Mid-Century Modern Dining Room Sets

A superb piece of 1970's design by Italian legend Gianni Ruffi. This table and bench set has such a clever concept. The whole thing has been exaggerated, from the thickness of the be...

This stylish vintage chrome dining set includes six matching Stendig style chairs with matching chrome frame dining table. Making a beautiful Mid-Century Modern statement in any sett...

Origin: Italy Designer: Gastone Rinaldi Manufacturer: Rima Era: 1970s Materials: Chrome, Glass Measurements: 66 (table) 19.5 (chairs)″ wide x 29 (table) 20 (chairs)″ deep x 29 (table...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

Circa 1970's Romeo Rega design for Mario Sabot dining table and 4 chairs. Lovely combination of brass, smoke glass and wicker trimmed in chrome make this set a standout in any decoru...

Wonderful set of 6 chairs. Two of the chairs are armchairs for each end of the table. The complete set consists of eggshell-white painted bamboo wood paneling. Inside the bamboo stic...

Set of 4 Mid Century Totem dining chairs by Torstein Nilsen for Westnofa with Italian design dining table .Norway 1980s Beautiful vintage Set of 4 dining chairs, with table ,model T...

Unique "Paracarro" model dining table with a set of four chairs. It was designed by Giovanni Offredi and produced by Saporiti in Italy during 1973. Based on a prototype project, i...

On offer on this occasion is one of the most stunning lucite table set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the be...

An exceptional set of 10 Preben Fabricius and Jørgen Kastholm limited edition cognac leather FK6728 armchairs matched to a large an impressive Matteo Grassi cream leather and glass dining table. The price shown is for all 10 chairs and the table including the glass top. Originally designed by powerhouse 1960s design team Preben Fabricius and Jørgen Kastholm in 1964, their ‘Tulip’ chair has become an icon of Mid Century Danish design. The actual original name for this chair that was produced by Kill International is ‘The Bucket Chair’ and it is still produced today by Walter Knoll under that name. Needless to say the name comes nowhere near close to portraying the beautiful and curvaceous lines it exhibits which is why over the years it’s often been referred to as the ‘Tulip’ or ‘Bird’ Chair. The original production name was the FK 6725 which relates to the chair with the fixed base and seat. Other production variants number from 6725-6729 and also have been produced in a 3 leg (3G), 4 leg (4G) or 5 star (5R) base and with or without castors. The original chair was produced with a fixed seat and base, but later versions had a rotating seat - and later still a 4 star and 5 star base with both a tilting and rotating seat. All production models had circular slides or castors fitted to the base of the feet so if you ever see a listing without one or the other they are missing in action. The FK high back armchair version, as shown here, has a leather pad and a gloss white shell and a 4 star rotating base. This was a special edition, as confirmed by email via Walter Knoll, and was therefore only produced in very limited numbers. The fine lines and contours found on the FK chair are still as compelling today as they were when the chair was first introduced. The sculptured arm rests elegantly curve up and away from the chair base and provide both comfort and support. It’s a stylish, easy going chair that works well both in a domestic environment as a dining, side or desk chair, or in a business environment as a meeting room or conference room chair. All the chairs in this set are in good used condition with just minor signs of wear here and there as expected. There really is nothing much to choose between any of the 10 as there are no major marks or damages. The polished 4 star base on all the chairs are also in good condition with just a few scuff marks and scratches on the tops of the profiles, again just as you would expect. The chairs are matched to a beautifully designed and constructed Matteo Grassi cream leather and glass dining table. This large and impressive table has a steel core base that has been upholstered in cream leather and that features a thick glass, floating table top. Matteo Grassi had a long history of producing high quality and finely crafted saddlery going as far back as 1880, and this shines through in the quality of the construction and stitching on all of their products. Like many of their designs the point of identification is that the metal framework is an analogy for the human skeleton with the leather acting as the ‘skin’ that shrouds the frame. The Matteo Grassi family company first came to the notice of interior designers and retailers when the Korium series of chairs were first introduced in 1978. This was the first design they produced under their own name after they moved into mainstream furniture production. This change was based on their increasing involvement in furniture prototyping in the previous 10 years that saw them create and develop bespoke designs for many leading architects and designers. They have ever since been known for producing quality pieces of furniture including the MG5 cantilever chair. This table is the Gazelle model and was produced from the late 1990s through to around 2010 and features their trademark stitching and thick leather; it really is a rare and beautiful table and one that is almost impossible to find on the resale market. It’s constructed of a heavy metal frame with adjustable pads that support a thick glass, racetrack oval shaped top that simply floats above the frame. Whilst it is a very well made and solid piece, it can still be moved by two strong people. This particular table dates from the late 90s and is in excellent condition with only very light marks to the frame and glass – there are no chips in the glass edge. The table has the Matteo Grassi imprint on leather plaques on the underneath of the main frame. As you can see by reference to the photographs, the table can accommodate 10 chairs, but also works well with 8, or 6 chairs too. On this basis you can adapt the seating to your needs and maybe only have all 10 chairs out for larger gatherings and special occasions. Whilst both the chairs and table were designed for the domestic environment the set would work equally as well in an office setting as a funky meeting room or conference table set...

Extremely rare and unique tripod pine needle table with 5 matching tripod stools. Beautiful set that is made in a style that requires painstaking attention to detail and time to make...

An iconic vintage Eero Saarinen, Knoll white tulip dining set with a Calacatta marble top and 4 matching Saarinen, Knoll vintage tulip chairs with...

Round dining table - Entrance table hallway - 120 diameter Offered for sale is a modern eclectic dining set, made with a set of four Monk chairs by Afra & Tobia Scarpa for Molteni ...

Dining room set consisting of ten S11 dining chairs with Aban T35D dining table by Pierre Chapo Pierre Chapo, set of ten dining chairs, model 'S11', elm, leather, rope, France, cir...

A vintage model 83 dining table by Alvar Aalto for Artek made of Finnish Birch ply & 8 model 66 chairs in the same wood. This set is over 20 years old but the exact production date is unclear. There are no stamps or marks related to Artek but the build quality and features are enough to verify its authenticity. The condition of the set is good, the table and chairs are all very solid with minimal dents or chips. There are a couple of chairs showing signs of more use than others, however all seat conditions are visible in the photos provided. There is one small mark on the table top which has been pictured with regular house keys...

Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 1980 Chromcraft dining game 5 piece set Chairs have casters and adjustable seat rocking tension and th...

1970s MCM RUSSELL WOODARD Style Spun Fiberglass Outdoor Dining Set Set includes 4 swivel rocker armchairs with cushions, dining table with glass top. Fab...

Le Corbusier, Perriand and Jeanneret LC6 'Table Tube D’avion', Cassina edition, Italy, 1990s & Set of 4 Black Leather Chairs by Matteo Grassi, Italy, 1990s. The table: The core con...

Afra & Tobia Scarpa for Maxalto, Artona dining table with 'Africa chairs', black leather, walnut, ebony, and brass, Italy, the 1970s the Africa d...

Late 70’s Pacific Green dining suite Made from coconut palm wood, leather and steel. All in very good condition. We would consider selling the table and chairs seperatly if you woul...

Dining room set containing Angelo Mangiarotti for Skipper set of six chairs with Pierre Chapo dining table model T21D Angelo Mangiarotti for Skipper, set of six chairs, model 'Tre ...

Marc Held Set of a table for 4 people and 4 chairs from the IBM offices in Montpellier. Published by Bessiere. Beech table, white Formica top. Black metal base. Chairs can be hun...

A stunning vintage modern Danish teak pedestal base dining table with two leaves by Skovby Mobelfabrik. This attractive set caters to many with the ...

A bentwood table and four chairs designed by Czech architect Jan Bočan for the Czechoslovak Embassy in Stockholm. Designed in 1970 by Jan Bočan, Jan Šrámek, Zdenka Rothbauer and Jiř...

This dining set is a fully original set that attributed to Boris Tabacoff for 'Mobilier Modulaire Moderne' (MMM) from France. Boris Tabacoff, a French designer of Bulgarian origin. ...

Maison Regain, dining room table, solid elm, France, 1970s Beautiful dining table by Maison Regain. The base is expressed through clear lines and symmetrical features. The strict an...

Guido Faleschini for i4 Mariani, dining or conference table, leather, wood, metal, Italy, 1970s, with Giovanni Battista Bassi for Poltronova, set of ten armchairs model 'Elisa', velv...

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Mid-70's Set of tub chairs and table. Apparently custon designed by an architect for his own home. Wooden frames on swivel bases. Table is a laminex top on polished chrome legs. One ...

Danny Ho Fong, the king of wicker designed this dining set with 6 stools. Dining table base and stools are made of iron. The table top is a strong wicker structure, with a thin glas...

One of a kind American Studio craft birch blonde dining table with 6 chairs. Beautiful carved wood dining chairs and dining table. The oval style shaped dining table with detailed sc...

Round Table T 21 E Round SFAX Pierre CHAPO 1979 In French Elm. Table diameter 160 cm with a thickness of 7 cm, central leg in removable beam, 12 place settings. in a very beautiful p...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Pieces can be purchased separately. Please inquire for separate pricing. Provenance: Property from the Personal Collection of Vladimir Kagan Birdseye maple veneer, painted and lacquered wood, Fully Refinished Table...

Vladimir Kagan (American, 1927-2016) The Kagan Family Copeland Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 Can purchase separately Birdseye maple veneer, mahogan...

Incredible mid century modern spun fiberglass dining set by Russell Woodard. Set features 4 chairs on coasters with a glass top dining table. Chairs still have the original “W” logo ...

Set of Eero Saarinen for Knoll set of six 'Tulip' armchairs with Centro Progetti Tecno round dining table Eero Saarinen for Knoll, set of six 'Tulip' armchairs, fiberglass, aluminu...

Mid Cent Rattan / Cane Dining Table & 6 x Chippendale Style Dining Chairs, 1970s Magnificent mid century rattan / Cane set of six vintage Chinese Chippendale style dining chairs plus matching table by ‘Angraves’ from the “Invincible” range. Brown in colour. The Table has a 10mm Glass top with polished edges. The chairs and table have cane lapping on all joints and other areas in abundance, the seats of the chairs are heavily woven wicker. In great condition Plaque reading: Angraves, Invincible, Brook Street, Thurmaston, North Leicester Excellent quality and craftsmanship, in great condition. Please note these are made from natural materials, so they may differ slightly in finish and colour. Angraves of Leicester: manufactured high class cane furniture in Britain for almost a century. From 1912 through to 2011, when the company along with its highly skilled craftsmen were bought out by Soane Britain...

Mid Century Modern Scandinavian G-Plan Style Walnut Fold Down Dining Table and 6 Dining Chairs in Original Fabric - 7 Piece Set The wood will be cleaned up prior to shipping. Cir...

Nerone & Patuzzi dining table for Gruppo NP2, glass, iron and wood, Italy, 1970s. Designed by the Italian duo Nerone and Patuzzi, this dining table is a work of art. The base consis...

Vintage Mid Century Modern Chrome Dining Room Set in the Milo Baughman Style manufactured by Scancraft Furniture, NY. Circa 1970s. The Table Features a polished aluminum frame with a...

On offer on this occasion is one of the most stunning, dining set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the best, i...

A dining set composed of four “Africa” dining chairs and an “Artona” table, designed by Afra and Tobia Scarpa for Maxalto in 1975. Made of walnut, burl...

ELODIA Sculptural Brass Cobra and Glass Dining Table. Beautiful patina to brass serpent snake bases. Glass top has a multifaceted/polished chip edge, which increases its ability to r...

The midcentury Italian set of four chairs and table from the 1970s, crafted in giunco wood, exudes a rustic charm and timeless elegance. The chairs feature a stylish and ergonomic de...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

The midcentury Italian set of four chairs and marble table from the 1980s offers a blend of sophistication and luxury. The chairs have been thoughtfully reupholstered in green suede,...

- newly upholstered in velvet fabric - good/very good condition with minor signs of use - heigh of seat 43 cm.

Vintage Pierre Chapo S35 “Banc à dos droit” or Straight-back bench executed in French elm combined with the T35 “Aban” dining table. As with all furniture ...

This table and 6 chairs from 1970's Italy is attributed to Guiseppe Rivadossi, but the piece is unsigned. The solid walnut table base and chairs hav...

Tito Agnoli for Pierantonio Bonacina rare exquisite Carabou dining set consisting of a round cherry wood and rattan dining table and four woven rattan dining chairs. This architectur...

Set of four sculptural "Costa" Model Dining Chairs, designed by Philippe Starck for Driade, Italy, circa 1980s. These chairs are being refinished and reupholstered and can be complet...

A fabulous table and four coordinating chairs. Made by the iconic Brown Jordan. Part of their Classic ll series. The table retains the original label, the chairs come with a clot...

Very nice dining room set by Giotto Stoppino from the 1970s in Italy. This set consists of a dining table and four matching dining room chairs. The table has a tubular, chrome-plated...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Round end table with the famous Roger Capron Herbier tiles, designed from 1968 to 1982. The handcrafted Garrigue tiles produced by a technique in whic...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...