Art

Overall 12.75"H Jockey 9.25"H Base 4.25"Sq x 3.5"H

Mixed Medium Original Acrylics and spray paint on deep edge canvas Titled, signed, and numbered on the reverse Size: 23.6 x 23.6 Edition of 10

Antique Canadian impressionist landscape signed oil painting. Oil on board. Signed. Framed. Image size, 20L x 16H.

Jockey Sz: 9-1/8"H Base Sz: 4"Sq x 3"H Overall height: 12-1/4"H

w/ H. Kauffman & Sons label on underside Jockey Height: 9" w/ Base: 12-1/4"H x 4"Sq

Inspired by the landscape, my new series of paintings present both a micro (snail's view) and macro (bird's eye aerial view) of nature revealing the textures and colours found in gra...

Gold powder and acrylic on paper Byun Kyung-Sup is a Korean artist born in 1957 who lives and works in Gwangju, Korea. She studied painting at the College of Fine Arts, Hongik Univ...

Ce tirage fait partie de la série "Regards Croisés". « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif...

Ce tirage fait partie de la série " Regards Croisés". « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objecti...

This abstract painting from new Series “Power of Colors” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. The sides a...

Beautiful poster for the Olympic Games of Moscow in 1980. The Summer Olympic Games of 1980, officially known as the Games of the XXIIth Olympiad of the modern era, take place in Mosc...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

The Simpsons inspired, great colors, acrylic and spray on canvas, great artwork, exhibitions in the best Art Galleries in France, USA and Mexico. :: Paint...

Classic hand-painted 'Diamond C. Stable' c1940s jockey on wood cube base w/ brass plaque Sz: 12 5/8"H x 4.25"Sq base

Sz: 10.5"H x 8.5" Diameter Base Checkerboard pattern racing silks

“There is that Far-off Tall Dog Singing to a Hole in Bank” (Frill Dog series). A colorful contemporary dog painting of Foxhounds dogs singing to a fox in a hole with accompanying text from a book is an inspirational departure from the traditional illustrations found in British Rudyard Kipling's "Thy Servant a Dog", 1930. The book was the first ever narrated by a dog. Nancy van Meter...

Overall Height: 12 1/4"H Jockey Height: 9 1/8"H Wood Block Plinth Base: 4 1/2"Sq x 3"H Ex- Palm Beach Estate

Unique artwork. Watercolor on paper.

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Original poster designed by Bernard Villemot, the most "painter" of French poster artists, for the Swiss shoe brand, Bally. Villemot's style is clearly recognizable, thanks to the elegance and delicacy of his feminine silhouettes The majority of collaborations between Bally and the famous French poster artist were usually aimed at women only, whereas this campaign has the particularity of being mixed. We notice this woman in profile who raises a leg backwards: the shadow of her heeled shoe represents the leg of a man wearing a male shoe...

Oil on canvas

Beautiful poster edited by OSPAAAL: Nixon's peace. Despite its geographic isolation, the island of Cuba has produced more graphic material in support of oppressed peoples around the world than any other nation. This poster supports Vietnam in its war with the United States The posters published by the Organization of Solidarity with the Peoples of Africa, Asia and Latin America (OSPAAAL) were a new expression of revolutionary art...

Signed lower right, 'Charles Seligman' (American, 20th century) and created circa 2000. Texas abstract artist Charles Seligman boldly interweaves poi...

Lithograph, 1958 Handsigned by the artist in pencil State test Publisher : L'Œuvre Gravée (Paris) 76.50 cm. x 56.50 cm. 30.12 in. x 22.24 in. (paper) 63.00 cm. x 45.00 cm. 24.8 in...

Artist: Robert Indiana (American, 1928-2018) Title: "The Calumet" Portfolio: The American Dream *Issued unsigned Year: 1997 Medium: Original Screenprint on Coventry paper Limited edition: 395, (there were also 30 artist's proofs) Printer: Marco Fine Arts Contemporary Atelier, El Segundo, CA Publisher: Marco Fine Arts Contemporary Atelier, El Segundo, CA Sheet size: 22" x 16.75" Image size: 15.07" x 14" Condition: In excellent condition Notes: Provenance: private collection - Düsseldorf, Germany. Comes from Indiana's 1997 "The American Dream" book portfolio of thirty screenprints. Printed in three colors. Text on verso of the following work as issued. Robert Indiana's 1997 black leather-covered book portfolio "The American Dream" was printed and published with 30 screenprints: 6 loose each signed and numbered and 24 bound not signed and numbered, as issued. Forward by Susan Ryan, text by Michael McKenzie and poems by Robert Creeley. The book was issued within a white cardboard packing box with red and black lettering. This image is based of Indiana's 1971 screenprint edition "The Calumet", (Sheehan No. 64, page 43), from his 1971 "Decade" series, (Sheehan No. 63-72, page 42-44). The prints in that portfolio reproduce one of Indiana's paintings from each year of the 1960's. The bear they same titles as the corresponding paintings. "The Calumet" is a 1961, 90" x 84", oil on canvas painting which is within the permanent collection of the Rose Art Museum, Brandeis University, Waltham, MA. "The Calumet", derived from Longfellow's "Song of Hiawatha", reflects Indiana's ongoing involvement with American literary associations and sources. As interpreted, by Indiana, the schematized image of the red clay peace-pipe smoked by the Indians in Longfellow's poem symbolizes mankind's potential to eradicate war. - (Sheehan page 9). Seven stars for seven spheres...

Sharon Weiner is a prolific contemporary abstract painter based in Los Angeles. Her work has been exhibited extensively in California and across the U.S. As an abstract painter, Wein...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Art Sz: 12"H x 10"W Provenance: The Estate of Paul Desmond Brown

Title: The Guardians of Movement This work is part of a series. It is part of a story... It portrays my truth, abundant energy, utmost care, wild freedom, unlimited growth. The uniq...

"Hanjo" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's cl...

Original vintage drink advertising poster - Schweizer Wein soll es sein / It should be Swiss wine - featuring an illustration against a red background by the notable artist Hans Falk...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps Shipbuilding Corporation in Camden, New Jersey. Here, he created non-objective sculpture with metal. After the war, Carton co-founded a fabric design plant in Philadelphia. He produced hand-printed fabrics for interiors and fashion that were featured in Harper’s Bazaar, Vogue and Women’s Wear Daily. Original fabric designs were commissioned by notable clients including Lord & Taylor, Gimbels, and Nina Ricci. Some of these designs are at the Metropolitan Museum of Art. Carton traded his partnership in the fabric design company in 1949 to focus full-time on painting. Carton had his first solo exhibition in 1949 at the Philadelphia Art Alliance. This show was followed closely by solo exhibitions at the Laurel Gallery (New York City) and Dubin Gallery (Philadelphia). At this time, his exhibited work was Abstract impressionism. In addition to painting, he taught classes at the Philadelphia Museum of Art and was the Founder and first President of the Philadelphia chapter of Artist’s Equity Association. The Philadelphia Museum of Art and the organization of the National Museums of France commissioned Carton to travel to Europe, mainly France, in 1950 for a color photography study of continental masterpieces. He was granted access to study the restoration of the Mona Lisa and was one of the very few to be given permission to remove the painting from its frame. During his three year stay in Paris, he had solo exhibits at La Sorbonne and Gallery Rene Breteau and was in 15 group shows in Paris salons including Les Sur Independants, Salon d’Automne, and Realities Nouvelles. He also exhibited at the Musee d’Art Juif where he won the Prix d’Art. The Cercle Paul Valery twice sponsored Carton to present lectures at the Sorbonne. He conducted seminars at the Louvre for the Cercle Esthetique Internationale and taught classes in and directed stage and costume design for the Theatre de Recherche at the Paris Opera. Among his Paris artist colleagues were Chana Orloff, Earl Kerkam, Sam Francis, Claire Falkenstein, Lawrence...

Intersections 3 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

Imani Bilal is a contemporary abstract painter and poet based in Jersey City, New Jersey. Her work is deeply inspired by the many states of the human condition and is rooted in her spiritual (Islamic) practices. As she explains, “I strive to convey the notion of Tawheed (oneness), the idea of primordial matter, chaos, and calm; of all things sharing a source and being connected to an infinite mound, inclusive of the human experience.” Her language is versatile and her approach, unconventional, working with acrylic, ink, and resin to articulate emotion and promote connectivity through color and movement. Bilal, who has been experimenting with paint since childhood, has developed a unique process of her own. She often paints while seated on the floor to pour her whole body into the composition, using her hands, mouth, and found objects to create an array of effects that become part of an intricate yet fluid work of art. Bilal’s first solo show in New York City, Fingerprints of Ruh (2020), curated by Nemo Librizzi, was met with enthusiasm and led to gallery representation by Chase Contemporary Gallery and recently, Mazlish Gallery...

Sharon Weiner is a prolific contemporary abstract painter based in Los Angeles. Her work has been exhibited extensively in California and across the U.S. As an abstract painter, Wein...

10 X 17 without frame. Seymour Boardman (1921–2005) was a New York abstract expressionist. Since his first solo exhibition in Paris in 1951, Boardman developed a personal vision and style of his own, following his own path of abstraction. As a painter he sought to reduce the image to its bare essence. Initially working in the freely brushed manner of Abstract Expressionism, Boardman gradually eliminated the arbitrary aspects of his work until only straight lines and two or three areas of flat, sometimes somber, tones remained. He could hardly have achieved more with less. In a career that was steady and determined, Seymour Boardman created paintings that are unique, while avoiding fashion and trends. His work stands alone because it derives from the Romantic landscape previously articulated by Milton Avery and early Mark Rothko (who was a friend) and later developed into almost hard edged painting. Seymour Boardman majored in art at City College of New York in 1938-1942. He served in the United States Air Force from 1942–1946, during which he was hospitalized for over a year due to a wound to his left shoulder, which resulted in partial paralysis of the arm and hand. After a full medical discharge from the service in 1946, he left for Paris to continue his art education at the École des Beaux-Arts, Académie de la Grande Chaumière, and Atelier Fernand Léger. Boardman's work became more abstract but still based on figure and landscape. He returned to New York in 1949 and went to the Art Students League. Boardman continued to paint dark, moody paintings using a limited palette of black, white, grey, and an occasional additional color. Departed Le Havre France on the Liberte, arriving with his wife in New York on Jan. 22, 1952. In 1955, he had his first one-man show in New York at the Martha Jackson Gallery. It was favorably reviewed by Hilton Kramer, Emily Genauer, Fairfield Porter, and others. "…inscrutable, dark, mostly in blacks stained here and there with calm whitish shapes, they yet manage to suggest something inhuman and romantic…" (N.Y.Times, March 26, 1955). He began to acquire recognition in the 1950s with his paintings of griddled facets seen as if through a frosted glass, without any crisp lines, and in bright colors favoring reds. Boardman's friends included Lawrence Calcagno, Perez Celis, John Hultberg, Burt Hasen, Frank Lobdell, Richards Ruben, Robert Ryman and Nassos Daphnis. Throughout the 1960s, Boardman showed at both the Stephen Radich Gallery and the A.M. Sachs Gallery; in 1967, The Whitney Museum of American Art and the Guggenheim Museum acquired a painting each. In the early 1970s Boardman had a large exhibition of paintings at the Andrew Dickson White...

Art Sz: 9 7/8"H x 12"W Provenance: The Estate of Paul Desmond Brown

INVADER (born 1969) 1969 (French) Title: Binary Code (Red), 2008 Technique: Original Hand Signed and Numbered Screenprint in Colour on Wove Paper ...

Art Sz: 12"H x 10"W Provenance: The Estate of Paul Desmond Brown

Edition 1 of 5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of...

This print features the playful relationship between natural forms and botanicals. In this image Erin uses the natural composition of the lime green orchids, and her own collage work...

Color Boundaries #26, 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, medium, on canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Unique _______...

Jake Michael Singer works across different mediums, including sculpture, photography, drawing and painting. His art focuses primarily on materiality, myth, and catharsis. Singer ca...

Kapil Anant - Incredible India Acrylic & Ink on Canson Paper (Mixed Media) 8.3 x 11.8 inches ( Set of 18 works ) Inclusive of shipment in rolled form. Kapil Anant was born in 1998. ...

Dilation #21, an edition of 3, is part of the artist's "At The Center of Seeing" Series. This archival pigment print is printed on Epson Enhanced Matte paper. Image size is 22" x 1...

Acrylique sur toile

Buddha In resolutely contemporary materials and colours, Richard Orlinski's Buddha represents religious freedom and diversity in the 21th century. Throught this sculpture, the artist...

Oil on board

Pigments, wax, linen thread and collage (Asian ritual paper and gold paper) on cotton canvas

Oil on canvas Doïna Vieru is an Ecuadorian-Moldavian artist born in 1978 who lives & works in France, Paris. She always preferred pas/pas/passionately the...

Classic pen and Ink steeplechase sketch Signed (LR) by F Rebour (French b. 1842-) Image Sz: 8"H x 11"W Frame Sz: 14"H x 17"W

God Save the Green (II) limited_edition Original Print Edition number 10 Image size: H:72 cm x W:59 cm Complete Size of Unframed Work: H:72 cm x W:59 cm x D:0.5cm Sold Unframed Plea...

The HADO Art Vol.3

Acrylic on canvas

Denied Warhol Green Self Portrait Photo Booth Painting by Charles Lutz Silkscreen and acrylic on linen with Denied stamp of the Andy Warhol Art Authent...

Through this series I try to show one of my recurrent thoughts: how memories transform reality. Sometimes memories appear as a simple deformation of reality; in other occasions, just...

Most mornings we wake up to a physical reality of sharp contrast and clear-cut edges. Defined outlines help us navigate everyday life and the world around us. But the blurry fringes ...

Joshua Smith Untitled, 2011 Acrylic on canvas 30 x 24 inches (76.2 x 61 cm)