Art

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

Paper Size: 25.5 x 33.5 inches ( 64.77 x 85.09 cm ) Image Size: 18 x 27.5 inches ( 45.72 x 69.85 cm ) Framed: No Condition: A: Mint Additional Details: Offset lithograph on vel...

Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition of 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar ...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 6 x 19.75 inches ( 15.24 x 50.165 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Untitled is an original lithograph realized by Georges Braque in 1959. Includes a passepartout: cm 39 x 35. Image dimension: cm 21 x 18. Print on color paper. The artwork is from ...

Lithograph by Georges Braque. Still life. Signed on plate. Framed

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 10.25 x 1.25 inches ( 26.035 x 3.175 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 11.5 x 18.75 inches ( 29.21 x 47.625 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additiona...

Artist: Robert Motherwell (American, 1915-1991) Title: "Signs on Copper" *Signed and numbered by Motherwell in pencil lower right Year: 1981 Medium: Original Lift-Ground Etching with Aquatint on German Etching paper Limited edition: 45/53, (there were also 10 artist's proofs) Printer: Catherine Mosley in the artist's studio, Greenwich, CT Publisher: The artist Motherwell himself, Greenwich, CT Reference: "Catalogue Raisonné 1943-1990 - The Prints of Robert Motherwell" - Belknap No. 252, page 249; Engberg No. 286 Framing: Not framed, but matted with a custom hand-wrapped 8 ply linen mat Matted size: 28.25" x 33.75" Sheet size: 27" x 31.75" Image size: 17.75" x 23.5" Condition: Light mat stain in margins and a light water stain to lower right corner in margin. It is otherwise a strong impression in very good condition with rich colors; the printed image is pristine Very rare Notes: Provenance: private collection - Palm Beach, FL. Released by Petersburg Press, London, UK and New York, NY. Artist's chop mark/blind stamp lower right. Printed in 2 colors in 3 runs from 2 zinc plates and 1 copper plate: 1. burnt sienna - zinc plate (aquatint); 2. burnt sienna - copper plate (aquatint); 3. black - zinc plate (lift-ground etching and aquatint). Biography: Robert Motherwell was born January 24, 1915, in Aberdeen, Washington. He was awarded a fellowship to the Otis Art Institute in Los Angeles at age 11, and in 1932 studied painting briefly at the California School of Fine Arts in San Francisco. Motherwell received a B.A. from Stanford University in 1937 and enrolled for graduate work later that year in the Department of Philosophy at Harvard University, Cambridge, Massachusetts. He traveled to Europe in 1938 for a year of study abroad. His first solo show was presented at the Raymond Duncan...

Robert Motherwell (1915-1991), alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, made up the quartet of American abstract painters that radically defined Modern painting...

Robert Motherwell Espana II 1983 Aquatint and lift-ground etching on Moulin du Gue Rives de Lin paper Edition of 40 31.8 x 26.7 cms (12.5 x 10.5 ins) RME9319

Edition of 49 plus 12 artist's proofs 158.4 x 101.6 cms (62.4 x 40 ins) Published by Tyler Graphics Ltd., Bedford Village, New York

Image dimensions: 30.5 x 20 cm. Bouquet is a beautiful colored lithograph on paper, realized by the Cubist artist, Georges Braque (Argenteuil, 1882 – Paris, 1963). Unsigned. From “Carnets Intimes” realized in 1955. Printed by Mourlot and published in the Revue Verve...

Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 2 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 ...

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

Robert Motherwell For Meyer Schapiro: Tallith for Meyer Schapiro 1974 Lift-ground etching and aquatint on Arches Cover paper Ed. 100, 13 AP, 1 CP, 11 HC 105.4 x 74.9 cms (41.5 x 29.5...

Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors Handsigned in pencil by the artist Edition of 125 copies Frontispiece for the book "Braque lithographe" (on...

Lithograph on Rives BFK paper 61.6 x 43.18 cms (24 1/4 x 17 inches) Edition of 100

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...

GEORGES BRAQUE 1882-1963 Argenteuil-sur-Seine, 1882-1963 Paris Title: The Dance, 1934 Technique: Original Hand Signed Etching with Aquatint on paper Paper...

Lithograph, 1960 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (paper) 38.00 cm. x 25.00 cm. 14.96 in. x 9.84 in. (image) Annoted "EA" Handsigned by the artist in pencil Ref : LCD3390

French Revolution Bicentennial Suite is a set of four 1988 aquatints with photoengraving and collage elements by Robert Motherwell. The iconic Suite is hand signed in graphite by Mot...

Hand signed and numbered. Edition of 125 prints. Ref.: Catalogue D.Vallier pag.284 Passepartout included : 69 x 49 cm Very good conditions. Georges Braque (Argenteuil, 1882 – Paris...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed, mint condition

A pochoir after Georges Braque from 1957. A still life sketch of a pair of apples. Artist: (after) Georges Braque Title: Les Pommes from the Espace...

1991 Lithograph in colors, on white TGL handmade paper Sheet: 32 2/5 x 76 inches Edition of 40 Signed and numbered in pencil Framed

Colour screenprint on J.B. Green paper 104.1 x 71.7 cms (41 x 28 1/4 ins) Edition of 150

Georges Braque - Birds - Original Lithograph Published in the deluxe art review, XXe Siecle 1958 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Acrylic and pasted papers on canvas mounted on board 50.8 x 40.6 cms (20 x 16 ins) This collage includes a fragment of a 1985 print, Burning Sun. Although Motherwell signed...

Robert Motherwell Paris Suite III (Autumn) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 56.8 cms (19 1/2 x 22 1/2 ins) RM17035 CR 26...

Robert Motherwell The Stoneness of the Stone Edition 75 1974 Lithograph on light gray Twinrocker handmade paper laminated to medium gray Twinrocker handmade paper 104.1 x 76.2 cms (4...

Robert Motherwell Paris Suite IV (Winter) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 47 x 45.7 cms (18.5 x 18 ins) RM17036 CR 267 18 1/2 ...

Robert Motherwell Paris Suite II (Summer) 1980 Lithograph on J.B. Green handmade paper, Edition of 60 49.2 x 41 cms (19 1/2 x 16 ins) RM17034 CR 265 Sign...

Rober Motherwell In White with Green Stripe 1987 Lithograph, relief print, embossing and collage 86.4 x 61 cms (34 x 24 ins)

Black ink with orange bleed on rice paper 22.9 x 27.9 cms (9 x 11 ins)

Brown ink with orange bleed on rice paper 22.9 x 27.9 cms (9 x 11 ins)

Acrylic on paper 77.5 x 57.2 cms (30 1/2 x 22 1/2 ins) The composition of this work anticipates the 1971 lithograph Samurai. Throughout his career Motherwell was drawn to automatis...

Ink on rice paper 27.9 x 22.9 cms (11 x 9 ins)

Acrylic, graphite and printed paper collage on board 42.6 x 36.8 cms (16 3/4 x 14 1/2 ins) This is the only collage in which Motherwell used a green package from Gauloises Caporal D...

Ink on rice paper 27.9 x 22.9 cms (11 x 9 ins)

Georges Braque - Original Lithograph 1963 Dimensions: 32 x 24 cm Andre Sauret, Monte Carlo The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote and Glass , then the packet envelope of tobacco Bock in 1912-1913, or an advertisement in Damier , 1913). Inputs and inclusions refer to an external object in the table, without “emulate” this object. Away from their appearances, objects are represented in closest essence of the objects in the real world sense. This is also the time of Synthetic Cubism that Braque invented paper sculpture. There are, unfortunately, and no one is living proof of a photograph makes it possible to realize: Paper and paperboard. Métamorphoses period(1961-1963). In 1961, Georges Braque worked on a Greek head for the Louvre, which obsesses him, and he wishes to free his mind. He tried several times to bring out the paint and the result was unsatisfactory. He thinks the ultimate metamorphosis its Greek head projected in three dimensions. He calls in his studio of Baron Heger Loewenfeld, master lapidary, and he communicates his enthusiasm during the “fateful encounter.” Nine months later, in honor of the eighty years of Georges Braque, Heger Loewenfeld offers the Master of the ring Circe: the famous Greek head finally exorcised, carved in an onyx. Braque Loewenfeld then asked to identify other issues that haunt him. From dated and signed by Georges Braque, Heger gouaches Loewenfeld shapes works in the fields of jewelery, lapidary art...

Artist: Georges Braque Title: "La Charrue" (The Plow) Year: 1960 Medium: Original Hand Colored Lithograph on Printed Japan Nacre Signature / Edition: Signed in pencil "G. Braque" in ...

Acrylic on paper 77.5 x 55.9 cms (30 1/2 x 22 ins)

Ink on rice paper 27.9 x 22.9 cms (11 x 9 ins)

Acrylic and graphite on paper 77.5 x 55.9 cms (30 1/2 x 22 ins)

Lithograph, 1961 handsigned by the artist in pencil 27 x 20 cm (image) - 32 x 25 cm (sheet) References catalogue Vallier 171 Mourlot 78 very good condition LCD2805

A print by Robert Motherwell. "Frontispiece from 'A la Pintura'" is an aquatint executed in blue and brown and depicts the writing A la Pintura below a small blue rectangle by Post War artist Robert Motherwell. Signed lower right, in ink, "Robert Motherwell 1972...

Robert MOTHERWELL Abstract Composition Original etching and aquatint Unsigned On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) Published by Lazar Vernet in 1967 and limited to 200 ...

Artist: Georges Braque Medium: Original lithograph Title: Grecian Urn Year: 1959 Framed Size: 20 1/8 x 16 5/8 inches Sheet Size: 15 x 11 inches Signed: Uns...

CR 168 Paper:Auvergne à la Main Richard de Bas handmade paper; offset-printed Roth Händle cigarette label Signature:Signed "RM" in pencil upper right Inscriptions:Numbered in pencil ...

Lithograph on Japan Paper, 1961 handsigned by the artist in pencil 23 x 19 cm (image) - 32 x 25 cm (sheet) very good condition LCD2804

Aquatint, lift-ground etching and aquatint on J.B. Green paper 89.5 x 66.7 cms (35 1/4 x 26 1/4 ins) Edition of 75

Edition of 35 75.6 x 53.7 cms (29.76 x 21.14 ins)