Skip to main content

Art

5
to
74
460
224
145
64
266
177
10
432
103
130
17
10
Overall Height
to
Overall Width
to
316
53
37
31
9
9
4
2
2
1
1
257
159
158
123
106
94
85
78
64
57
56
30
29
26
22
20
19
19
19
17
691
3
4
4
8
28
70
246
181
27
3
777
1
6,857
3,171
2,516
283
193
153
125
79
Art For Sale
Artist: Pablo Picasso
Artist: Susan Rothenberg
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

Picasso Ceramic, Cavalier et cheval (A.R. 138)
Located in Madrid, ES
PABLO PICASSO (1881-1973) Cavalier et cheval (A.R. 138) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / Madoura / 199/300' (underneath) white ea...
Category

1950s Modern Art

Materials

Ceramic

Portraits Imaginaires, 1969
Located in Cuauhtemoc, Ciudad de México
From the binder Portraits Imaginaires, 1969 Signed and dated on plate 30.3.69 Lithograph without print number Published in: MALLEN, Enrique et á...
Category

20th Century Modern Art

Materials

Lithograph

Figur with Female Nude- lithograph by Pablo Picasso from Verve Series from 1954
Located in Hamburg, DE
"Figure with Female Nude" is an oroginal lithograph taken from Picasso's Verve 29/30 series in 1954. It is printed by Mourlot in Paris, not signed, but from the same lithographic stone. Dated. Limited edition 75. It comes beautifully framed with a high-end mat in excellent condition. Picasso made the original ink and brush drawings of bullfighting in the Château of Vauvenargues, near Aix-en-Provence, where he and his partner Jacqueline Roque...
Category

1960s Modern Art

Materials

Lithograph

The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

The Embrace, 1963 (B.1116)
Located in Greenwich, CT
"The Embrace" is an aquatint on paper, image size 13.75 x 16.75 inches, signed 'Picasso' lower right and annotated lower left, and framed in a Spanish-style, closed-corner, black and...
Category

20th Century Modern Art

Materials

Paper, Aquatint

Jacqueline au Bandeau
Located in London, GB
Conceived in 1962, Cast in bronze in 1964 Bronze relief sculpture cast from a linocut Stamped with the foundry mark ‘E. GodArd Fondr Paris’ Unnumbered edition of 2 Pablo Picasso’...
Category

Mid-20th Century Art

Materials

Bronze

Pichet espagnol (A.R. 244), Ceramic Stamped 'Edition Picasso/Madoura Plein Feu'
Located in Madrid, ES
PABLO PICASSO (1881-1973) Pichet espagnol (A.R. 244) stamped, marked and numbered 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 97/300 / Mad...
Category

1950s Modern Art

Materials

Ceramic

Bacchanale, back cover from Picasso Lithographe III
Located in Washington, DC
Artist: Pablo Picasso Title: Bacchanale (back cover) Portfolio: Picasso Lithographe III Medium: Transfer lithograph Date: 1956 Edition: 3000 Frame Size: 20 ...
Category

1950s Modern Art

Materials

Lithograph

Original Vintage Art Exhibition Poster Picasso Drawings Galerie Louise Leiris
Located in London, GB
Original vintage art exhibition poster for Picasso Dessins 1966-1967 Drawings at the Galerie Louise Leiris 47 Rue de Monceau Paris VIII held fro...
Category

1960s Art

Materials

Paper

Painter and Model with Necklace (B.1389), 1966
Located in Greenwich, CT
"Painter and Model with Necklace" is an intaglio print on paper, comprised of etching, aquatint and drypoint technique. The image size is 11.5 x 14.75 inches and the framed size meas...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

Picasso's 1959 Original exhibition poster Maison de la pensée Francaise - Paris
Located in PARIS, FR
The exhibition poster for the original posters by the masters of the École de Paris at the Maison de la Pensée Française in 1959, created by lege...
Category

1950s Art

Materials

Paper, Lithograph

The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

La Comedie Humaine VIII
Located in Wilton, CT
"La Comedie Humaine VIII" Lithograph in Color on Thick Wove Paper After The Original. The plates executed under the direct supervision of Pablo Picasso. First edition, 1954. Printed ...
Category

1950s Cubist Art

Materials

Lithograph

The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
Located in Greenwich, CT
The Bull is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.15 x 8.5 inches...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

Arlequin
Located in Columbia, MO
This piece was among thousands of works inherited by Marina Picasso, the artist’s granddaughter, after his death. Marina has been instrumental in preserving Picasso’s legacy, placing...
Category

21st Century and Contemporary Contemporary Art

Materials

Lithograph

At the Circus with Dancing Odalisque, 1968 (347 Series, B.1696)
Located in Greenwich, CT
"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...
Category

20th Century Modern Art

Materials

Paper, Etching

Le Singe - Etching by Pablo Picasso - 1940s
Located in Roma, IT
Not Signed. Not Numbered. Edition of 225 pieces. Etching - aquatint. Belongs to the Suite "Histoire Naturelle de Buffon". Catalogue Bloch n.339. Passepartout included.
Category

1940s Cubist Art

Materials

Etching, Paper

Pablo Picasso 'Chouette' A. R. 48
Located in Miami, FL
PABLO PICASSO (1881-1973) Chouette (A. R. 48) Terre de faïence dish, 1948, numbered 145/200, with the workshop numbering, glazed and painted, with the Edition Picasso and Madoura s...
Category

1950s Modern Art

Materials

Ceramic

Le Garou
Located in New York, NY
Pablo Picasso (1881-1873) Le Garou Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000
Category

1960s Modern Art

Materials

Photogram

Femme Nue se Couronnant de Fleurs - Etching by Pablo Picasso - 1930
Located in Roma, IT
Etching on Montval with watermark "Vollard" Hand Signed in pencil. One of 260 proofs Ref. Catalogue Bloch n.135; Baer 195 B.d.; Belongs to the "Suite Vollard". Édition Ambroise V...
Category

1930s Cubist Art

Materials

Paper, Etching

The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

Mon Dieu, quel homme, qu'il est petit… (347 Series, B.1629)
Located in Greenwich, CT
"Mon Dieu, quel homme, qu'il est petit..." is an aquatint from Picasso's 347 Series with an image size of 2.3 x 3.3 inches, signed 'Picasso' lower right, and ...
Category

20th Century Modern Art

Materials

Paper, Aquatint

Pablo Picasso ( 1881 – 1973 ) – hand-signed lithograph on Arches - 1963
Located in Varese, IT
color lithograph on Arches paper, edited in 1963 Limited edition of 200 copies signed in pencil by artist in lower right corner and numbered 167/200 in lower left corner paper size: : 88,9 x 62,9 cm excellent conditions with strong deep colors Bibliography: – Miguel Orozco Lithographs Catalogue Raisonné No 125 pag 93 – Picasso & LA PRESSE...
Category

1960s Cubist Art

Materials

Paper, Lithograph

Sculpteur, Modèle Accroupi et Tête Sculptée - Etching by Pablo Picasso - 1933
Located in Roma, IT
Sheet dimensions: 70x50 cm. Hand Signed. Not Numbered. Edition of 250 pieces. Belongs to the series "Suite Vollard", probably the most popular and appreciated graphic suite by Picass...
Category

1930s Cubist Art

Materials

Etching, Paper

'Bright Owl' original Madoura ceramic rectangular platter, Edition Picasso
Located in Milwaukee, WI
'Bright Owl' is an original Edition Picasso Madoura ceramic bowl from the height of Pablo Picasso's ceramic output. In the bowl's center is an owl surrounded by stars. Owls are a sub...
Category

1950s Cubist Art

Materials

Ceramic, Earthenware, Glaze

Le Picador II
Located in New York, NY
This lithograph in 24 colors on Wove paper was created in 1961. Dated twice by the artist within the original lithograph plate, unsigned as issued. Publi...
Category

20th Century Modern Art

Materials

Lithograph

Tête, Pablo Picasso, 1950's, Terracotta, Earthenware, Sculpture, Ceramic, Design
Located in Geneva, CH
Tête, Pablo Picasso, 1950's, Terracotta, Earthenware, Sculpture, Ceramic, Design Ed. 106/200 pcs White earthenware clay, decoration in engobes under brushed glaze, blue, pink, yello...
Category

1950s Post-War Art

Materials

Ceramic

The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

Visage de Femme Pomone, Picasso, Ceramic, Multiples, Women, Edition, 1960's
Located in Geneva, CH
Visage de femme Pomone Ed. 47/100 pcs 1968 Red earthenware clay, engobe ground, engraving enhanced with oxides under partial brushed glaze 31.5 x 31.4 cm Numbered, inscribed and sta...
Category

1960s Post-War Art

Materials

Earthenware, Ceramic

The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

Couple in the Fields, with a Cherub Crowned with Flowers (347 Series, B.1697)
Located in Greenwich, CT
"Couple in the Fields, with a Cherub Crowned with Flowers" is an etching from Picasso's 347 Series, with an image size of 12.75 x 12.25 inches, signed 'Picasso' lower right and frame...
Category

20th Century Modern Art

Materials

Paper, Etching

'Around the Unknown Masterpiece' 1968 (347 Series, B.1824)
Located in Greenwich, CT
"Around the Unknown Masterpiece" is an aquatint on paper from Picasso's 347 Series, with an image size of 9 x 12.75 inches, signed 'Picasso' lower right and annotated lower left, fra...
Category

20th Century Modern Art

Materials

Paper, Aquatint

The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

Homme et femme nus/Tete de Homme, 1969 (double-sided)
Located in Greenwich, CT
Homme et femme nus/Tete de Homme, 1969 is a double-sided india ink drawing on cardboard, sheet size 8.75 x 12.25 inches, signed and dated upper right of ...
Category

20th Century Modern Art

Materials

India Ink

The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

Nude Seated Cross-legged... (347 Series, B.1757)
Located in Greenwich, CT
"Nude Seated Cross-Legged and 'Grotesque' with Hand on Heart" is an etching from Picasso's 347 Series with an image size of 6 x 8 inches, signed 'Pic...
Category

20th Century Modern Art

Materials

Paper, Etching

Bacchanale, front cover from Picasso Lithographe III
Located in Washington, DC
Artist: Pablo Picasso Title: Bacchanale (front cover) Portfolio: Picasso Lithographe III Medium: Transfer lithograph Date: 1956 Edition: 3000 Frame Size: 20 3/4" x 17 3/4" Sheet Size...
Category

1950s Modern Art

Materials

Lithograph

Sculpteur devant sa Sculpture - Etching by Pablo Picasso - 1927
Located in Roma, IT
B/w etching on Hollande Van Gelder Paper, with margins. Hand Signed and numered in bistre ink. Edition of 99 pieces aside from the portfolio edition of 340. Published by Ambrose Vo...
Category

1920s Cubist Art

Materials

Etching, Paper

Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category

20th Century Modern Art

Materials

Paper, Drypoint

Personnages Masqués et Femme Oiseau - Etching by Pablo Picasso - 1934
Located in Roma, IT
Hand Signed. Edition of 99 prints. Plate 24 from "La Suite Vollard". Catalogue Bloch n.227. Passepartout included (cm.50x70). Prov. Private Collection, France.
Category

1930s Cubist Art

Materials

Etching, Paper

Homme et Femme - Etching by Pablo Picasso - 1968
Located in Roma, IT
Hand signed and dated. With an handwritten dedication of the artist. Etching and Aquatint . Bloch n. 1385. This beautiful etching is dedicated to Michel Lessens, the talented assist...
Category

1960s Cubist Art

Materials

Etching, Paper

Les Bleus de Barcelone - Etching by Pablo Picasso - 1963
Located in Roma, IT
Hand Signed and numbered. Edition of 75 prints. Ref. Bloch n.1130.
Category

1960s Cubist Art

Materials

Etching, Paper

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category

20th Century Modern Art

Materials

Aquatint, Drypoint

Deux Femmes Nues - Etching by Pablo Picasso - 1930
Located in Roma, IT
Hand signed in ink. Edition of 125 prints. Very good condition. Catalogue Bloch n.132.
Category

1930s Cubist Art

Materials

Etching, Paper

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Art

Materials

Drypoint, Aquatint

Nature Morte au Pot de Grès - Lithograph by Pablo Picasso - 1947
Located in Roma, IT
Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86
Category

1940s Cubist Art

Materials

Lithograph, Paper

Dans l'Atelier - Etching by Pablo Picasso - 1965
Located in Roma, IT
Hand Signed. Aquatint  and drypoint.  Editions of 50 pieces. Hand numbered. Catalogue Bloch n.1219; Cat. Baer 1201 Passepartout included 49x59 cm.
Category

1960s Cubist Art

Materials

Etching, Paper

Deux Femmes Accroupies - Etching by Pablo Picasso - 1956
Located in Roma, IT
Realized by Picasso in 1956. Original Lithograph. Hand Signed and numbered. Edition of 50 prints.  Ref. Bloch n.790. 
Category

1950s Cubist Art

Materials

Etching, Paper

Homme nu avec femme ivre et jeune flutiste
Located in Fairlawn, OH
Homme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...
Category

1950s Modern Art

Materials

Etching

Torbi
Located in New York, NY
Pablo Picasso (1881-1873) Torbi Numbered on the reverse Phototype and Pochoir 16 x 11.5 inches 957/1000
Category

1960s Modern Art

Materials

Photogram

Picasso Ceramic, “Mains au poisson” (A.R. 214)
Located in Madrid, ES
Pablo Picasso (1881-1973) MAINS AU POISSON (A.R. 214) stamped and numbered 'Madoura Plein Feu / Empreinte Originale de Picasso / I. 117 / 173/250' (underneath) terracotta plate with ...
Category

1950s Modern Art

Materials

Ceramic

Visage dans un carré, Picasso, plate, multiples, edition, 1950's, portrait, face
Located in Geneva, CH
Visage dans carré Ed. 59/100 pcs 1956 White earthenware clay, engobe decoration under partial brushed glaze, ivory, blue D. 42.2 cm Numbered, incised and stamped on the reverse : 59/...
Category

1950s Post-War Art

Materials

Ceramic, Clay, Earthenware

Photography, Drawings, Prints, Sculptures and Paintings for Sale

Whether growing your current fine art collection or taking the first steps on that journey, you will find an extensive range of original photography, drawings, prints, sculptures, paintings and more on 1stDibs.

Visual art is among the oldest forms of expression, and it has been evolving for centuries. Beautiful objects can provide a window to the past or insight into our current time. Art collecting enhances daily life through the presence of meaningful work. It displays an appreciation for culture, whether a print by Elizabeth Catlett channeling social change or a narrative quilt by Faith Ringgold.

Contemporary art has lured more initiates to collecting than almost any other category, with notable artists including Yayoi Kusama, Marc Chagall, Kehinde Wiley and Jean-Michel Basquiat. Navigating the waiting lists for the next Marlene Dumas, Jeff Koons or Jasper Johns has become competitive.

When you’re living with art, particularly as people more often work from home and enjoy their spaces, it’s important to choose art that resonates with you. While the richness of art with its many movements, styles and histories can be overwhelming, the key is to identify what is appealing and inspiring. Artwork can play with the surrounding color of a room, creating a layered approach. The dynamic shapes and sizes of sculptures can set different moods, such as a bronze by Miguel Guía on a mantel or an Alexander Calder mobile suspended over a table. A wall of art can evoke emotions in an interior while showing off your tastes and interests. A salon-style wall mixing eclectic pieces like landscape paintings with charcoal drawings is a unique way to transform a space and show off a collection.

For art meditating on the subconscious, investigate Surrealists like Joan Miró and Salvador Dalí. Explore Pop art and its leading artists such as Andy Warhol, Rosalyn Drexler and Keith Haring for bright and bold colors. Not only did these artists question art itself, but also how we perceive society. Similarly, 20th-century photography and abstract painting reconsidered the intent of art.

Abstract Expressionists like Helen Frankenthaler and Lee Krasner and Color Field artists including Sam Gilliam broke from conventional ideas of painting, while Op artists such as Yaacov Agam embraced visual trickery and kinetic movement. Novel visuals are also integral to contemporary work influenced by street art, such as sculptures and prints by KAWS.

Realist portraiture is a global tradition reflecting on what makes us human. This is reflected in the work of Slim Aarons, an American photographer whose images are at once candid and polished and appeared in Holiday magazine and elsewhere. Innovative artists Mickalene Thomas and Kerry James Marshall are now offering new perspectives on the form.

Collecting art is a rewarding, lifelong pursuit that can help connect you with the creative ways historic, modern and contemporary artists have engaged with the world. For more tips on piecing together an art collection, see our guide to buying and displaying art.

A variety of authentic art is available on 1stDibs. Explore art at auction and the 1stDibs NFT art marketplace, too. 

Recently Viewed

View All