Art

1920's Backdrop Three Black Gowns -- Models in 1920s style couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy Years," a Parisian movie of that "fun-loving" time. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography in color of three models in black gowns. All three are standing in front of a 1920's backdrop. On the left, the model is wearing a black gown with silver hatched lines and a sheer black wrap. Her hair is in a short black bob. In the center, the model is wearing a black grey gown...

Vanity Fair Butterfly Robe Arm Out -- Vanity Fair lingerie photographed by Mark Shaw for an award winning ad campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION ...

Coco Chanel Strolls Alone, 1957 -- Coco Chanel strolls alone at Louveciennes. Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35...

Coco in Mirrors with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film processing...

Vanity Fair Butterfly Robe Back -- Vanity Fair lingerie photographed by Mark Shaw for an award winning campaign over the course of ten years. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY...

Chanel Demonstrates Sitting, 1957 -- Coco Chanel demonstrates how one must contort oneself to get into the car when wearing the complicated dresses of some couturiers who shall be na...

Elizabeth Taylor in Yellow Chiffon, Looks Toward Camera, mid_1, 1961 -- Mark Shaw was sent by LIFE to photograph Elizabeth Taylor for the April 28, 1961 issue. The images he took wer...

Designers’ Homes Gray Suit Smoking, 1960 -- Photographed by Mark Shaw in 1960 for a Life magazine article about Paris couture, this previously unpublished spread never made it into t...

Designers' Homes Two Girls in Pink and Black -- Two models wearing Dior couture gowns in a grand Parisian residence; an outtake from a story photographed for LIFE in 1958. THE 24” x ...

Designer's Homes Smoking Black Dress, 1960 -- Gitta Schilling in a Dior gown photographed for LIFE in 1960. The ornate interior is the 17th century home of Suzanne Luling, then direc...

Designer's Homes Bucket Hat -- Model Monique Chevalier in a Dior creation, photographed for 1960 issue of Life in the 17th century home of Suzanne Luling, Directrice of Dior. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Dior model Monique Chevalier. She is wearing a grey coat with four large buttons with a bucket hat. She is also wearing long black gloves. She is standing with on arm in her pocket and her other hand pointing at her chest. This is also an interior shot of Suzanne Luling home. She is standing in a room. She is framed by two sculptures of a woman holding a tree. Behind her, there is a table with a lamp with faux candlesticks. In the background, there are cream curtains...

Designers' Homes' Pink Girl Peeking -- Model wearing a Dior couture gown in a grand Parisian residence. This was an outtake from a story photographed for Lif...

1920’s Backdrop Dior Two Models in Blue and Pink, 1961 -- Models in 1920's style Dior "Slim Look Line" couture photographed for LIFE by Mark Shaw in 1961. Backdrop is from "The Crazy...

Mark Shaw’s file of “test shots” was full of budding stars -- these December 1958 head shots of Jane Fonda were never published. Image size is 40" x 40" (for 44" x 44" paper size). A...

Male Illustrator Sitting at Work Table -- Mark Shaw's job often was to photograph people at work. This fashion illustrator appears to be in the middle of a big project! Image size is...

Guy Laroche Sketches Model -- Fashion Designer Guy Laroche is shown sketching a model wearing one of his ensembles. Photographed by Mark Shaw for LIFE in 1954. Image size is 40" x 59...

Miro Portrait in Blue, Vertical 1955 -- Joan Miro photographed for LIFE magazine in his tiny studio in Barcelona by Mark Shaw in 1955. This LIFE story fe...

Grace Kelly, Head Resting in Hands -- Grace Kelly as photographed by Mark Shaw in December of 1954. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made ...

Yves St. Laurent with Bolts of Fabric -- Fashion Designer Yves St. Laurent in his studio as photographed by Mark Shaw. Image size is 40" x 59" (for 44" ...

Chagall, Ivy and “Le Soliel Rouge” Vertical, 1955 -- Marc Chagall shown in his studio in Vence, France. Photographed by Mark Shaw for LIFE magazine in 1955. This LIFE story featured ...

Jacky Models at Dufy’s Villa -- Photographed for LIFE in 1955, two years after Dufy's death in 1953, this image was shot in Dufy's salon in the Villa de Gue...

Jackie Swings Caroline -- Jackie swings Caroline in the shallows at Hyannis Port in 1959. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order i...

Beach White Chair -- A classic 1950s beach image photographed by Mark Shaw for Mademoiselle. Image size is 40" x 50" (for 44" x 54" paper size). All Mark S...

Jacky Models at Dufy’s Villa -- Photographed for LIFE in 1955, two years after Dufy's death in 1953, this image was shot in Dufy's salon in the Villa de Gue...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Pencil drawing. Complemented by a hand carved and gilt frame. Daniel Garber (1880-1958) ...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

JFK, JBK Relax and Smoke c_05_05. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Jackie Kennedy and John F. Kennedy. Jackie Kennedy is sitting on a sofa chair and is laying back. She has her legs crossed and her hands rest on the armrests. She looks and John F. Kennedy. JFK is sitting on the sofa with his arm resting on the sofa back. He has his legs crossed and is smoking. JFK has his back to the camera and is out of focus. This is also an interior shot. They are relaxing in a living room. There is a sofa and sofa chair. A coffee table with books...

DANIEL GARBER "Harmonville, Pennsylvania" c. 1925 Etching printed in black ink on wove paper. 7 7/8 x 11 3/4 inches, full margins. Signed, titled and inscribed "DG imp" in pencil, ...