Art

This lithograph was printed at the Atelier Mourlot in Paris in 1959 and is a part of the "La Ville" portfolio. It is annotated "Epreuve de l'atelier Mourlot /...

Cerchia di Marco Ricci (Belluno 1676 – Venezia 1730) – River landscape with characters. 34 x 26 cm without frame, 43 x 35 cm with frame. Oil on canvas, in carved and gilded wooden ...

"Baker's Dozen I" Inks on Paper Painting 14" x 20" in by Inji Efflatoun Not signed Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of...

Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left. 71 x 38.25 in. 72.25 x 40.5 in. (framed) Custom framed in a solid maple, float-mounted Gatorf...

Oil on canvas (diptych). Signed and dated verso. 68.25 x 32.25 in. 69.75 x 33.5. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Watson...

"Brehal II" Landscape Watercolor Painting 10" x 12" inch by Inji Efflatoun stamped & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...

"Lac d'Annecy II" Landscape Watercolor Painting 10" x 12" inch by Inji Efflatoun Dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibition...

"Brehal III" Landscape Watercolor Painting 8" x 14" inch by Inji Efflatoun stamped & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibi...

"Prison Portrait" Inks on Paper Painting 13" x 9" in by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibiti...

"Prison Portrait II" Inks on Paper Painting 13" x 9" in by Inji Efflatoun Signed and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhib...

"Brehal IV" Landscape Watercolor Painting 10" x 14" inch by Inji Efflatoun Stamped and dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exh...

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

A painting by Alexander Calder. "Vive" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

"Robed Woman" Watercolor Painting 24" x 16" inch (1959) by Kawkab Youssef Signed and dated 1959 A short history of Kawkab Youssef El-Assal: With a s...

A painting by Alexander Calder. "The Oval Spiral" is a Post-War, geometric abstract painting, gouache and ink on paper in bold colors of reds and blacks by artist Alexander Calder. T...

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view with the church of S. Simeon Piccolo. 36 x 30 cm without frame, 60.5 x 50.5 cm with frame. Antique oil painting on wood, i...

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...

Bert de Beul is a Belgian Postwar & Erie Postwar contemporary artist who was born in 1961. Numerous key galleries and museums such as IKOB – Museum of Contemporary Art have featured ...

Putti Making Music (French) • Bronze Plaque, ca. 25 x 28 cm • Weight ca. 2480 gramms A substantial relief, depicting a well shaped group of three putti, draped in swirling ribbons ...

"Profile of Inji" Pencil Drawing 11" x 8" in (1952) by Inji Efflatoun signed & dated Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions ...

Four carved wooden sculptures - Four Seasons - Venice, 18th century 10 x 8 x h 20 cm. Entirely in carved wood. Condition report: Good state of conservation of the sculptural work,...

Acrylic and mixed media on canvas. Signed, titled, and dated verso. 40 x 76.5 in. 41.75 x 78.25 in. (framed) Custom framed in a solid, unfinished maple floater. Provenance Watson/...

Portrait of a French Gentleman French School, indistinctly signed dated 1824 inscribed verso oil on canvas, unframed painting: 22 x 19 inches provenance: private collection, France c...

Acrylic and graphite on canvas. Signed and titled verso. 59 x 58.5 in. 61 x 60.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance B...

Acrylic on canvas. Signed, dated, and titled verso. 62.25 x 62.25 in. 63.75 x 63.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance ...

Acrylic on canvas. Initialed and dated verso. 48 x 36 in. 49.5 x 37.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Iannetti Lanz...

Oil on canvas. Signed and dated verso. 49.5 x 34.5 in. 51 x 36.25 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Howard Wise Galle...

Oil on canvas. Signed, dated, and stamped verso. 23.75 x 24 in. 25 x 25.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance Private C...

Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Pro...

Acrylic on canvas. Signed, titled, dated, and inscribed verso. 68 x 50 in. 69.5 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Camillo...

An African village scene is characterized by bold colors and a punchy flat orange sky combined with a post-impressionist paint application for the tree and the house. In the foreground, we see an African mother with two children standing outside her "Home." The work is created by African American artist Vincent D. Smith. It is signed lower right, Vincent, showing homage to Vincent Van Gogh, from whom the art word borrows some influence. Clearly, Smith has developed his own personal style, combining an African American persona with an African subject matter. Original metal frame under glass. The uploaded video is coming up light. Use the still image as a reference for color. Vincent DaCosta Smith (December 12, 1929 – December 27, 2003) was an American artist, painter, printmaker and teacher. He was known for his depictions of black life. Early life Vincent DaCosta Smith was born on December 12, 1929, in the Bedford-Stuyvesant[1] neighborhood of Brooklyn, to Beresford Leopole Smith and Louise Etheline Todd. Both were immigrants from Barbados.[2] He was raised in Brownsville, Brooklyn and Smith drew what he saw around him.[citation needed] He attended an integrated school where he studied piano and the alto sax. worked a range of jobs before he became a full-time artist. At 16, he worked for the Lackawanna Railroad repairing tracks. At 17, Smith enlisted in the army and traveled with his brigade for a year.[3] It wasn't until after his time in the army that Smith began to paint and printmaking.[4] At the age of 22, Smith was working in a post office where he grew to be friends with fellow artist Tom Boutis.[1] Art education Tom Boutis took Smith to a Paul Cézanne show at the Museum of Modern Art in 1951. After seeing the Cézanne show, Smith resigned from his position at the post office and began reading extensively about art. He studied at the Art Students League of New York with Reginald Marsh.[citation needed] Later, he began to sit in on classes at the Brooklyn Museum Art School, where the instructors would let him join in on the lessons and the criticisms.[3] After attending classes at the Brooklyn Museum Art School and the Art Students League of New York, he was accepted and received a scholarship to the Skowhegan School of Painting and Sculpture in Maine,[4] where he studied from 1953 to 1956. Beginning in 1954,[5] he started taking official classes at the Brooklyn Museum Art School, and studied painting, etching, and woodblock printmaking.[4] Career Smith was a figurative painter who used abstractions and materiality to make something new.[6] Smith's work depicts the rhythms and intricacies of black life through his prints and paintings.[7] Many of his paintings and prints rely heavily on patterns.[6] According to Ronald Smothers, Vincent D. Smith's work "stood as an expressionistic bridge between the stark figures of Jacob Lawrence and the Cubist and Abstract strains represented by black artists like Romare Bearden and Norman Lewis."[7] Smith has described his own work as "a marriage between Africa and the West."[3] Over his life, he worked in both painting and printmaking. In 1959, Smith won the John Hay Whitney Fellowship which allowed him to travel to the Caribbean for a year.[8] During this year he was deeply inspired by the customs and lifestyle of the native people.[8] Throughout his life, Smith attended various art schools but it was not until turning 50 he returned to college to earn an official degree.[7] From 1967 until 1976 he taught at the Whitney Museum’s Art Resource Center.[2] Later in 1985, he taught printmaking at the Center for Art and Culture of Bedford Stuyvesant. Death and legacy Smith died in Manhattan on the December 27, 2003 from lymphoma and related complications.[7] Smith was aged 74.[7] His work is included in many public museum collections including Art Institute of Chicago,[9] Newark Museum of Art,[1] Museum of Modern Art (MoMA),[1] Metropolitan Museum of Art,[1] Yale University Art Gallery,[10] Davidson Art Center,[11] Fitzwilliam Museum,[12] Brooklyn Museum,[13] Albright-Knox Art Gallery,[14] Rhode Island School of Design Museum,[15] among others. Exhibitions Over the course of his career, he had over 25 one-man shows and had his work shown in over 30 group shows.[7] Vincent D. Smith had shown in a range of galleries and museums over his life-span. In 1970, he had his first individual exhibition at the Fisk University in Nashville, Tennessee. His first retrospective was in 1989 at the Schenectady Museum in Schenectady, New York.[2] Solo shows: 1974 - The Portland Museum of Art, Portland, Maine[2] 1974 - Studio Museum in Harlem, New York, New York[2] 1989 - Schenectady Museum (Retrospective 1964-1989), Schenectady, New York Awards and honors This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (May 2020) (Learn how and when to remove this template message) 1959 – John Hay Whitney Fellowship, John Hay Whitney Foundation, New York City, New York[8] 1967 – Artist in Residence, Smithsonian Conference Center 1968 – Grant, The American Academy and National Institute of Arts and Letters, New York 1971 – Creative Public Service Award for the Cultural Council Foundation, New York 1973 – National Endowment of the Arts and Humanities Travel Grant, New York 1973-1974 – Childe Hassam Purchase Award, American Academy of Arts and Letters, New York City, New York 1974 – Thomas P. Clarke Prize, National Academy of Design, New York 1981 – Windsor and Newton Award, National Society of Painters in Casein and Acrylic , New York. 1985-1986 – Artist-in-Residence, Kenkeleba House Gallery, New York. Works Below are some selected works: Study for Mural at Boys and Girls High School, 1972, Metropolitan Museum of Art, New York, New York A Moment Supreme, 1972, Metropolitan Museum of Art, New York, New York The Triumph of B.L.S., 1973, Metropolitan Museum of Art, New York, New York Jonkonnu Festival, 1996, Metropolitan Museum of Art, New York, New York Murals Mural for Crotona/Tremont Social Service Center, The Human Resource Administration, New York, New York 1980[1] Mural for Oberia D. Dempsey Multi-Service Center of Central Harlem, New York, New York 1989[1] Publications Print portfolios Impressions: Our World, Volume I (a portfolio of seven etchings - five with aquatint, two with embossing). Emma Amos, Benny Andrews, Vivian Browne, Eldzier Cortor...

Original Post-War Oil Painting of Mournes from Dundrum Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 30 x 20 inches Frame measures 36 x 26 inches (...

Venetian painter (18th century) - Gallant scene with masked characters. 80 x 63.5 cm without frame, 87.5 x 70.5 cm with frame. Antique oil painting on canvas, in a wooden frame. C...

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

Engraving from a book titled, "The Gentleman and Cabinet-Maker's Director" printed in 1753. Thomas Chippendale was the designer and Mary and Matthew Darly...

"Kafr Shokr Farmhouse" Pastel Painting 10" x 12" in (1978) by Inji Efflatoun Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibitions of the Av...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame. Condition repo...

This is a large mixed media abstract painting with stencilled letters in a sans serif typeface in blue and red. it is in the manner of James Coignard but does not appear to be signed...

Original Edition Lithograph on wove paper. Signed in the plate and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'a...

Original Post-War Vintage Oil Painting of Clew Bay County Galway Ireland by 20th Century Modern Artist, Denis Thornton (1937-1999) Art measures 36 x 18 inche...

English painter (late 18th century) - The Connoisseur and Tired Boy. 39.5 x 32 cm without frame, 46 x 38 cm with frame. Antique oil painting on canvas, in a carved wooden frame. -...

Italian painter (18th century) - Arcadian landscape with flock and shepherds. 56 x 70 cm without frame, 63.5 x 79 cm with frame. Antique oil painting on canvas, in a wooden frame. ...

Venetian master (18th century) - Mask of Colombina. 161 x 68 cm without frame, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame. Condi...

Venetian master (18th century) - Mask of Pantalone. 161 x 68 cm without frame, 169.5 x 76.5 cm with frame. Antique oil painting on canvas, in a white lacquered wooden frame. Condi...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

French painter (18th century) - Breakfast. 48.5 x 37 cm. Antique oil painting on canvas, in a carved and gilded wooden frame. Condition report: Original canvas. Good state of cons...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Pencil on paper, initialled (lower right), 23cm x 17cm, (38cm x 32cm framed). (Provenance: from the collection of the artist Michael Leonard (British 1933-2023). The picture is frame...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Pierre Soulages: Peintres d'aujourd'hui, 1962. Published ...

The Nativity French School, 18th century Rococo artist oil on canvas, unframed canvas : 22 x 17.5 inches provenance: private collection, Normandy, France condition: very good and sou...