Dining Room Sets

This is a fabulous high quality antique flame mahogany Regency revival twin pillar dining table and a set of ten Hepplewhite Revival dining chairs, dating from the mid-20th century. ...

English sliding table / centre table / demi lunes. Set of 2 semi-circular tables. Can be used as 2 side tables or joined together as a round coffee table. Can be extended with 2 ext...

Superb Louis XVI style marquetry and gilt bronze dining room. It is composed of a magnificent 2-part buffet with a central display cabinet in the upper part and two cupboards with sh...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

A fantastic antique Victorian dining set comprising an antique Victorian mahogany and parcel gilt twin pedestal base dining table by the renowned Glasgow cabinet maker and retailer W...

A fantastic antique Victorian dining set comprising an antique Victorian mahogany and parcel gilt twin pedestal dining table by the renowned Glasgow cabinet maker and retailer Wylie ...

Variant 1 — Composed by 4 pouf and a top in walnut wood. Pouf can be sold individually. Table can be with 2 poufs. Different top options. Different upholstery materials available. Price listed for starting fabric. The Amazone collection is designed by Atelier oi...

Vintage Industrial Mid-Century Modern style oak dining kitchen, breakfast table with built in attached cast iron swing out seats, chairs. Kitchen o...

1950s Dunbar, designer Edward Wormley extention dining table with 2 leaves model 5462 with 6 chairs model 5480. Rare Mid-Century Modern 1950s Edward Wormley extension dining table...

An exceptional and highly sought-after Mid-Century Modern dining set designed by William Doezema for Mastercraft, showcasing the luxurious craftsmanship and timeless sophistication t...

Set of Six Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of six Medea dining chairs features: - Elegant beech plywood shell construction - Sculptura...

An exceptional Viennese Biedermeier dining set in fine walnut, comprising five chairs and a large circular table, crafted in Vienna circa 1825. Celebrated for its sophisticated prop...

Royal House Antiques Royal House Antiques is delighted to offer for sale this sublime designer Andrew Varah eight person extra large dining table with matching suite of carver armch...

The iconic Guanabara is a table designed by Jorge Zalszupin (1922-2020) in 1959 and produced by his company, L'atelier. A rosewood patchwork top rests over one concrete base finished...

Elevate your dining experience with this Vintage MCM Wrought Iron Outdoor Dining Set of 5. Featuring sleek lines and mid-century modern style, this set...

Vintage Rockledge Design Studios Dining/Bistro Set by Fred Garbotz - 3 Piece Set Super cool and Unique contemporary Concept dining set from Rockledge De...

Exceptional Danish Modern dining set having four chairs and a table. Designed by Nanna Ditzel, made in Denmark by Frederica Stolefabrik circa 1993. Very rare to find a set still in...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

Art Deco Style Fontaine Quartz Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine marble dining tab...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite dining set. The ultra rare set exudes an air of history and refinement. Outstanding design is exhibit...

An iconic Italian dining set designed by Gastone Rinaldi, dating from the 1970s. This set is a strong representation of mid-century modern design, combining sculptural form with refi...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

The listing includes an exceptionally rare complete dining set consisting of a black square table and four matching black leather armchairs designed in 1969 for Knoll International. ...

Inlaid Salon Set by Vittorio Dassi and Piero Del Grande for Dassi Mobili Moderni, 1950s – Set of 12 An exceptional and extremely rare salon set design...

Mid century modern spun fiberglass dining set, 5-piece with sculptural weave and table. A timeless indoor or outdoor design statement. Table 45.5”w, 28”h Some wear and aging ...

Italian Renaissance Revival dining set featuring a richly carved oval table and eight matching chairs, crafted in solid oak. The table is defined by its impressive central pedestal b...

This dining set by Pierre Gautier Delaye, circa 1965, pairs one green beechwood table with eight matching “Coffee Bean” chairs for a striking look. The table’s design features two el...

A solid oak and steel dining table, perfect for seating 6-10 people comfortably. This version has an antique brass frame finish and an ebonized oak tabletop. White oak, walnut, or ma...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

You are viewing a gorgeous Regency Revival dining set with 8 chairs Classic mahogany extending pedestal table that seats 8 people comfortably The chairs consist of two arm chairs and...

20th Century Art Deco six seater dining suite by Harry & Lou Epstein.  Burr walnut veneered table top set over two bevelled burr walnut veneered pedestals. Six matching cloud chairs...

Bring relaxed coastal elegance to your home with this vintage 5-piece bamboo dining set, beautifully crafted in the 1970s. Featuring a sculptural bamboo table base with a rectangular...

We are delighted to offer this very fine original RRP £12,000 extra large Burr Satinwood Giorgio Collection extending dining table This piece is part of a monumental £50,000+ dining room suite which includes the extra large extending table...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Art Deco Style Fontaine Quartz Dining Table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fontaine marble dining tab...

Transport yourself back to the sleek and sophisticated 1960s with this low profile MCM dining set. The ultra rare set exudes an air of luxury and refine...

This is a beautiful dining set comprising an antique William IV flame mahogany and crossbanded extending dining table, dating from Circa 1835, and a set of Vintage crossbanded dining...

Welcome to the timeless legacy of John and Elinor, the beloved founders of the iconic McGuire Furniture, a San Francisco-based institution that has been synonymous with craftsmanship and creativity since its inception in 1948. As a dynamic couple, their lifelong partnership laid the foundation for the distinctive McGuire style, a harmonious fusion of natural materials such as rattan and hide with the sleek lines inspired by Asian aesthetics. Discover the essence of their visionary work embodied in this exquisite dining table and matching chairs—a testament to their enduring impact on design. Crafted in the latter part of the 20th century, this McGuire dining set showcases the hallmark bamboo frame that is quintessentially McGuire. The table, adorned with a rectangular beveled glass top in pristine condition, stands as a testament to the timeless elegance of McGuire's craftsmanship. The bamboo base boasts a delightful warm hue, effortlessly infusing any modern interior with the inviting, relaxed ambiance reminiscent of California design. Immerse yourself in the classic beauty of McGuire Furniture, where each piece tells a story of innovation, craftsmanship, and the enduring allure of mid-century California style. Some history about the manufacturers: Like so many artists and designers, husband and wife John McGuire (1920–2013) and Elinor Stevenson (1914–2005) became masters in their trade by accident. The couple met just before the start of World War II (during which John was in the U.S. Navy and Elinor was a navigation instructor) and got married after it ended. They settled down in San Francisco where John held a couple of jobs — among them selling newspaper ads for the San Francisco Examiner while Elinor worked for Boeing Aircraft. Soon, an old Navy buddy of John’s asked him to help sell a bunch of rattan furniture and, needing the money, John agreed. His side business became so successful that John decided to quit his ad-sales job and work full-time in design. In 1948, McGuire Furniture Company was born. Alongside themed-century modern furniture designs then gaining popularity in the United States, John introduced an unconventional idea: traditional armchairs, stools and tables made of natural materials such as bamboo, which was strong yet could be rendered pliable when steamed, that were intended for the indoors rather than the front porch. The brand’s first success was the now famous Director’s X-Chair byLeonard Linden. The military-campaign-style solid oak folding chair launched in 1956 and saw rattan binded with rawhide strips and a high-grade leather slug seat and back that eliminated the need for a plush cushion. Elinor, too, designed some of the brand’s popular pieces, such as 1968’s Cracked Ice chair. With its rattan oval back a dazzling celebration of geometric forms that give it its charming moniker, the Cracked Ice chair was an instant classic and is one of the brand’s most recognisable designs. Today, McGuire and another American furniture manufacturer, Baker Furniture Company, comprise Baker Interiors Group. McGuire remains true to the founders’ ideals and commitment to crafting the kind of organic modern furnishings that are synonymous with the warm and relaxed feel of California design. The company has collaborated with interior designersSteven Volpe, Orlando Diaz-Azcuy and Nicole Hollis...

A very good looking and well made suite, the table is rosewood with mother of pearl inlay, the central section has peacocks which symbolised dignity and beauty and was favoured throughout the Republic period. The peacocks are surrounded by hearts and then on the outer edge flowers. We are delighted to offer this lovely suite of Chinese Republic circa 1930's rosewood with mother of pearl inlay dining...

MINT Country French Parquetry Top Table 6 Dining Chairs 2X22" Extension Board Leafs Table Dimensions: 46" x 76" x 30" 2x22" leaves with an extended table length of 120"

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

We are truly honored to offer you this rare and distinguished set of six walnut Biedermeier chairs, paired with a magnificent tilt-top table, al...

Restored

Very Fine All Pegged Joints Solid Oak Dining Chairs Table Set MINT Table Dimensions: 35” x 66” x 29” Chair Dimensions: 22” x 24” x 34” Seat Height: 17”

Mid-Century Steel and Glass Dining Set, Table And 4 Chairs, Euro International Consisting of a round table with stainless steel base and smoked glass top and 4 chairs. Very beautifu...

Superb Chippendale style mahogany dining table and chairs by Gillows of Lancaster The pieces bearing the prestigious Gillows stamp - please see the close up photo The dining chairs a...

An exceptional antique burr walnut Queen Anne style dining table and eight chairs. This was made in England, it dates from the 1920’s. The quality is absolutely superb, the chairs a...

This vintage Anglo-Indian dining set, dating to approximately 1950, features a rectangular table crafted from walnut with a bamboo base, accompanied by eight matching chairs. The cha...

Vintage Mid-Century Modern 5 Piece Open Metal Wire Cone dining set In The Style Or Likeness of Verner Panton. This 5 Piece White And Black Open Metal Wire Cone Dining Set Is In Excellent Vintage Condition. Four White Open Metal Wire Cone Swivel Dining Chairs, White Open Metal Wire Cone Design With Black Leatherette Seat Cushions. The Dining Table Is A White Open Metal Wire Cone Base With Original Black Stone Like Table...

Royal House Antiques Royal House Antiques is delighted to offer for sale this nice modern X Framed dining room table and matching pairs of benches which is part of a dining room sui...

This unique Baroque table was crafted in Southern Germany around 1740, representing the height of 18th-century craftsmanship. The table's top is adorned with an exquisite marquetry of walnut and yew tree, showcasing intricate patterns and exceptional attention to detail, characteristic of the Baroque period. The table is in excellent condition, a rare find for a piece of this age, making it not only a functional item but also a valuable collectible. Its timeless beauty and historical significance make it an ideal centerpiece for any sophisticated interior. Key Features: Origin: Southern Germany Era: Circa 1740 Style: Baroque Materials: Walnut and yew tree marquetry Condition: Excellent Dimensions: 80 x 78 x 107 cm This German Baroque table...

CC dining table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. Designed by Rute Martins for the Contemporary Collection and inspired by nature’s organic r...

Girado Extending table in white oiled oak and matte grey glass insert. Feet in matte aluminum. The table closed is a round and opens into an oval. The self storing leaf features ...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

Large and round marble table with feet in the shape of lions, Italy.

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

Exceptional dining set by French designer Georges Robert, consisting of a solid wood table and six sculptural chairs designed in a brutalist mountain style reminiscent of Alpine chal...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely sublime American Mahogany Kesterport Dining table & Chair suite Please note the delivery fe...

Measures: Sideboard - H 95 x 300 x 51 Mirror - H 88 x 240 Bar cabinet - H 91 x 116 x 41 Mirror - H 122 x 78 x p5 Table - H 80 x 197 x 96 Chairs - H 91 x 48 x 50, seat H 47.