Gilt Sculptures

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

An impressive Austrian bronze study of a muscular fencer in mid lung with excellent golden patina and very fine hand finished surface detail, raised on a decorative integral base, si...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

Gilt bronze sculpture by Emmanuel Villanis, Early 20th Century. An Art Nouveau period sculpture, circa 1900 by Emmanuel Villanis, representing a bust of a young woman, the Bohemian,...

A wonderful pair of gilt bronze sculptures depicting two dancers in the classical greek style, one holding cymbals and the other a baton. Each on a tiered marble base with acanthus g...

French patinated bronze lamp modelled as a putto French, circa 1900 Measures: Height 61cm, diameter 18cm Formed as a putto holding a wooden lamp, this Belle Époque piece is as m...

This fine Vintage Japanese Ceramic/Porcelain Lion/Foo Dog Statuary was hand crafted by Kutani in Japan. It has beautiful color glaze with gilt and detailed carving works shows this happy foo dog is playing with ball. It also called Shi Shi Foo Dog...

Majestic antique pendant with a stunning, 20 inch alabaster shade and two sets of glass shades. Thanks to its unique design, its impressive size and its truly excellent condition this six-light alabaster chandelier will light up both your days and evenings, both in summer and winter time. This antique light fixture could not be more original and it even comes with a set of three near-transparent glass roses shades AND a set of three amberish color glass roses shades (matching the alabaster). So you can always choose the type of glass rose shades that you think are best for the occasion, season etc. The superb condition, colorful, extra large and deep alabaster shade combined with the equally excellent glass roses are a match made in heaven. However, what takes this chandelier to the next level are the three large and gilt bronze ram sculptures at each of the three suspension points. May these meaningful symbols for determination, power and leadership inspire their new owner(s) to reach for the stars and beyond. The black veins combined with other color veins and patches in this natural mineral stone shade contrast even more beautiful when the light is switched on, because the already marvelous colorful alabaster then turns into an even warmer spectacle of colors. We could shoot a hundred photos, but you still would not be able to see the true beauty of this impressive chandelier. The unique patterns inside this hand carved shade are the work of mother nature herself and the light brings them out in their true glory. In real life our antiques always have that little bit extra and this stunning pendant is all but an exception to that rule. You can, again, take our word for it. The original and heavy gilt bronze chain and the stunning and large, gilt bronze canopy are like the icing on the cake of this incredibly rich chandelier. If you have also noticed the double rose pattern on each of the gilt bronze shackles then you must agree that whomever had this chandelier made clearly spared no expenses. And to give you an even better idea of the quality, the gilt bronze canopy alone weighs over 11 pounds lbs. To find this majestic chandelier in such excellent condition made our day, week and month and we are proud to be able to offer it to our 1stdibs clientele first. For our photos of this six-light chandelier we used three 75 watt bulbs inside the shade and one 60 watt bulb in each of the rose shades. This chandelier, however, will easily take three times 100 watts inside the shade and also easily 80 watts in each of the glass rose...

Gerda Gerdago's 'Cosmic Dance': Art Déco austrian patinated bronze chryselephantine (ivory and gold) sculpture manufactured by Arthur Rubinstein By: Gerda Gerdago Material: bronze, ...

Maurice Bouval’s "Woman with Iris" is a nude gilt bronze bust of a woman. The woman’s hair clings to her face and body as if wet. The delicate sloping...

Statuette of Don Quixote in gilded and silvered bronze, on a high alabaster base.

This strong, placid visage of a young man, eyes closed and hair flowing, was sculpted by John Lundqvist, sometimes compared to Carl Milles, who was Sweden's leading sculptor in the e...

This materially stunning and elegant Art Deco Sculpture of a Woman Walking Borzois was created by the artist Georges Gori for the Company Etling in Paris France, Circa 1925 Features a tiered Black Marble and Onyx base, with remarkably beautiful geometric inlays creating a dynamic and rewarding support for this elegant multi-figure Gilt Metal and Bone sculpture with hand-painted elements. In the center of the composition stands a female figure holding the leads of two Borzois, also known as Russian...

Art Deco 'Chained Bulldog' Car Mascot / Hood Ornament designed by Marvel, French, 1920´s, silver-Gilt plated bronze, small version, 14cm long, compl...

Pair of Art Nouveau bronze nude sculptures signed by Antoine Bofill, France 1905. Gilt bronze on marble base. La Comparaison, young woman com...

This charming pair of Neoclassical Bronze Bacchantes sculptures by Earnest Rancoulet originate from France, Circa 1900. These young and playful my...

This is a antique gilt bronze figural sculpture of Indian Scout holding a bow & arrow, by the renowned German sculptor Josef Drischler (1838 - 1917) an...

An exquisite early 20th Century French Art Deco gilt bronze figure of a beautiful Oriental dancer wearing a loosely fitted dress balanced on one leg in a dancing pose. The bronze exh...

Gilt Bronze Guardian Lions Bookends. Signed H. Payen, France 1920´s. Fantastic Pair of Lion Bronze sculptures, mounted over marble bases. Very Good confitions.

A life size Art Deco patinated bronze figural dog sculpture, most likely Italian, early/mid-20th century. Fine quality, exceptionally execute...

A Fine French 19th/20th Century Patinated Bronze Figure titled “Lutin des Bois” (Woodland Fairy or Elf) after Luca Madrassi (Italian, 1869-1914). The beautifully executed slender fig...

Early 20th century Belle Époque french gilt bronze sculpture of boy playing the hunter Kamarad by Georges Flamand By: Georges Flamand Material: bronze, copper, metal Technique: cast...

A wonderful collection of articulated silver fish, including two gilt fish stamped “Made in Spain,” and four silver fish, one marked “Sterling 925, Italy” wi...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

Superb marble and gilt bronze bust representing a young emperor with his robe and laurel wreath. Italy early 20th century, of the Romantic style. Signed A. Fagioli. Dimensions in ...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

This beautiful, warm and loving bronze depicts 2 women embracing. One is dressed very formal and dashing while her partner is nude. The style and especially the faces are pure art d...

Ignacio Gallo, a renowned Spanish sculptor of the late 19th and early 20th centuries, left an indelible mark on the art world with his exquisite creations. Known for his mastery in s...

Thai Flower Sculptures, early 20th Century. Hand-carved out of reclaimed teakwood and repurposed from wheels to flower sculptures, these pieces are ...

Fine quality Italian bronze Roman chariot sculpture on onyx base.

An exceptionally large and rare French Art Deco original bronze sculpture circa 1927 by a well known artist Georges Lavaroff (1895-1991) It's quite uncommon to find this very large size and notably featuring the silver and parcel gilt finish. The artwork features a majestic female nude, adorned with a stylized cloak in alternating stripes of gold and silver, which showcases a pyramid shape. The Egyptian goddess is depicted as an undraped figure with arms outstretched above her head, holding a crescent moon. She wears a north star headdress that adds to her regal appearance. The cloak is embellished with stars and a comet, and the female figure rests on a bed of stylized clouds. The sculpture is presented on its original black and gold marble base. All of these attributes add to the uniqueness and value of the artwork, making it even more remarkable and sought after by collectors and art enthusiasts. Water bottle shown for scale. Documentation : Les bronzes Art Deco de Georges Lavaroff, sculpteur Russe a Paris 1930 Kastelyn et Mazzucotelli. Georges Lavaroff was born in Sibera in 1895. He studied medicine and painting. After the revolution of 1917 he moved to Moscow and became a member of the Russian artists association where he began to exhibit his work and take part in shows as a member of the Association of artists of Revolutionary Russia. He then worked in France from 1927 until 1935. This period was the richest point of his profession where he produced his most famous works of Art Deco figures...

A small antique bust of Jesus Christ. Made of gilded spelter (zinc alloy). On a black marble plinth. No signature. Minor wear to the gilt patina. Dimensions: 14 (h) x 6 x 6 cm Free...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Pair of 20th century white porcelain horses on clouds, above rocaille bases richly decorated with scrollwork and openwork foliage. Both figures are marked underneath with two crossed...

Art deco sculpture "Midinette". A finely cast Dore bronze figure of a well-dressed lady with an umbrella. Signed. Titled on plaque and mounted on stepped onyx base.

Mini gilt bronze sculpture of little girl dressed un sitting on wooden fence.

Charles Raphaël Peyre (French 1874-1949) A French Art Nouveau Gilt-Bronze Figure of a Maiden Cast by Louchet, circa 1900 Modeled in a standing pose with her hands clasped closed...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

Beautiful small bronze statuette with ormoulu finish from the early 20th century, around 1920, on a breccia marble base. Untitled a rare representation of steeplechase with a jockey ...

A graceful gilt bronze period Art Deco figure of a nude young lady holding a tambourine as she dances. Mounted on a colorful marble base and signed by ...

A fine pair of French 19th century Japonisme Louis XV style Gilt-Bronze and Marble Figural Chenets (Andirons) by BOUHON FRES, each depicting a flaming dragon atop an "L" shaped base surmounted with an allegorical gilt-bronze and marble urns with floral garlands and paw-feet, the base with a draped ormolu design and raised on tapered feet. Stamped: "B&H". Circa: Paris, 1890-1900. The bronziers Bouhon et Cie. Bouhon Frers. specialized in bronze-decorated fire-places and fire-fittings. These large and fine chenets are supreme examples of their output. The firm participated in the 1878 and 1900 Paris Expositions Universelles. Japonisme[a] is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japonisme was first described by French art critic and collector Philippe Burty in 1872.[3] While the effects of the trend were likely most pronounced in the visual arts, they extended to architecture, landscaping and gardening, and clothing.[4] Even the performing arts were affected; Gilbert & Sullivan's The Mikado is perhaps the best example. From the 1860s, ukiyo-e, Japanese woodblock prints, became a source of inspiration for many Western artists.These prints were created for the commercial market in Japan. Although a percentage of prints were brought to the West through Dutch trade merchants, it was not until the 1860s that ukiyo-e prints gained popularity in Europe. Western artists were intrigued by the original use of color and composition. Ukiyo-e prints featured dramatic foreshortening and asymmetrical compositions. Japanese decorative arts, including ceramics, enamels, metalwork, and lacquerware, were as influential in the West as the graphic arts. During the Meiji era (1868–1912), Japanese pottery was exported around the world. From a long history of making weapons for samurai, Japanese metalworkers had achieved an expressive range of colours by combining and finishing metal alloys. Japanese cloissoné...

Gilt bronze Sculpture Young man in sitting position over onyx base title (Meditation) by Florentin Louis Chauvet (1878-1958).

A fabulous Art Deco cold painted gilt and silver bronze figure of a beautiful young woman reclining on a bed of wheat sheaves exhibiting rich colour and very fine hand chased surface...

A Balinese polychrome and gilt wood sculpture of a winged lion, Singa Bersayap Northeast Bali, Singaraja, Buleleng Regency, circa 1900-1930 H...

Our Chinese table ornaments from the early 20th century are finely sculpted and gilded and rest upon carved rosewood pedestals. They depict dozens of individuals engaged in various a...

Beautiful and exceptionally rare pair of bronze sculptures with a magnificent gilding, France early 20th century. Signature on the base of each sculpture "G. Flamand". By the artis...

Beautiful miniature bust of an elegant young woman. France, circa 1900. High quality workmanship gilded bronze on a marble base. Signed "Eug.Hannoteau" by the French artist and sc...

An Art Deco period sculpture of a football / soccer player. The sculpture is made of spelter (zinc alloy), with the original gilt patina. Resting on a "Turquin Blue" marble plinth. T...

Handsome pair of antique Italian whippets or dogs carved from hardwood paint decorated and parcel gilt depicting the pair seated on pillows while balan...

"Chinoise” Sculpture by Gertrude Vanderbilt Whitney. This sculpture, a self portrait which stylistically mixes Art Nouveau and orientalism, is among her earliest successes. This piec...

An attractive and esoteric Japanese carved and gilt wood figure of Fukukenjaku Kannon, Amoghapasa, Meiji period or earlier, Japan. Fukukenjaku Kannon is portrayed in an usual six...

Art Deco Figurine of 'Mata Hari' by Capodimonte / Naples Porcelain Company Italy, circa 1925 An exceptional work, displaying grace and movement, subtly hand- painted. The seductive turban and gold earring wearing dancer draped in a White and Iron-Red Moon and Star motif garment, on a tasseled pillow. Hence our Mata Hari, attribution/suggestion. The name Mata Hari, is a Malay expression for the sun. Literally meaning “eye of the day"/ dawn of the day' This exquisite figure, depicts the The dancer (Mata Hari ?) as the sun-wearing the moon and stars. Marked with the variation Blue underglaze Crown & N. In remarkable well cared for condition, some minor wear to the gilt. The figurine stands...

This seated Burmese figure captures a musician in eternal song. The wooden figure is hand-carved with a seated posture, legs crossed and arms outstretch...

Our gilt bronze sculpture after Jean Antoine Injalbert (1845-1933) is known as Amour aux Colombes (Love with Birds).

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think its gilded bronze. Very decorative and nice to display...

A pair of classic decorative Bust statues. Some wear with a nice patina, but this is old-age. Made of a kind of metal, we think it's brass, socket nickel plated. Very decorative and ...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. I...