Japonisme Furniture

Japanese Modernist Beige Studio Ceramic Flower Vase, Circa 1950s DIMENSIONS: Height: 11 inches Diameter: 4 inches ABOUT JAPANESE MODERNIST BEIGE STUDIO CERAMICS Japanese Modernist...

Vintage Japanese Satsuma Covered Ginger Jar This Japanese jar decorated with birds, flowers, and satsumas would be a beautiful gift for a vin...

Japanese Meiji Period Six-Panel Screen with Blue Lake and Flowers, Ca. 1900 Meiji Period (1868-1912) DIMENSIONS Length: 145 inches Height: 69.5 inches

Kokeshi à feuilles d'érables, des années 1970, fabriquée par Inosuke Kobayashi, prix du Premier Ministre en 1979. Réputé pour son talent à reproduire avec précision l'art des tissus...

A modern day rendition of iconic Tansu storage with hand forged iron pulls and traditional wooden drawer glides. Maria Yee is a California contemporary furniture design studio estab...

A Pair of Art Deco Chinese Cloisonné Horses Incense Holders, Ca. 1920 DIMENSIONS (each) Height: 10.75 inches Length: 9 inches Depth: 5 inches

An important woven bamboo ikebana basket circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). Chikubosai I was from th...

Japonesque sterling silver ink stand. Made by Tiffany & Co. in New York, ca 1881. Square with concave sides and fluted corners on cast scroll and bead supports. Centrally mounted bal...

A Highly Important Pair of French Japonisme Ormolu, Patinated Bronze & Cloisonné Vases, by Christofle & Cie. Christofle & Cie is a renowned French silver and metalwork manufacturer f...

Bronze with brown patina of a young Japanese girl in a kimono, carrying an umbrella wooden base Patina wear 19th century H39cm 20x18cm.

Vintage woven Morikago basket features shallow open basket shape with wide rim. The wider bamboo strips that form the complex pattern on the bottom of the basket and divide into 4 th...

A large square lacquer presentation tray (likely for kimono) predated 1950 of the Showa period. Elaborately decorated with Maki-e that depicts the prunus blossom, bamboo and needle p...

A wonderfully stylized Japanned partners pedestal desk, having carved, inlaid and engraved classical decoration, an inset leather top, eleven drawers to one side, each with brass turtle handles, the reverse with engraved mother of Pearl inlaid doors, raised on carved cabriole legs. Attributed to; Gabriel Viardot (1830-1906) was a famous Parisian cabinetmaker specializing in the production of “Chinese-Japanese genre” furniture in the last third of the 19th century. He started his career as a wood sculptor in 1849, when he sent some naturalistic décor furniture...

Beautiful square-shaped bowl in engraved crystal decorated with bamboo and birds. It rests on a gilded bronze dragon turtle, a legendary Chinese creature with the body of a dragon an...

Made from an antique Chrysanthemum motif Japanese silk obi and raw silk, this lumbar pillow is both elegant and sophisticated. Beautiful golden e...

A Japanese wood and cloisonne cabinet circa Meiji period, late 19th-early 20th century. The small table top cabinet features a single drawer on top, four small doors with cloisonne panels on the second tier, a pair of larger cloisonne doors on the main level flanked by two skinny panels, and finally two drawers on the low level. It has a scroll carved base and sides as well four pagoda-shape cornices. The cloisonne panels were obviously the work of two different artist studios and were assembled on purpose to demonstrate a mixture of styles. The small top and the two skinny panels on the main level are of an earlier scrolling design that emphasize the wire work; The rest of the eight larger panels were done in a much later and painterly style attributed to Namikawa Sosuke...

Vintage watercolor painting of two Geisha under an umbrella - watercolor over graphite with gold gilt border - signed upper right (unidentified artist/maker...

Japanese Showa Period Karasu Tengu Mask, ca. 1920 DIMENSIONS: Height: 12 inches Width: 8 inches Depth: 7 inches ABOUT A Japanese...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

Three "Kakiemon" Meissen plates decorated with Japanese motifs, circa 1900. Measures: 20 cm. In very good condition. Stamped. 1st factory quality.

Yamashita Kochikusai (1876-1947) was a Japanese bamboo artist from Osaka, Kansai region. He apprenticed under Wada Waichisai I (1851-1901), becoming independent in 1901. His students include Ezono Chikubisai, Suzuki Gengensai and Inose Kohosai. He won prizes for his work at numbers of exhibitions and was patronized by the Imperial Household. The basket on offer has a simple but elegant elongated shape and it was finely woven with smoked bamboo likely circa 1910s-1920s, late Meiji to early Taisho period. The body was constructed with Hexagonal Plaiting for the main body, reinforced with twining in the upper and lower portions. The special design was reserved for an mouth ring...

On offer is a Japanese summer kimono woven from indigo blue linen with ivory color fine stripes patterns with apparently darker weft additions. The elega...

Jardinière Médicis vase shape in copper with gold lacquered decoration on a burgundy background of a Japanese landscape with a volcano and an eagle ...

Carved wood and crystal mirror. France, late 19th century.  

A Japanese bamboo Ikebana hanging basket circa 1920s-1940s, made with "sooted" bamboo (susutake in Japanese). This bamboo material was collected from traditional thatched-roof houses...

Japanese Emperor Shōwa Period Kiyomizu-Ware Vase, 18th Century Emperor Shōwa Period - from 1926 to 1989/1990 DIMENSIONS Height: 9 inches diame...

On offer is the last one of the set of seven framed Japanese textile art called Oshi-E circa Meiji Period (1868-1912). This rare set consists ...

This work is inspired by traditional Japanese nature colors symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers. It is filled with storytelling ...

Japonisme stoneware and bronze jardinière attributed to Édouard-Alexandre Dammouse for Haviland & Co, with bronze mounts attributed to the F . Barbedienne foundry. Based on the...

#350 Japanese Edo Period Bronze Jardinière w/ Birds & Cherry Blossom Tree, 19th C. DIMENSIONS: Height: 9 inches Diameter: 12 inches DETAILS Edo Period (1603-1868) Meiji Period (...

A Japanese style carved wood cabinet, with a painted decor imitating Japanese lacquer, ornamented with flowers, birds and butterflies. Opening onto two drawers and a paper filer, the upright-secretary door is also fitted with red velvet. Surmounted by a drawer and asymmetrical shelves, composed in the Japanese « zen » spirit, the cabinet stands on four legs joined by an engraved stretcher. The great influence of the Far-East, through China and Japan, in the second half of the 19th century French art could be found first in painting and soon after in decorative arts and furniture as well. Following the Franco-English military campaign led in 1860 against the Imperial army in China, the French troops of Napoleon III brought back from the Summer Palace, a part of the Chinese Imperial court treasure, which will make up the famous Chinese Museum of Empress Eugénie at the Fontainebleau Palace. The French artists won’t be long to take inspiration from those exotic and sumptuous objects for their creations, as they used to do in the 18th century, when the best French cabinet-makers adapted the Chinese lacquers on the luxurious royal chests. But the influence of Japan, at the Meiji period (1868-1912), came also very quickly to France, thanks to the opening of the country in the middle of the 19th century, as well as the development of traveling and the amazing Universal Exhibitions, in which Japan participated for the first time in 1867 in Paris. Then many Japanese objects and prints were imported to France and to all Europe, and for which some collectors spent already fortunes. With Manet and Impressionists generation, the passion for Japanese art, more than a simple taste for an exotic style, was still in fashion until the turn of the 19th century. It provoked not only a craze among the French aristocratic families as well as the wealthy Paris high society, wishing renew their mansion inner decoration, but turned also to a real revolutionary movement among the “avant-garde” artists. Those artists, whoever they were, painters, cabinet-makers or designers of ceramic, bronze and crystal objects, adapted then those techniques and naturalistic motifs unknown until this time. Christofle, very famous since 1867 as a silversmith, was also one of the leaders among the inventors of Japanism. He knew how to use Japanese elements to his own splendid works made in silver or “cloisonné” enameled bronze. During the 1878 Paris Universal Exhibition, Christofle presented with great success his life-sized bronze Japanese ladies torcheres, executed by the renowned sculptor Guillemin. Another famous company to be mentioned, is “L’Escalier de Cristal”, producing art objects and furniture, all of high standard quality and innovating much with their Japanese decor. Highly remarked during the Universal Exhibitions, “L’Escalier de Cristal” collaborated with the greatest artists, such Gallé and Rousseau for glass- and ceramic wares, and the cabinet-makers Lièvre and Viardot, whom made furniture including sometimes authentic Japanese elements. In 1872, Alfred Perret and Ernest Vibert opened in Paris, at 33 rue du Quatre-Septembre a store that offered “natural bamboo furniture and cane seats” and all kinds of textile fittings for furniture. This furniture used for winter gardens and terraces of mansions knew then a resounding success. They developed their business around 1884 with their Japanese style furniture, very close to that executed by Gabriel Viardot (1830-1906). In 1886, the company appearing in the category of “Chinoiserie and Japoneries” offered, in addition to furniture and seating creation, works of art and inlaid furniture directly imported from the Far East ; an activity that expanded rapidly. Their exotic fantasy furniture presented at the Universal Exhibition of Paris in 1889 and 1900, rewarded them two silver medals. In 1894, the company was listed under the name “Perret et Vibert”, headed by the son of Alfred Perret and Ernest Vibert. The same year, they redesigned their store on rue du Quatre-Septembre, creating ten new show-rooms, showing complete furniture sets of Japanese and Chinese style inspiration. It was not until 1895, that the company was finally named “La Maison des Bambous” and organized then in their shops an “exhibition of country furniture and seats for castles and villas”, which was visited by Empress Eugenie to furnish her villa Cyrnos at Cap Martin. She actually was a regular customer of the “Maison des Bambous” as she bought repeatedly furniture. In October of the same year, the king of Greece...

Japanese Meiji Period Koransha Olive Green & Gold Glaze Porcelain Vase, Ca. 1880 DIMENSIONS Height: 4.5 inches Diameter: 5 inches ABOUT Meiji Period (1868–1912) Koransha Porcelain ...

Japonesque sterling silver inkwell. Made by Tiffany & Co. in New York, ca 1882. Drum form with curved shoulder, short neck, and hinged and cork-lined bayonet cover. Leaves and tendri...

This work is inspired by the blue color palette, and is framed in paulownia wood originally used for a kimono chest-of-drawers. In this artwork, the aim was to capture the wide pale...

A Pair of French Japanism Signed CP & Co Pate Sur Pate and Gilt Porcelain Vases. This elegant pair of vases, crafted by CP & Co, exemplifies the aesthetic influences of Japanism in ...

19th century blue and white Japanese porcelain dish Meiji period decorated with prunus on the cobalt blue ground, inscription to base, Ex Bonhams lot 268 diameter 12 inch.

A pair of elegant vases of solid oiled bronze from the Meiji era, Japan (1868-1912). In a Classic Meiping shape, the pair has a mirrored inlay with gold, silver and red enamel that d...

A woven bamboo flower Ikebana basket by Tanabe Chikuunsai II (1921-2000) from Showa era (1926-1989), circa 1950-1960s. The ikebana basket takes a vertical square form, the body was e...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

Japonesque sterling silver gravy boat on stand. Made by Alvin Corp. in Provence, ca 1890. Boat: Bellied bowl with helmet mouth, high-looping handle, and domed foot; gilt-washed inter...

Satsuma ceramic lobed bowl adorned with raised enamels and fine gold details, depicting a vibrant landscape within. Characters and traditional Japanese home...

Théodore Deck (1823-1891) Swallow A 19th Century French Square Wall Plaque Polychromic Earthenware very finely hand-painted, designed with a flying swallow Impressed mark on the reve...

19th century French Satsuma urn table Lamp features hand-painted artistry protected by a proprietary glaze that made such artifacts all the rage in 18th & ...

Japanese Contemporary Grand Pottery Sculpture, Ca. 1980 ABOUT This absolutely unique late 20th Century pottery sculpture with bamboo-styled formed handles features a wonderful artis...

Japonesque bronze cache pot by Berndorf, Austria, circa 1890. Nouveau with a Japanese decorative motif. Stamped Bergdorf over an E Decorated with thr...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

A vintage Japanese ikebana made from lacquered bamboo basketry circa first half of the 20th century. This piece of bamboo art displays an very light and delicate classic tapered squa...

Baluster shaped lamp with Imari decor in porcelain and gilt bronze. Body adorned with red flower motifs on a white and blue background. Chiseled and gilt bronze mount. Quadripod hexagonal base. Work realized circa 1880. New and functional electric system. !The price doesn’t include the lampshade price. However, our workshop can advise you with pleasure and realize it with your size and color choices! Imari is a place of production of Japanese ceramics, otherwise known as “Arita porcelain”. It is the port of an island. Imari porcelain was first exhibited by the Dutch, with their Compagnie Orientale des Provinces-Unies (the V.O.C). These are Europeanized decorations but remaining very inspired by the great traditions of Asian spirituality. The Imari style is characterized by three dominant colors: cobalt blue, red tending to saffron and the white background of porcelain. Imari porcelain had a notable influence on the East India Company (Chinese Imari is referred to as East India Company porcelain...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

This great masterpiece is one of the most amazing screen paintings we have seen, each snow crane is painted with its own personality and attitude, using the finest pigments and Gofun...

Beautiful Japonisme clock in openwork patinated bronze with gold and silver highlights in the shape of a pagoda, at the corners presenting stylized dragons above uprights imitating b...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

A vintage Japanese formal silk Kimono in an "ink green" color with striking geometrical design. The garment is hand-stitched Meisen kimono from a crepe l...

Pair of 19th century Patinated and Gilt Bronze Standing Crane-Form Candlesticks. This pair of 19th century candlesticks are a stunning example of gilt bronze design, featuring two deeply patinated regal cranes standing erect, both with an oversized gilt-covered bronze flower surrounded by foliate and amusingly held in the beak. The candlesticks are both highly detailed, well-balanced and designed to hold a candle. Beautifully crafted, with the cranes standing elegantly on top of gilt bronze rocks...

Made from antique Japanese silk obis, this lumbar pillow is both elegant and sophisticated. It is fabricated from complimentary Asian brocade textiles in shades of grey and taupe. A ...

Japanese Meiji Period Gosho Ningyô of Jimmu, the First Emperor of Japan, Ca. 1900 DIMENSIONS: Height: 8.5 inches Widt...

A boxwood netsuke depicting a monkey trying to catch a turtle, which retracts its head and legs inside the carapace. Origin: Japan Period: Edo 19th century. Dimensions: 3.4 x 3 x ...

Elegant, durable and versatile, the Sukiya presents storage solutions steeped in traditional Japanese tea house aesthetics. Featuring several drawers...

A Marvelous and Quite Unusual French Japanism Orientalist Mixed-Metal Peacock-Form Centerpiece/Tray, by EUGENE CORNU. Made by Parisian sculptor Eugene Cornu. The bashful peacock bo...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...