Art

Shark is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 66 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Homeland figures from Ecce Homo is an original offset and lithograph, realized by George Grosz in 1922. The artwork is the plate n. 47 from the portfolio Ecce Homo published betwee...

Artist: George Grosz, German (1893 - 1959) Title: Aroused Year: 1940 Medium: Oil on Paper, signed l.r. Paper Size: 24 x 18 in. (60.96 x 45.72 cm) Frame Size: 36 x 30 inches Prove...

The absolute Monarchist is an original offset and lithograph realized by George Grosz. The artwork is the plate n.35 from the portfolio Ecce Homo published between 1922/1923, editio...

Interrogation is an original offset and lithograph realized by George Grosz. The artwork is from the book "Kobes" by Heinrich Man, that Grosz illustrated with 10 drawings reproduce...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 46.5" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material t...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material tha...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 46.5" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material t...

Serenade from Ecce Homo is an original offset and lithograph, realized after a pen drawing by George Grosz. The artwork is the plate n. 70 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Verlag Berli, that includes offset lithograph prints. Numbered on plate on lower margin. Good conditions except for a yellowing of paper due to the time and some minor defects along the margin. Ecce homo is a selected compendium of 100 artworks (16 watercolors and 84 drawings) that Grosz realized from 1915 to 1922. The book is a real satire of post-war German life, with prostitutes, politicians, mutilated veterans,capitalists, and drunks in different states of despair, lust, and rage. The German government banned his artworks and Grosz was put on trial for public offense. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin...

Greeting is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 5 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit) According to the frontis these were produced by Hand Lithography. According...

Digital C-Print with Diamond Dust. Artwork size: 79x118 cm, Frame size 83x122x5 cm. Framed with a black wooden frame and museum glass anti-reflective. Edition of 3/10. Acquired dir...

Digital C-Print with Diamond Dust. Artwork size: 79x118 cm, Frame size 83x122x5 cm. Framed with a black wooden frame and museum glass anti-reflective. Edition of 10. Acquired direc...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39"- Edition of 10 48" X 59"- Edition of 7 Diamond Dust Collection Diamond Dust is a ...

Digital C-Print with Diamond Dust. Artwork size: 79x118 cm, Frame size 82x122x5 cm. Framed with a black wooden frame and museum glass anti-reflective. Edition of 10. Acquired direc...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...

From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on laid paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbered in ...

Artwork size: 79x100 cm, Frame size 83x103x5 cm. Framed with a black wooden frame and museum glass anti-reflective. Edition of 1/10. Acquired directly from the artist. Signed/number...

Cover for Ecce Homo is an artwork realized by George Grosz in 1923. Cover for the Suite "Ecce Homo". Lithograph and Offset. 26 x 26 cm, no frame. Good condtions. Reference: Wieland Herzfelde (introduction), Der Malik-Verlag, 1916-1947, exhib. cat. Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie, 30th issue, July 1968, p. 1ff, no. 38; Rosamunde Neugebauer, Georges Grosz, Macht und Ohnmacht satirischer Kunst. Die Graphikfolgen "Gott mit uns...

Artist: George Grosz (1893-1959) Title: Man and Woman with Lamp Year: circa 1940 Medium: Pen and Ink on Paper, signed l.r. Paper Size: 23.5 in. x 18 in. (59.69 cm x 45.72 cm) Frame ...

Champagne is an offset lithograph, realized by George Grosz. The artwork is the plate n. 77 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Verlag Berl...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

According to the frontis these were produced by Hand Lithography. According to the Museum of Modern Art (MOMA NY) website "Edition:300 announced; only approx. 42 issued (including regular edition of 30, deluxe edition of approx. 10, and 2 artist's proofs)" I believe these are from the deluxe edition as they are on Mould made BFK Rives French paper and the dimensions are larger than stated in the MOMA website. the sheet size here is 40X29 cm. Date 1936. Publisher:Black Sun Press, New York. Printer:George C. Miller & Son, New York. most of them are plate signed. George Grosz (July 26, 1893 – July 6, 1959) was a German artist known especially for his Satire and Caricature drawings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic before he emigrated to the United States in 1933. He studied at the Dresden Academy of Fine Arts, where his teachers were Richard Müller, Robert Sterl, and Oskar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik. Grosz left the Communist Party KPD in 1922 after having spent five months in Russia and meeting Lenin and Trotsky, because of his antagonism to any form of dictatorial authority. Along with Otto Dix, he is widely considered one of the most important artists of the Neue Sachlichkeit. Bitterly anti Nazi, Grosz left Germany shortly before Hitler came to power. In June 1932, he accepted an invitation to teach the summer semester at the Art Students League of New York. In October 1932, Grosz returned to Germany, but on January 12, 1933 he and his family emigrated to America. In 1946 he published his autobiography, A Little Yes and a Big No. In the 1950s he opened a private art school at his home and also worked as Artist in Residence at the Des Moines Art Center. Grosz was elected into the National Academy of Design as an Associate Academician in 1950. In 1954 he was elected to the American Academy of Arts and Letters. Grosz worked in a style influenced by Expressionism and Futurism, as well as by popular illustration, graffiti, and children's drawings.The City (1916–17) was the first of his many paintings of the modern urban scene. Other examples include the apocalyptic Explosion (1917), Metropolis (1917), and The Funeral, a 1918 painting depicting a mad funeral procession. In his drawings, usually in pen and ink which he sometimes developed further with watercolor, Grosz did much to create the image most have of Berlin and the Weimar Republic in the 1920s. Corpulent businessmen, wounded soldiers, prostitutes, sex crimes and orgies were his great subjects His draftsmanship was excellent although the works for which he is best known adopt a deliberately crude form of caricature. His oeuvre includes a few absurdist works, and also includes a number of erotic artworks. ("Ecce Homo" which saw him accused of pornography) My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon. ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton...

They Thunder forth from Their Clouds is an original lithograph, realized by George Grosz in 1922, from Die Raüber, edition Malik Verlag in 100 prints, plate n°8 da Die Raüber, hand-signed in pencil. "They thunder forth from their clouds about gentleness and forbearance, while they sacrifice human victims to the God of love." (Da donnern sie Sanftmut und Duldung aus ihren Wolken und bringen dem Gott der Liebe Menschenopfer.)" Sheet dimension: 61,5 x 42 cm. In very good conditions. Here representing a man in front of cross miserably praying, below of his feet laid down many dead bodies and ruined part of the city. here is one of his artwork affected by consequences drama of war. George Grosz (1893 -1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity group during the Weimar Republic. He studied drawing at the Dresden Academy 1909-11 and at the School of Arts and Crafts in Berlin 1912-14, He was in the army 1914-15 and again for a short time in 1917, but spent the rest of the war in Berlin where he made violently anti-war drawings...

Hard Times from is an original offset lithograph realized by George Grosz. The artwork is the plate n.27 from the portfolio Ecce Homo published between 1922/1923, edition of Der Ma...

Old lad glory is an original offset and lithograph print, realized by George Grosz. The artwork is the plate n. 52 from the porfolio Ecce Homo published between 1922/1923,edition of...

Rudi S. is an original offset and lithograph realized by George Grosz. The artwork is the plate n.42 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

The Hypochondriac is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.21 from the portfolio Ecce Homo published between 1922/1923, editio...

The factoryis an original offset and lithograph realized by George Grosz. The artwork is from the book Kobes by Heinrich Man, that was illustrated by Grosz with 10 lithographs and ...

Ecstasy is an original offset and lithograph realized by George Grosz. The artwork is the platen.16 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Alone from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 67 from the porfolio Ecce Homo published between 1922/1923, edition ...

Execution from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 84 from the portfolio Ecce Homo published between 1922/1923, edi...

Forgiveness is an offset and lithograph print, realized by George Grosz. The artwork is from the suite of illustrations realized by Grosz for the book "Kobes". 1st edition printed ...

Studies is an original offset and lithograph realized by George Grosz. The artwork is the plate n.10 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

Landlord is an original vintage offset and lithograph print realized by George Grosz. The artwork is plate n.29 from the portfolio Ecce Homo published between 1922/1923, edition of ...

Seated Nude by George Grosz (1893-1959) Oil on canvas 9 ½ x 5 ½ inches unframed (24.13 x 13.97 cm) 15 x 12 inches framed (38.1 x 30.48 cm) Signed on bottom...

The Visit is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 11 from the portfolio Ecce Homo published between 1922/1923, edition of Der Mali...

Promenade is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.28 from the portfolio Ecce Homo published between 1922/1923, edition of De...

The cobweb is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Grosz for the book "Kobes". 1st ...

The Prisoner is an original offset and lithograph realized by George Grosz. The artwork is part of the suite of 10 offset and lithographs realized by Gro...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on ...

Better People from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n.8 from the portfolio Ecce Homo published between 1922/1923, e...

Tap in the Basket is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.30 from the portfolio Ecce Homo published between 1922/1923, editio...

Youth is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 72 from the porfolio Ecce Homo published between 1922/1923,edition of Der Malik-Verlag ...

Louise is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 20 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-V...

The Responsible is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.23 from the portfolio Ecce Homo published between 1922/1923, edition...

Drawings is an original modern rare book with illustrations by George Grosz (Berlin, 1823 - 1959, Berlin), published in 1944. Original First Edition. Published by Bittner and Co., ...

Cross building four flights of stairs from Ecce Homo is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 49 from the porfolio Ecce Homo publishe...

Tartarin (Original title "Die Abenteuer des herrn Tartarin aus Tarascon") is an original modern rare book written by Alphonse Daudet (Nimes, 1840 – 1897) and illustrated by George Gr...

Bereaved is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 13 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik...

General from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 55 from the portfolio Ecce Homo published between 1922/1923, editio...

Der Spiesser-Spiegel is a modern rare book engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1925. Original First Edition. Published by Carl Reissner, Dresden. Format: in 4°. The book includes 14 pages with Sixty full page reproduction of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...