Art

This piece is an original lithograph created by Marc Chagall in 1980. It is hand signed and numbered from the edition of 50 on Arches wove paper. This piece was published by Maeght i...

Artist: Marc Chagall (Russian, 1887-1985) Title: Jeremiah's Lamentations from "The Bible" Publication: Verve, no. 33-34 Year : 1956 Medium: Orig...

The Ballet, Frontispiece for the book “Daphnis and Chloe” Lithograph in colors, 1969. Unsigned and unnumbered, as issued from an edition of 10,000. Printed ...

Marc Chagall, Lithograph from Verve depicting an instant of the Bible. Technique: Lithograph in colours (Mourlot no. 234) On the reverse: another black and white original lithograph (Mourlot no. 257) Year: 1960 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Homeland figures from Ecce Homo is an original offset and lithograph, realized by George Grosz in 1922. The artwork is the plate n. 47 from the portfolio Ecce Homo published betwee...

An impression from the book of Marc Chagall's (Russian, 1887-1985) lithographs. Published in 1960 by Éditions André Sauret, Monte-Carlo. From 1960 to 1974 Chagall produced 28 lithogr...

Commerzienrat's daughter from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 48 from the portfolio Ecce Homo, published betw...

Sku: DLM27 Artist: Marc Chagall Title: Derriere Le Miroir no. 27-28 Cover Year: Unknown Signed: No Medium: Lithograph Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 10.25...

MARC CHAGALL ( 1887- 1985 ) “ Song of the Bow” 1958 from ‘The Bible’ Original Etching with hand-coloring in watercolor. Signed with initials and numbered 17/100 in pencil, published...

Maternité is an original Modern Rare book written by Marcel Arland (Varennes-sur-Amance, 1899 – Saint-Sauveur-sur-École, 1986) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Pa...

Couple is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 78 from the porfolio Ecce Homo published between 1922/1923,edition of Der Malik-Verlag...

Big head from Ecce Homo is an original offset lithograph, realized by George Grosz. The artwork is the plate n. 15 from the porfolio Ecce Homo published between 1922/1923,edition of...

In 1968 several of Chagall's poems were published in the album "Les Poemes" (The Poems). He also illustrated this album, featuring a series of 24 woodcuts. Unsigned. From the edi...

The Fifth Wheel is an original drawing, pencil on paper, realized by George Grosz in 1934, signature stamp and Grosz Estate stamp on the reverse n°6-75-4...

Artist: Marc Chagall Title: Ruth and Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1...

Rose des Vents is an original Modern Rare book written by Philippe Soupault (Chaville, 1897 - Paris, 1990) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985...

Date: 1957 Lithograph Edition of 6000 Size: 9 x 15.25 in. (22.86 x 38.74 cm) Frame Size: 15.5 x 22 inches Printer: Mourlot Paris Publisher: Maeght, Paris 1957 Reference: Cramer 34: M...

The hug from Ecce Homo is an original offset and lithograph print, realized by George Grosz. The artwork is the plate n. 83 from the porfolio Ecce Homo published between 1922/1923,e...

Man of honor from Ecce Homo is a vintage offset and lithograph, realized by George Grosz. The artwork is the plate n. 59 from the porfolio Ecce Homo published between 1922/1923,edit...

Original lithograph by Marc Chagall from The Bible of 1960 "David sauvé par Mical" Unsigned 35 x 26 cm Excellent condition

Original lithograph by Marc Chagall from The Bible of 1960 Ruth glaneuse Unsigned 35 x 26 cm Excellent condition

Troyer is an original Modern Rare book written by David Hofstein (Korostyshiv, 1889 – Mosca, 1952) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985) in 1922. ...

Men from Ecce Homo is an original offset and lithograph realized by George Grosz. The artwork is the plate n. 80 from the porfolio Ecce Homo published between 1922/1923,edition of D...

Marc Chagall - Original Lithograph Frontispiece for André Dunoyer de Segonzac, and Julien Cain. "Humanisme Actif: Mélanges d'Art et de Littérature Offerts à Julien Cain." Paris: H...

"Paradis (Paradise), M 232/255" is an original lithograph by Marc Chagall. his original color lithograph was designed for and printed by VERVE for the book “Dessins pour La Bible." I...

"Back Cover of Derrière le Miroir #235, M 946" is an original lithograph by Marc Chagall. This Chagall is a graphic piece, with black lines on a white paper. The main figure is a je...

Conversation from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 69 from the porfolio Ecce Homo published between 1922/1923,ed...

Hand signed and numbered. Edition of 35 prints. Rare and precious artwork by Chagall, in excellent conditions. Ref. Cat. Cramer, n. 32 Image dimensions : 30.5 x 24 cm

Study from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 53 from the portfolio "Ecce Homo" published between 1922/1923, editi...

Original lithograph by Marc Chagall from The Bible of 1960 Tamar belle-fille de Juda Unsigned 35 x 26 cm Excellent condition

"Ruth Glaneuse (Ruth Gleaning), M 246/269" is an original lithograph by Marc Chagall. This original color lithograph was designed for and printed by VERV...

Artist: Marc Chagall Title: Rahab and the Spies of Jericho Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Siz...

Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

"Cover of "Chagall Lithographe IV," (M 729)" an original lithograph by Marc Chagall. It is the original book cover for "Chagall Lithographe IV," catalogue and notes by Charles Sorlie...

Original china ink drawing on paper by George Grosz, representing a typical subject of social and family issues. Provenance: Grosz Foundation (Regist...

Artist: Marc Chagall Title: Paradise Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Frame Size: 22 3/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1/4" I...

"Adam et Ève et le Fruit Défendu (Adam and Eve and the Forbidden Fruit), M 235/258," is an original lithograph by Marc Chagall. This original color lithograph was designed for and pr...

Color Lithograph on handmade paper Ecce Homo by George Grosz, 1917. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numerals lo...

Original lithograph by Marc Chagall from The Bible of 1960 Ruth aux pieds de Booz Unsigned 35 x 26 cm Excellent condition

This beautifully detailed etching from Chagall's 'The Bible' series. Most of the etchings from this series were executed between 1931 and 1939 with the last 2 pieces completed betwee...

Ledebour from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 54 from the porfolio Ecce Homo published between 1922/1923, edit...

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: Self-Portrait with Dog in Front of the Easel, from: The Creators Selbstbildni...

"Ruth aux Pieds de Booz (Ruth at the Feet of Boaz), M 248/271" is an original lithograph by Marc Chagall. This original color lithograph was designed ...

Artist: Marc Chagall Title: Naomi and Her Daughters-in-Law Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered ...

Original lithograph by Marc Chagall from The Bible of 1960 Rencontre de Ruth et de Booz Unsigned 35 x 26 cm Excellent condition

The walk is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 81 from the porfolio Ecce Homo published between 1922/1923,edition of Der Malik-...

Marc Chagall - Summer's Dream - Original Handsigned Lithograph 1983 Printed by Mourlot Dimensions: 48 x 65 cm Handsigned in pencil Justified EA (Epreuve D'artiste, Artist proof) asi...

Marc Chagall Femme à l’oiseau Issue of the portfolio Twelve contemporaries Éditions d'art du Lion . Paris 1959 Published in 1000 copies Signature in the board 900 euros

This artwork Titled "Moses Sees the Sufferings of his People" 1966 from the suite " The Story of Exodus" is an original lithograph on Arches paper ...

"Recobntre de Ruth et de Booz (Meeting of Ruth and Boaz) M 247/270" is an original lithograph by Marc Chagall. This original color lithograph was designed for and printed by VERVE fo...

Artist: Marc Chagall Title: Adam and Eve are Banished from Paradise Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" ...

Original lithograph by Marc Chagall from The Bible of 1960 Noémi et ses belles-filles Unsigned 35 x 26 cm Excellent condition

Artist: Marc Chagall Title: Adam and Eve and the Forbidden Fruit Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Ima...

Woodcut on Japon Nacré paper. Hand signed and numbered (of 26) by the artist. From a total edition of 238: 26 on Japon Nacré numbered 1-26, 200 on Rives numbered 27-226, 12 on Rives...

Color Lithograph on handmade paper from Ecce Homo, by George Grosz, 1922. Printed by Kunstanstalt Dr. Selle & Co. AG, Berlin. Published by Malik Verlag, 1923. Numbered in Roman numer...

Artist: Marc Chagall Title: Job in Despair Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8" x 10 ...

"Ève Maudite par Dieu (Eve Incurs God's Displeasure), M 236/259" is an original lithograph by Marc Chagall. This original color lithograph was designed for and printed by VERVE for ...