Brazilian Case Pieces and Storage Cabinets

This innovative bar cart by Sergio Rodrigues was crafted in circa 1960 from Brazilian Rosewood with contrasting white formica interior, made in Brazil and recently imported to the states. Fully restored and ready to be used and cherished immediately. A highly sought-after collectors piece, this dry bar / trolley features a flip-top which becomes a usable platform...

This bookcase is made out of thick plywood and features a sculptural and raw look that give it a lot of character. The sides have rounded out edges that are wider at the base and...

This gorgeous multi-level shelving system was designed and manufactured by the Brazilian design icon, Jorge Zalszupin and his company, L’Atelier. When it comes to Zalszupin’s line of modular pieces (Modulados Compiníveis), simplicity and clarity are the main characteristics. Similarly to Danish production, treating the wood with special care was a core concept for Zalszupin. The versatile industrial design of these pieces offers a variety of typologies and combinations of modules that can be creatively combined to satisfy every need and interest. The pieces include drawers as well as diverse consoles with doors that feature locks. These modular pieces made by L’Atelier follow the idea of Louis Sullivan: “form follows functions”, which is exemplified by this piece. The modules are made of the Brazilian wood ‘caviuna’ with a beautiful finish in wood-block collage. The six wooden legs support the units in an understated way, leaving the units to be the main visual pieces. The pieces feature “inverted” handles in pairs, that are distinctive of Zalszupin, and contribute to the elegant and modern look of this shelving system. Condition: In good vintage condition. Wear consistent with age and use. Some modules have some small scratches and marks. Dimensions: 98.42 in W x 15.95 in D x 104.33 in H 250 cm W x 40.5 cm D x 265 cm H About the designer: Jorge Zalszupin was born in Warsaw, Poland, in 1922. He graduated as an architect in Romania in 1945. His importance for Brazilian design has been articulated in several publications so far. In addition to being the owner of the l'Atelier furniture factory of modern furniture, Zalszupin led a unique initiative: he coordinated a team of designers working for four different factories in the same business group, the Forsa Group. Zalszupin immigrated to Brazil in 1949 and after a brief stay in the capital, he settled in São Paulo, a city that was then entering a cycle of great industrial growth and great cultural transformations. In the first half of the 1950s, he opened an architecture office, having José Gugliota as a partner. When he got tired of designing exclusive furniture manufactured for his clients' homes, he decided to join a group of woodworkers and started to produce smaller series. This was how l'Atelier came into being, which eventually began to manufacture office furniture and went from a carpentry shop with handcrafted products to an industry with serial production. The first piece in this series was an armchair nicknamed 'Danish' by employees. It was first created in 1959. In the early 1970s, because of serious financial problems, l'Atelier was sold to a business group. The sale was finalized with Zalszupin's 'pass' as director of product research and development. Thus, Zalszupin expanded the team of designers - which already had Oswaldo Mellone - incorporating Paulo Jorge Pedreira and Lílian Weimberg permanently. The designers named the new group Forsa, and started to act as a sort of creative laboratory. The technical possibilities offered by four distinct industrial plants were enhanced by the team of designers. In this way, Hevea, which produced plastic commodities, won a very sophisticated product line in design and established a brand: Eva, for household items, sold in supermarkets. L'Atelier itself started using injected plastic, producing partition panels...

Bar cabinet by Jose Zanine Caldas Brazil, 1950s. Manufactured by Mo´veis Arti´sticos Z. Original manufacturer's paper label. Marine plywood. Measure...

Made in limited edition of 150, this cabinet is part of the exclusive Sobreiro Collection of cork furniture designed by the Campana Brothers. The Brazilian designers brought a sculptural whimsy to the lightweight, sustainable material of cork, which is visible in the gently rounded edges and sculpted handles of this cabinet. With this Sobreiro Cabinet, the Campana brothers brought forth that multitude of textures and effects that cork can create. It is composed of cork and a wooden structure made from expanded natural cork agglomerate, a material made by heating the cork and does not contain any additive. Besides aesthetics, cork's sustainability is key to its appeal. Cork (Sobreiro is Portuguese for cork oak tree) is one of the most sustainable natural materials to harvest, most importantly because its trees never get cut down; every nine years, a tree's bark is removed and turned into everyday objects, such as wine stoppers, shoes, and now, design furniture. For the Campana Brothers cork...

Part of the limited edition Sobreiro Collection, this “Wave Cabinet” is perhaps the most recognisable of the cork cabinets in the exclusive collection by the Campana Brothers...

Wall-mounted variation on the "Marquesa" dresser with eight drawers and lathed handles. Designed by Sergio Rodrigues, Brazil, 1965.

Credenza in jacaranda with four doors and four drawers. Designed by Joaquim Tenreiro, Brazil, 1950s.