Living Room Sets

De Sede DS46 Sectional sofa-Living room set in Patinated Cognac Brown Buffalo Leather, Switzerland 1970s This De Sede DS 46 sectional sofa-living room set is a one-of-a-kind piece, c...

Set of six chairs in the style of Danish designer Folke Pålsson.

Vintage Sofa Set by Saporiti, Italy 1950s. Original upholster, very rare to find in the set armchairs + sofa. Armchairs 70 x 84 x 94 cm each; Sofa 1...

This pair of lounge chairs, ‘model 137’ designed in 1957 and manufacturerd by furniture manufacturers France & Son. The Japan serie takes inspiration from traditional Japanese building techniques. Defined by a visible, solid horizontal backrest, which sits elegantly upon the slightly tapered legs, the teak frame is a reference to a traditional Japanese temple door, with brass brackets and details. With an open, spacious seat, finished with Bouclé upholstery, the Minimalist design truly invites you to sit back and relax. A stunning addition to a contemporary living room, the Japan Lounge Chair...

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

A fantastic living room set designed by Hein Stolle, manufactured by ‘t Spectrum in the Netherlands around 1950. This beautiful set has a straight, modern design. Each piece has a n...

Contemporary Set of Seating 'Isola' by Amura Lab Designer: Lucy Kurrein Model shown: Textile - Daino 01 Dimensions : - Armchair : H. 67 x W. 96 x D. 99 cm - Ottoman : H. 45 x W....

This set of mid century modern chairs feature solid wood construction, original walnut finish, removable cushions with vintage upholst...

Sala da pranzo in radica di noce, stile Vittorio Dassi 1950/1960 Tavolo ovale con 6 sedie, 2 mobili buffet con specchio con decori dorati Misure: Buffet piccolo: H con specchio 145 x...

Three-strand "1949er" rattan living room set by Heywood Wakefield featuring a 3 seat sofa and set of two lounge chairs with decorative"1949er" arms and arched base. A great example o...

Absolutely gorgeous bentwood seating set by Thonet Austria, designed by none other than famous Austrian architect Josef Hoffmann, wellknown from the world renowed Wiener Werkstaette....

Confidential Seating Set by Alberto Rosselli for Saporiti, Cognac Leather, Italy, 1970s

Cross My Heart Loveseat by Carla Baz Dimensions: W 160 X D 70 X H 82 CM Weight: 55 kg Material: French Oak, Entirely handcrafted in solid French oak woo...

A living room set of a 3-strand 3/4 pretzel arm rattan sectional 3 seater sofa and 3 pieces, and a sectional settee loveseat with 2 seats and 2 pieces. 1950, United States Couch: 3...

4-piece living room set of restored rattan with matching 3/4 pretzel arm furniture featuring a 3-seat sectional sofa, an adjustable lounge chair and ottoman, and a 2-seat sectional s...

3 piece living room set of restored rattan furniture. A 3/4 pretzel arm sofa that is made up of 3 pieces and 3 seats and has a stacked rattan b...

Three-strand "S-arm" rattan living room set which includes one lounge chair with matching the three-seat sectional sofa. Each seat features rounded three strands "S-arm" rattan arms ...

Six-strand 3/4 pretzel living room set featuring Paul Frankl Style design sofa loveseat. Included is a 2-seat loveseat with a coffee table and a set of two side tables. Loveseat: 56...

Afra & Tobia Scarpa “Soriana” three-seater for Cassina, bouclé wool and chromed steel, Italy, 1969. Although technically designed in the 1960s, the "Soriana" model by the Italian duo Tobia and Afra Scarpa is firmly associated with the next decade, when its popularity peaked. "Soriana" is low and invites you to sink into its curves. Its most notable feature, however, is the Minimalist structure in chromed steel. This external structure in steel rod keeps the cover taut using buttons...

Contemporary Set of Seating 'Isola' by Amura Lab Designer: Lucy Kurrein Model shown: Textile - Ortisei 01 Dimensions : - Sofa : H. 67 x W. 220 x D. 99 cm - Ottoman : H. 45 x W. ...

Art Deco era six-strand square pretzel arm, three-seat sectional sofa. This sofa features the famous six-strand square pretzel side arms and a stacked rattan base originally designed...

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Fabulous pair of very elegant Mid-Century Modern style lounge chairs by Thayer Coggin with a definite influence by Milo Baughman. Striped green velvet with a pale ivory. Brushed stai...

A stunning pair of armchairs made in Italy in the 1970s. The seat is very comfortable and supportive. The pads are still original and in very good condition. Original natural leather...

Upholstered armchair in Free Life® fabric (available in different colours) and wooden legs. Perfect seating for living and kitchen spaces. Features Chair with upholstered seat an...

John Vedel-Rieper for Erhard Rasmussen, set of 4 dining chairs, oak, leather, made in Denmark around 1957. good condition, wear due to age Danish designer ...

Brazilian company Celina Decorações manufactured this sofa in the 1960s. The piece is composed of a solid Rosewood structure, with cushions upholstered with leather. This three-s...

Set of Coastal Vintage Round Rattan Accent Glass Table with Hand-Woven Wicker Caning Peacock Throne Chair. Meticulous detailed vintage woven rattan Pea...

Mid-Century restored rattan living room set featuring a 4-piece sectional corner sofa with square pretzel arms, a round coffee table, and a two-tiered side table with included Bakeli...

Circular sofa by kar Dimensions: W 240 x D 133 x H 80 cm Materials: Fabric, MDF frame Kar, is the root of Sanskrit Karma, meaning karmic repetition. W...

Dining room set ‘’Tapiolina’’ designed by the Finish designer Ilmari Tapiovaara for Fratelli Montina. Italy, 1970s. Ilmari Tapiovaara’s work is characterized by the most radical fun...

This unique set of 5 chairs designed by Isamu Kenmochi in the 1950s. This version of chair might be a prototype of the chair edited in 1951 - with 5 rungs - that is referenced in Ke...

Lace burgundy daybed by MOWEE Dimensions: D200 x W195 x H60 cm. Material: Polyethylene, stainless steel and polyester. Weight: 60 kg Also available...

Original condition.

20th century unique French salon seating group in Louis XVI style Majestic lounge seating group made of solid beech wood, finely carved and framed. Curved and carved frame on flut...

Three-seater “Simone” sofa, designed and manufactured by Studio Simon in 1975. The structure is made of black lacquered wood. A black leather big seat completes the sofa. The m...

Set composed of three Bonanza lounge chairs, designed by Afra and Tobia Scarpa and produced by the Italian manufacturer C&B Italia (now B&B Italia...

Mario Bellini for B&B Italia, 'Le Bambole' sofa, brown patinated leather, Italy, 1972. This piece is one of the very rare prototypes or early editions, and still 100% original, read ...

Vintage Danish Velvet Lounge Chairs, 1940s. Set of 2. Pair of vintage Art Deco curved arm chairs upholstered in golden yellow velvet made by Danish ...

Rare splendid 40s living room, made in the style of Casa & Giardino by Gio Ponti, consisting of a two-seater sofa and a pair of armchairs, wooden structure and upholstery in Cintz c...

Mario Bellini “Le Bambole” pouf for B&B Italia, lapin fur, Italy, 1971. This timeless Postmodern design icon came into being between 1970 and 1972. The search for a new shape for ...

Stunning Mid-Century modern Scandinavian lounge set by Sven Ellekaer for Skippers Mobler A/S Design, 1960s Denmark. There is a three-seater sofa and one lounge chair. Made of solid Rosewood and brown leather in excellent condition. The lounge charis...

This rustic English wooden chair is characterized by a carved wooden seat on which the base and backrest are directly attached. The backrest is ma...

Joaquim Tenreiro (1906-1992) is known as the “father” of Brazilian modernism, being one of the pioneers, with a work that reflects a refined coexistence of traditional values and mod...

Counter Chair Gropius CS2 Designer: Kateryna Sokolova Model in the main picture wool, Woolland-64. Dimensions: Height: 88 cm / 29,13 in Width: 57 ...

'Hippo' sofa full upholstered. Signed by Kristian Sofus Hansen and Tommy Hyldahl for Norr11. Model shown on the picture: Fabric: Barnum Bouclé 24 Fabric: large variety available. ...

Dainty Pouf dark ochre amber by Warm Nordic Dimensions: D 55 x H 39 cm Material: Textile upholstery, Wooden frame, foam. Weight: 9.5 kg Also available in different colours and fi...

French 19th Century Louis XVI Style Settee and Bergeres A Oreilles Exquisite gilt wood carved French Louis XVI style Parlor Suite, comprised of a Settee and two Bergers a Oreille...

Mario Bellini "Le Bambole" living room set for B&B Italia, three-seater sofa and two armchairs, faux-fur, foam and metal, Italy, 1971, set of three. The search for a new shape for u...

Set of six Chiavari model “Gobbetta or Three s” chairs. Sturdy and versatile chair. Particular care was given to ergonomics. The seat was restored by a renowned artisan from the lowe...

Rare "R" arm rattan 2-seaters sectional sofa with "Quad Pole" design featuring 4 strand rattan arms, legs and 4 pole base. Comes with two-tier rattan s...

Poul Kjærholm two PK22 in dull chromium plated steel and cane. Executed by E. Kold Christensen, Denmark.

Bench Eclipse 1 by Antoine Maurice. Dimensions: W 120 x D 30 x H 40 cm. Materials: Solid oak beams, assembled, carved and burned. Ethnic-inspired, the Eclipse range of furnitu...

Fabulous midcentury wicker and wood table and chair set. This fantastic set is in the style of Tony Paul and made in Italy in the 60s. This un...

The greatest works of Modern and Brutalist architecture seem to defy physics - with top-heavy silhouettes, unexpected slivers of negative space, and stacks of heavy, blocky forms see...

Sesann two-seater sofa, designed by Gianfranco Frattini in 1970 and produced by the Italian manufacturer Cassina. It features wool bouclé upholstery and a chrome tubular cage as s...

Very rare and amazing sofa set by robin day for hille. 4 Seats and one table can be combined like you want it. one 3 section base (221cm) and one 2 section base (142cm). A very rare ...

Italian armchair with covering in black faux crocodile imitation leather, structure in antiqued yellow / pink color beech. It is very elegant and comfortable. Comes from an old shop...