Drawings and Watercolor Paintings

Josep Martinez Lozano - Arabs in Tetouan - Pencil drawing Drawing measurements 19x25 cm. Frame measurements 33x38 cm. Frame in poor condition. Josep Martínez Lozano was born in the ...

JAMES JOSHUA GUTHRIE (1874-1952) The Sower Signed with monogram l.r., inscribed with title l.c. Watercolour, bodycolour and pen and ink 21 by 15.5 cm., 8 ¼ by 6 in. (frame size 39.5 by 33 cm., 15 ½ by 13 in. Provenanace: Pickford Waller...

Unidentified artist, 'Commedia dell’arte' – four character studies (Arlecchino, Pantalone, Pantalone giovane, Tartaglia), watercolor and pencil, c. 192...

This evocative pastel painting by Victor Jernbergh, dated 1917, captures the serene and enchanting scene of a river at dusk. The central composition is dominated by a lone pine tree ...

Colors Of The NIght 1: This figurative art print on paper captures the essence of timeless style. A neutral, atmospheric background creates an evening-like ambiance. Personalize your space with a sense of quiet sophistication. Hand signed on back. This is #1 from a series of 4 art...

This piece titled "North Broad" is an original artwork made from pencil, marker, acrylic gouache collage on panel by Miriam Singer. This piece measures 6"h x 6"w and is signed on the...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...

Certification of Authenticity stamped verso for Jerry Opper (American, 1914-2014). A lyrical, American modernist view of a young woman shown seated in an interior, gazing towards the viewer with her chin resting pensively on her hand. Born in Cleveland, Ohio, this California painter and printmaker moved to Los Angeles in 1933. Jerry Opper graduated from Hollywood High School and worked as a set painter in the movie industry while studying art at the Chouinard Institute. During the war, he was stationed in Colorado where he enrolled in the Colorado Springs Fine Arts Center. After the war, he returned to Los Angeles where he worked again in the film industry. In 1947, he moved to San Francisco where he studied full-time at the California School of Fine Arts and was awarded his diploma in June of 1950. Opper exhibited widely and with success including at the Drawing and Print Exhibition of the San Francisco Art Association in 1950 and again in 1951 when he was awarded the Artists' Council Prize. His work was included in the International Biennial of Contemporary Color Lithography at the Cincinnati Art...

Title: Dynamic Watercolor study of Equine Trainer with a Horse Artist: Robert Ladou (French, 1929-2014) Medium: Watercolour on paper Size: 7.75 (Height) x 11.25 (Width) Signed: No C...

Born in Worchester, Massachusetts, Karl Schmidt was a self-taught landscape artist who lived on the East Coast until the early 1900s. Schmidt then moved to Santa Barbara, CA, where h...

French Impressionist watercolour on paper view of a colourful village, spanning a river and mountain landscape by Henri Clamen. The painting is unsigned but was acquired from the art...

Auguste Legras (1817-1887) Portrait of a young man in profile, signed lower right Charcoal, red and white chalks on paper 45 x 31.5 cm Framed : 52 x 39 cm This particularly evocati...

Flowers is a drawing realized by Albert Fernand-Renault in the early 20th Century. Pencil on paper. Stamped signed. Good Conditions with diffused foxing. The artwork is realized ...

This is a fine detailed French Naturalistic portrait. Executed on November 2nd 1889 and signed PHL. In good condition. Signed and dated middle right. Provenance. Private collection. ...

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in fair vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

Duchándome May 28th and Duchándose May 27th by Celso Castro-Daza From the Duchándome Series Individual size: 19.5 in. H x 13.75 in. W Overall Size: 19.5 in. H x 27.5 in. W 2018 Unfra...

Title: Miniature Watercolor of Avon Gorge with Clifton Suspension Bridge and Ship by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

1983 Keith Haring Dancing Figures drawing on Keith Haring World Tour hat: A rare, historic Keith Haring collectible featuring a sharply executed black mar...

Indian miniature showing Krishna, cows and the gopis (girls) Watercolour on paper, c mid 20th century Size Mounted: 33 x 22 cm Image Size: 24.2 x 13.4 cm Signed bottom right with a...

Delicate Moments is a striking example of Judith Williams’ mastery of line and negative space. This charcoal figure study exudes intimacy and vulnerability, making it a poignant foca...

Represented by George Billis Gallery, NYC & LA -- Joseph Piccillo's large-scale canvases contrast masculine and feminine qualities, carefully balancing strength and power beside grac...

Hand Sketch pencil drawing on artist paper painting: 9.5 x 12 inches provenance: private collection, England condition: very good and sound condition

Title: French Riviera Watercolor of Corniche d’Or & Estérel Coastline by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor p...

Vítor Mejuto introduces a geometric synthesis that breaks down painting into its most structural essence. His work, in which line, stain and shape establish a precise chromatic balan...

Hugues Claude Pissarro, also known professionally as H. Claude Pissarro, is the grandson of the Impressionist painter Camille Pissarro and son of Paulémile Pissarro. Born in Neuilly-...

An American School watercolor showing an old Ford Model T flatbed truck backed up to a barn in a rural landscape. A well-composed work paint...

House temple in Singaradja, 1904 Signed with initials upper centre and described with location and date, lower centre (vaguely in pencil 11 oct.). Pencil, ink and watercolour on pap...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 10.75 (height) x 8.5 (width) Stamped Verso Cond...

Spring still life with bright, luminous colors by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" ...

Eve Nethercott, American (1925 - 2015) - Central Park and Ballerina (71), Year: 1958, Medium: Two Side Watercolor on Paper, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Descripti...

An influential critic, writer and teacher, Philip Leslie Hale was an American Impressionist with an experimental, avant-garde approach to painting. Born in Boston, Massachusetts, the son of author Edward Everett Hale and the younger brother of artist Ellen Day Hale, Philip was raised in a lively intellectual atmosphere. He probably received his first artistic training from his paternal aunt Susan Hale, after which he entered the Boston Museum of Fine Arts School under Edmund Tarbell, an American Impressionist painter who greatly influenced Hale’s style. A year later in 1884, the young artist moved to New York City, where he enrolled at the Art Students League and studied under Kenyon Cox and J. Alden Weir. There, his fellow students included Theodore Butler and William Howard “Peggy” Hart. In 1887, Hale traveled to Paris with Theodore Butler and Susan Hale, where he furthered his artistic training at Ecole des Beaux-Arts and Académie Julian. During this first year, he studied with Jules-Joseph Lefebvre, Gustave Boulanger and Henri Lucien Doucet...

A charming still life study depicting a glass of wine surrounded with half wrapped fruit and a small picnic basket.. Unsigned. Presented in a wooden frame with a gilt slip. On paper.

Watercolour view of boats in a port, looking out to sea, by French Painter Jean-Paul Claveau. The painting is signed and dated bottom left and presented in painted wood frame, with c...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flouris...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Grey portrait of woman with white polka dots and a swath of green collaged media "Becca" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can b...

This acrylic painting makes part of my series dedicated to the scenes of a summer period. I was inspired by my summer vacations spent in the department of Pyrenees-Orientales in the...

Title: Mid Century French Expressive Ink Studies of Study of Female Faces Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 9 (height) x 13 (width) Stamped: Verso Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This expressive ink drawing by Josine Vignon features a study of two female faces, each rendered with bold, confident lines that capture the essence of the subjects. The larger face, positioned in the lower portion of the composition, is depicted with sweeping, fluid strokes that convey a sense of movement and intensity. The smaller face above is drawn with more delicate lines, offering a contrasting depiction of serenity and poise. Vignon’s mastery of ink is evident in her ability to convey depth and character with minimal strokes. This drawing would be a valuable addition for collectors interested in portrait studies and the exploration of expression through line work. Josine Vignon’s art...

Charming mid century watercolor painting of a horse in winter with a barn in the background by Ernest Smythe (American/England 1881-1950). Signed "ERNEST SMYTHE" in lower left corner. Presented in a tan mat with a wood frame and glass. Image size: 25"H x 19.75"W As William Ernest Smyth, he was born at 13 Commercial Road, Ipswich on 9 April 1874 but was not baptised at St Michael's, Ipswich until 23 October 1885, when his birth date is given as 17 February 1874, youngest son of artist Thomas Smythe...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

"Where the River Runs" (2024) by Mo Myra is a watercolor painting on paper that depicts a dead tree next to a creek on a stormy day. Mo Myra, born in 1990, is a Connecticut-based ar...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10 x 6.5 inches condition: excellent provenance: all the paintings we have...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

Julian Schnabel, American (1951 - ) - Happier You Are... Happier You'll Be, Year: 2009, Medium: Archival pigment inks on 365 gsm fine art paper, Edition: AP, Size: 46 x 30 in. (1...

Unknown Artist, France, late 19th century Anonymous c. 1900 Rondelle on antique laid paper Ink, Watercolor and or Gouache Unsigned An Art Nouveau preliminary design for a decorative ...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1966. Primarily working in the idioms of abstraction and semi-abstraction, Beth Ames Swarts's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural world-views, and incorporate both symbols and words in the vocabulary of their visual language. Beth's art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both a conscious and unconscious level. Swartz syncretizes a variety of spiritual traditions in her work in order to reveal their inherent commonality. Born in New York City, Beth grew up in Manhattan, and by her mid-teens, was studying at the Art Students League in New York in the late 1940s. Her education continued at NYC's High School of Music & Art followed by Cornell University where she graduated with a Bachelor of Science (1957), followed by a Master of Arts degree (1959) from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

A fine French academic study sketch on paper of a classical head. The work is unsigned but very much in the style of the period and its early exponents such as Jacques-Louis David. ...

This original circa 1910 graphite landscape drawing is a rare and intimate work by renowned Colorado artist Charles Partridge Adams (1858–1942), celebrated for his mastery of the Ame...

Mid 19th century pastel drawing view of the Chapel Bridge and river Reuss in Lucerne, Switzerland by Hercules Brabazon Brabazon. The work...

Complete book comprising of 20 offset lithographs and cardboard cover, all hand-colored with watercolor. From the edition of unknown size. All 20 sheets bound (as issued). Minor ti...

Two Ducks - Trompe l'Oeil Style in Pastel on Paper Two ducks in a realistic style by LV Seely (19th Century). The birds are hanging by their feet, as if they have just been hunted. ...

Nice Grand Plaza Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 13 x 17 inches Provenance: private collection in the South of France, Condition: very go...

Title: French Watercolor of Monaco’s Old Town and Harbor by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, mounted on card Size: 11.75 ...

Agony, Motif is a contemporary artwork realized by Arshile Gorky in 1946. Ink, pen and wax crayon on paper. Incudes frame: 41.5 x 38.5 Good conditions (little tears and shading of...

Title: Historic Miniature Watercolor of Theatre Royal Bristol Founded 1776 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2.5...

Black marker drawing realized my Mino Maccari in 1950s. Hand signed lower right. Very good condition.

This is an exclusive handprinted limited edition cyanotype diptych of foamy gorgeous clouds. Details: + Title: Floating Clouds Diptych + Year: 2023 + Edition Size: 20 + Stamped and ...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

Michael Heizer III-8 (two pages), 1983 Monoprint on two individual sheets of white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic p...

No title 2 and 3, Diptych, 2018 by Rodrigo Zampol Black ink on paper Overall size: 67 cm H x 100 cm W Individual size: 67 cm H x 50 cm W Unframed Unique piece Signed on back The pi...