Art

Large circular oil and acrylic painting by artist Wenyu Zhu. This work shows in great detail two beautiful sunflowers rising up from the deep sea. Yellow butterflies are around them....

Camila Rosa is a Brazilian Artist and Illustrator based in Sao Paulo, Brazil. She started her life as an artist in 2010 with a female street art collective and since then she has wor...

George Augustus Wallis (1761 Merton (London) - 1847 Florence): Italian landscape with fortified town, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Descriptio...

Painting: Ink and Watercolor on Paper, Framed Dimensions: 16 in x 20 in, Framed 21 in x 27 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

This mixed media work was created intuitively, with the creature emerging only towards the end of the process. It suggested to me a dinosaur or ancient extinct monster. As part of my...

Lavanda

Artist Name: Lidija Commeca Title of Artwork and Date of creation: Between the Years, 2023 Medium on ground: Print on Hahnemühle fine art paper Signature : Not signed Artwork Unique ...

Synthetic Deployment ; Anemones and sponges ; High quality Fine Art Giclée print on Innova smooth paper, 210 gr. ; Not signed ; Unique

"Diagnosis"

J. OSCAR MOLINA Salvadoran, born 1971 J. Oscar Molina is a painter and sculptor as well as Founder of Oscar Molina Gallery in Southampton, NY. He is most well-known for his “...

Bruno Bobak, Canadian, 1928-2004 Evening Star Oil on canvas, mounted to board 5 x 8 in 12.7 x 20.3 cm signed lower left; signed and titled on an insert within the reverse framing fra...

New Route II

Unique artwork. Acrylic on canvas.

Burning Ember is painted on a wood panel, in acrylic. The size is 40" x 40". The painting hangs on a French cleat. Troy Smith is a Canadian artist, designer, sculptor and painter w...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11.5" PRODUCTION: Space Jam SKU: IFA2908 ABOUT THE FILM: Featured alongside the NBA legend in Space Jam are Daffy Duck, Bugs...

Signed in pencil on mount. the image date is 1936, printed 1980

Stella Alesi, The Shape- Yellow & Orange, Oil and wax on oil paper, 22.5 x 22.5", 2022

'White Lipped Tree Viper #3, Albuquerque, NM, 2016' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of w...

ONLY YOU Series Photography, Archival Ink on Aluminum Dimensions 8 x 12in (Limited Edition of 6), 12 x 18in (Limited Edition of 6). Signed on verso, includes a certificate of authen...

These photographs explore tonality, texture, mass and depth in context of the human figure. This photograph was made in my home studio in Seoul, South Korea in the 2nd half of 2022...

"The constant use of plastic is tampering with the environment. Today our magnificent surroundings are covered by plastic all around. These human made plastics find their way to the ...

Artist Tim Harrier Museum Grade Archival Pigment Print. Hahnemühle Torchon Archival 285 gsm paper, 2021, signed in pencil. Numbered (there were also fifteen artist's proofs), with f...

I had a dream/vision of this painting before I started it. The colours were the starting point. I wanted to revel in warm reds, oranges and pinks. As the painting progressed figures ...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

edition 2 of 50 signed and numbered

This work was part of "Body Politics", the August/September 2022 exhibition marked the debut of this work in the region (New Orleans), and the first time any of these works have been...

MEDIUM: ​Original Production Drawing IMAGE SIZE: 16.5" x 11.5" PRODUCTION: Space Jam SKU: IFA9091 ABOUT THE FILM: Featured alongside the NBA legend in Space Jam are Daffy Duck, Bugs...

MEDIUM: Original Production Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Justice League SKU: IFA9975 ABOUT THE IMAGE: Justice League is an American animated television series that r...

the painting is being offered with a work and authenticity certificate

Ordine 2023.03.20 Vers. 1 Limited Edition Archival Pigment Print of Collage. 40" x 30" Giclee photographic print with 1” white border. Printed on Hahnemuhle Photo Rag in an Edition ...

A signed, dated, 1970’s, acrylic, charcoal, paper and jute collage-on-canvas by notable, listed American artist, Stephen Edlich (1944-1989). Inscribed Majo, 1976-1977 on the reverse....

Mysterious woman. Oil on canvas. Fab wallpaper background. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmode...

The painting is being offered with a work and authenticity certificate

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Animaniacs, Hercule Yakko SKU: IFA8290 ABOUT THE IMAGE: Blending wit, slapstick and pop cul...

For this painting the artist found inspiration from the religious poem on the ‘Sarvesh’ incarnation of Lord Mahadev. This work illustrates the beauty of that poetic description.

Foliar Poetry

Julian Lennon’s photographs serve as allegorical vehicles in this time of heightened awareness for our planet’s peril. In surveilling these ever-changing skies, Atmospheria celebrate...

Endearments In Baroque Ii

The beauty of the gold sky emits a hard 'rain' of figures determined to find their true place in the terrain.

Abstract calligraphy. Mixed media on canvas. Black exterior frame. Framed dimensions : 115x101x5cm. Signature on the back.

Jack, Trent, Texas, Jill Johnson, Chromogenic Color print, Edition of 7, 50 x 50", 2022 Celebrated for her sense of fun, discriminating eye for detail and her insight into vanishing...

Ink on Fine Art paper Artwork done with a compass Black exterior frame Framed dimensions: 113x83 (x5)cm Signed on the back

On Your Marks

Gilbert and George, Photographic Print by John Stoddart John Stoddart is best known for having taken scores of photographs of famous faces including Pierce Brosnan, Carla Bruni, Michael Caine, Anthony Hopkins, Jude Law, Arnold Schwarzenegger and Catherine Zeta-Jones. He was born in Liverpool and is a former Grenadier Guard...

Pensamientos Terrenosos - Parte 1

Un Mundo Interior

Raúl Cerillo’s creations are characterized by the construction of surfaces with multiple layers of paint, acquiring a three-dimensional appearance. Each piece, according to the artis...

Julio Le Parc (1928) - Image virtuel par deplacement YEAR 2016 TECHNIQUE Sculpture SIGNATURE Hand signed EDITION H/C TOTAL DIMENSIONS 95×80×67 mm Designed in 1965, and produced in 2016

the painting is being offered with a work and authenticity certificate

MEDIUM: Limited Edition Cel SIZE: 10.5" x 12.5" EDITION SIZE: 500 ARTIST: Bob Clampett SKU: BC1001 ABOUT THE IMAGE: Taken from the 1942, Bob Clampett-directed classic, “Birdy and The Beast,” the image of Tweety shown here was how he first appeared before Warner Brothers insisted he be “clothed”. Bob Clampett, who created Tweety, provided the solution deciding to line the little canary with yellow feathers. “Birdy and The Beast” is a hand-painted cel and background, produced by Bob Clampett Animation Art...

Floating trees II

Limited edition of 10 + 2 artist proof About the picture : Chanel rue Cambon, unusual scene for the Fashion shows but feels like home. On the backstage, few minute before the oshow ...

Michael Kessler was born in 1954 in Hanover, Pennsylvania and had his first art show in 1080. His abstract art awards include the Rome Prize for Painting from the American Academy in...

Raised in an extended family of artists, I have always been surrounded by the nuances of line, color and observation. Time spent at my grandparents’ working farm along the Connecticu...

Sir William Russell Flint, R.A., P.R.W.S.1880-1969 Scottish A Study of Two Models Signed "WRussell Flint" (bottom right) Ethereal and sen...

Febland always works in rich dramatic narratives that are timeless and yet of this time. Timeless, because human narratives have remained relatively consistent throughout our time here and certainly of this time in regard to his choice of subject matter. This piece, a comment on the "Millennial." The piece feels somewhat lude, in nature. A scantily clad woman walking down the street. Unique hair, nails, tattoos, and clothes that draw attention. The shoulder strap fallen down as if to reference Sargent's "Madame X," a scandalous piece in 19th century Paris. She is in public, grasping her lifeline to the world, the cellphone. Yet she feels isolated and perhaps lost. The rickshaw's in the background as metaphorical guides to an unknown destination, yet she pays them no mind...

Metall, fibreglass, polyester resin, polyurethane foam and auto lack.

Erwin Wurm Wobbly, 2023 Relief print on canvas 100 × 80 × 4.5 cm (39.4 × 31.5 × 1.8 in) Signed and numbered Edition of 50 PLEASE NOTE: Images of edition number are example reference...