beautiful young nude has a timeless look. She sits on an oval piece of marble and contemplates. Rich, clean gilding really bring her to life. Done in such a manner that it look...

Ron Bertocchi bronze sculpture of a young girl standing, mounted on a natural amethyst stone ground at the edge of pond with ducks and reeds, covered by a stylized sprawling tree. La...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

Black crocodile wearing golden heels by Italian - born Mexican artist Pedro Friedeberg. The sculpture is series 6 / 10. Signed PEDRO FRIEDEBERG under the body, Limited 10-pieces edit...

This vintage family of tigers bronze tabletop statuette captures a tender yet powerful moment in the wild, portraying a mama tiger reclining while her ...

Very elegant Musées Royaux du Cinquantenaire Bruxelles atelier de moulage plaster cast of a woman's left hand, early 20th century. Decorative piece ready for 'hanging out' or just '...

The pair of recumbent lions facing towards each other.

Viennese cold-painted bronze of an Arab merchant Austrian, c. 1910 Height 19cm, width 11cm, depth 14cm This exceptional figurative sculpture depicts an Arab merchant selling his wares. The figure stands holding a piece of jewellery, with an inquisitive expression as if he is trying to entice potential buyers. He is expertly cast, with the ruffled texture of his beard a particularly fine detail. The viewer’s eye is drawn to the figure’s vibrant clothing: a shimmering gold robe is complemented by a green-toned cloak which hangs loosely...

A highly decorAtive pair of late 19th Century bronze candlesticks with two mermen knelt on bronze tripods ornately decorated holding up the candle holders with excellent hand chased ...

Austrian cold-painted bronze figure by Franz Xaver Bergman Austrian, Early 20th Century Height 31cm, width 21cm, depth 14cm This intriguing sculpture was made in early 20th century...

The remarkable bronze of "Adam," crouching in fear and shame after being expelled from Eden, is one of the finest nude male bronzes ever sculpted by an American artist. The original...

A wonderful pair of gilt bronze figures, each signed “Lalouette” on base by French sculptor Auguste Louis Lalouette (1826-1883) on red marble plinths, and stamped “Tiffany & Co”. The...

Antique Mannequins, Vintage Mannequins, 1920's Mannequins, Art Deco Antiques, German Youth Mannequins, German Cabaret Mannequins, Antique Artist Lay Figures. Antique Pair of 1920s A...

An unusual cold painted Vienna bronze of a seated man holding a little scale in his left hand. The scale has a small weight on the scale while a banana is weighing heavier on the ot...

Angelot: H 8 x W 8 x D 6 Oil Lampe : H 4.5 x W 9 x D 3 Portrait on a Bronze oval médaille : H 5 x W 5 x D 4

Excellent French mid 19th Century Animalier bronze portaiture study of the French Derby winner "Ibrahim", with rich brown lightly rubbed patination and fine hand finished surface det...

Jonathan Clarke Two-Piece Sand-Cast Aluminum Sculpture with Fitted Base, UK, 80s Unique two-piece sand-cast aluminum sculpture by acclaimed British artist Jonathan Clarke (b. 1961),...

Surrealist Bronze ear sculpture signed P. Perdiues '97 Belgium comes away from the wall. It is easy to mount on the wall 51 cm.

A large and heavy casted bronze cow bell manufactured in Switzerland around 1930. The antique bell features high relief motifs of farm animals, human heads and foliages. The bell com...

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

Stylish and highly decorative, hard-labour-table-lamp. With early 20th century lighting as one of our specialities, we have seen a lot of unique light fixtures of all kinds, but never did we come across a bronze miner...