Art

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors Handsigned in pencil by the artist Edition of 125 copies Frontispiece for the book "Braque lithographe" (on...

Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photographs that tell a t...

Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photographs that tell a t...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

Lithograph, 1960 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (paper) 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3390

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

A pochoir after Georges Braque from 1957. A still life sketch of a pair of apples. Artist: (after) Georges Braque Title: Les Pommes from the Espace...

David Drebin Taxi Lovers, Hong Kong, 2009

Georges Braque - Birds - Original Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

David Drebin City of Angels, 2018 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print

Edition 10 A beautiful female model in front of the Empire State Building in New York is mirroring herself in the window. Internationally-renowned and New York City-based photograp...

David Drebin Love is in the Air, 2018 48 x 96 inches Edition of 7 C-Print Framed

Edition 10 A beautiful female model in a swimdress is going upstairs on a motorboat. Internationally-renowned and New York City-based photographer and multidisciplinary artist Davi...

David Drebin Sleeping Beuty, 2015 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print

David Drebin Parting Waves, 2019 48 x 96 inches Edition of 7 C-Print Framed

David Drebin This is London, 2019 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print Framed

Blazing City, Manhattan, New York, 2013 30 x 72 inches Edition of 10 C-Print

David Drebin Blossom, Tokyo, 2015 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print

David Drebin Balloons over Paris, 2016 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print

David Drebin Balloons over San Francisco, 2016 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print

David Drebin Girl in Central Park, New York, 2012

David Drebin Bally of Cannes, France, 2013 30 x 72 inches Edition of 10 40 x 96 inches Edition of 7 C-Print

David Drebin Three of me, 2015

David Drebin Smoke and mirrors, 2018

David Drebin On the rocks, 2012 from "The morning After" series

David Drebin Big city blonde, 2013

David Drebin Dripping Heart, 2013

David Drebin Rio, 2006

David Drebin Girl with contacts, 2018

David Drebin Moonlight Trapper, 2017

David Drebin All aboard, 2018

David Drebin Sunset Lover, 2018

David Drebin Splashing Heart, 2018

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Artist: Georges Braque Title: "La Charrue" (The Plow) Year: 1960 Medium: Original Hand Colored Lithograph on Printed Japan Nacre Signature / Edition: Signed in pencil "G. Braque" in ...

Lithograph, 1961 handsigned by the artist in pencil 27 x 20 cm (image) - 32 x 25 cm (sheet) References catalogue Vallier 171 Mourlot 78 very good condition LCD2805

The skyline of Los Angeles by night with its glimmering lights. Internationally-renowned and New York City-based photographer and multidisciplinary artist...

Artist: Georges Braque Medium: Original lithograph Title: Grecian Urn Year: 1959 Framed Size: 20 1/8 x 16 5/8 inches Sheet Size: 15 x 11 inches Signed: Uns...

Lithograph on Japan Paper, 1961 handsigned by the artist in pencil 23 x 19 cm (image) - 32 x 25 cm (sheet) very good condition LCD2804

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Edition 10 A naked woman is lying on a bed in a hotel room in New York. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin, is ...

A girl swims on her back in a emerald sea. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin, is celebrated for creating specta...

David Drebin Midnight Lover, Miami, 2017 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print

David Drebin Money Shot, 2018 30 x 37 inches 76 x 94 cm Edition of 10 48 x 60 inches 120 x 150 cm Edition of 7 Chromogenic Print Framed

David Drebin On the road again, 2018 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print Framed

David Drebin Steering Ship, 2018 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print Framed

David Drebin Sleeping in San Francisco, 2014 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inches 120 x 183 cm Edition of 7 Chromogenic Print Framed

David Drebin Love over Central Park, 2018 Unframed Ask us for custom framing options Available sizes: 30 x 45 inches 76 x 115 cm Edition of 10 48 x 72 inc...

David Drebin Roman Fantasy, 2017 30 x 37 inches 76 x 94 cm Edition of 10 48 x 60 inches 120 x 150 cm Edition of 7 Chromogenic Print Framed

David Drebin Splashing Heart, 2018 30 x 37 inches 76 x 94 cm Edition of 10 48 x 60 inches 120 x 150 cm Edition of 7 Chromogenic Print Framed

David Drebin All aboard, 2018 30 x 37 inches 76 x 94 cm Edition of 10 48 x 60 inches 120 x 150 cm Edition of 7 Chromogenic Print Framed

Edition 10 Red Balloons flying over the Golden Gate Bridge in San Fransisco. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin...

Edition 10 New York is covered with clouds. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin, is celebrated for creating spec...

Pink cherry blossoms in Tokyo by night. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin, is celebrated for creating spectacul...

The wall in Berlin with a painted red heart on it in the dawn. Internationally-renowned and New York City-based photographer and multidisciplinary artist David Drebin, is celebrated...

Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photographs that tell a t...

Unframed Digital C Print. Edition of 10 Handling time may exceed 10 business days. Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated fo...

Available in different sizes/prices. Delivery of this and other items may exceed 10 business days. Internationally renowned photographer and multidisciplinary artist David Drebin ...