Executive Walnut Desk by Gordon Bunshaft for Knoll

In its striking curtain wall of glass and modernist steel columns, Gordon Bunshaft’s International-style design for the Lever House — cocreated with Natalie de Blois — garnered widespread acclaim. The Pritzker Prize-winner was a legendary American architect, and his influence can be found today in city skylines all over the world.

Bunshaft studied at the Massachusetts Institute of Technology before undertaking fellowships in Europe and North Africa. In 1937, he joined New York City architectural firm Skidmore, Owings & Merrill where he worked until his retirement in 1979.

Bunshaft shared the same interest in modernist furniture as Florence Knoll, an architect and furniture designer who had a subtle but profound influence on the course of mid-century American modernism and who helped make Knoll Inc. a leading firm in its field. Bunshaft recommended that Knoll be placed in charge of interiors when, while at Skidmore, Owings & Merrill, he designed the Connecticut General Life Insurance Company’s headquarters in the mid-1950s.

Bunshaft’s projects drew heavily on the pioneering architectural work of Le Corbusier as well as Mies van der Rohe, an iconic furniture designer and fellow proponent of modernist architecture.

Celebrated architectural marvels created by Bunshaft include the Beinecke Rare Book & Manuscript Library for Yale University and the Lyndon Baines Johnson Library and Research Building for the University of Texas. Completed in 1974, Bunshaft designed the Hirshhorn Museum and Sculpture Garden, part of the Smithsonian Institution in Washington, D.C., and finished the National Commercial Bank in Jeddah, Saudi Arabia, in 1983. The National Commercial Bank was his last project.

On 1stDibs, find vintage Gordon Bunshaft case pieces and other furniture.

As a company that produced many of the most famous and iconic furniture designs of the 20th century, Knoll was a chief influence in the rise of modern design in the United States. Led by Florence Knoll, the firm would draw stellar talents such as Ludwig Mies van der Rohe and Eero Saarinen into its compass. Their work would help change the face of the American home and office.

The company was formed in 1938 by the German immigrant Hans Knoll. He first worked with his fellow ex-pat, the Danish designer Jens Risom, who created furniture with flowing lines made of wood. While Risom served in World War II, in 1943 Knoll met his future wife, Florence Schust. She had studied and worked with eminent emigré leaders of the Bauhaus, including Mies, Walter Gropius and Marcel Breuer. She won Knoll over with Bauhaus notions of industrial arts, and an aesthetic that featured flat and tubular metal frames and angular forms. When Hans died in a car crash in 1955, Florence Knoll was appointed head of the company. It was as much through her holistic approach to design — a core division of the firm was dedicated to planning office systems — as Knoll's mid-century modern furnishings themselves that she brought about the sleek and efficient transformation of the American workplace.

Today, classic Knoll furnishings remain staples of modern design collections and decor. A history of modern design is written in pieces such as the elegant Barcelona chair — created by Mies and Lilly Reich — Saarinen’s pedestal Tulip chair, Breuer’s tubular steel Wassily lounge chair and the grid-patterned Diamond chair by Harry Bertoia.

As you can see from the collection of these designs and other vintage Knoll dining chairs, sofas and tables on 1stDibs, this manufacturer's offerings have become timeless emblems of the progressive spirit and sleek sophistication of the best of modernism.