Gilt Sculptures

Gilt Bronze Guardian Lions Bookends. Signed H. Payen, France 1920´s. Fantastic Pair of Lion Bronze sculptures, mounted over marble bases. Very Good confitions.

An exquisite early 20th Century French Art Deco gilt bronze figure of a beautiful Oriental dancer wearing a loosely fitted dress balanced on one leg in a dancing pose. The bronze exh...

A Fine French 19th/20th Century Patinated Bronze Figure titled “Lutin des Bois” (Woodland Fairy or Elf) after Luca Madrassi (Italian, 1869-1914). The beautifully executed slender fig...

Stunning flamingo sculpture in gilt bronze in the style of Gabriella Crespi. This gorgeous piece was designed in Italy in the 1960s. The sinuous lines, the fine details and the amazing quality of the gilding make this sculpture incredibly charming. A lovely sculpture...

This charming pair of Neoclassical Bronze Bacchantes sculptures by Earnest Rancoulet originate from France, Circa 1900. These young and playful my...

A Pair of Artistically created birds for table decor, silver-plated roosters - ideal for a coffee table or bookends. These figures are Classic Hollywood Regency! They are each unique...

Early 20th century Belle Époque french gilt bronze sculpture of boy playing the hunter Kamarad by Georges Flamand By: Georges Flamand Material: bronze, copper, metal Technique: cast...

Enhance your decor with the exquisite Italian Hand-Painted and Gilt-Decorated Polychrome Porcelain Dove Bird Sculpture, featuring male and female figurines. This masterfully crafted ...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

For your consideration is this superb Art Deco spelter female designed by Lorenzl. She's made from spelter and stands on an ebonized wooden plinth. Her o...

20th-century Sterling Silver miniature belonging to the collection "The History of Fashion" of a 16th-century women's costume that belonged to Eleonora Gonzaga. Eleonora Gonzaga (Ma...

Gerard Koch was born in 1926 in Germany and died in 2014 in Paris. He studied at La grande chaumière in Paris and had Zadkine as a professor. His first exhibition was in Paris in 1956. In 1976 he exhibited at the museum of modern art in Paris. This sculpture shows a bird inside a bronze circle...

Superb marble and gilt bronze bust representing a young emperor with his robe and laurel wreath. Italy early 20th century, of the Romantic style. Signed A. Fagioli. Dimensions in ...

A beautiful, and in lovely condition, pair of Mars and Venus Curtis Jere sculptures or bookends depicting the male and female gender symbols on square bases made of gold leafed cast iron. In beautiful condition with original patina and signed "C. Jeré 1968". The gilt really adds a nice warmth and glow. These would look exquisite displayed in a lit bookcase, in a master bedroom, master bath...

A gorgeous classic decorative Statue or Miniature Sculpture. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think it's bronze or brass. Very decorativ...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

Signed and in largest scale Here's a beautiful and unique way to accent your indoor display space with this very unusual treasure from Japan. This is a superb and attractive s...

Anthony Redmile (British, b. 1940) gilt conch shell upon a gold-tone metal stand. Dimensions: 11.5" H x 16" W x 9" D. Dealer: S138XX

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

Gilt wood friezes for furniture: sphinx. To be applied on furniture or frames as an unusual decoration: they don't want to look ancient. Beautiful on the corners of a frame.

This beautiful, warm and loving bronze depicts 2 women embracing. One is dressed very formal and dashing while her partner is nude. The style and especially the faces are pure art d...

A small antique bust of Jesus Christ. Made of gilded spelter (zinc alloy). On a black marble plinth. No signature. Minor wear to the gilt patina. Dimensions: 14 (h) x 6 x 6 cm Free...

Thai Flower Sculptures, early 20th Century. Hand-carved out of reclaimed teakwood and repurposed from wheels to flower sculptures, these pieces are ...

Set of six decorative Ionic and Corinthian columns made of carved wood that has been accentuated with bronze colored leaf. These were used as merchandising display props at Boston’s ...

Spanish Colonial style polychromed and gilt santos of the Archangel Saint Michael shown striding with raised arm where he would have held a sword or spear to drive Satan from paradise. This is a finely detailed mid 20th century plaster sculpture in the Baroque style. The face with a serene expression and glass eyes. Mounted on a painted wood base. Acquired in Lima, Peru circa 1960 by the previous owner. 16 inches high 7 wide 8 deep Saint Michael the Archangel...

Fine quality Italian bronze Roman chariot sculpture on onyx base.

Ignacio Gallo, a renowned Spanish sculptor of the late 19th and early 20th centuries, left an indelible mark on the art world with his exquisite creations. Known for his mastery in s...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

This is a small jade Asian old man with a child figure. It depicts a carved orange jade old man holding a child. The small sculpture is standing over a gilt ...

A finely made gilt bronze reclining Buddha. Lying on his right side with flexed feet on double lotus throne, Buddha has Tang style broad face, very sere...

A striking mid 20th Century Art Deco silver plated bronze car mascot in the form of a leaping horse, with fine detail. Raised on a wooden rectangular base, signed Bazin ADDITIONAL INFORMATION Height: 18 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition with light wear to surface Circa: 1935 Materials: Silver Plated Bronze and Wood SKU: 8764 ABOUT François Bazin...

Limited edition "Pleasure of the Courtesan" sculpture by Erté made with cold-painted and gilt bronze depicting a beautiful woman with a chain surroun...

An excellent pair of opposing dore bronze Furietti Centaur reductions of those that were excavated at Hadrian’s Villa in Tivoli in 1735. The models are named after Giuseppe Furie...

Two Asian gilt bronze Teppanom kneeling Thai sacred angels. Bronze gilded temple guardians in a sitting position. These temple guardians were made in Th...

A beautiful and substantial gold gilt bronze owl bird eyeglass holder, circa 1960s. Piece is beautifully detailed as shown. Great as a standalone sculp...

Introducing a mesmerizing work of art, our gilt-patinated bronze sculpture with a black marble base, featuring neoclassical figures expertly crafted by the renowned artist Miguel Fe...

Large Vintage glazed gilt ceramic hand sculpture. This stunning 20th century glazed gilt ceramic sculpture of a large hand. Great coffee tabl...

Indulge in the captivating allure of our romantic reclining gilt-patinated bronze sculpture by the renowned artist Miguel Fernando Lopez, also know as Milo. This exquisite piece sho...

Pair of 20th century white porcelain horses on clouds, above rocaille bases richly decorated with scrollwork and openwork foliage. Both figures are marked underneath with two crossed...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

Art deco sculpture "Midinette". A finely cast Dore bronze figure of a well-dressed lady with an umbrella. Signed. Titled on plaque and mounted on stepped onyx base.

A beautiful, 7 lb, gilt bronze Tibetan sculpture of Buddha Vajrasatwa. Seated dhyana asana on double lotus throne, left hand holding a ghanta bell, right hand holding vajra thunderbolt, scepters of combined male and female energy to conquer evil. Dressed in a tight fitting dhoti and a shawl covering the shoulders, wearing layers of necklaces. The head tilted downwards adorned with an elaborate crown anchoring a high chignon. The face with downcast eyes...

Gucci Vintage gold plated money clip and pin in original box signed with Gucci and in very good vintage condition. Measures: 16,5 H x 8 W x 2 D cm Box 7,5 H x 2,5 W x 1,5 D cm....

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

A life size Art Deco patinated bronze figural dog sculpture, most likely Italian, early/mid-20th century. Fine quality, exceptionally execute...

Mini gilt bronze sculpture of little girl dressed un sitting on wooden fence.

A pair of vintage Northern Thai double ram reddish brown lacquered sculptures from the mid-20th century, with elegant black antlers, green glass jewelry...

A fine vintage Chinese porcelain statue. In the form of a Luohan or Arhat with a famille verte robe and gilt body. The reverse ...

A serene vintage Buddha head of gilt dry lacquer in the Shan Burmese style, but made in Thailand for the export market, circa 1960s, mounted on a b...

A large, 11 lb, gilt bronze Tibetan Buddha statue of superb quality. Standing on lotus plinth with the "no fear" abhaya mudra, the broad-faced fi...

A special statue of the Tibetan Bodhisattva Maitreya, the Future Buddha. Depicted sitting on a high lotus throne, wearing a large decorated crown before a flame-shaped mandola and pair of flower posts, long earrings that touch the shoulders and ornate necklace...

Beautiful small bronze statuette with ormoulu finish from the early 20th century, around 1920, on a breccia marble base. Untitled a rare representation of steeplechase with a jockey ...

A graceful gilt bronze period Art Deco figure of a nude young lady holding a tambourine as she dances. Mounted on a colorful marble base and signed by ...

A fabulous Art Deco cold painted gilt and silver bronze figure of a beautiful young woman reclining on a bed of wheat sheaves exhibiting rich colour and very fine hand chased surface...

An attractive early 20th century Austrian bronze study of a seated lady wearing a loosley fitted night dress reading a book, her dress lifting to reveal her beautiful body. The bronze exhibiting excellent hand chased surface detail and good colour, signed with the Bergman 'B' in an Amphora vase ADDITIONAL INFORMATION Height: 14 cm Width: 13 cm Depth: 7 cm Condition: Excellent Original Condition circa: 1900 Materials: Cold Painted Bronze Book Ref Antique Vienna Bronzes by Joseph Zobel SKU: 8917 ABOUT Bergman Lady Reading Franz Bergman Sculptures Bergman is celebrated for his great attention to detail and wonderful vibrant colours, Franz Xavier Bergman (1861-1936) is, arguably, the most famous of the Viennese cold-painted bronze artists, delighting in producing Oriental...

A fine pair of French 19th century Japonisme Louis XV style Gilt-Bronze and Marble Figural Chenets (Andirons) by BOUHON FRES, each depicting a flaming dragon atop an "L" shaped base surmounted with an allegorical gilt-bronze and marble urns with floral garlands and paw-feet, the base with a draped ormolu design and raised on tapered feet. Stamped: "B&H". Circa: Paris, 1890-1900. The bronziers Bouhon et Cie. Bouhon Frers. specialized in bronze-decorated fire-places and fire-fittings. These large and fine chenets are supreme examples of their output. The firm participated in the 1878 and 1900 Paris Expositions Universelles. Japonisme[a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.[3] While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing.[4] Even the performing arts were affected; Gilbert & Sullivan's The Mikado is perhaps the best example. From the 1860s, ukiyo-e, Japanese woodblock prints, became a source of inspiration for many Western artists.These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and composition. Ukiyo-e prints featured dramatic foreshortening and asymmetrical compositions. Japanese decorative arts, including ceramics, enamels, metalwork, and lacquerware, were as influential in the West as the graphic arts. During the Meiji era (1868–1912), Japanese pottery was exported around the world. From a long history of making weapons for samurai, Japanese metalworkers had achieved an expressive range of colours by combining and finishing metal alloys. Japanese cloissoné...

A small gilt bronze brooch named "Chateau en Espagne" by French Parisian art jewelry and sculpture Line Vautrin (1913-1997) circa 1950s. It depicts ...

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...