Art by Medium: Engraving

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Etching, drypoint and pochoir on Arches paper. Edition of 75/195. Hand signed and numbered. Dimensions of frame: 76 x 61 cm. Ref. Michler/Löpsinger 623 Prov. Private Collection,...

This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

'Newstead in Nottinghamshire, the Seat of Lord Byron' Engraving by Thomas Malton after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views i...

Untitled is an original artwork realized by Wifredo Lam in the 1960s. Black and white drypoint. Hand signed in pencil by the artist. Artist's proof (EA hand written on the lower le...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Téléphone (Lobster Telephone)" Portfolio: Hommage à Leonardo da Vinci (Great Inventions) *Signed by Dali in pencil lower right Y...

Salvador Dali (1904-1989) - Japanese Fairy Tales Portfolio with 10 drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of work: 6...

Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Titles: "Jane Seymour Queen", "The Lady Mary after Queen", "Catherine Howard Q...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Atragene Capensis - Cape Atragene' Native of the Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1...

Robert Smith (United States, 1944) 'Open wide', 1972 lithograph in color on paper 21.7 x 29.6 in. (55 x 75 cm.) Edition of 75 Unframed ID: SMI1158-001-075 Hand-signed by author

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Caryophyllus Arborescens, b. Caryophyllus Barbatus". It is plate 327 i...

El grabado va firmado a mano y con justificante, que en este caso es una prueba de artista P/A También va titulado y fechado del año 1983 Se presenta enmarcado (se enviará sin cris...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Andre DERAIN The Wrestlers Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

This is a framed hand-colored botanical engraving entitled "Agave or American Aloe" by Reinagle for Robert Thornton's publication 'The Temple of Flora, or Garden of the Botanist, Poet, Painter and Philosopher', published in London in 1811. This beautiful botanical was created using several engraving techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and then finished by hand. The print is presented in a gold-colored wood frame and a heather green mat, which is enhanced with a gold fillet. The frame measures 21.63" high by 16.63" wide and 1" deep. It is glazed with UV conservation glass. All of the mounting materials are archival. The original text page from the early 19th century publication is attached to the rear of the frame. The print is in excellent condition. Robert John Thornton (1765-1832) was attracted to natural history at an early edge and created his own botanical garden and an aviary as a boy. He graduated from Cambridge with a medical degree and set up practice as a London. He inherited his family fortune in 1797, which allowed Thornton the opportunity to devote time to his lifelong goal of creating an extensive scholarly work dedicated to the great classical Swedish naturalist, Carolus Von Linnaeus (1707-1778), also known as Carl von Linné...

This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below. This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum. Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs. Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today. William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...

Drypoint etching on Japanese paper, edited in 1975. Limited edition of 250 copies, numbered 101/250 in lower left corner. Hand-signed by artist in pencil in the lower right margin. ...

Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...

'99. Collybia butyracea 100. Collybia fusipes' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swi...

'L'Agaric Couleuvre' A French copper-line engravings with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793). From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...

French copper-line engraving depicting the Lake of Geneva, Switzerland. From 'The Scenery and Science of Switzerland illustrated', by Antoine Baron de Zurlauben (1720-1795) & Jean B...

An original 18th century engraving after Jacques Stella (1596-1657). Unsigned. Well presented in a gilt frame with a beaded inner. On paper.

This an 18th century copper plate engraved portrait of Sir Francis Drake by Jacobus Houbraken, after a painting by Sir Godfrey Kneller, from "The Hea...

'Frances Sargent Osgood' Steel-engraving after the painting by Chappel. 1872. Facsimile signature below the image. Frances Sargent Osgood (1811-1850) was an American poet and one of the most popular women writers during her time and was also famous for her exchange of romantic poems with Edgar Allan Poe. Alonzo Chappel...

Robert Indiana Star of Hope, 1972 Enamel on Metal with Artists Stamped Name. Date and Copyright Artist stamped name and copyright on lower right front Frame Included: held in a white...

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and th...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 17', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-007-000 Hand-signed by author

Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...

Alfonso Fraile (Spain, 1930-1988) 'Personaje I', 1987 engraving on paper Overall size: 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: FRA1262-004-050 Hand-signed by author ___________...

The Picador Incites the Bull. 1911. Drypoint. Hardie 104. 6 1/4 x 9 7/8 (sheet 8 1/4 x 11 7/8). Edition 30, #5. Slight mat line, 1 hinge stain in the lower margin, well outside the i...

Artist: Dali, Salvador Title: Bust Series: Faust Date: 1969 Medium: drypoint Framed Dimensions: 22.5" x 18.5" Signature: Pencil signed Edition: 49/145 Literature: Albert Fie...

A fierce battle scene with women warriors. (after Perino del Vaga) Engraving on oval-shaped light laid paper, 8 1/4 x 10 3/4 inches (260 x 274 mm), the full sheet, trimmed at the pl...

"Roberto Fabelo (Cuba, 1950) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: FAB-301"

Ivonne Ferrer (Cuba, 1968) 'Paragua geométrico ', ca.2000 silkscreen on canvas 19.7 x 27.2 in. (50 x 69 cm.) Edition of 100 Unframed ID: FER1205-001-100_5 Hand-signed by author

La Réparation: Spiral Woman, 2003 Louise Bourgeois Drypoint and engraving, with selective wiping On Hahnemuehle copperplate warm white wove Signed, dated and numbered 25 from the ed...

Salvador Dali (1904-1989) - Hagoromo (The robe of feathers) Drypoint etching with stencil from 1974. The edition of XVII/LXXV on Richard de Bas paper. Dimensions of work: 66 x 52 ...

'Ixia Columnaris - Columnar-chived Ixia' Native of Cape of Good Hope. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla I', 2019 Engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-101

This lithograph is part of my private collection. It is original and pencil signed an numbered by the artist. It is one of a kind in black and white.

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...

Beggar With A Wooden Leg is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful piece of art belongs to a la...

Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...

Auguste Rodin, French (1840 - 1917) - La Ronde, Year: 1883, Medium: Drypoint, signed in pencil, Image Size: 4 x 5.75 inches, Size: 13.25 x 9.5 in. (33.66 x 24.13 cm), Reference: Del...

A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...

This framed hand colored stipple engraving and etching portrait of William Warham, Archbishop of Canterbury under King Henry VII and his son King Henry VIII was created by Francesco Bartolozzi (1728–1815) after a drawing and a painting by Hans Holbein (1497-1543), who was Henry VIII's court painter. The print was published in London by John Chamberlaine in 1795. The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of England. The publisher, John Chamberlaine, was Keeper of the King's Drawings and Medals. The inscription beneath the portrait reads" "In His Majesty's Collection", "Engraved by F. Bartolozzi R A Historical Engraver to His Majesty'' in the lower right, and ''From an original drawing by Hans Holbien'' in the lower left. The original painting by Holbein is displayed at Lambeth Castle and the original drawing is in the art collection at Windsor Castle. The engraving is held by many museums, including: The British Museum, The Metropolitan Museum of Art, The National Portrait Gallery, The Chicago Art Institute and The Fine Arts Museums of San Francisco. This portrait depicts Archbishop William Warham facing to his right, wearing a black cap covering his ears and fur trimmed clerical robes. The print is presented in a decorative gold-colored wood frame with a blue-grey fabric mat. The frame measures 26.5" x 20.13" x 1". The print is in excellent condition. William Warham (1450-1532) was the last of the pre-Reformation archbishops of Canterbury, serving under King Henry VII and then under King Henry VIII. He was a quiet, unassuming intellectual whose career ended with a strong and brave stance against the divorce of King Henry VIII and the king's resultant withdrawal of England from the Catholic church and his draconian actions against the clergy. As Lord Chancellor...

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 13', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-005-000 Hand-signed by author

Andres Nagel Tejada (Spain, 1947) Las partes del mundo I, 1986 Etching and aquatint on paper Image size: 7.08 x 4.92 in (18 x 12.5 cm.) Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.) ...

This is a hand-colored engraving of a black guillemot bird entitled "Le Guillemot" by Francois Nicolas Martinet, plate 903 from 'Histoire Naturelle des Oiseaux' in association with G...

St. George and the Dragon after Raphael Engraving, 1885 Unsigned, proof before letters A engraving after a painting by Raphael (c.1504-05) now in the Musée du Louvre, Paris (inv. no....

This serene Mid-Century Modernist Mezzotint Still Life by Tomoe Yokoi originates from the United States, Circa 1970. This quiet scene depicts a still life on a round table with a da...

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.