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Drawings and Watercolor Paintings For Sale
Still Life
Located in Edinburgh, GB
This drawing by Johann Rudolf Feyerabend, known as Lelong, is a finely executed still life that captures a rustic yet elegant composition. The detailed rendering of objects—such as t...
Category

Late 18th Century Old Masters Drawings and Watercolor Paintings

Materials

Paper, Gouache

Antique American Floral Still Life of Roses, Delicately Rendered
Located in Grand Rapids, MI
Antique Floral Still Life of Roses, Delicatly Rendered American, 19th/20th Century Signed: A. Ziffel 1906 (Lower, Right) " Still Life of Roses ", 1906 Watercolor and Gouache on...
Category

Early 20th Century Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache, Graphite

Magnolia - Vibrant Floral Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category

2010s Contemporary Drawings and Watercolor Paintings

Materials

Paper, Powder Coating, Watercolor

A Wreath of Floral Watercolors, Signed
Located in Jacksonville, FL
A delicate and harmonious symphony of color, this watercolor by Evelyn S. Dubiel presents a beautifully arranged ring of flowers, each petal brought to life with fluid brushstrokes a...
Category

Mid-20th Century Folk Art Drawings and Watercolor Paintings

Materials

Watercolor

Botanical and Zoological Studies - Mixed Media Sketches and Paintings
Located in Cirencester, Gloucestershire
Title: Botanical and Zoological Studies - Mixed Media Sketches and Paintings Artist: Roland Pichard Medium: Mixed media, pencil, pen, and oil paper, mounted on card Size: 19.75 (h...
Category

Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings

Materials

Oil, Pencil

Unique hand signed flower drawing on Michael Jackson & Bubbles print from SFMOMA
Located in New York, NY
JEFF KOONS Original Flower drawing on Michael Jackson and Bubbles poster (Hand Signed), 1992 Drawing done in marker on offset lithograph 25 × 39 inches Hand signed and dated '92 in b...
Category

1990s Pop Art Drawings and Watercolor Paintings

Materials

Felt Pen, Permanent Marker, Lithograph, Offset

Still Life
Located in Bryn Mawr, PA
Best known as an impassioned supporter and avid collector of modern art, Earl Horter was also an artist himself. Largely self-taught, Horter was a highly skilled draftsman and engrav...
Category

1930s American Modern Drawings and Watercolor Paintings

Materials

Paper, Pastel

Arthur Wardle - British c. 1900 botanical watercolour of Wild Flowers
Located in London, GB
ARTHUR WARDLE (1864-1949) Common Fleabane Signed Watercolour and bodycolour on linen 29 by 17.5 cm., 11 ½ by 7 in. (frame size 49 by 36.5 cm., 19 ¼ by 14 ¼ in.) Arthur Wardle was...
Category

Early 20th Century Realist Drawings and Watercolor Paintings

Materials

Watercolor

English School 19th Century Watercolour - Pink Rose Bud
Located in Corsham, GB
Unsigned. Presented in a gilt frame and wash-line mount. On paper.
Category

19th Century Drawings and Watercolor Paintings

Materials

Watercolor

Mary Chugg (1935-2024) - Framed 1956 Charcoal Drawing, Glass Still Life
Located in Corsham, GB
An early charcoal drawing depicting a still life of glass vessels and eggshells, delicately heightened with white. Well presented in a slim wooden frame. Signed to the lower right an...
Category

Mid-20th Century Drawings and Watercolor Paintings

Materials

Charcoal

William Cruikshank (1848-1922) - Framed Watercolour, Bird's Nest Amongst Blossom
Located in Corsham, GB
This delicate oval composition captures a poignant moment in nature, featuring a small bird's nest with eggs nestled among blossom and woodland foliage. The artist's attention to det...
Category

19th Century Drawings and Watercolor Paintings

Materials

Watercolor

Projet de Tissus - Fauvist Still Life Study Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts a study of apples and pears. This work was executed by Dufy as a fabric design. Dimensio...
Category

1920s Fauvist Drawings and Watercolor Paintings

Materials

Paper, Gouache

Irises
By John Henry Twachtman
Located in Bryn Mawr, PA
As one of the leading Impressionist painters of the late 19th century, John Henry Twachtman was at the forefront of a rising generation of American artists who sought to find innovat...
Category

1890s American Impressionist Drawings and Watercolor Paintings

Materials

Watercolor, Pastel, Paper

Delicate Ink Sketch of Peonies Minimalist Floral Study
Located in Cirencester, Gloucestershire
Minimalist Floral Study fine pen drawing on artist paper painting: 11.5 x 8.5 inches provenance: private collection, England condition: very good and sound condition Description: Th...
Category

20th Century Impressionist Drawings and Watercolor Paintings

Materials

Ballpoint Pen

Zoe
Located in Burlingame, CA
A cake top realistically depicts a cake by female baker, Zoe. Colored pencil on paper. 'Zoe' is 11 x 14.75 inches and professionally framed measuring 12 x 15.75 inches.
Category

21st Century and Contemporary Contemporary Drawings and Watercolor Paintings

Materials

Paper, Color Pencil

Olafur Eliasson, Herbarium - Collage of Dried Water Lilies, Contemporary Art
Located in Hamburg, DE
Olafur Eliasson (Danish-Icelandic, b. 1967) Herbarium, 2021 Medium: Collage of dried and pressed Nympheas Ellisana water lilies (Latour-Marliac) on Lanaquarelle handmade paper, in fl...
Category

21st Century and Contemporary Abstract Drawings and Watercolor Paintings

Materials

Found Objects, Handmade Paper

Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Drawings and Watercolor Paintings

Materials

Paper, Gouache

Madame F.C. Byrne (1789-1876) - Mid 20th Century Watercolour, Foxgloves
Located in Corsham, GB
Inscribed in pencil in the lower right. Artist name inscribed on the mount. Presented in a gilt frame. On paper.
Category

20th Century Drawings and Watercolor Paintings

Materials

Watercolor

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts roses in reds, pinks and yellows against a black background. This work was executed by Dufy as a fabric design. Dimensions: Framed: 27.5"x14.5" Unframed: 20"x7" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

Rainbowland Calla Lily Leaves II - Colorful Still Life Painting on Paper
Located in Los Angeles, CA
Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...
Category

2010s Contemporary Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

Fleurs et Papillons - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

1920s Fauvist Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

Plant Study
Located in Bryn Mawr, PA
Provenance The artist; Estate of above; Eleanor Price, daughter of above, by descent from above; Edith Ballinger Price, daughter of above, by descent from above; Estate of above; Pri...
Category

19th Century American Realist Drawings and Watercolor Paintings

Materials

Gouache, Pencil

Family of Flowers
Located in Toronto, Ontario
Andy Warhol is arguably the most important American artist of the 20th century. In the 1950s, he was an in-demand and celebrated illustrator working for New York's toniest publicatio...
Category

1950s American Modern Drawings and Watercolor Paintings

Materials

Ink

My dreamy beach of the south of France ( contemporary seaside landscape )
Located in VÉNISSIEUX, FR
This contemporary seaside artwork "My dreamy beach of the south of France " celebrates my love for the beach, sea, sand and summer vacations spent in the south of France. I explore ...
Category

2010s Impressionist Drawings and Watercolor Paintings

Materials

Paper, Oil

Hibiscus blooming in a vase (contemporary oil floral art)
Located in VÉNISSIEUX, FR
This contemporary floral artwork "Hibiscus blooming in a vase" celebrates the charm of summer garden blooming red hibiscus. I explore the beauty of these beautiful flowers via the...
Category

2010s Impressionist Drawings and Watercolor Paintings

Materials

Paper, Oil

Iris VIII, Original art work with pencil, Floral, Flower, Nature
Located in Deddington, GB
This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. Size: H:29.7 cm x W:21 cm Additional Information: ...
Category

2010s Contemporary Drawings and Watercolor Paintings

Materials

Pencil

A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828) A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase. Watercolor on paper 13 5/8 x 9 5/8 inches (34.6 x 24.4 cm) each Framed: 23 x 18 1/2 inches each Signed: J.C.J. Bruyn 1797 G (Please request photos of the actual frame) Johannes de Bruyn made his debut as a flower and fruit still life painter in the 19th century in Utrecht. He was a student of the painter G.J. van Hulstyn. In our pair of flower still lifes, Cornelis Johannes de Bruyn has depicted two bouquets of colorful flowers set in a stone niche. They are delicate, highly detailed, realistic pieces painted in the vein of seventeenth century Old Master works. Each bouquet is arranged in a low glass bowl on a small marble pedestal...
Category

1790s Dutch School Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Framed 19th Century Watercolour - A Floral Posy
Located in Corsham, GB
A particularly fine botanical study from the Victorian period. The picture shows a beautiful posy of English summer flowers, some in bud some in bloom. Presented in an antique bird's...
Category

19th Century Drawings and Watercolor Paintings

Materials

Watercolor

Small contemporary oil painting on paper "Just oranges"
Located in VÉNISSIEUX, FR
I have worked on a new series of small oil paintings. This is the one of them. This series is dedicated to the scenes of everyday life. This contemporary oil fruit painting is call...
Category

2010s Impressionist Drawings and Watercolor Paintings

Materials

Oil, Paper

Floral gouache impressionist 'Always Roses' by Linda Clerget
Located in THOMERY, FR
The work of Linda Clerget is realized in an impressionist style à la gouache alla prima. The colors are broken and worked in the fresh. Linda Clerget is a French artist known intern...
Category

21st Century and Contemporary Fauvist Drawings and Watercolor Paintings

Materials

Archival Paper, Gouache

Seaside Street View - Original Watercolor in the Style of Henry Martin Gasser
Located in Soquel, CA
Seaside Street View - Original Vintage Watercolor Painting in the Style of Henry Martin Gasser (1964) A charming seaside street leads to the sand with brilliant 1-point perspective,...
Category

1960s Impressionist Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Still life. Paper, watercolor, 72.5x89 cm
Located in Riga, LV
Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...
Category

1970s Post-Modern Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Marie Antoinette Shoes, Versailles, France . Still Life Fashion Gouache on paper
Located in Miami Beach, FL
Marie Antoinette Shoes, by Manuel Santelices Gouache on paper Image size: 12 in. H x 9 in. W Unframed 2023 The artist have covered the New York Collections for over 16 years and in...
Category

21st Century and Contemporary Contemporary Drawings and Watercolor Paintings

Materials

Watercolor, Paper, Gouache

"Pointillist Pear"
Located in Lambertville, NJ
Jim's of Lambertville Fine Art Gallery is proud to present this piece by Dora Maar (1907 - 1997). Born Henriette Théodora Markovitch in France, Dora Maar was a 20th century photogra...
Category

20th Century Drawings and Watercolor Paintings

Materials

Paper, Ink

Original 70's Hand Painted Textile Design Gouache Navy Blue Color on White Paper
Located in ALCOY/ALCOI, ES
Compass Rose and Flower design. Sealed on the back with the design studio name and number 397 We offer a small number of these original illustration designs by this design studio ba...
Category

1970s Modern Drawings and Watercolor Paintings

Materials

Paper, Gouache

Sunflower Study
Located in New York, NY
Estate stamp lower right: C-139
Category

Early 20th Century American Modern Drawings and Watercolor Paintings

Materials

Paper, Pencil

André Lhote Cubist Composition Pen Drawing Painting, circa 1910
Located in Atlanta, GA
This cubist black ink pen drawing by André Lhote (1885 - 1962), circa 1910, features a still-life composition, a bowl with fruits on a table with a cubist geometric design. We added ...
Category

1910s Cubist Drawings and Watercolor Paintings

Materials

Paper, Pen

At Dawn - Graphite Drawing by Robert Kipniss
Located in New York, NY
Robert Kipniss (American, b. 1931) At Dawn, 1975 Pencil on paper 10 1/2 x 7 1/4 in. Framed: 14 2/3 x 11 1/3 in. Signed upper right: Kipniss '75 Verso bears Hirschl & Adler Galleries Label Robert Kipniss, painter and printmaker, was born in New York City in 1931. He creates essentially monochromatic*, stylized vistas with natural and architectural elements intended to evoke an elegiac, nearly surrealistic mood in haunting, silent landscapes; the melancholy of nostalgia. Trees, in mid and far-distance, form clusters or act as misty individuals containing a haunted, indefinable presence, witnesses to the foreground drama of more specific shape, form and detail, often a close-up tree. Kipniss studied at the Art Students League* in 1947; Wittenberg University in Springfield, Ohio, 1948-50; and the University of Iowa, receiving a BA degree in English literature in 1952, and an MFA in painting and art history in 1954. The artist employs a meticulous technique combining a multiplicity of specific strokes, whether with brush, pencil or print-maker's needle and burin*, to create the essence of his generalized, non-specific forms. Light and darkness are clearly Kipniss' compositionally constructive elements. They also exist as contestants in the emotional drama at the heart of each work of art. The contrast, and sometimes combat, between these two opposites, symbolically represent with blackness -- ideas of threat, fear, trouble, evil; with whiteness safety, redemption, fulfillment and good. In Kipniss' 1995 mezzotint*, Clear Vase and Landscape, with a foreground image of precisely leafy stalks, the vase holding them, nearly invisible in its transparency, suggests an almost Salvador Dali-like surrealist device. This central image dominates but seems to invite association with, and commentary from, the surrounding clumps and individual round-topped, yet cedar-like trees. His mezzzotint, For Stella," 1997, depicts a gently twisting, curving, pale and smoothly-barked foreground, leafless tree limb or trunk, like a female human body, suggesting weakness, fatigue, an inability to deal with the staccato background screen of textured bush that seems to uncomfortably impinge upon it. This print is arguably a metaphor for a delicate soul struggling to overcome the prickly difficulties of domineering life. The classic mezzotint process, invented in the middle of the 17th Century, is the reverse of most of the other print-making media, since the artist works from a black ground to increasingly lighter areas. The copper plate is first roughened by a "rocker," creating a burr over the entire surface (the more burr left intact, the more ink it holds, the darker the final finished print). The artist, Robert Kipniss, in this instance, gradually burnishes, smoothes down the burr in varying degrees to produce the gradations of lights and darks of the final design. The deepest darks in the final picture are those areas on the plate that have been little touched after the initial roughening. Mezzotint relies on shade and tone rather than outline for its effect, which fits the Kipniss style of atmospheric* masses of value. A recent oil painting by Robert Kipniss, Hillside Silhouettes, 2001, 40 x 29, is somewhat more complex in composition than many, with four cubically-constructed houses each set in their own zones, seemingly unrelated to one another, with receding hills and similarly isolated, increasingly misty trees beyond. In his career, Robert Kipniss has had over 40 one-man shows since the first in New York in 1951, including an important retrospective exhibition at the Associated American Artist Gallery, New York in 1977. Many of these one-man exhibitions have been mounted by over 50 museums in the United States, South America and Europe, including the Chicago Art Institute, Metropolitan Museum of Art, Museum of Modem Art, Whitney Museum of American Art, Library of Congress and British Museum in London. Robert Kipniss is represented in the permanent collections of the institutions above, among many others, as well as the Philadelphia Museum of Art; New York Public Library; Museum of Fine Arts, Boston; Detroit Art Institute; Yale University Museum; National Collection of Fine Arts, Smithsonian Institution; Museum of Fine Arts, Houston; Los Angeles County Museum of Art; Portland Art Museum; and the New Orleans Museum of Art. He was elected to the National Academy of Design* in 1980, and to the Royal Society of Painter-Printmakers, London in 1998 Robert Kipniss can be referenced in numerous publications, including Who's Who in American Art from the 1950s to the present, and multiple reviews in periodicals like Art News, Art in America and Art Forum. There are also three important catalogues raisonne published on his work. Robert Kipniss has received many awards: 1965 - Ohio University National Drawing Show, Purchase Prize 1976 - National Academy of Design, New York City, The Ralph Fabri Prize 1978 - The Print Club of Philadelphia, Charles M Lea Prize 1979 - Charlotte Printmakers Society, Purchase Award 1979 - Society of American Graphic Artists, Printmaking Award 1979 - Wittenberg University, Springfield, OH, Honorary Doctorate 1980 - Elected to the National Academy of Design, New York City 1980 - Audubon Artists, New York City, Silver Medal 1980 - National Academy of Design, New York City, The Leo Meissner...
Category

1970s American Realist Drawings and Watercolor Paintings

Materials

Paper, Pencil

Lillies in Clay Pot_America Martin_Ink on Paper_Floral/Still Life_Black + White
Located in 326 N Coast Hwy. | Laguna Beach, CA
America Martin "Lillies in Clay Pot" Ink on Paper 32” x 45.75” Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America ...
Category

2010s Contemporary Drawings and Watercolor Paintings

Materials

Ink

Donald Sultan "Black Lemon" 1988 Original Charcoal Drawing - Signed - Iconic
Located in Rancho Santa Fe, CA
DONALD SULTAN Signed, titled & dated in pencil along the left edge of the paper. In excellent condition Provenance: McIntosh/Drysdale, Washington, D.C. 1988; Private Collection, Bethesda, Maryland; Private collection, San Diego, CA Exhibition History: The Corcoran Museum of Art, Washington, D.C. "Donald Sultan: In The Still Life Tradition" May 10-July 7...
Category

1980s Contemporary Drawings and Watercolor Paintings

Materials

Charcoal, Archival Paper

'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II
Located in Santa Cruz, CA
Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1925. Provenance: Formerly in the ...
Category

1920s Impressionist Drawings and Watercolor Paintings

Materials

Watercolor, Gouache, Laid Paper

1950's French Modernist/ Cubist Painting - Colourful French Town Landscape
Located in Cirencester, Gloucestershire
French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed Mounted on card frame size: 13.75 x 15 inches condition: very good...
Category

Mid-20th Century Modern Drawings and Watercolor Paintings

Materials

Gouache, Watercolor

Robert Tucker - 20th Century Watercolour, Freesias and Blossom Sprays
Located in Corsham, GB
A delicate study of freesias and white blossoms in a glass vase. The artist has used oil paints with an impasto technique on top of a watercolour base to create textured petals. Sign...
Category

21st Century and Contemporary Drawings and Watercolor Paintings

Materials

Watercolor

Delicacy, Jo Haran, Original Painting, Affordable Art, Floral Artwork
Located in Deddington, GB
Delicacy by Jo Haran [2020] original Watercolour, gouache and gesso Image size: H:36.5 cm x W:49 cm Complete Size of Unframed Work: H:38 cm x W:50.7 cm x D:0...
Category

21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings

Materials

Paper, Gesso, Watercolor, Gouache

Rambling Rose, Jo Haran, Contemporary Floral Artwork, Original Work On Paper
Located in Deddington, GB
Rambling Rose by Jo Haran [2020] original Gouache, watercolour ink and gesso. Image size: H:72.5 cm x W:52.5 cm Complete Size of Unframed Work: H:76 cm ...
Category

21st Century and Contemporary Contemporary Drawings and Watercolor Paintings

Materials

Paper, Gesso, Watercolor, Gouache

Woodland Stems On Dark, Jo Haran, Contemporary Floral Art, Original Artwork
Located in Deddington, GB
Woodland Stems on Dark by Jo Haran [2021] original Gouache, watercolour ink and gesso. Image size: H:64 cm x W:47.3 cm Complete Size of Unframed Work: H:67 cm x W:50.7 cm x D:0.01cm...
Category

21st Century and Contemporary Naturalistic Drawings and Watercolor Paintings

Materials

Paper, Gesso, Watercolor, Gouache

Spring Table Still Life with Floral Bouquet & Fruit
Located in Soquel, CA
Spring still life with bright, luminous colors by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" ...
Category

1980s American Impressionist Drawings and Watercolor Paintings

Materials

Watercolor, Paper

Bright summer flowers. 2020. Watercolor, paper, 74 x 59 cm
Located in Riga, LV
Bright summer flowers. 2020. Watercolor, paper, 74 x 59 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collections in...
Category

2010s Realist Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Bouquet of Roses - Original ink drawing, Signed
Located in Paris, IDF
Jean DUFY (1888-1964) Bouquet of Roses Original ink and lavish drawing Signed with the artist stamp On paper 29 x 36 cm (c. 12 x 14 in) Very good condition, paper lightly yellowed
Category

Mid-20th Century Modern Drawings and Watercolor Paintings

Materials

India Ink

Swim, Summer Fresh Painting on Paper, Word Art Pastel Tones Typography in Purple
Located in Barcelona, ES
"Swim is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art that Ed Ruscha produ...
Category

2010s Pop Art Drawings and Watercolor Paintings

Materials

Ink, Archival Ink, Sumi Ink, Watercolor, Archival Paper, Acrylic

"Lilies, " Robert Reinhardt von Liski, gouache, flowers, Art Deco
Located in Wiscasset, ME
Robert Reinhardt Von Liski was born in Prussia in 1908. He immigrated to the United States and worked in Chicago as a commercial artist. He is best known for his strong sense of Art ...
Category

Early 20th Century Art Deco Drawings and Watercolor Paintings

Materials

Gouache

"P is for Pinocchio, " Pastel Drawing
Located in Denver, CO
Irene Georgopoulou's (EL based) "P is for Pinocchio" is a hyperrealist pastel drawing of a wooden Pinocchio doll sitting with a "P" wooden letter bloc...
Category

2010s Photorealist Drawings and Watercolor Paintings

Materials

Pastel

Bridal Veil Falls, Yosemite Waterfall Watercolor Landscape
Located in Soquel, CA
Plein air image of Yosemite's Bridal Veil Falls done in watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lowe...
Category

Late 20th Century American Impressionist Drawings and Watercolor Paintings

Materials

Archival Paper, Watercolor

Panier de Peches
Located in Austin, TX
Alfred Arthur Brunel de Neuville, French (1879 - 1907) "Panier de Peches" Oil on canvas. Signed lower right side.
Category

Early 20th Century Realist Drawings and Watercolor Paintings

Materials

Canvas, Oil

Mughal School, 18th Century Emperor Jahangir with Empress Nur Jahan
Located in Middletown, NY
Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....
Category

18th Century Rajput Drawings and Watercolor Paintings

Materials

Gold

Three Flowers
Located in New York, NY
Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of ...
Category

20th Century American Modern Drawings and Watercolor Paintings

Materials

Crayon, Paper

Hummingbird IX
Located in Lake Worth Beach, FL
Hummingbird IX 40x26 unframed Ink, Watercolor, Paper Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...
Category

2010s Minimalist Drawings and Watercolor Paintings

Materials

Handmade Paper, Ink, Watercolor

Drawings and Watercolor Paintings for Sale on 1stDibs

Revitalize your interiors — introduce drawings and watercolor paintings to your home to evoke emotions, stir conversation and show off your personality and elevated taste.

Drawing is often considered one of the world’s oldest art forms, with historians pointing to cave art as evidence. In fact, a cave in South Africa, home to Stone Age–era artists, houses artwork that is believed to be around 73,000 years old. It has indeed been argued that cave walls were the canvases for early watercolorists as well as for landscape painters in general, who endeavor to depict and elevate natural scenery through their works of art. The supplies and methods used by artists and illustrators to create drawings and paintings have evolved over the years, and so too have the intentions. Artists can use their drawing and painting talents to observe and capture a moment, to explore or communicate ideas and convey or evoke emotion. No matter if an artist is working in charcoal or in watercolor and has chosen to portray the marvels of the pure human form, to create realistic depictions of animals in their natural habitats or perhaps to forge a new path that references the long history of abstract visual art, adding a drawing or watercolor painting to your living room or dining room that speaks to you will in turn speak to your guests and conjure stimulating energy in your space.

When you introduce a new piece of art into a common area of your home — a figurative painting by Italian watercolorist Mino Maccari or a colorful still life, such as a detailed botanical work by Deborah Eddy — you’re bringing in textures that can add visual weight to your interior design. You’ll also be creating a much-needed focal point that can instantly guide an eye toward a designated space, particularly in a room that sees a lot of foot traffic.

When you’re shopping for new visual art, whether it’s for your apartment or weekend house, remember to choose something that resonates. It doesn’t always need to make you happy, but you should at least enjoy its energy. On 1stDibs, browse a wide-ranging collection of drawings and watercolor paintings and find out how to arrange wall art when you’re ready to hang your new works.

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