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DTM-10 Rectangular Dining Table by Ray & Charles Eames for Herman Miller

$3,000

About

A rectangular dining table with walnut veneered surface and folding metal legs, designed by Ray and Charles Eames and produced by Herman Miller. Dubbed the DTM-10 (“Dining Table Metal”), this example was part of a series of tables introduced in 1947 with variants in tabletop finish, leg construction, and shape. The DTM-10 has four polished steel legs with hairpin supports at each table corner that fold inward to fit inside the painted wooden apron for flat storage. The underside of the table is lightly inscribed with the model number. Condition: Excellent restored condition; professionally refinished. Dimensions: Dimensions: 53.75" length x 33.75" depth x 28.75 height.

Details

  • Creator
    Charles and Ray Eames (Designer),Herman Miller (Manufacturer)
  • Dimensions
    Height: 28.75 in. (73.03 cm)Width: 53.75 in. (136.53 cm)Depth: 33.75 in. (85.73 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    Steel,Walnut,Plywood
  • Place of Origin
    United States
  • Period
    Mid-20th Century
  • Date of Manufacture
    1950-1959
  • Condition
    Wear consistent with age and use. Excellent restored condition; professionally refinished.
  • Seller Location
    Los Angeles, CA
  • Reference Number
    1stDibs: LU1645211300143

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Los Angeles, CA
  • Return Policy

    This item cannot be returned.

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About Charles and Ray Eames (Designer)

Charles Eames and Ray Eames were the embodiment of the inventiveness, energy and optimism at the heart of mid-century modern American design, and have been recognized as the most influential designers of the 20th century.


As furniture designers, filmmakers, artists, textile and graphic designers and even toy and puzzle makers, the Eameses were a visionary and effective force for the notion that design should be an agent of positive change. They are the happy, ever-curious, ever-adventurous faces of modernism.


Charles studied architecture and industrial design. Ray (née Beatrice Alexandra Kaiser) was an artist, who studied under the abstract expressionist Hans Hofmann. They met in 1940 at the Cranbrook Academy of Art in suburban Detroit (where Charles also met his frequent collaborator Eero Saarinen and the artist and designer Harry Bertoia) and married the next year.


His technical skills and her artistic flair were wonderfully complementary. They moved to Los Angeles in 1941, where Charles worked on set design for MGM. In the evenings at their apartment, they experimented with molded plywood using a handmade heat-and-pressurization device they called the “Kazam!” machine. The next year, they won a contract from the U.S. Navy for lightweight plywood leg splints for wounded servicemen — they are coveted collectibles today; more so those that Ray used to make sculptures.


The Navy contract allowed Charles to open a professional studio, and the attention-grabbing plywood furniture the firm produced prompted George Nelson, the director of design of the furniture-maker Herman Miller Inc., to enlist Charles and (by association, if not by contract) Ray in 1946. Some of the first Eames items to emerge from Herman Miller are now classics: the LCW, or Lounge Chair Wood, and the DCM, or Dining Chair Metal, supported by tubular steel.


The Eameses eagerly embraced new technology and materials, and one of their peculiar talents was to imbue their supremely modern design with references to folk traditions. Their Wire chair group of the 1950s, for example, was inspired by basket weaving techniques. The populist notion of “good design for all” drove their molded fiberglass chair series that same decade, and also produced the organic-form, ever-delightful La Chaise. In 1956 the Eames lounge chair and ottoman appeared — the supremely comfortable plywood-base-and-leather-upholstery creation that will likely live in homes as long as there are people with good taste and sense.


Charles Eames once said, “The role of the designer is that of a very good, thoughtful host anticipating the needs of his guests.” For very good collectors and thoughtful interior designers, a piece of design by the Eameses, the closer produced to original conception the better, is almost de rigueur — for its beauty and comfort, and not least as a tribute to the creative legacy and enduring influence of Charles and Ray Eames.

About the Seller
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Located in Los Angeles, CA
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Established in 2010
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