Living Room Sets

Pair of armchairs and two-seater sofa with rattan structure, wicker weaving entirely handmade. Italian design from the late 1970s, new upholstery, ...

Sergio Asti was trained as an architect at the Polytechnic University of Milan from 1947 to 1953 and opened his studio the same year of his graduation.
Among the first Italian indust...

This extremely rare sofa set created by the Polish company Paged in the 1972. The furniture was produced in cooperation with the Arab Republic of Egypt. This set consists of a sofa a...

Circa 1970, We offer this Mexican Miguelito Living Room Set in the style of Michael Van Beuren. Made in pine wood and recently professionally restored.

Here is a handsome De Sede DS 66 natural leather loveseat with two matching DS 66 single lounge chairs. This set showcases a thick dark brown leather wit...

The Pianura living room set by Mario Bellini for CASSINA is a beautifully designed and stylish collection of furniture pieces that can transform your living room into a luxurious and...

1970 Italian Living Room Set in Orange Velvet and Minimal Steel armchairs height cm.65, depth 75, width cm.96 , seat height cm.40

vintage seating group | armchairs | coffee table | 70's | Sweden period | 60's design | unknown | Sweden condition | good | light signs of use size | 72 x 77 x 85 (hxwxd) seat heigh...

Carlo Bartoli for Rossi di Albizzate, pair of two-seat sofas and coffee table, model 'Blop', original velvet, lacquered wood, Italy, 1972 A postmodern design by Italian master of ar...

Instagram: traudes.kinder Website: www . traudeskinder . com Objekt: Bauhaus Sitzgruppe (3 x Armlehnstuhl, 2 x Sessel, 1 x Beistelltisch, 1 x Vitrinenschrank) Entwurf: Adolf Gustav Schneck (Armlehnstuhl & Sessel), Stuttgart, um 1928, Firma Thonet (Tisch), Wien um 1930 Modell-Nummer: A 63F (Armlehnstuhl), A 63 (Sessel), T 253 (Tisch, Firmenentwurf der Firma Thonet) Ausführung: Thonet, Wien um 1930 Maße in cm Armlehnstuhl (H x B x T x SH): 89 x 53 x 50 x 35 Maße in cm Sessel (H x B x T x SH): 82 x 40 x 40 x 35 Maße in cm Tisch (H x DM): 60 x 70 Maße in cm Vitrinenschrank (H x B x T): 180 x 85 x 31 Material: Buchen(bug)holz, Glas Zustand: Originalzustand mit altersbedingten Gebrauchsspuren Provenienz: Aus dem Privatbesitz von Dr. Fritz Tenschert, Zahnarztpraxis Türkenschanzstraße 1, 1180 Wien Literatur: Innendekoration, Mein Heim mein Stolz, Band 42, 1931, S. 16 / Bugholzmöbel, Vielschichtig - Thonet und das moderne Möbeldesign, Hackenschmidt und Thillmann, S. 214-215 / Werkbundsiedlung Wien, Wien Museum, Nierhaus et al. / Moderne Bauformen - Monatshefte für Architektur, M.J. Gradl, 1932, S. 458 / Thonet-Mundus, Katalog 1930, S. 37 / Thonet Katalog, 1930, S. 36 / Werkbundsiedlung Wien 1932, Ein Manifest des Neuen Wohnens, Kat. Wien Museum, Wien 2012, S. 68 / Werkbundsiedlung. Internationale Ausstellung Wien 1932.70 Eingerichtete Häuser, S. 236 & 239 (hier wurde das Modell A 63F Frank zugeschrieben) / Bau, Garten und Stube/ Monatsschrift für Heimkultur, Bau- und Wohnberatung, Ausgabe 2/3, 1933, S. 7 Zusätzliche Information: Bei den Armlehnstühlen sowie den Sesseln handelt es sich um museale Stücke. Auf Wunsch von Thonet-Mundus wurde Adolf Gustav Schneck um 1928 beauftragt, zwei Sitzmöbel zu entwerfen, die Josef Franks Modelle A 402 & A 403/F zum Vorbild nahmen. Entstanden sind die Modelle A 63 (Sessel) und A 63/F (Armlehnstuhl). Ob es eine Konkurrenz zwischen den beiden Architekten gab, geht aus der Literatur leider nicht hervor. Schneck bildete jedoch Franks Modelle in seinem Buch „Der Stuhl” aus dem Jahre 1928 ohne Namensangabe ab. Interessant wurde Schnecks seltener Entwurf (A 63) aufgrund der Verwendung für die Inneneinrichtung des Wohnhauses Nr. 5 (Haus Häring) der Werkbundsiedlung in Wien, geplant von Architekten Hugo Häring...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

Cassina presented the Sesann system by Gianfranco Frattini in 1970. The project included an armchair, a two-seater, a three-seater sofa, and a coffee table. Its standout feature is a...

- 1980s - Designer: Karin Mobring for Ikea - Model Diana safari chair - Textile (canvas)

American sofa and armchair in original striped fabric1970s Wooden frame, with the feet made of wood and brass Style Vintage Periodo del design 1970 - 1979 Production Period 1970 - 19...

Set of 2 armchairs and 2 seater sofa designed by Vico Magistretti for Cassina, 1973. The project won the Compasso d' Oro in 1979 and is one of the most widely sold pieces of Italian design. "With Maralunga...

Cet ensemble table et chaises de Boris Tabacoff fait partie des mythes du mobilier Space Age . La base de la table semi circulaire est en chrome massif, le plateau est en marbre vein...

Set of 2 Cornaro two-seater sofas, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage conditi...

Rare dining set designed by J.J.P. Oud and manufactured by Kollektor Perpetuel Den Haag, Holland 1979. This set was originally designed for eissenhof Siedlung Stuttgart in 1927. This...

Wicker lowboy dresser and set of nightstands in a tropical mid-century style. These pieces feature a metal pull handle and are made in a medium oak color wood. Dimensions Dresser: H...

Sesann dining room set, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It is composed of a two-seater sofa and two armchairs. It features...

Rare model: Introducing the De Sede DS84 three and two seat sofa in Buffalo leather - Switzerland, 1970's – Where Luxury Meets Comfort Designer: De Sede design team Manufacturer: De Sede Model: DS-84 three seat sofa Design period: 1970’s Date of manufacturing: circa 1970 Size WDH in cm: 3 seat sofa: 185x87x80 seat height 39 cm. 2 seat sofa: 142x87x80 seat height 39 cm. coffee table: 136x76x41 cm. Material: Buffalo leather Condition: Good / Normal signs of age and use / Coffee table has a repared crack in the marble top and cat scratches...

Magnificent 8 pieces modular sofa, Saporiti Italia 1970s, completely renovated and reupholstered with the highest quality Italian leather.

Rare dining room set by Rainer Daumiller for Gramrode Møbelfabrik from the 1970s. The high quality set consists of a dining table with solid pine tree wood frame and table top and fo...

Royal House Antiques Royal House Antiques is delighted to offer for sale this SUPER RARE and highly collectable Minty Oxford three piece sofa and pair of armchairs suite along with ...

The Walter Knoll Fabricius Armchair and Sofa Model 710-10 are a design by Preben Fabricius. This originally Danish designer designed the Fabricius Model 710-10 set as early as 1972. ...

This incredibly comfortable Le Corbusier for Cassina 'LC2' three-seat sofa (authentic signed and earlier year production example with low number production number stamped on the fram...

Sesann armchair, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features khaki brown velvet upholstery and a chrome tubular cage as stru...

Paul Frankl-style rattan living room set includes a matching three-seat sectional sofa and a pair of lounge chairs. Both feature the famous six-strand square pretzel side arms and st...

This Is a rare iconic set of 4 chairs design by Carlo Scarpa for Bernini, mod 1934-765. This chairs Born in 1970, and come up in original condition, without any restoration as in pho...

This rare model is in very good condition. The pine wood frames show hardly any signs of wear, and the brown fabric upholstery is also in perfect condition. Bright canvas covers with thick leather straps are stretched into the wooden frame. All pillowcases can be easily removed and washed. The set of 3 includes an ottoman. The objects can be placed together as a 3-seater sofa or individually. Peter Ole...

This newly reupholstered pair of club chairs by Claudio Salocchi for Sormani, circa 1970s, features graceful chrome frames with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching sofa available in another listing. The graceful frames share a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However these Sormani lounge chairs feature some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair of easy chairs are an amazing opportunity. These Cassina LC2 / LC3 style chairs...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Beautiful set of two armchairs with a coffee table. Sold as a set with all three pieces. The set was designed by Karin Mobring for Ikea in 1970s. The beautiful design is made of squa...

Gorgeous Vintage Rattan Barrel Back Chairs with accompanying ottoman and side tables. In nice vintage condition with minimal surface blemishe...

Peter Ghyczy's exceptional 2-seater sofa from the 1970s is an incredibly rare and truly unique piece. Also referred to as the "Fehlbaum sofa". Finding this particular sofa is a rar...

Mid-Century Modern Rattan Seating Set, Italy,1970s

Restored Rattan 4 Strand Deco Living Room 3 Piece Set. The set consists of a large sofa and two generously proportioned armchairs, restored to its former glory with newly reupholster...

Art Deco French Style Three Piece Sofa Suite, recently restored with new cushioning and soft velvet fabric. These pieces are very comfortable which makes this set a pleasure to own and use. The wood framing has been restored as well. The color is soft light teal/gray and would fit perfectly into any Art Deco setting. The craftsmanship is outstanding with all pieces finished using a matched gimp on both the outsides and insides of all 3 pieces. A loveseat and two armchairs, the wood tone is warm medium mahogany brown. We love the lines of Art Deco sofas and chairs...

Art Deco Rattan living-room set including a matching 3-seat sectional sofa and lounge chair with matching stacked coffee table with two side tables. Both lounge chairs and sofas feat...

- good original condition with minor signs of use - Dimensions of the Sofa: 86x197x82.

Beautiful complete Italian luxury Louis Philippe style 1930s living room set includes: 1 sofa 2 armchairs Refined living room set in beech wood. The...

Introducing the exceptional Wolfgang Feierbach FG2008 set, featuring three yellow seats and a coffee table in their original brown corduroy fabric. As you may already know, the FG200...

Original condition.

Sofa, aluminum, leather, Italy 1970s Comfortable sofa made in the 1970s. This sofa strongly represent the essence of furniture design of the 1970s, going beyond the strict conventio...

Confidential Seating Set by Alberto Rosselli for Saporiti, Cognac Leather, Italy, 1970s

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Dining room set ‘’Tapiolina’’ designed by the Finish designer Ilmari Tapiovaara for Fratelli Montina. Italy, 1970s. Ilmari Tapiovaara’s work is characterized by the most radical fun...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

This is a beautiful light brown color bamboo covered with canvas and lovely leather cushions. We have a set with a round table with frosted glass top, a high chair and a low chair w...

Mario Bellini “Le Bambole” pouf for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new shape for ...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Superb and exclusive pair of two seat Mohair Velvet 'CALIFORNIA' sofas freshly reupholstered with Italian luxury Mohair Velvet fabric from Dedar Milano with inset stainless steel bases by Parisian high society designer Jacques Charpentier. This plush mohair pile...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

Two-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. An azure velvet big seat completes the sofa. The min...

This unique and gorgeous modular sectional sofa from the 70ties is manufactured in germany. It has slightly curved design. The Sling shape is made of vegetal leather with fine deta...

1930’s Pair Of Mucke Melder original armchairs – FN21 – fully restored. 1930’s Pair Of Mucke Melder original armchairs – FN21 – fully restored. Founded in the...