Art

11 x 14" vintage silver gelatin photograph of artist Salvador Dali photographed in the lobby of the Ritz Hotel in Barcelona, Spain in May 1966. Jack M...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown i...

Artist: Brian Rice (1936) Title: Odeon Year: 1969 Edition: 52/175, plus proofs Medium: Lithograph on wove paper Size: 27 x 26 inches Condition: Excellent Inscription: Signed and numb...

Andy Warhol Banana Cover Art: The Velvet Underground & Nico Vinyl Record circa early 1980's featuring original Record Cover Art after Andy War...

Jim Dine Complete Graphics poster (hand signed by Jim Dine), 1970 Offset lithograph poster (hand signed by Jim Dine) 39 1/2 × 26 inches Frame included: held in the original vintage m...

ALTERATION ART . . . is a collaboration process between Rick Wolfryd, fine artist and art dealer with over 40 years experience, and various Mexican Huichol artists and Mexican Huicho...

Half Skull & Female Face Portrait Pop Art by British Urban Graffiti Artist, Chris Pegg. Lilac Background. Presented in a high quality ornate white frame. Art measures 20 x 16 inche...

This is a unique hand-drawn work on paper representing a banana. Bold in its composition, the artwork is executed in yellow, subtle greens, and blues. :: Drawing :: Pop-Art :: This p...

Lilly "Allen" portrait of the famed singer. I usually do not do celebrities however this pose was too good to pass up. It was such a beautiful post it had to be done. What do you thi...

Robert Indiana (American, 1928–2018) The Metamorphosis of Norma Jean Mortenson, 1997 Medium: Screenprint in colors on paper Dimensions: 15 9/10 × 15 9/10 in (40.5 × 40.5 cm) Edition ...

Heidler & Heeps Vinyl Collection Nine Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Beautiful psychedelic poster of 1966 by John H. Myers to promote the concert of The Yardbirds and Country Joe and the fish. The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup included vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja, and bassist/producer Paul Samwell-Smith. The band launched the careers of three of rock's most famous guitarists: Eric Clapton, Jeff Beck, and Jimmy Page, all of whom made the top five of Rolling Stone magazine...

Mel Ramos (born 1935) Reese's Rose, 2008 Medium: Lithograph in colors Dimensions: 93.5 x 55 cm Edition of 199: Hand-signed and numbered Condition: Mint

Deborah Kass (born 1952) Being Alive, 2012 nine-color silkscreen, one color blend on 2-ply museum board Image 24 x 24 image. Frame 29 x 29 x 2 inches Edition 1/65 Hand signed and dated in pencil, lower right verso; numbered lower left verso Being Alive is from a vibrant and uplifting body of work entitled Feel Good Paintings for Feel Bad Times. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls” consisted of artists like Sherrie Levine, Cindy Sherman, and Barbara Kruger. Kass felt that content of these works connected those of the post-war abstract painters of the mid-70s including Elizabeth Murray, Pat Steir, and Susan Rothenberg. All of these artists critically explored art in terms of new subjectivities from their points-of-view as women. Kass took from these artists the ideas of cultural and media critique, inspiring her Art History Paintings. Kass is most famous for her “Decade of Warhol,” in which she appropriated various works by the pop artist, Andy Warhol. She used Warhol’s visual language to comment on the absence of women in art history at the same time that Women’s Studies began to emerge in academia. Reading texts on subjectivity, objectivity, specificity, and gender fluidity by theorists like Judith Butler and Eve Sedgwick, Kass became literate in ideas surrounding identity. She engaged with art history through the lens of feminism, because of this theory which “The Photo Girls” drew upon. Kass's work is in the collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Jewish Museum (New York); Museum of Fine Art, Boston; Cincinnati Museum of Art; New Orleans Museum; National Portrait Gallery, Smithsonian Institution; Fogg Museum, Harvard Art Museums; and Weatherspoon Museum, among others. In 2012 Kass's work was the subject of a mid-career retrospective Deborah Kass, Before and Happily Ever After at The Andy Warhol Museum in Pittsburgh, PA. An accompanying catalogue published by Skira Rizzoli, included essays by noted art historians Griselda Pollock, Irving Sandler, Robert Storr, Eric C. Shiner and writers and filmmakers Lisa Liebmann, Brooks Adams, and John Waters. Kass's work has been shown at international private and public venues including at the Venice Biennale, the Istanbul Biennale, the Museum Ludwig, Cologne, the Museum of Modern Art, The Jewish Museum, New York, the National Portrait Gallery, and the Museum of Fine Arts, Boston. A survey show, Deborah Kass, The Warhol Project traveled across the country from 1999–2001. She is a Senior Critic in the Yale University M.F.A. Painting Program. Kass's later paintings often borrow their titles from song lyrics. Her series feel good paintings for feel bad times, incorporates lyrics borrowed from The Great American Songbook, which address history, power, and gender relations that resonate with Kass's themes in her own work. In Kass's first significant body of work, the Art History Paintings, she combined frames lifted from Disney cartoons with slices of painting from Pablo Picasso, Jasper Johns, Jackson Pollock, and other contemporary sources. Establishing appropriation as her primary mode of working, these early paintings also introduced many of the central concerns of her work to the present. Before and Happily Ever After, for example, coupled Andy Warhol’s painting of an advertisement for a nose job with a movie still of Cinderella fitting her foot into her glass slipper, touching on notions of Americanism and identity in popular culture. The Art History Paintings series engages critically with the history of politics and art making, especially exploring the power relationship of men and women in society. Deborah Kass's work reveals a personal relationship she shares with particular artworks, songs and personalities, many of which are referenced directly in her paintings. In 1992, Kass began The Warhol Project. Beginning in the 1960s, Andy Warhol’s paintings employed mass production through screen-printing to depict iconic American products and celebrities. Using Warhol’s stylistic language to represent significant women in art, Kass turned Warhol’s relationship to popular culture on its head by replacing them with subjects of her own cultural interests. She painted artists and art historians that were her heroes including Cindy Sherman, Elizabeth Murray, and Linda Nochlin. Drawing upon her childhood nostalgia, the Jewish Jackie series depicts actress Barbra Streisand, a celebrity with whom she closely identifies, replacing Warhol's prints of Jackie Kennedy Onassis and Marilyn Monroe. Her My Elvis series likewise speaks to gender and ethnic identity by replacing Warhol's Elvis with Barbra Streisand from Yentl: a 1983 film in which Streisand plays a Jewish woman who dresses and lives as a man in order to receive an education in the Talmudic Law. Kass's Self Portraits as Warhol further deteriorates the idea of rigid gender norms and increasingly identifies the artist with Warhol. By appropriating Andy Warhol's print Triple Elvis and replacing Elvis Presley with Barbara Streisand’s Yentl, Kass is able to identify herself with history’s icons, creating a history with powerful women as subjects of art. The work embodies her concerns surrounding gender representation, advocates for a feminist revision of art, and directly challenges the tradition of patriarchy. America's Most Wanted is a series of enlarged black-and-white screen prints of fake police mug shots. The collection of prints from 1998–1999 is a late-1990s update of Andy Warhol’s 1964 work 13 Most Wanted Men, which featured the most wanted criminals of 1962. The “criminals” are identified in titles only by first name and surname initial, but in reality the criminals depicted are individuals prominent in today's art world. Some of the individuals depicted include Donna De Salvo, deputy director for international initiatives and senior curator at the Whitney Museum of American Art; Thelma Golden, director and chief curator of the Studio Museum in Harlem, and Robert Storr, dean of the Yale School of Art. Kass's subjects weren’t criminals. Through this interpretation, Kass show's how they are wanted by aspirants for their ability to elevate artists’ careers. The series explores the themes of authorship and the gaze, at the same time problematizing certain connotations within the art world. In 2002, Kass began a new body of work, feel good paintings for feel bad times, inspired, in part, by her reaction to the Bush administration. These works combine stylistic devices from a wide variety of post-war painting, including Ellsworth Kelly, Frank Stella, Jackson Pollock, Andy Warhol, and Ed Ruscha, along with lyrics by Stephen Sondheim, Laura Nyro, and Sylvester, among others, pulling from popular music, Broadway show tunes, the Great American Songbook, Yiddish, and film. The paintings view American art and culture of the last century through the lens of that time period's outpouring of creativity that was the result of post-war optimism, a burgeoning middle class, and democratic values. Responding to the uncertain political and ecological climate of the new century in which they have been made, Kass's work looks back on the 20th century critically and simultaneously with great nostalgia, throwing the present into high relief. Drawing, as always, from the divergent realms of art history, popular culture, political realities, and her own political and philosophical reflection, the artist continues into the present the explorations that have characterized her paintings since the 1980s in these new hybrid textual and visual works. OY/YO In 2015, Two Tree Management Art in Dumbo commissioned of a monumentally scaled installation of OY/YO for the Brooklyn Bridge Park. The sculpture, measuring 8×17×5 ft., consists of big yellow aluminum letters, was installed on the waterfront and was visible from the Manhattan. It spells “YO” against the backdrop of Brooklyn. The flip side, for those gazing at Manhattan, reads “OY.”[ An article and photo appeared on the front page of the New York Times 3 days after its installation in the park. An instant icon, OY/YO stayed at that site for 10 months where it became a tourist destination, a favorite spot for wedding, graduation, class photos and countless selfies. After its stay in Dumbo it moved to the ferry stop at North 6th Street in Williamsburg, Brooklyn for a year, where it greeted ferry riders. Since 2011, OY/YO has been a reoccurring motif in Deborah Kass's work in the form of paintings, prints, and tabletop sculptures. Kass first created “OY” as a painting riffing on Edward Ruscha’s 1962 Pop canvas, “OOF.” She later painted “YO” as a diptych that nodded to Picasso's 1901 self-portrait, “Yo Picasso” (“I, Picasso”). OY/YO is now installed in front of the Brooklyn Museum. Another arrived at Stanford University in front of the Cantor Arts Center late 2019. A large edition of OY/YO was acquired by the Jewish Museum in New York in 2017 and is on view in the exhibition Scenes from the Collection. On December 9, 2015 Deborah Kass introduced her new paintings that incorporated neon lights in an exhibition at Paul Kasmin Gallery entitled "No Kidding" in Chelsea, New York. The exhibition was an extension of her Feel Good Paintings for Feel Bad Times, but it sets a darker, tougher tone as she reflects on contemporary issues such as global warming, institutional racism, political brutality, gun violence, and attacks on women's health, through the lens of minimalism and grief. The series is ongoing. Deborah Kass has spoken about creating an “ode to the great Louises,” a space dedicated to her works inspired by famous Louise’s which she would call the “Louise Suite.” The earliest of these odes is “Sing Out Louise,” a 2002 oil on linen painting from her Feel Good Paintings Feel Bad Times collection. “Sing out Louise” is driven by her fondness for Rosalind Russel and the fact Kass feels it is her time to “Sing Out] “After Louise Bourgeois” is a 2010 sculpture made of neon and transformers on powder-coated aluminum monolith; it is a spiraling neon light with a phrase inspired by French-American artist Louise Bourgeois.[22] The neon installation reads “A woman has no place in the art world unless she proves over and over again that she won’t be eliminated.” Kass changed the quote slightly to better represent her beliefs but it was derived from Bourgeois. “After Louise Nevelson” is a 2020 spiraling neon work of art that reads "Anger? I'd be dead without my anger" a quote from American sculptor, Louise Nevelson. Award and Grants New York Foundation for the Arts, inducted into NYFA Hall of Fame (2014) Art Matters Inc. Grant (1996) Art Matters Inc. Grant (1992) New York Foundation for the Arts, Fellowship in Painting 1987 National Endowment for the Arts, Painting (1991) National Endowment For The Arts (1987) Selected solo and group exhibitions The Jewish Museum, New York, NY, “Scenes from the Collection” National Portrait Gallery, Washington, DC “Eye Pop: the Celebrity Gaze” Paul Kasmin Gallery, New York, NY, “No Kidding” (2015-2016) Sargent...

Tracey Emin One Thousand Drawings By Tracey Emin (Hand signed and inscribed for Nadine), 2009 Hardback monograph with dust jacket (ink signed and inscribed by Tracey Emin) Hand signed, dated and inscribed to Nadine by Tracey Emin 7 × 10 × 2 1/2 inches This is the First Edition of the hardback monograph with dust jacket "One Thousand Drawings" by Tracey Emin - featuring reproductions of 1000 of her drawings. It was hand signed, dated and inscribed in ink to the current owner - our gallery director - at the 2011 Marc Jacobs pop up bookstore in Manhattan. (see attached article for details) Inscription reads: For Nadine Love Tracey Emin 2011 NY X Publisher's Blurb: Tracey Emin has stirred controversy as well as acclaim since she rose to fame as the most highly publicized of the infamous Young British Artists. Though denounced by conservative critics at the outset, Emin’s work has attracted serious critical attention since the early 1990s for being consistently engaging, original, and startlingly direct. Her work has succeeded over the years in many media—from films to appliqués, embroideries, and installations—but it is in her works on paper that the honesty and frankness that have come to characterize her work are most fully realized. Edited by the artist herself from an archive of work stretching back before the beginnings of her career in the late 1980s, A Thousand Drawings is at once a collection of Emin’s works on paper, an exposé of her life as an artist, and a collectible artifact in itself. Many of these works on paper shed light on well-known multimedia pieces, previously studied in Works 1963–2006, published by Rizzoli in 2006. Stripped of the distractions of form and context, her bare and enigmatic drawings are presented on bible-thin paper in a uniquely beautiful slipcased volume, with an introduction by the artist. From considered self-portraits to pen-and-ink drawings and informal studies on lined notebook paper, this remarkable collection is as much a catalogue of Emin’s preoccupations as it is a monument to her raw and evocative talents as an artist. Review “Emin-an artist who is not afraid to wear her heart on her sleeve, or, indeed too embroider it on a blanket-personally chose the pictures for this book, and the delicate sketches are at once a glimpse of the profundity she’s capable of, and a reminder of vulnerability.” ~Nylon Magazine About the Author Tracey Emin was born in London in 1963. Nominated for the Turner Prize in 1999 and chosen to represent Britain at the 52nd Venice Biennale in 2007, Emin is also a member of the Royal Academy of Arts. The author of several books, including Strangeland, her memoir, she contributes regularly to The Independent newspaper and lives and works in London. Publisher ‏ : ‎ Rizzoli; First Edition (July 28, 2009) Language ‏ : ‎ English Hardcover ‏ : ‎ 2016 pages Provenance: Personally inscribed to the present owner (our gallery director) at Bookmarc, NY, a pop up art...

About the artist : Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was ins...

This lithograph is a uniquely signed and inscribed Artist's Proof, bearing a personal dedication in pencil by British Pop Artist Eduardo Paolozzi to sculptor Frank Martin, head of the sculpture department of Saint Martin's School of Art from 1952 to 1979. Frank Martin brought young and forward-thinking sculptors into the department to teach, among them Anthony Caro, Isaac Witkin, Robert Clatworthy...

Artist: Yves Millecamps, French (1930 - ) Title: Untitled I Year: Circa 1979 Medium: Serigraph, signed and numbered in pencil Edition: AP Paper Size: 30.5 x 30.5 in. (77.47 x 77...

Acrylic paint, faux fur and decorative paper on wood panel.

Milton Glaser Monet poster 1982: Vintage original 1982 Milton Glaser poster designed by Glaser on the occasion of a Monet exhibition at Foundation Monet i...

70x70cm, print on canvas

**ANNUAL SUPER SALE TIL MAY 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Meet Fren and Chie: The BadAss Gangsta Couple of south...

This piece was part of Mike Perry's show "IMPETUS MEETINGS WITH MYSELF: DANCING WITH DUCKLEGÅNGE" at the Richard Taittinger Gallery in 2021....

-This artwork needs 3 weeks to be shipped to you- Jimmie Martin is an established luxury brand and designer since 2004, based in London, United Kingdom...

Patti Smith Horses Vinyl Record Album, 1975: US 1st Pressing featuring original photography by Robert Mapplethorpe. Produced by John Cale. Cover: Very Good to overall vintage condit...

THE BIG APPLE, NEW YORK CITY is a handmade limited edition color lithograph with metallic gold silkcreen by the American artist Alex Echo. THE BIG APPLE, NEW YORK CITY was printed us...

From a series of pop lithographs by Mimmo Rotella, published by Plura Edizioni, Italy, dating back to the early 1970s. Signed and numbered in pencil on the front. Edition 60/80 copies. Opera Proveniente da collezione privata, Italia. The piece is accompanied by a certificate of provenance issued by the gallery. Le condizioni dell'opera sono per lo più perfette: nessuna traccia del tempo, nessun graffio e margini perfettamente conservati. Il pezzo viaggia senza cornice per avere una spedizione più economica e sicura su richiesta dell'acquirente. Poiché il pezzo viaggia dall'Italia, si prega di considerare che l'espletamento delle pratiche di esportazione richiede un minimo di una settimana dal momento dell'acquisto. Mimmo Rotella, che ha rappresentato l'Italia alla Biennale di Venezia del 1964, è stato sperimentale fino in fondo: nelle sue poesie, nei suoi dipinti, nelle sue fotografie, nei suoi assemblaggi scultorei e nei suoi collage ha abbattuto le convenzioni, lasciando dietro di sé un corpus di opere stravaganti. All'inizio degli anni Cinquanta dipinge astrazioni geometriche, poi si allontana dal suo studio e si rivolge al mondo che lo circonda. Lì trovò i manifesti pubblicitari e cinematografici deteriorati, che strappò dalle pareti, attaccò alle tele e strappò ulteriormente per sviluppare composizioni semi-astratte dalle immagini dei mass media, che chiamò "doppi décollages". Grazie ai suoi collage, è stato associato a Raymond Hains, Jacques Villeglé e François Dufrêne...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen, Plebes, Adolescents, C...

KAWS CHUM Companion 2022 (yellow): Published by KAWS to commemorate the 20th anniversary of his famed KAWS’ Chum character; "I can remember clearly packing and shipping the first CHU...

Sister Mary Corita Kent Love You, ca. 1975 Original signed watercolor painting on paper Signed in graphite pencil on the recto Floated and framed in white wood frame This is a unique...

James Dean Cocktail - Oversize Limited Edition Signed by the artist Archival pigment print on Hahnemühle art paper. numbered & signed by artist on front in pencil. Edition 10 only this size. pop art Jimmy Dean pop culture pink striking vivid distortion andy warhol style

Artist: Peter Alexander (1939) Title: San Blas IV Year: 1988 Edition: 75, plus proofs Medium: Lithograph on Guarro paper Size: 22 x 30 inches Condition: Excellent Inscription: Signed...

Leo, from the Leo Castelli 90th Birthday Portfolio, is an etching on paper, image size 17.62 x 11.75", signed and dated 'J Johns '97' lower right and annotated lower left. From the ...

These works are a celebration of the outcasts. Bats, snakes, raccoons, and others are presented in humorous settings that gently lift the fear and stigma imposed on them. Bright and ...

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unfram...

KAWS WHAT PARTY Companion: This KAWS Companion vinyl sculpture features KAWS' CHUM character in a hunched position. Published to commemorate the debut of KAWS’ larger scale sculptur...

Signed lower left, 'Paulo Montano' (American, 20th century) and painted circa 2015. A substantial, Jeff Koons derived Pop Art study of an iconic pink balloon dog on a Salvatore Ferragamo pedestal contrasted against a background of ivory curtains...

From a series of pop lithographs by Mimmo Rotella, published by Plura Edizioni, Italy, dating back to the early 1970s. Signed and numbered in pencil on the front. Edition 60/80 copies. Opera Proveniente da collezione privata, Italia. The piece is accompanied by a certificate of provenance issued by the gallery. Le condizioni dell'opera sono per lo più perfette: nessuna traccia del tempo, nessun graffio e margini perfettamente conservati. Il pezzo viaggia senza cornice per avere una spedizione più economica e sicura su richiesta dell'acquirente. Poiché il pezzo viaggia dall'Italia, si prega di considerare che l'espletamento delle pratiche di esportazione richiede un minimo di una settimana dal momento dell'acquisto. Mimmo Rotella, che ha rappresentato l'Italia alla Biennale di Venezia del 1964, è stato sperimentale fino in fondo: nelle sue poesie, nei suoi dipinti, nelle sue fotografie, nei suoi assemblaggi scultorei e nei suoi collage ha abbattuto le convenzioni, lasciando dietro di sé un corpus di opere stravaganti. All'inizio degli anni Cinquanta dipinge astrazioni geometriche, poi si allontana dal suo studio e si rivolge al mondo che lo circonda. Lì trovò i manifesti pubblicitari e cinematografici deteriorati, che strappò dalle pareti, attaccò alle tele e strappò ulteriormente per sviluppare composizioni semi-astratte dalle immagini dei mass media, che chiamò "doppi décollages". Grazie ai suoi collage, è stato associato a Raymond Hains, Jacques Villeglé e François Dufrêne...

Picnic 120x120 cm

Jeff Koons Balloon Dog Women's Shoulder Bag (Hand Signed by Jeff Koons), 2014 100% Leather Shoulder Bag with silkscreened image of yellow balloon dog. Hand signed and dated by Jeff ...

Jean-Michel Basquiat, Annina Nosei Gallery, New York, 1982-1988: A set of 2 rare vintage original Basquiat announcement cards from 1982 & 1988, respectively published on the occasion(s) of: - ‘Basquiat Anatomy’ 1982 (a suite of 18 screen prints). - Jean-Michel Basquiat December 3, 1988. Medium: 2 off-set printed gallery announcements. Dimensions: 4 x 6 inches & 6 x 8 inches 9 (anatomy). Each in good to very good overall vintage condition. Published by Annina Nosei Gallery, New York, 1982-1988. Each unsigned from an edition of unknown. Scarce. Jean-Michel Basquiat’s dramatic life and iconic paintings—which variously feature obsessive scribbling, enigmatic symbols and diagrams, and iconography including skulls...

"Fuchsia Radiance" Wall Sculpture 12" x 12" x 6" in by Shawn Kolodny Medium: Steel, Paint Creating art to reflect the times we live in, Kolodny creates art for our short attention ...

Amy Winehouse Red by BATIK Archival pigment pop art print signed & limited edition. paper size 30x30" inches / 76 x 76 cm signed and numbered by the artist on front edition of 5 ...

Mel Ramos (American, born 1935) Hav-A-Havana 3, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 57.5 x 57.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

George Segal (signed and inscribed by George Segal), 1989 Hardback monograph with dust jacket (signed, dated and inscribed for Tera by George Segal) Warmly signed, dated 3/27/1998 an...

**ANNUAL SUPER SALE UNTIL APRIL 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating the one and only Dolly Parton. This piece...

Fernando Natalici Area Nightclub 1983-1987: A collection of 16 hand-colored silver gelatin photographs spanning the history of the seminal 1980s New York nightclub known as "Area". These rare images were captured by Fernando Natalici - a noted downtown art scene photographer who is also famous for designing the majority of Area's party invites during this period. These works were exhibited at Area circa 1986 as part of show curated by Serge Becker (featured in image 4) - a key Area figurehead. A much historical & highly decorative assemblage of Area regulars defining the club's historic & vibrant scene. Further details: Medium: A collection of 16 individual hand-colored silver gelatin photographs mounted on illustration board. Overall Dimensions (applies to each individual work): 16x20 inches. Condition: Good overall vintage condition. Some scattered surface markings to margin areas. Each hand-signed on the reverse by Natalici and unique. Provenance: Obtained directly from artist. Literature/References: Area: 1983-1987 by Eric Goode Jennifer Goode (pub. by Abrams 2013). New York Magazine 2013: "It Was the Hottest Club in Town." Area: A brief history (New York Magazine 11/1/13): "Influenced equally by sixties-era happenings and the gonzo childhoods of its proprietors, Area opened its doors in 1983. The club, unlike any that came before it, underwent a painstaking transformation roughly every six weeks, with themes like Confinement, Suburbia, and Science Fiction that incorporated elaborate art installations with taxidermied bears...

This new work by Tal Nehoray is from her latest body of works called "Happy Pills". All are hand made with ceramic and hand painted with automotive paint. It is a combination of 2 ce...

Paper Size: 35 x 24 inches ( 88.9 x 60.96 cm ) Image Size: 28.25 x 21.25 inches ( 71.755 x 53.975 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

KAWS The Promise (set of 2 works): A unique KAWS Companion set in the artist’s signature black & brown color-ways. KAWS The Promise features a blue ...

AMERICAN GOTHIC is a colorful, rarely seen limited edition lithograph by the American artist and Pop Art icon Peter Max, printed using traditional lithography techniques on archival white printmaking paper, 100% acid free. AMERICAN GOTHIC is a vibrant multi-color Pop Art portrait after the famous 1930 oil painting by Grant Wood...

KAWS Sesame Street: Complete Set of 5 plush figures: KAWS’ timeless interpretation of the 5 most popular Sesame Street characters – Elmo, Bert, Earn...

Jean-Michel Basquiat Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered col...

Artist: Red Grooms (1937) Title: Albert Einstein and Marilyn Monroe Year: circa 1987 Medium: Monotype and mixed media on wove paper Size: 47.62 x 31.87 inches Condition: Excellent I...

Niki de Saint Phalle La Robe Rouge (Ulm-Chenivesse 48), 1970 Seventeen colored screenprint on Arches vellum paper Pencil signed and numbered 28/115 on the front and titled on the back by Niki de Saint Phalle, with artist's inventory number 29 1/2 × 22 inches Unframed This work is pencil signed and numbered 28/115. The back of the print, from the portfolio Nana Power, is titled in pencil " Rouge Robe" by Niki de Saint Phalle herself, but it is also known as "Nana Power: The Serpent". Bibliography: Catalogue Raisonne: Ulm-Chenivesse 48 Published Editions Essellier, Liechtenstein, printed by Michel Caza About Niki de Saint Phalle: Born 1930 in Neuilly-sur-Seine, France, Niki de Saint Phalle moved to the USA in 1933 and spent her childhood and youth in New York City. In 1952, Saint Phalle moved back to Paris and became immersed in French and ex-patriate artistic communities. Her 1961 exhibition Feu à Volonté (Fire at Will), organized by art critic and cultural philosopher Pierre Restany at Galerie J, Paris, Saint Phalle showed for the first time her iconic Shooting Paintings...

Saul Steinberg Lithograph c.1970: Published by: Galerie Maeght, Paris. Portfolio: Derrière le Miroir. Lithograph in colors c.1970. 11 x 14 inches. Very good overall vintage conditio...

Tracey Emin Strangeland (Hand signed, dated and inscribed by Tracey Emin), 2005 Hardback monograph with dust jacket (hand signed, dated and inscribed for Ann by Tracey Emin) Hand sig...