Vinatge 1990s Tiffany & Co. Atlas Roman Numeric Bracelet with Diamonds

The cutout Roman numerals that prominently circle the Atlas bangle resemble in their strong lines the numbers on an old clock. Visitors to the Tiffany & Co. flagship on Fifth Avenue in Manhattan only have to look up to see the timepiece that inspired this bangle and the entire Atlas collection.

The Atlas clock was commissioned by Charles Tiffany in 1853 to preside over his store at 550 Broadway in New York’s Soho neighborhood. Sculptor Henry Frederick Metzler, who specialized in figureheads for ships, carved the wooden statue of a nine-foot-tall Greek god who carries a large clock on his shoulders. When Tiffany moved uptown to Union Square and then to Fifth Avenue, the bronze-coated Atlas clock was relocated, too, and installed above its current home.

John Loring (b. 1939) joined Tiffany & Co. as its design director in 1979 and adopted a “back to basics” approach. He put that perspective into practice in designing the Atlas watch, a stylish modernist timepiece introduced in 1983 that features raised Roman numerals indicating the hours as they do on the icon’s clockface. It was a celebration of the retailer’s heritage while innovating on its designs.

In 1995, the full Atlas collection was launched. Bangles, rings, earrings, watches and even housewares have debuted over the years. The collection has remained such a favorite that in 2014, the Atlas collection was revisited under design director Francesca Amfitheatrof with new takes on its classic motif. The Atlas bangle has also evolved over the years, with variations ranging from refined versions in plain gold to lavish models detailed with diamonds. On each piece, the nod to the Atlas clock endures, a sophisticated symbol of the influential history of this revered American jewelry company.

Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilts, Whitneys, Astors and members of the Russian imperial family all wore Tiffany & Co. jewelry. And Jacqueline Kennedy Onassis preferred Tiffany china for state dinners at the White House.

Although synonymous with luxury today, the firm started out rather modestly. Charles Lewis Tiffany and John B. Young founded it in Connecticut as a “stationery and fancy goods emporium” in 1837, at a time when European imports still dominated the nascent American luxury market. In 1853, Charles Tiffany — who in 1845 had launched the company’s famed catalog, the Blue Book, and with it, the firm’s signature robin’s-egg blue, which he chose for the cover — shifted the focus to fine jewelry.

In 1868, Tiffany & Co. gained international recognition when it became the first U.S. firm to win an award for excellence in silverware at the Exposition Universelle in Paris. From then on, it belonged to the pantheon of American luxury brands.

At the start of the Gilded Age, in 1870, Tiffany & Co. opened its flagship store, described as a "palace of jewels" by the New York Times, at 15 Union Square West in Manhattan. Throughout this period, its designs for silver tableware, ceremonial silver, flatware and jewelry were highly sought-after indicators of status and taste. They also won the firm numerous accolades, including the grand prize for silverware at the Paris Exposition of 1878. Among the firm’s glittering creations from this time are masterworks of Art Nouveau jewelry, such as this delicate aquamarine necklace and this lavish plique-à-jour peridot and gold necklace, both circa 1900.

When Charles Lewis Tiffany died, in 1902, his son Louis Comfort Tiffany became the firm’s design director. Under his leadership, the Tiffany silver studio was a de facto design school for apprentice silversmiths, who worked alongside head artisan Edward C. Moore. The firm produced distinctive objects inspired by Japanese art and design, North American plants and flowers, and Native American patterns and crafts, adding aesthetic diversity to Tiffany & Co.’s distinguished repertoire.

Tiffany is also closely associated with diamonds, even lending its name to one particularly rare and exceptional yellow stone. The firm bought the Tiffany diamond in its raw state from the Kimberley mines of South Africa in 1878. Cut to create a 128.54-carat gem with an unprecedented 82 facets, it is one of the most spectacular examples of a yellow diamond in the world.

In a broader sense, Tiffany & Co. helped put diamonds on the map in 1886 by introducing the American marketplace to the solitaire diamond design, which is still among the most popular engagement-ring styles. The trademark Tiffany® Setting raises the stone above the band on six prongs, allowing its facets to catch the light. A lovely recent example is this circa-2000 platinum engagement ring. Displaying a different design and aesthetic (but equally chic) is this exquisite diamond and ruby ring from the 1930s.

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