Art

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

"Wayne Thiebaud: Survey 1947-1976" Show Poster from the Oakland Museum 1976-1977 Silkscreen poster from the Oakland Museum 1976-1977 show "Wayne Thiebaud: Survey 1947-1976" with a printing of an original drawing (Six Candied Apples...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

From: The Black Sitting, 1956 Original silver print photograph taken the the photographers studio in New York in 1956. Hand signed in ink within the photographers stamp verso. Pri...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

"Feathers" is a 30 x 40 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette. The work is s...

Born 1955 in Broken Bow, Nebraska. Lives and works in New York. AWARDS
 National Endowment for the Arts, Major Grant Robert Terry was best noted in his depictions of romantic moons...

Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Pencil on paper, initialled (lower right), 23cm x 17cm, (38cm x 32cm framed). (Provenance: from the collection of the artist Michael Leonard (British 1933-2023). The picture is frame...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

"Tools" is a 25 x 30 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a earth-tone color palette. The work is e...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'a...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

"Dance Wands" is a 36 x 24 inches, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette, signed and...

This is a pop art print of the original Rocket Firing Boba Fett toy from Kenner "The Toys" by LA based Pop Artists DESTRO. These iconic figures have become more then just iconic col...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Shift Change Mike Goscinsky, American (1933–2021) Woodblock on thin wove paper, signed, titled and numbered in pencil Edition of 15/75 Image Size: 14 x 19 inches Size: 22 x 26.5 in. ...

A cubistic, playful cityscape of Portland, with its famous bridges crossing the river is a backdrop for this female biker, clad in vintage wear and a red hat. Portland's Finest: Vi...

John Melville Kelly, 'Mokihana (Hawaii)', drypoint, 1946. Signed, titled, and annotated 'No 5' in pencil. A superb, finely nuanced impression, in dark brown ink, on cream wove Japan ...

Scandinavia by SAS - Storks. Original vintage European travel poster created by the artist Otto Nielsen. This poster features the prop plane and would be SAS's earliest printing ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Right as red, this painting is delicious with color. And that accent of the blue/green leaf is just the perfect accent. Red Floral - Oil Paint By Marc Zimmerman This masterpiece is...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Acrylic on canvas, signed and dated (lower right), 44cm x 39cm (67cm x 63cm framed). (This work was kept by the artist for his personal collection. It remained in his collection unti...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Jungle with creative license of tangled growth and bright flowers and peaking out from the foliage is a strange hybrid of jungle cat. Playful and somewhat surreal. Jungle Creature -...

Slim Aarons Relaxing at Lake Tahoe 1959 Archival pigment print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A group of people re...

Original American Airlines World Cup ’94 vintage soccer poster. La Coupe Du Monde Aux Couleurs D’American. Bringing the World to the World Cup. Archi...

Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his pool in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Cent...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Seated Female Nude (Devora) Watercolor on paper, c. 1970 Signed in pencil lower right (see photo) A folio from the artist's sketchbook. Done while the artist was in Florida. Conditio...

Limited Edition photograph by Australian Photographer Tom Blachford. Mid Century Modern Palm Springs Architecture. Red Jaguar E-Type vintage Car similar to the Porsche 365 photograp...

"Hollywood Sign" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Hollywood related imagery. Archival photographic paper Framing options ava...

Original General Electric Professional TV Service midcentury modern vintage poster. “I’m no artist, but I know what makes the best picture.” I install General Electric Tubes, Best for any set! Service-designed Black-Daylite picture tubes. In the black-and-white area of the television tube is an image of Whistler’s mother in a rocking chair. Of course, during this time frame, all televisions were only black and white. Archival linen is backed and ready to frame and in A- condition. Note that the white mark on the service man’s sleeve is printed into the image and is not a flaw. A great vintage poster for the collector of old televisions, radios, and early electronics...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

This is a soft pastel on toned archival paper suitable for framing under glass . The artist has signed and dated the work on the bottom right.

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

Eclectic objects, oddly juxtaposed, found in antique shops creates opportunities for the artist. This shop was directly across from my gallery so I set up my easel just out front . ...

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: New Mexico Museum of Art, Phoenix Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

A graphite on paper, study of a classical drapery by artist Jan Matulka. The image is drawn on the back of a typewritten, folded sheet of stationery, from Dyer, Hudson & Co., New Yo...

"Dodge Rebellion Girls" - 1967 Silkscreen on Paper 1967 color silkscreen depicting the Dodge Rebellion Girls by Marc Foster Grant (American, b. 1947). A silhouette of the 'dodge gi...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

A ca. 1931 delightful watercolor still life at a table; a study in yellow by artist Harold Haydon. Harold Emerson Haydon was born in Fort William, Ont...

'Bandstand', set of three framed artworks, captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of da...

"The VHS" by pop Artist Destro. We all remember those iconic nights at the video store. Pop artist DESTRO once again encapsulates one of our favorite past times in a fine art con...

HENRIETTA SHORE (1880 -1963) SEA GULL c 1928 Lithograph, signed and titled in pencil and with the pencil cypher of printer Lynton Kistler (K). Image 7 x 6 1/8 full margins, sheet 12...

A contemporary photograph of an AC/DC - Back In Black cassette tape. This is s the first release in the much anticipated series "The Music" by pop Artists Destro "They encapsulate an...

Original colour lithograph of a French fashion design from 'Haute Couture'. Published in a folio of designs for Summer 1971. 32cm by 22cm (sheet)

The flow of botanical splendor bursts in lavish color in the foreground while the palms and trees open the view to distant mountains in this tropical painting. Jungle Fantasy #2 - ...

Portrait of the Artist by the Artist Original Charcoal Drawing on Paper 1960 Excellent detailed original drawing of the artist by Eugene Hawkins (American, b. 1933). A realistic dep...