Etched Wall Decorations

Artist Antonia Dombrowsky Color Etching - Etat 1/5 2000 Dimension Print Height 50 cm / 19.68 inches Width 40 cm / 15.74 inches Biography of the Artist 1935 Born in Düsseld...

Limited edition pencil signed and numbered 6/250 original Fine art etching by the very well listed artist and print maker Herbert Fink. This is signed and...

Very large brass Middle Eastern Persian style hanging collector one of a kind decorative tray. Finely hand-hammered, embossed and chiseled with a Middle Eastern historic ceremonial scene. The metal brass Incised with a large medallion in the centre depicting a Middle Eastern King and his court and with cartouches and medallions with figural scenes around. Pie crest edges. Mameluke Persepolis Islamic style. Very nice polished gold brass metal tray could be used hanging on the wall or as a tray table on a stand. Very hard to find large 39"5 Middle Eastern brass tray. DIMENSIONS: 39.5"D × 1"H Good Condition, Original Condition Unaltered, Some Imperfections. Indoor or outdoor use, will fit any Moorish, Bohemian, Mediterranean, Middle Eastern decor.

A beautiful aquatint etching print by famed American artist Jim Dine (1935- ). The image is printed on wove paper with hand coloring and featured a fabulously and somewhat flamboyan...

Exclusive copper wall decoration. This wall plate is a very rare work of art and the perfect decoration for your home. The fish were applied in relief to the plate using an elaborate...

Salvator Rosa, the Italian Baroque painter was also a significant etcher and printmaker. Rosa’s is series of small prints of soldiers was very popular and influential. This etching i...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful and meticulously detailed etching with sober wooden frame; the paper work, "La Gloire de la France", was made by the famous French engraver Simon Thomassin (Troyes 1665-Paris 1733) in 1724, he made the drawing inspired by an elaborate and particular sculpture, made for the gardens of Versailles, between 1681 and 1683 by Pierre Mazeline (1632-1708) important French neoclassical artist; In the inventory of the Garden in 1706-1708, the statuary group is described as follows: "A figure representing Glory seated on a cloud placed on a celestial globe, surrounded by trophies of arms, with the right arm half raised, holding a laurel wreath, and, with the left, a pyramid. The names of the two artists are imprinted on the print itself. Pierre Mazeline was a very prolific and refined sculptor of recognized talent, he is also the author of other statues in the gardens of Versailles as the "Apollo of Belvedere and "Europe"; he also executed the equestrian statue of Louis XIV...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

Etched stainless steel with paint accents wall art titled "The Dance".

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

MIchael Kidner "Untitled" Optical Art photo etching from The Elastic Membrane, 1979 Signed in pencil right bottom verso Michael Kidner '79 Left bottom v...

Funny and elegant hand-watercoloured jungle style print representing an elephant. The frame is black patinated and the print is engraved with a star press. This print is part of a se...

Landscape Drawing, Black Marker Boat and Harbor Scene, France 1966. This vintage black felt-tip pen drawing from 1966 captures a scene of the Cape Antibes, located on the French Riv...

Presenting a lovely limited edition etching, namely, “The Souk” limited edition etching by Azoulay Guillaume. From 1982 the etching is numbered an...

Step into the past with this captivating aquatint print titled "New York in 1846 from Governors Island," a faithful copy of the original sketch by the renowned artist Frederick Caith...

Zinc wall panel, etched with point and acid, patinated, and painted by Nerone Ceccarelli and Giancarlo Patuzzi. Nerone etched the metal panels, which he then mounted directly on the...

18th century Philip James de Loutherbourg Portrait English school miniature etching on paper, of oval shape, set in a black and gold decoration frame...

Wonderful original signed and framed carborundum etching ‘Occupation’ by French artist James Coignard (1925-2008), pencil signed and numbered by Coignard: 17/75, image size: 43in x 3...

CHAS S BUCK - 'Autumn Etching' - Mid century still life monotype engraving on paper - titled in pencil lower left - signed in pencil lower right - vintage chrome frame and single gra...

Titled " A Sketch of the Row in Parliment Street," this hand colored print was published in London by Thomas McLean, circa approximately 1830. Drawn by William Heath (1795 to 1840)...

Created by William Ward (British (English), 1766-1826), after George Morland (British (English), 1763-1804) Lettered below title: Two blooming Nymphs all in a downy bed / In virgi...

A wonderful trio of etchings of gentlewomen by Wenceslau Hollar, who was born in Prague in 1607 and died in London in 1677. The largest, A Woman of Holland, is inscribed on the upper...

Figurative etching on paper by Aaron Brooks, 1997. Framed original monoprint (1/1) by American artist in the Neo-Expressionist style in black and white. Signed and dated. Profession...

A compelling 19th century graphite sketch depicting a man standing with his hands tucked into his back pockets, facing the viewer. The artist captures a relaxed yet confident stance ...

This sublime etching by the swedish graphic artist Bengt Böckman portrays human construction interacting with organic structures. This vintage etching from 1966 is made with dark blu...

Description : For sale is a magnificent etching depicting a maritime scene, created by the famous French artist Alphonse Lafitte in 1920. This work delicately captures the beauty of ...

Pierre Bonnard, Le Parc Monceau, original etching, 1937/500 impressions for Paris plus proofs with large margins, of which this is one. Bouvet helpfully tells us that Bonnard's etchi...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

ABOUT Tom Philips, Art on the Road, 1976, signed and numbered in pencil, 33/50, screenprint. Unframed. CREATOR Tom Philips 1937-2022. DATE OF MANUFACTURE c.1976 MATERI...

Amazing drawing of three horses galloping. This painting is signed "Chub 59' ". This drawing has a custom-made black painted frame.

The Triumph of Ceres engraving by Louis Crepy after Jean-Antoine Watteau. Has Watteau inscription on bottom left and Crepy inscription on the right. An early 1700's French engraving ...

35x49 James Coignard Abstract Mixed Media Collage Painting 1980s James Coignard mixed media carborundum etching circa 1980s Titled Mannequin Various textures and techniques Hand sig...

Forgotten Window - Realisme - Still life Original Etching of the well known Artist Rolf Escher dated, signed, 1977 dated, signed, printed on cream coloured, handmade paper Print dim...

ANTONI TAPIES Etching and carborundum on paper Measurements CM 60 X 78 Specimen H.C. (lower left) Signature en bas à droite Year 1971 Antoni Tàpies i Puig, Marquis de Tàpies (Catala...

ABOUT Andre Dunoyer de Segonzac, St Tropez, limited edition lithograph on wove paper, numbered in pencil 9/250. CREATOR Andre Dunoyer de Segonzac (France). DATE OF MANUFAC...

ABOUT Ruth Leaf, Garden, signed and numbered in pencil, 21/35, embossed color etching and aquatint on wove paper. CREATOR RUTH LEAF(1923-2015). DATE OF MANUFACTURE c.1940-1...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

Artist Antonia Dombrowsky Color Etching - Aus der Edenzeit II E.A. Etat Approve I / X 2003 Dimension Height 56 cm / 22.04 inches Width 78 cm / 30.70 inches Biography of ...

ABOUT Tom Philips, Art on the Road, 1976, signed and numbered in pencil, 33/50, screenprint. Unframed. CREATOR Tom Philips 1937-2022. DATE OF MANUFACTURE c.1976 MATERI...

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

ABOUT Ruth Leaf, Self Portrait, signed and numbered in pencil, 12/25, embossed etching and aquatint on wove paper. CREATOR RUTH LEAF(1923-2015). DATE OF MANUFACTURE c.1940-...

ABOUT Tom Philips, 11 Elements of Violence, 1977, signed and numbered in pencil, 17/50, screenprint. Unframed. CREATOR Tom Philips 1937-2022. DATE OF MANUFACTURE c.1977. ...

Artwork titled "The Susquehanna" by Caroline Stone (American, b. 1936) is an etching with color on paper, created in 1983. The piece is signed and numbe...

Limited edition pencil signed and numbered 126/250 original Fine art etching by the very well listed artist and print maker Herbert Fink. This is signed a...

Redouté (1759-1840) and Pancrace Bessa (1772–1846) after; engraved by Pierre-Joseph (1759-1840). From the series: Ventenat, Etienne Pierre (1757-1808). Choix de plantes, do...

A rare period hand colored etching of the Robert Adam designed bridge at the Chataeu de Sion. Unframed. Paper size: 19.5" x 25.75. Image size: 18" x 23.5". From 'The Works in Archite...

Abstract painting rendered in acid etched steel by artist Silvio Giovenetti, 1972 Signed.

A stunning figurative surrealist work of contemporary art signed by the very talented French artist, Gerald Moreno. Moreno's work is often described as ...

Sandrart Joachim, von (1606-1688) Effigies antiquae Romae. redacta a Pyrrho Ligorio Romano, per XIIII Regiones, in quas Urbem divisit Imp. Caesar August. Nuremberg, Germany, pu...

Jerome Myers (American, 1867–1940) "Virginia Modeling," ca. 1912–1920 Hand-colored etching on paper, pencil signed Jerome Myers imp. with pencil notation on the back left corner of VIRGINIA MODELING Possibly an artist’s proof outside the edition of 50 Description: An exceptional and intimate hand-colored etching by Jerome Myers, a foundational member of the Ashcan School and one of early 20th-century America’s most lyrical chroniclers of urban life. Virginia Modeling depicts Myers’s young daughter seated at a table forming a small clay figure beside a lush floral arrangement—a tender scene of childhood creativity rendered with the artist’s characteristic delicacy. This composition is based on a 1912 preparatory drawing now held in the Cooper Hewitt Smithsonian Design Museum. The etching was created around 1920 and is hand-colored in subtle tones, likely by the artist himself or in collaboration with his wife, artist Ethel Myers. The work is pencil signed and marked imp, indicating that the artist printed or supervised the printing of this impression himself—suggesting a personal connection to this particular work. Virginia Myers...

A stunning figurative surrealist work of contemporary art signed by the very talented French artist, Gerald Moreno. Moreno's work is often described as ...

Fine print by this important American printmaker and educator. Limited 50 impressions. Signed and dated in pencil. Unframed.

Etching on laid paper laid down on vellum, around 1789. Etching after Benjamin West's 1770 painting "The Death of General Wolfe" commemorating the Bat...

'Carte du Chemin entre Samarang et Cartasoera, kaart van den weg tusschen Samarang en Cartasoera' Map of the Road between Semarang and Kartasura by Van Schley. Published 1763. ...

Faux bois frame with a 7/10 copper etched print of a Spanish courtyard.

Johannes Meyer (1655–1712) Physica. Natur=Wussenschaft [Neujahrsblatt, hrsg. von der Stadtbibliothek in Zürich] Broadside issued on New Year’s Days 1697. Measures: 29 x 3...

A beautiful and exceedingly engaging limited edition etching/print titled "Street Booth, Tokyo New Years Eve" by famed Australian/American painter/artist/master printmaker Martin Lewis (1881-1962). This image was created in 1927. Lewis was born in Castlemaine, Victoria, Australia in 1881 but migrated to the United States in 1900. After working in San Francisco and New York he then traveled to Japan to study Japanese art for two years. Lewis eventually returned to the US and settled back in New York in the early 1920s where he would experience his most artistically productive breakthrough period (between 1925-1935) in which he would create some of his most well-known works including this piece. Today, Lewis is universally considered to be one of the most important American printmakers of the twentieth century - a master of light and shadow. This work is a drypoint etching, printed in black ink on cream wove paper with full margins. A brilliant, luminous, and richly-inked impression. From a noted (McCarron, Paul. The Prints of Martin Lewis: A Catalogue Raisonne, p. 60) edition of 40 recorded impressions. According to McCarron, this is the most accomplished of Lewis' Japan prints: "New Year''s Day is an important holiday in Japan. The Japanese traditionally decorate their streets and homes with shimenawa, knotted straw ropes blessed and purified by Shinto priests...

This extremely rare stone lithograph with hand colour was issued in the Dutch series: Bloem en Fruit Studien published in 1836. 35 x 27.3 cm Fine...

Artist Antonia Dombrowsky Signet Color etching - 1/1 1999 Dimension Height 56 cm / 22.04 inches Width 79 cm / 25.19 inches Biography of the Artist 1935 Born in Düsseldorf ...