Art

Table for one, 120x80cm

Mixed media on paper

Sunlight Woods By Amanda Horvath [2023] original Acrylics on canvas Image size: H:60 cm x W:60 cm Complete Size of Unframed Work: H:60 cm x W:60 cm x D:3cm Sold Unframed Please note...

The Lucinda River (The Swimmer) 2018 acrylic on canvas unframed 86x 71x 2” aqua, light red, dark maroon, violet oxide, ultramarine blue, green Unique abstract painting. Layered acrylic skins with translucent colors. Some paint texture. Gloss. Painting signed and dated on back. Photo shows light reflections. Named for a short story by John Cheever...

Very nice exhibition poster by Adami Valerio, produced around 1970 for his exhibition at the Maeght gallery. Valerio Adami is an Italian painter. Educat...

Acrylic on board. Framed

Signed lower right, 'S. Darrah' for Sherry Darrah (American, 20th century), additionally signed, verso. Sherry Darrah attended Platt Technical College and received a diploma in Graphic Arts after which she continued to study painting independently. She has exhibited in Balboa Park's Spanish Village and at various San Diego art...

Jockey: 5.5"H x Base: 2.5"Sq x 3/4"D

Perspective is a lithograph realized by Renato Livi in 1971. Hand-signed and dated on the lower right margin. Numbered on the lower left margin. Edition 15/125 Abstract compositio...

Ajay Malghan is an American artist and son of immigrant parents from India. His mother was usually found combining cultures at home, and his father, a Materials Scientist and Engineer often brought him to the lab. The daily experimentations happening around him, both personal and scientific, would later inform his work. While his parents wanted him to follow more straightforward career paths, he was the first in his family to eschew their expectations and pursue art and music instead. Malghan went on to receive an MFA in Photography from Savannah College of Art and Design - Hong Kong. Here he experimented in a darkroom, bleaching film, adding watercolor to glass plates, thinly cross-sectioning fruits and vegetables until they formed abstractions, beginning his exploration into the repurposing of materials. In his twenties, Malghan was diagnosed with Leukemia, the treatment of which resulted in avascular necrosis, a bone disease that eventually required numerous surgeries and three hip replacements. His experience through illness and recovery not only led him to photography, but also informs his manipulation of raw, often overlooked materials in order to reorient our understanding of beauty, pleasure, and purpose. Malghan has been exhibited across the country and has lectured in Hong Kong, India, the University of Texas, the University of Notre Dame - Maryland, and UMLAUF Sculpture & Design Museum. He most recently has been commissioned by The Walters Art Museum, and his work is in the private collections of Johns Hopkins University, the University of Texas, and Georgetown University...

Overall Height: 13"H Jockey: 9.25"H Plinth base 3.5"H x 4.25"W

"Hanjo" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's cl...

Sz: 12.75" x 4.25"Sq @ Plinth Base/ Jockeys 9"H Director's Room Sept-12-79 *Books Not Included*

Title: The Guardians of Movement This work is part of a series. It is part of a story... It portrays my truth, abundant energy, utmost care, wild freedom, unlimited growth. The uniq...

Ce tirage fait partie de la série "Regards Croisés" « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif....

Keith Haring Andy Mouse Bearbrick: 400%: A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals Keith Haring's 'Andy M...

Oil on canvas. Signed, titled, and dated on verso. 36.25 x 42 in. 37.25 x 43.25 in. (framed) Custom framed in maple. Provenance Marcia Wood Gallery, Atlanta Yoshishige Furukawa...

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

Ce tirage fait partie de la série "Regards Croisés". « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Ce tirage fait partie de la série "Regards Croisés". Photographie disponible en deux formats : 30x20cm et 60x40cm Veuillez nous contacter si intéressé. « Nous allions passer l’un à...

The moment of happiness when pets are taken for a walk. We are happy and so are our pets. Enjoy and share simple moments with beloved animals.

Overall 12.5"H Jockey 9.25"H Base 4"Sq x 3"H

Shade: 8"H x 11"D Lamp: 21"H x 4"W circa 1950s

Triptych for Munari is an print realized by Bruno Munari in 1991. Mixed colored screen print on Fabriano Rosaspina paper. Hand-signed and numbered in pencil on the lower margin. E...

Jockey: 9"H x 4"Sq Plinth Base Lamp base to Top of Bulb Socket: 17"H w/ Pair of Celadon Green Silk Shades: 7.25"H Overall Height From Base to Top of Finial: 22.75"H w/ Pair of Ho...

Shade: 8"H x 11"D Lamp: 21"H x 4"W circa 1950s

Sz: 10.5"H x 8.5" Diameter Base Checkerboard pattern racing silks

This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance of relaxing the mind, of letting go of our troubles, of being ...

Par (eng. Couple). Original color silkscreen, 1972. Edition of 20 signed and numbered impressions on Arches paper. Metka Krašovec is one of the most imp...

Overall 12.75"H Jockey 9.25"H Base 4.25"Sq x 3.5"H

Oil on canvas Du Ke is a Chinese male artist born in 1968 who lives and works in Tongzhou district, Beijing, China. He was graduated from the Painting Departmen...

w/ H. Kauffman & Sons label on underside Jockey Height: 9" w/ Base: 12-1/4"H x 4"Sq

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Original political poster produced in 1968 for the victory of the Vietnamese revolution. This was an international demonstration held in Berlin. Politics - Asia Vietnam - Internati...

9"D x 6"H

Jockey Sz: 9-1/8"H Base Sz: 4"Sq x 3"H Overall height: 12-1/4"H

Classic hand-painted 'Diamond C. Stable' c1940s jockey on wood cube base w/ brass plaque Sz: 12 5/8"H x 4.25"Sq base

God Save the Green (II) limited_edition Original Print Edition number 10 Image size: H:72 cm x W:59 cm Complete Size of Unframed Work: H:72 cm x W:59 cm x D:0.5cm Sold Unframed Plea...

South Downs Greens by Georgie Dowling [2022] original oil paint on board Image size: H:40 cm x W:50 cm Complete Size of Unframed Work: H:40 cm x W:50 cm x...

10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...

Antique Canadian impressionist landscape signed oil painting. Oil on board. Signed. Framed. Image size, 20L x 16H.

Overall Height: 12 1/4"H Jockey Height: 9 1/8"H Wood Block Plinth Base: 4 1/2"Sq x 3"H Ex- Palm Beach Estate

Original vintage propaganda poster - Слава могучей советской авиации! Glory to the mighty Soviet aviation - featuring a dynamic image of jet and propeller air force and commercial pa...

"Tiny II" by Danielle Marie Masters Acrylic and cut paper on panel, 8" H x 8" W x .75" D, square shape panel with rounded corners Bright color palette: red, neon red, neon pink, whi...

Unique artwork. C-Print

Original vintage poster - Plucking Tea in Ceylon (Sri Lanka) - issued by the Tea Bureau featuring an agricultural illustration of a lady in blue and red clothing picking tea leaves a...

This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance of relaxing the mind, of letting go of our troubles, of being ...

This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance of relaxing the mind, of letting go of our troubles, of being ...

This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance of relaxing the mind, of letting go of our troubles, of being ...

Play Drawing #5 Contemporary Original Abstract Oil Painting This series focuses on the idea of play and the emotions involved in the act of playing. We often forget the importance o...

Acrylic on linen

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her spiritual (Islamic) practices. As she explains, “I strive to convey the notion of Tawheed (oneness), the idea of primordial matter, chaos, and calm; of all things sharing a source and being connected to an infinite mound, inclusive of the human experience.” Her language is versatile and her approach, unconventional, working with acrylic, ink, and resin to articulate emotion and promote connectivity through color and movement. Bilal, who has been experimenting with paint since childhood, has developed a unique process of her own. She often paints while seated on the floor to pour her whole body into the composition, using her hands, mouth, and found objects to create an array of effects that become part of an intricate yet fluid work of art. Bilal’s first solo show in New York City, Fingerprints of Ruh (2020), curated by Nemo Librizzi, was met with enthusiasm and led to gallery representation by Chase Contemporary Gallery and recently, Mazlish Gallery...

The Simpsons inspired, great colors, acrylic and spray on canvas, great artwork, exhibitions in the best Art Galleries in France, USA and Mexico. :: Paint...

Unique artwork. C-print

Unique artwork. C-print

Unique artwork. C print (color from black and white negative), pencil

Nice poster from 1970 by Jean Widmer entitled Jouer aux halles. Jean Widmer, born March 31, 1929 in Frauenfeld, Switzerland, is a Swiss graphic designer. He is the designer of many ...