Ettore Sottsass Tahiti Lamp Memphis Milano

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About

Iconic Tahiti lamp by Ettore Sottsass design in 1981 for Memphis Milano.

Metal tag on the back of the lamp "Ettore Sottsas Memphis Milano 1981" please see pictures.
Laminated Wood, Lacquered Metal.

Shipping door to door by Fedex is 360 USD for all the US

Litterature:
Giles de Bure "Ettore Sottsass", Jr, Rivages 1987 p66.
Charlotte and Peter Fiell- 1000 lights 1960 to present. Taschen. P95
Lit; Richard Horn "Memphis" Gaade p 39
Details
Creator
Ettore Sottsass (Designer), 
Memphis Group (Manufacturer)
Of the Period
Memphis Group
Place of Origin
Italy
Date of Manufacture
1990
Period
Late 20th Century
Materials and Techniques
Laminated   Wood
Metal
Condition
Excellent
Dimensions
14.96 in. W x 3.94 in. D
38 cm W x 10 cm D
Dealer Location
Fuveau, France
Number of Items
1
Reference Number
LU9788955088

About Ettore Sottsass (Designer)

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.

     Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves, and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking.

     Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981— notably the multihued, angular “Carlton” room divider and “Casablanca” bookcase. As pieces on these pages demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.

     It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

Address
The gallery
Only by appointment
Fuveau Provence 13710
FR
1stdibs Dealer since 2013 Located in Fuveau, Provence
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