Art

Synthetic polymer and silkscreen ink on heavy stock. This work is registered with The Andy Warhol Foundation as a painting. Similar work on manila is depicted in The Andy Warhol Catalogue...

Art print on heavy paper Based on the original from 1985 In good condition

Andy Warhol 1967: Film Culture magazine, 1967 featuring cover art by Andy Warhol. Warhol designed the cover using portraits taken in a photo booth ...

Andy Warhol Flash portfolio colophon pages, JFK Assassination, 1968 2 Separate Silkscreens: (1) Silkscreen text on paper and teletype text; (2) colophon sheet in pencil and numbered XVII (from the edition of 26 (roman numerals) Hand-signed by artist, two silkscreen prints; the colophon sheet is hand signed by Andy Warhol; no signature on sheet with teletype 21 1/2 × 21 1/2 inches Unframed Note: measurements are for each sheet Catalogue Raisonne Reference: FS II.32-42 (not illustrated) Silkscreened colophon sheet of the edition XVII of the iconic "Flash" Portfolio; hand signed and uniquely numbered by Andy Warhol, plus silkscreened print with teletype text. These two prints from Warhol's iconic "Flash Portfolio" were selected for inclusion in the blockbuster Andy Warhol retrospective at the Whitney Museum in 2019. (see photos). The plaque on the Whitney exhibition (also see included photo) describes the portfolio as follows:" These screenprints reflect Warhol's ongoing interest in the Kennedy assassination, an obsession that intensified following the release of the Warren Commission report and the publication of stills from a short home movie of the event, published by bystander Abraham Zapruder. Flash - November 22, 1963 is an unbound Artists Book with text based upon the original Associated Press newswire bulletins. For his illustrations, Warhol appropriated the recurring image of Kennedy from a 1960 campaign poster, and sourced the remaining photographs, including pictures of Lee Harvey Oswald and an ad for the type of rifle used, from Life's [Magazine] sustained coverage of the assassination and its aftermath.." The present sheet begins with the following teletyped text: "THE TWO WOUNDED MEN WERE RUSHED TO EMERGENCY ROOMS, AND THE HOSPITAL'S PUBLIC ADDRESS SYSTEM RANG WITH CALLS FOR ALL STAFF DOCTORS. FLASH DALLAS - TWO PRIESTS SUMMONED TO KENNEDY X IN EMERGENCY ROOM BULLETIN 3RD ADD 2ND LEAD KENNEDY XX DOCTORS TWO PRIESTS ENTERED THE EMERGENCY ROOM WHERE THE PRESIDENT WAS BEING TREATED AT 12:49 P.M. (CST). THERE WAS STILL NO OFFICIAL WORD ON THE PRESIDENT'S CONDITION. ASSISTANT WHITE HOUSE PRESS SECRETARY MALCOLM XXX KILDUFF SAID "I JUST CAN'T SAY. I JUST CAN'T SAY." FLASH -- PRIESTS SAY KENNEDY DEAD. .""" (the text on the page continues; this is just a partial excerpt.) Racolin Press, Briarcliff Manor, New York Two Andy Warhol silkscreens on white wove paper comprising the signed colophon and text pages of his iconic 1968 "Flash" Portfolio, as well as Warhol's wraparound silkscreen of the distinctive teletype text. The colophon page silkscreen is hand signed by Andy Warhol and uniquely numbered XVII in pencil from the edition of 26, which, it expressly states, was not for sale. The second silkscreen sheet features teletype print describing events surrounding the assassination of President John F. Kennedy - the defining event of a generation as contemporaneously re-imagined by the most important Pop artist of the era. Warhol created the "Flash - November 22, 1963" portfolio of prints in 1968 to depict the continuing media spectacle surrounding JFK's assassination. He named the portfolio after the news flash Teletype texts that reported the assassination and its aftermath - the first major news event played out live on TV. The Flash portfolio includes a series of eleven silkscreens depicting President Kennedy smiling broadly, a presidential seal with bullet holes through it, and other symbolic representations of that tragedy. The portfolio's cover includes an image of the New York World-Telegram front page with the headline "President Shot Dead." Warhol used screen printed...

Movie Poster Flesh is a 1968 American film directed by Paul Morrissey. It features Joe Dallesandro as a hustler working the streets of New York. It fe...

Andy Warhol Deluxe Signed Edition of Film Festival Lincoln Center (Feldman & Schellmann, II.19), 1967 Silkscreen, die-cut on opaque acrylic Edition 2/200 (Signed and numbered on the back with engraving pen) Hand-signed by artist, As this work was done on acrylic, Warhol signed and numbered it by hand on verso with an engraving needle. Stamped and dated with copyright Frame included: Elegantly framed in a museum quality wood frame with UV plexiglass. A die-cut window has been created in the back of the frame to reveal Warhol's incised signature and edition Publisher: Leo Castelli, New York Printer: Chiron Press, New York Catalogue Raisonne: Feldman & Schellmann, II.19 This work is often hung and displayed both vertically and horizontally - see photos for inspiration This work is one of only 200 done on opaque acrylic rather than wove paper, signed and numbered on the opaque acrylic by Andy Warhol with an engraving pen. (Separately, there was an unsigned edition of 500 on wove paper). What distinguishes this rare, extremely desirable signed edition of 200, other than that it is signed and numbered by hand by Andy Warhol, is that the black graphic text FIFTH NEW YORK is placed directly over the text Film Festival of Lincoln Center; whereas in the edition of 500, the text black text FIFTH NEW YORK is placed on top of the white text. An innovative feature that appears in this special edition is a perforated line running across the surface of the print, at its triangular cut out sides, mimicking the tear line present in real commercial movie admissions tickets. Chiron Press commissioned by Lincoln Center, devised a special process expressly to imprint the edition with this perforation using a die cut stamp. This work is quintessential early Warhol, with characteristic bright neon colors, featuring text, along with the artist's very recognizable flower motif. The Lincoln Center ticket simultaneously reflects Warhol's central preoccupations with commercial culture (the ticket is, par excellence, an object that is bought and sold), as well as his fascination with Hollywood - as the ticket, quite literally, represents an entree into the world of film. Warhol's appropriation of the flower - an otherwise sentimental and decorative motif, transforming it into a symbol of the Pop Art movement, is a hallmark of his early style and innovations. Andy Warhol's vibrant vintage color silkscreen Lincoln Center Ticket from the fabulous Sixties is considered one of the more iconic and recognizable Warhol images. It is also one of Warhol's earliest prints. The Vera List...

ANDY WARHOL (1928-1987) Andy Warhol 'Paloma Picasso' is a Screenprint on Arches paper. It is signed in pencil on the back Ed. 46/90 and dated 1975. Printed by Alexander Heinrici Pri...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Andy Warhol- Mick Jagger (F&S II 140) Medium: Screen print on Arches Aquarelle (rough) paper Printer & Publisher: Printed by Alexander Heinrici, New York, 1975 Published by Seabird...

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "Greengages a la Warhol," is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

Andy Warhol The Thirteen Most Wanted Men (Dossier No. 2357) screen-print & exhibition catalog: Scarce 1967 Warhol Sonnabend exhibition catalog which includes the sought-after Andy Wa...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Andy Warhol illustrated advertising poster New York, 1979: 1970s Andy Warhol illustrated "Lighthouse Footwear Reptile Shoes," poster (New York, 1979). An elegant & well-sized vintage Andy Warhol poster executed during the artist’s lifetime. Warhol printed signature appears lower right. Catalog Raisonne: Andy Warhol: The Complete Commissioned Posters, 1964-1987 (entry 12; Marechal). Looks fantastic framed. Offset lithograph in colors on wove paper. Linen backed. 30 x 45 inches (76.1 x 114.3 cm). Well-preserved and in very good overall vintage condition with the exception of perhaps some minor signs of handling. Poster is linen backed and ready for framing. Printed Warhol signature...

Andy Warhol Record Art: 1983 1st pressing, Miguel Bose, Mad In Spain Vinyl Album featuring Original Cover Art by Andy Warhol. Catalogue Raisonne: Paul Mare...

Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publications (like Harper's Bazaar) and elegant shops (such as Bonwit Teller) in addition to many smaller independent fashion companies. Throughout the decade, Warhol received numerous awards and accolades for his illustrations - yet he found it difficult to surpass the designation of “commercial artist”. It wasn’t until the mid-1950s when Warhol completed a successful campaign for shoe retailer Miller & Sons, that he was finally granted widespread recognition for his renderings. "A + P Surprise" is a delightful paradigm from this era. This whimsical lithograph is an output from Warhol's self-published cookbook, "Wild Raspberries...

Andy Warhol Index (Book) 1967 Hand signed by Warhol on the cover and multiple other pages in the book Numbered 122/365 from the edition of 365. Publis...

Andy Warhol Record Art 1982-1986: Set of 4 Andy Warhol illustrated record covers (accompanied by their original records): Warhol's classic rendition of Miguel Bose, Aretha Franklin, ...

Artist: Andy Warhol (American, 1928-1987) Title: "Peaches" Portfolio: Space Fruit: Still Lifes *Signed by Warhol in felt pen lower right Year: 1979 Me...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used t...

Screen Print on Lenox Museum Board Stamped by Estate, Sticker, Label, Unsigned, Authenticated by AWAAB, with COA

Working Trial Proof Silkscreen Serigraph Includes Documentation and Official Stamps Please note this artwork is not hand signed or editioned

Andy Warhol The Philosophy of Andy Warhol (From A to B & Back Again) - Hand Signed by Andy Warhol, 1975 Hardback book with cloth backed color boards and du...

Turtle (FS II.360A) 1985 Limited edition of 250 Screenprint on Lenox Museum Board. Signed in pencil and numbered with the blindstamp of the printer. Frame size 90 cm x 110 cm

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate. ‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series. 25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

The complete set of ten screenprints in colors, on Lenox Museum Board, the full sheets. all S. 40 x 32 in. (101.6 x 81.3 cm) All signed and numbered 196/200 in pencil 40 x 32 inches ...

Unique Silver Gelatin print from circa 1977 by Andy Warhol. Andy Warhol carried a camera with him obsessively. Similarly to his tape recorder, he used this technology not only as an...

Screenprint in colors with diamond dust on Lennox Museum Board. Signed and numbered in pencil. Sheet: 38 by 38 in. 965 by 965 mm. Framed dimensions: 38½ by 38½ in. 979 by 981 mm. Ed...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Black variation of the original poster (three variations were created: red - blue - black) for the exhibition "The Americans Indian Series" by Andy Warhol commissioned by the Ace Gallery...

Andy Warhol (1928-1987) is maybe the most influential and valuable American artist of the 20th century. While he is renowned for his iconic Pop art portraits, Caviar20 has been exploring and offering his inimitable works on paper from the 1950's. We believe this is an important, and for the time being, accessible and under-appreciated part of his legacy. During the 1950's Warhol established his reputation in New York City as an illustrator for numerous fashion publications and businesses. His succinct line drawings were modern and gentle, realized with a brave yet delicate gay sensibility. The images he created "off the clock" from his fashion commissions were romantic sketches, day-dreams of crushes, hunks and friends. His 1956 exhibition, Studies for a Boy Book...

ANDY WARHOL (1928-1987) Andy Warhol's 'Happy Butterfly Days' 1955 is an offset lithograph with extensive hand-coloring. While working as a commercial artist early in his career, And...

Screen print in colors on Essex Offset Kid Finish paper. Hand signed and numbered by Andy Warhol. Published by Dr. Frank Braun, Düsseldorf. Hand numbered AP 21/35. From the Artist ...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

A set of two photographs by Andy Warhol. “Farrah Fawcett Photo Shoot” is a set of two silver gelatin prints by American Pop Artist Andy Warhol. The artw...

Grevy's Zebra, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 61/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Offset lithograph with hand-coloring, on wove paper. From an edition of unknown size. Estate of Andy Warhol and Andy Warhol Art Authentication Board Inc. stamps on verso. With ini...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 124/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

ANDY WARHOL (1928-1987) This Warhol 'Witch' print from Any Warhol's Myths series is a 1981 screenprint in colors on Lenox Museum Board. It is a numbered print Ed. 26/200 in colors, ...

From Hand-Colored Flowers portfolio. Screen print uniquely hand-colored with Dr. Martin’s aniline watercolor dyes on Arches and J. Green paper. Initialed lower right; signed, dated...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Screen print with Diamond Dust on Lenox Museum Board. Hand signed and numbered by Andy Warhol. Printed by Rupert Jasen Smith, New York and published by Kennedy for President Committee, Washington D.C. Hand numbered 72/300 (there were also 25 AP's, 3 PP's, 10 HC's, 15 TP's, 1 TPPP's). Frame size approx 44 x 36 inches. The artwork is in excellent condition. Gallery Art issued COA included. All reasonable offers will be considered. Edward Kennedy...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

ANDY WARHOL (1928-1987) This 'Mick Jagger' piece is a 1975 screenprint in colors on Arches Aquarelle paper that is signed and numbered ‘Andy Warhol...

Screen print on Lenox museum board. Hand-signed and numbered by Andy Warhol. Numbered 56/60 (there were also 10 AP's, 3 PP's and 15 TP's). Each print is unique. Published by the artist. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. The Dollar Sign series from 1982 was the ultimate manifestation of Andy Warhol’s love...

Screen print on Rives BFK paper. From the Love Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 12/100 (there were also 10 AP's, 2 PP's, 5 EP's and 7 HC's). ...

From the Ladies and Gentlemen Portfolio. Screenprint in colors on arches paper. Hand signed and numbered by the artist on verso. Numbered 37/125 (there were also 25 AP's). Publis...

Pine Barren's Tree Frog, from Endangered Species. Screen print in colors on Lennox Museum Board. Hand signed and numbered by Andy Warhol. Edition 114/150 (there were also 30 AP's, 5 PP's, 5 EP's, 3 HC's, 10 numbered in Roman numerals, 1 BAT, and 30 TP's). Printed By Rupert Jansen Smith, Ny. Published By Ronald Feldman Fine Art Inc., NY. Artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. From the Endangered Species portfolio, which premiered in 1983. Warhol was commissioned by environmentalists and gallerists Ronald and Frayda Feldman to depict 10 endangered animals, bringing attention to their fragility. The US federal government had passed the Endangered Species Act (ESA) in 1973, making clear criteria for assigning the status of “endangered” to animals that had seen massive attrition of their populations. This designation has been adopted internationally and Warhol’s Endangered...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 138/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

ANDY WARHOL (1928-1987) Andy Warhol's 'Cow' (F&S.II.11A) is a 1971 screenprint, on wallpaper with trimmed margins. This unsigned print comes from a publication of an unknown size (aside from approx. 100 signed impressions), printed by Bill Miller...

Andy Warhol (1928-1987) Campbell’s Soup Can ink marker drawing on title-page of the Philosophy of Andy Warhol book, 1975 Signed and inscribed in ink 8 ¼ x 5 ½”. The name of American artist Andy Warhol is all but synonymous with Pop art, the movement he helped shape in the 1960s. He is known for his clever appropriation of motifs and images from popular advertising and commercials, which he integrated into graphic, vibrant works that utilized mass-production technologies such as printmaking, photography and silkscreening. Later in his career, Warhol expanded his oeuvre to include other forms of media, founding Interview magazine and producing fashion shoots and films on-site at the Factory, his world-famous studio in New York. Born and educated in in Pittsburgh, Warhol moved to New York City in 1949 and built a successful career as a commercial illustrator. Although he made whimsical drawings as a hobby during these years, his career as a fine artist began in the mid-1950s with ink-blot drawings and hand-drawn silkscreens. The 1955 lithograph You Can Lead a Shoe to Water illustrates how he incorporated in his artwork advertising styles and techniques, in this case shoe commercials. As a child, Warhol was often sick and spent much of his time in bed, where he would make sketches and put together collections of movie-star photographs. He described this period as formative in terms of his skills and interests. Indeed, Warhol remained obsessed with celebrities throughout his career, often producing series devoted to a famous face or an object from the popular culture, such as Chairman Mao or Campbell’s tomato soup. The 1967 silkscreen Marilyn...

This work is unique. Embossed Andy Warhol on front of the photo. Provenance: Fred Torres Collaborations, Jablonka Galerie. Image rights: The purchaser is acquiring ownership rights o...

Hand signed and numbered by the artist. From the edition of 5/60 (there were also 10 artist's proofs). Unique screenprint on Lenox Museum Board. Printed by Rupert Jasen Smith, New ...