Art

Marc Chagall (1887-1985) - He wrote in the Tables the wordes of the covenant, even the Ten Commandments Lithograph from 1966. The edition of 20 on Japanese paper. Dimensions of w...

Marc Chagall (1887-1985) - The Ladder Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Marc Chagall (1887-1985) - Ruth Gleaning Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shi...

Artist: Marc Chagall Title: Sarah and the Angels Portfolio: Drawings for the Bible Medium: Lithograph Date: 1960 Edition: Unnumbered Sheet Size: 14 3/8" x 10 1/4" Image Size: 14 3/8"...

Artist: Marc Chagall Title: The Clown with Flowers Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/...

Conclusion de l'ecclésiaste is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lith...

This original lithograph in colours is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 47 in pencil from the edition of 50, at...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

Available in multiple color/finish options (inquire with gallery). Installations are made to order, sizes and shapes of butterflies vary. Unique, open edition. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. *Reach is a series of pieces with the same composition and butterfly elements. Variations in the materials (found aluminum cans) and in the finishes result in subtle differences making each Reach piece unique within the series. PAUL VILLINSKI has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally. A mid-career retrospective, “Farther,” is currently on view at The Taubman Museum of Art in Roanoke, VA, through July, 2018. Recent solo exhibitions include “Paul Villinski: Burst” at the McNay Art Museum in San Antonio, TX and “Passage: A Special Installation,” at the Blanton Museum, University of Texas, Austin. Recent group shows include “Material Transformations” at the Montgomery Museum of Art, Montgomery, AL; “Re: Collection,” at the Museum of Arts and Design, New York, NY; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer transformed into an off-the-grid mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. “SkyCycles,” three full-scale “flying bicycles...

Marc Chagall Der Engel (The Angel), 1960 Lithograph Hand Signed lower right Numbered 13/100 Image size: 32x26.5 cm Frame size: 76 x 63.5 x 5 cm Printed by Mourlot, Paris. Publishe...

Marc Chagall Fables : Death and The Lumberjack, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the ga...

Derriere le Miroir-Double Page (Behind the Looking Glass Double Page) Original color llithogragp created by the artist for this ublication, 1964 Unsigned as issued From: Derriere le ...

The awakening of Boaz  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lit...

Esther Invites Ahasuerus to a Banquet is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 uns...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Artist: Marc Chagall Medium: Lithographic Poster, 1977 Dimensions: 30 x 20.75 in, 76.2 x 52.7 cm

Marc Chagall (1887-1985) Poèmes : the couple Original woodcut, 1968 Unsigned On vellum size 36 x 28 cm (c. 14 x 11 inch) A rare trial proof before the final state NOTE : Trial proo...

A superb, richly-inked impression of an early etching and drypoint. With burr throughout and crisp plate edges. First state (of 2). Edition of 100. Signed in pencil by Chagall. Print...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Marc Chagall, Russian (1887 - 1985) - Samson Overturns the Columns, Portfolio: Bible Series, Year: 1956, Medium: Etching on Montval, Edition: 295, Image Size: 11.5. X 9.75 inches, ...

Miriam and the Prophetess  is an artwork realized by March Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned litho...

Cain and Abel  is an artwork from the Series "The Bible", by Marc Chagall in 1960. Mixed colored lithograph on brown-toned paper, no signature. Edition of 6500 unsigned lithographs. ...

First edition of Chagall's autobiography. Limited edition of 1650 specimens. Format: In-8° Pages: 253 32 reproductions of drawings of Chagall's youth. Good conditions.

Marc Chagall Enlévement de Chloé (Chloe is carried off by the Methymneans) from Daphnis and Chloé, 1961, is a stunning and gorgeous work of art tha...

Marc Chagall (Russia/France 1887‑1985). ”L’Oranger”. Year 1975 Signed and numbered Marc Chagall ##/50. Colour lithograph printed on Arches. Framed 35.5H x 28W x 2D Inches Illust...

Hommage à San Lazzaro is a lithograph realized by Marc Chagall for the Art Revew "XXème Siècle". This original print (not signed and not numbered) comes from the portfolio Hommage à...

Marc Chagall (1887-1985) - Adam and Eve Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure ship...

Artist: Marc Chagall Medium: Original lithograph on Arches wove paper Title: Le Cirque Year: 1967 From the Edition of 250 Framed Size: 29 x 25 inches Image ...

medium: aluminum (found cans), wire Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes...

Marc Chagall, Russian (1887 - 1985) - Lettre a Marc Chagall, Year: 1969, Medium: Etching, Edition: 190, Image Size: 8.75 x 5.75 inches, Size: 11 x 7.25 in. (27.94 x 18.42 cm), Print...

Plate from the Holy Bible  is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithog...

King Ahasuerus - Plate from The Bible II is an original artwork realized by Marc Chagall in 1960. Mixed colored lithograph. The artwork is from the series "The Bible" In 1931, on ...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Lithograph, 1960 Unsigned lithograph from the book "Drawings for the Bible" composed of 24 color lithographs Publisher : Verve (Paris) Printer : Mourlot (Paris) Catalog : Mourlot 246...

The Candlestick, from Jean Leymarie, Vitraux pour Jérusalem (Jerusalem Windows), André Sauret, Monte Carlo, 1962 (see M. 366-72; see C. books ...

Marc Chagall (1887-1985) - Sarah and the Angels Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and sec...

Marc Chagall (1887-1985) The Circus : Clowns and Acrobats, 1967 Original lithograph (Mourlot Workshop) On Arches vellum 42 x 32 cm (c. 17 x 13 in) REFERENCE : Catalog raisonne C...

Marc Chagall (1887-1985) - Naomi and her Daughters-in-Law Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fa...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Marc Chagall (1887-1985) - Poèmes, Planche XXI Collage, woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in frame: 53.2 x 43.2 cm ...

Marc Chagall, Russian (1887 - 1985) - Pierrot avec Parapluie, Year: 1927, Medium: Etching and Aquatint on Richard de Bas, Image Size: 14.25 x 11.5 inches, Size: 22 x 16 in. (55.88 ...

Le Clown Blanc (The White Clown) Lithograph, 1964 Unsigned (as issued by DLM) From: Derriere le Miroir Chagall: Dessins et Lavis, Exposition Chagall, Galeries Maeght, No. 146, 1964 E...

Marc Chagall Title: SACRIFICES MADE TO THE NYMPHS from Daphnis and Chloe Original Lithograph on Arches wove paper Printed by Mourlot, published by Tériade, Paris Edition ...

Date: 1957 Lithograph Edition of 6000 Size: 9 x 15.25 in. (22.86 x 38.74 cm) Frame Size: 15.5 x 22 inches Printer: Mourlot Paris Publisher: Maeght, Paris 1957 Reference: Cramer 34: M...

Marc Chagall (1887-1985) The Bible, The Young Lady in the Field Original lithography (Mourlot workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on the back,...

Marc Chagall, Russian (1887 - 1985) - Les Ames Mortes Vignette Plate 6, Year: 1948, Medium: Etching on Arches, Image Size: 9.25 x 7.25 inches, Size: 15 x 11 in. (38.1 x 27.94 cm), P...

Medium: original lithograph. The catalogue reference is Mourlot 284. This print was pulled in Paris in 1960 by the Mourlot Freres atelier. The total sheet measures 12 1/2 x 9 5/8 inc...

The Chagall mezuzah collection is a limited edition art project celebrating the art of one of the most iconic Jewish artist in history. This edition, ...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence, Alpes-Maritimes Title: Then the Boy displayed to the Dervish his Bosom…, f...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

Artist: Marc Chagall Title: Ruth and Boaz Portfolio: Drawings for the Bible Medium: Lithograph Year: 1960 Edition: Unnumbered Frame Size: 22 1/4" x 18 3/4" Sheet Size: 14 3/8" x 10 1...

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Marc Chagall (1887-1985) - Ahasuerus Sends Vasthi Away Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast ...

Marc Chagall (1887-1985) - Poèmes, Planche II (trial proof) Woodcut print from 1968. Double-sided (front-verso) trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimen...

The Offering is a lithograph by Marc Chagall which was bound in Volume 1 of the Mourlot catalog raisonné of lithographs, printed in 1960. The image is catalogued in Volume II of the...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...

Marc Chagall (1887-1985) - Adam and Eve and the Forbidden Fruit Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition...

Héliogravure on brown-toned paper, so signature. On bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. Ref. Mourlot,...