Art

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Wallpaper with Blue Floor Interior' is a 1992 screenprint made up of five framed prints on Paper Technologies, Inc. Waterleaf paper....

Screenprint on Lanaquarelle watercolor paper. Hand signed, numbered from the edition of 50 and dated in pencil. Published and printed by Gemini G.E.L., Los Angeles, with their blind...

This Lichtenstein plate, commissioned by Rosenthal/Germany, is hand-colored porcelain, stamp signed and inscribed  “Kunstlerplatzteller" / "Rosentha...

SMS, New York: William Copley. The Letter Edged in Black Press, 1968. Original Cardboard boxes. A complete set of SMS portfolios volumes 1-6. Collecti...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Two Paintings (Corlett 205)' is a 1984 multimedia relief print in colors using woodcut, lithograph and s...

From the Entablature series. Screenprint, lithograph, and collage with embossing on Rives BFK paper. Signed and dated in pencil, lower right. Inscribed 'AP VI' lower left, this is ...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Entablature II' is a Screenprint, lithograph and collage in colors with embossing on Rives BFK paper. Signed, dated and numbered in ...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Chem 1A" *Signed and dated by Lichtenstein in pencil lower right Year: 1970 Medium: Original Screenprint on Special Arjomari paper Limited edition: 32/100, (there were also 10 artist's proofs) Printer: Gemini G.E.L., Los Angeles, CA Publisher: Gemini G.E.L., Los Angeles, CA Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 100, page 117; Gemini No. 248 Framing: Recently framed in a contemporary white maple moulding with double matting and Artglass AR 92 non-reflective 92% UV protection glass. All archival Framed size: 36.38" x 26.63" Sheet size: 30.13" x 20" Image size: 24" x 14.25" Condition: In excellent condition Very rare Notes: Provenance: private collection - Newport Beach, CA; possibly acquired directly from the printer/publisher Gemini G.E.L., Los Angeles, CA. Numbered by Lichtenstein in pencil lower left. This work is related to Lichtenstein's 1970 "Peace Through Chemistry...

From the "Paintings" Series. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered 43/60 in pencil lower right (there were also 11 artist’s proofs). 11 colors ...

Colorful swirls in red, blue, white, and yellow on a white plate with blue dots over the surface of the plate. "The Prints of Roy Lichtenstein" a catalogue raisonne page 286 #III.45 Notes: Roy Lichtenstein, Paper Plate, 1969 stamped on the back: Roy Lichtenstein © On 1st Inc. 1969 Dimensions: 10" diameter Artist or Maker: Roy Lichtenstein Medium: Serigraph Screenprint in yellow, red, and blue, on white paper plate. Publisher: Bert Stern, for On 1st, New York. Date: 1969 Description: "Paper Plate" by Roy Lichtenstein, 1969 Unsigned Serigraph. Paper size is 10 x 10 inches, with an image size of 10 x 10 inches. The Serigraph is from an edition size of 2000 and is not framed. Printer: Unknown, possibly Artmongers manufactory, New York. The plates were commercially printed and wrapped in clear cellophane in packages of 10 for sale at Bert Stern's On 1st store. Correspondence found in the artist's records indicates that the plates may have been fabricated at Artmongers manufactory, New York. Paper Plate is related to other designs the artist produced for dishware, such as the limited-edition place settings produced by Jackson China...

Original silver gelatin print, hand printed by the artist in 1975. Edition of 3 . This is the second of 3 prints.

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein's 'Still Life with Lobster' is a 1974 color lithograph and silkscreen. This work is signed, dated 'Lichtenstein '74' and numbered 43/10...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

Artist: Roy Lichtenstein (American, 1923-1997) Title: "Entablature IV" Portfolio: Entablature Series *Signed and dated by Lichtenstein in pencil lower right Year: 1976 Medium: Original Screenprint and Collaged mat pink Metallic Foil with Embossing on Rives BFK paper Limited edition: 14/30, (there were also 9 artist's proofs) Printer: Tyler Graphics Ltd., Bedford Village, NY Publisher: Tyler Graphics Ltd., Bedford Village, NY Reference: "The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997" - Corlett No. 141, page 144; PCN 7 (July-August 1976); "Tyler Graphics Catalogue Raisonné 1974-1985" - Tyler No. 337:RL5, page 210 Framing: Framed in a contemporary white moulding with plexiglass and matted with a custom hand-wrapped 8 ply linen mat Framed size: 39.5" x 55" Sheet size: 29.19" x 44.82" Image size: 20.19" x 38" Condition: Some light cosmetic wear to frame; presently no hanging wire. The artwork is in mint condition Very rare Notes: Provenance: private company collection - Miami, FL, acquired directly from the publisher Tyler Graphics Ltd., Bedford Village, NY in the 1970's. Numbered by Lichtenstein in pencil lower left. Comes from Lichtenstein's 1976 "Entablature Series" portfolio of 11 prints, (Corlett No. 138-148). Printed in six colors, in seven runs, from five screens, and one embossing plate. Collaboration: Kenneth Tyler (project supervision, plate/screen preparation, proofing, collage, and embossing); Kim Halliday (screen preparation and processing, proofing, and edition printing); Betty Fiske (proofing and edition printing). Swan Engraving processed the magnesium plate. Tyler Graphics Ltd. chop mark/blind stamp lower right. Workshop number inscribed in pencil lower left on verso: "RL75-197". Comes with its original Tyler Graphics "Entablature Series" booklet. Between 1971 and 1976 Lichtenstein produced two series of "Entablature" paintings, using photographs of architectural ornament he had taken in New York as the starting point for his compositions (see Cowart [1981]). The first "Entablature" paintings (1971-72) were black and white. The second group used color and were produced at roughly the same time the "Entablature" series of prints were in production at Tyler Graphics Ltd., 1974-76. The first discussions between Lichtenstein and Ken Tyler concerning the "Entablature" prints took place in May, 1974. As recorded in the Tyler catalogue raisonne, technical research for the project began in September 1974 and production was completed in April 1976. Lichtenstein produced one or more collages for each print in the series to serve as models for the plates and screens. Both the "Entablature" paintings and prints are intimately concerned with texture - the metallic paint and sand of the paintings, the foils and embossing/debossing techniques employed in the prints. The imagery itself - machined architectural ornament - takes technology as its subject. As Barbara Rose suggests, "That industrialism disrupted our notion of style as much as reproduction altered our conception of representation appears to be the subjects of Lichtenstein's "Entablatures". For each print in this series, the Tyler Graphics Ltd. catalogue raisonne gives exact method and press types, as well as the initials of the printers for each run. To complete certain phases of the project, Tyler employed the following companies: Drake Engineering, Danbury, CT (for machining of the metal die); Swan Engraving, Bridgeport, CT (for plate processing); Tallix Foundry, Beacon, NY (for bronze casting); and Tompkins Tooling, Gardena, CA (for machining of the metal die). The ten embossing plates for the series are now in the collection of the National Gallery, Canberra, Australia. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff from American investor Ronald O. Perelman. This was topped in November of 2015 by the sale of "Nurse" for 95.4 million dollars at Christie's auction. Subsequently, that was topped with the private sale of his 1962 painting...

Reclining Nude, from Expressionist Woodcut Series (C. 172). Woodcut in colors with embossing, 1980, on Arches Cover. Hand signed, numbered and dated in ...

A very rare Roy Lichtenstein limited edition artist proof hand-signed and numbered linocut and screen print inscribed "To Leo" as in ...

ROY LICHTENSTEIN (1923-1997) Roy Lichtenstein 'Figures' (From Surrealist Series) 1978 is a lithograph in colors on Arches paper. It is a Special Proof separate from the edition of 3...

Woodcut on handmade Suzuki paper. From Amercan Indian Theme Series. Hand signed rf Lichtenstein, numbered and dated '80 in pencil lower right. Blind stamp lower right. Five colors i...

Artist: Roy Lichtenstein, American (1923 - 1997) Title: This Must Be the Place (C. III.20) Year: 1965 Medium: Offset Lithograph, signed in the plate and in pencil l.r. Edition of unk...

Hand signed, dated and numbered by the artist. From the Six Still Lifes Series. Lithograph and screenprint on rives BFK paper. Co-published by Multiples, Inc. and Castelli Graphics, ...

Modern Head #5, from Modern Head Series (C. 95). Hand signed, numbered and dated by the artist. Embossed graphite with die-cut paper overlay. Image size 20 x 11.5 inches. Sheet size ...

Signed (rf Lichtenstein) and dated '69 in pencil lower right.. Published by Roy Lichtenstein. Printed by Atelier Mourlot., New York. Catalogue Raiso...

Hand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...

Signed, numbered, and dated in pencil, lower right. Blonde from the Surrealist Series (C.153). From the edition of 38. Image Size: 21.75 x 19.125 inches. Sheet size: 29.75 x 27 in. ...

Hand signed, numbered and dated in pencil. Screenprint in colors, on Rives BFK. (C. 257; G. 1498). Co-published by the artist and Gemini G.E.L., Los Angeles, with their blindstamps a...

Hand signed, dated and numbered by the artist. Lithograph in colors on Special Arjomari with the Gemini G.E.L. blindstamps, Los Angeles. Sheet size 35 x 48 in. Image size 28.25 x 43....

Artist: Lichtenstein, Roy Title: Inaugural Print Date: 1977 Medium: Screenprint in colors on Arches 88 Paper Unframed Dimensions: 20" x 30" Framed Dimensions: 25.25" x 35" Sign...

ROY LICHTENSTEIN (1923-1997) Lithograph and line-cut in colors with embossing, 1970, signed in pencil, dated and numbered 30/100 (total edition includes seven artist's proofs). This...

Roy Lichtenstein Two Paintings: Beach Ball, from Paintings Series, 1984 uses his signature patterns and lines to create various visual implications. Straight lines are used to emphas...

Created in 1992, this color lithograph on Rives BFK paper is hand-signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. This wor...

Roy Lichtenstein Apple and Lemon, 1983 is an excellent example of the artist’s later work. Lichtenstein largely abandoned his famous comic strip pan...

Framed in a bright yellow boarder, Roy Lichtenstein Reflections on Minerva, from Reflections, 1990 shows a distressed Minerva partially obscured by reflective lines. As if she is beh...

This is an absolutely outstanding piece of art. Roy Lichtenstein has become famous for his "Brushstroke" paintings. But this artwork is a very special one due to its technique. It is...

Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 incorporates his iconic multimedia imagery, flowing with eclectic and imaginative sequence of shapes. Bright colors of neon yellow, blue, gray, and green intertwine against each other creating a strong contrasting effect. Shapes and forms are irregularly placed within a rectangular frame allowing the composition to stand out. Lichtenstein’s famous dots are dispersed along the cream colored block running through mainly the center of the image. This creates a comic-like effect that is a common theme throughout his entire oeuvre. Because Reflections is an important series where Lichtenstein uses multimedia and relates to his Mirrors paintings of the early seventies. Dots, stripes, mirrors, prominent brushstrokes presents themselves in a dashing manner throughout this series. Created in 1990, Roy Lichtenstein Reflections on Brushstrokes, from the Reflections Series, 1990 is a color lithograph, screenprint, woodcut, and metalized PVC collage with embossing on Somerset paper. This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. Numbered from the edition of 68 in pencil in the lower right margin, there were also 16 artist proofs. Catalogue Raisonné: Roy Lichtenstein Reflections on Hair...

Screenprint on heavy, white wove paper. From the edition of 280, published in 1965 by Leo Castelli Gallery, NY. Signed and numbered in pencil lower right. This is not the offset post...

Seascape (II). 1965. Signed and numbered verso on the edition label: rf Lichtenstein, 84/100. Published by Edition MAT, Cologne (publisher). Color silkscreen and blue Rowlux®, collag...

1965 Screenprint in colors, on wove paper 37 5/8 x 27 5/8 in. (95.6 x 70.2 cm) Edition of 200 Signed and numbered in pencil, lower margin Framed, excellent condition

"Before the Mirror" 1975. Signed and numbered PP 4/5 and dated -75. Published by Multiples Inc., and Castelli Graphics, New York. Printed by Styra Studio, New York. Lithograph and screenprint with embossing. L. 89.5 x 63.5 cm, S. 108.5 x 81 cm (BFK Rives). Literature Corlett, Mary Lee. The Prints of Roy Lichtenstein. A Catalogue Raisonné. Published by New York: Hudson Hills...

Roy Lichtenstein (New York, 1923 – 1997) Still Life with Picasso. From: Hommage à Picasso. 1973. Colour silkscreen on strong vellum. Size: 72 ...

Cow Going Abstract (Triptych). Tree original color silkscreens, 1982. Edition of 150 signed and numbered impressions on Arches paper. Published by F...

Created in 1981 as an original lithograph with screen-printing, Roy Lichtenstein’s, Study of Hands is hand-signed in pencil, dated and numbered, measuring 31 ¼ x 32 ¾ in. (79.5 x 83....

”Still Life with Lobster”. Signed, dated and numbered rf Lichtenstein ’74 2/100. Lithograph and screenprint in colours, I. 81.7 x 78.8 cm, S....

A stunning example of abstracted imagery easily identifiable as the work of Roy Lichtenstein, Blue Face was created by the artist in 1989 as a truly mixed me...

1963 Offset lithograph in colors, on wove paper Sheet: 18 x 24 inches Edition unknown Signed in pencil, lower right Framed

Created by Roy Lichtenstein in 1984 as a color woodcut and lithograph on Arches 88 paper, Painting on Blue and Yellow Wall is hand-signed, dated, and numbe...

Created in 1980 by Roy Lichtenstein as part of a portfolio of prints known as The American Indian Theme Series, this original woodcut in colors, is...

1990 Lithograph, screenprint on paper and metalised PVC on paper S. 59 1/8 x 75 in. (150.2 x 190.5 cm) Edition of 68 Signed, dated and numbered in pencil, lower margin

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

A bold, vibrant and surreal image, Lichtenstein created Art Critic in 1996 as an original screenprint in colors.  Measuring 26 x 19 1/8 in. (66 x 48.6 cm), unframed, the artwork is s...

Edition of 60 Signed and numbered unframed

Arguably the most iconic and instantly recognizable of Roy Lichtenstein’s prints, Crying Girl was created in 1963 as an offset lithograph in colors. Hand-...

Hand signed rf Lichtenstein in pencil and numbered lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenstein A Ca...

1963 Offset lithograph in colors, on wove paper Sheet: 17 1/8 x 23 1/8 inches Edition unknown Signed in pencil on lower right Framed, pristine condition

32 x 43 in. Edition of 130 Signed and numbered "Water Lily" was created to benefit the campaign of Los Angeles city councilman Joel Wachs.

Screenprint on off-white wove paper Signed and numbered in pencil: 44 from 300 plus an unknown number of AP (inscribed A/P).

From the "Paintings" Series. Lithograph and woodcut in colors. Published by Gemini G.E.L., Los Angeles. Hand signed, dated '84 and numbered in pencil lower right. 14 colors in 11 run...

Hand-Signed and dated Lower Right Original screenprint poster in yellow, red, blue an black on white wove paper. Designed by the artist for a traveling exhibition for the Saint Lou...

This original color screenprint was created by Roy Lichtenstein in 1969, is hand-signed in pencil, dated and numbered, measuring 19 1/16 x 26 1/16 in (48.4 x 66.2 cm), unframed and i...