Ochre Eames Armshell on Cats Cradle Base For Sale
Want more images?
Request additional images from the seller
1 of 6 images

Ochre Eames Armshell on Cats Cradle Base

About

Ochre Eames armshell chair, produced by Herman Miller, circa 1960s-1970s, on black 'cats cradle' base. Armshell has great fiber content, and is Summit production (Circle "S") Literature: Eames Design: The Work of the Office of Charles and Ray Eames, Neuhart and Eames, ppg. 138-140 "The Eames cats cradle chair, abbreviated 'LAR' low (L) height, arm (A) chair on rod (R) the Eames base was one of the ‘original 5’ of base types the fiberglass shell chairs were released with, in 1950. Essentially designed as a lounge height chair, the LAR base developed the popular common name ‘Cats Cradle’. The name ‘cats cradle’ originated from the age-old game involving two hands and string being wound to create gridiron patterns. It is fair to say there is a resemblance in the LAR base to the pattern of the game".

Details

  • Condition
    Good
  • Wear
    Wear consistent with age and use.
  • Dimensions
    H 24.50 in. x W 24.88 in. x D 23.75 in.H 62.23 cm x W 63.2 cm x D 60.33 cm
  • Seat Height
    12.25 in. (31.12 cm)
  • Seller Location
    Providence, RI
  • Reference Number
    LU943013236801
Buyer Protection Guaranteed
Our Promise To You: If you're not happy with the way an item arrived, we'll work with you and the seller to reach an optimal resolution. Read more

Shipping, Returns & Payment

  • Shipping
    Rates vary by destination and complexity
    Shipping methods are determined by item size, type, fragility and specific characteristics.
    Shipping costs are calculated based on carrier rates, delivery distance and packing complexity.
  • Return Policy

    This item can be returned within 7 days of delivery.

    View details
  • Online Payment Methods
    1stdibs accepts the following payment methods
  • Item Invoice
    Generate an invoice that you can customize and print.

About Charles and Ray Eames (Designer)

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.

     As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.

     Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.

     His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.

     The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the “LCW,” or Lounge Chair Wood, and the “DCM,” or Dining Chair Metal, supported by tubular steel.

     The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their “Wire Chair” group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their “Molded Fiberglass” chair series that same decade, and also produced the organic-form, ever-delightful “La Chaise.” In 1956 the “Lounge Chair” and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.

     Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

About the Seller

5 / 5
Vetted
Gold Seller
1stdibs seller since 2012
Located in Providence, RI
You may also contact the seller by phoneCall seller through 1stdibs
More From This Seller
White Eames LAR Cats Cradle Chair

White Eames LAR Cats Cradle Chair

By Herman Miller
$1,400
White Eames LAR Cats Cradle Chair
Herman Miller, Charles & Ray Eames
Mid-20th Century American Mid-Century Modern Chairs
Metal
White Eames arm shell chair, produced by Herman Miller, circa 1972, on black 'cats cradle' base. We would describe this Eames fiberglass arm shell as "brilliant white", as opposed to...
Early Eames Rope Edge Armshell Chair
Early Eames Rope Edge Armshell Chair
Charles Eames, Herman Miller
Mid-20th Century American Mid-Century Modern Chairs
Steel, Fiberglass
Early rope edge armshell chair, designed by Charles Eames, and produced by Zenith Plastics of California for Herman Miller. Base has been refinished in a satin black, and has brand ...
Early Eames MSX chair

Early Eames MSX chair

By Charles and Ray Eames
$850
Early Eames MSX chair
Charles and Ray Eames
20th Century American Mid-Century Modern Chairs
Fiberglass, Iron
Early Eames MSX (medium / side / x-base) fiberglass chair, circa 1955. Color is "Parchment" We offer free delivery within the Long Island / Greater NYC, northern New Jersey, Conne...
Early Eames DKW-2 with Leather Bikini Cover
Early Eames DKW-2 with Leather Bikini Cover
Herman Miller, Charles & Ray Eames
Mid-20th Century American Mid-Century Modern Chairs
Steel, Leather, Maple
Early DKW-2 (dining height / wire shell / wood base) with leather bikini cover, designed by Ray & Charles Eames, circa 1950. This example produced by Herman Miller, circa 1952-1954. ...

Why Shop on 1stdibs?

Learn More

Only Vetted, Professional Sellers

Buyer Protection Guaranteed

Fully Insured Global Deliveries