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Medium: Engraving
Spanish Artist signed limited edition original art print silkscreen dance
Located in Miami, FL
Margó Venegas (Spain)
'Baile'
silkscreen on paper
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 25
ID: VEN1174-001-025
Unframed
Hand-signed by author
Category
21st Century and Contemporary Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Screen
"Last Spring" 1972 original signed engraving lithograph American artist lithogra
Located in Miami, FL
Robert Smith (United States, 1944)
'Last spring', 1972
engraving and etching on paper
21.7 x 29.6 in. (55 x 75 cm.)
Edition of 75
Unframed
ID: SMI1158-002-075
Hand-signed by author
Category
1970s Contemporary Art by Medium: Engraving
Materials
Silver
Degas, Au Salon, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$796 Sale Price
20% Off
Architectura Curiosa Nova, Dragon Fish Garden Fountain
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category
1660s Realist Art by Medium: Engraving
Materials
Engraving
Butterflies & Moths in Nature: An Antique Hand-colored Engraving by Moses Harris
By Moses Harris
Located in Alamo, CA
This is a hand-colored antique engraving depicting the natural history of the the Brown Hairstreak Butterfly, the Larke Skipper Butterfly, the Small Skipper Butterfly, the Scarce Mar...
Category
Mid-19th Century Realist Art by Medium: Engraving
Materials
Engraving
Salvador Dali "Icarus (Eolus)"
Located in Boston, MA
Artist: Dali, Salvador
Title: Icarus (Eolus)
Series: The Mythology
Date: 1963
Medium: drypoint
Unframed Dimensions: 30" x 18"
Framed Dimensions: 41" x 33" x 2"
Signature: Pen...
Category
1960s Surrealist Art by Medium: Engraving
Materials
Drypoint
USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT: Signed glass bowl Whitney Museum
By Jenny Holzer
Located in New York, NY
Jenny Holzer
USE WHAT IS DOMINANT IN A CULTURE TO CHANGE IT, 2003
Hand Blown Glass Bowl
4 × 10 × 10 inches
Edition 68/200
Signed and numbered 68/200 on the underside with Holzer's in...
Category
Early 2000s Conceptual Art by Medium: Engraving
Materials
Blown Glass, Engraving
Un Sculpteur de Paris
Located in Middletown, NY
Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...
Category
Early 20th Century Modern Art by Medium: Engraving
Materials
Laid Paper, Drypoint, Etching
Degas, La Chanteuse du Cafe-Concert, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vol...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$796 Sale Price
20% Off
wood engraving for Mille Nuits
Located in Henderson, NV
Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...
Category
1950s Art by Medium: Engraving
Materials
Engraving, Woodcut
Portrait of Albert Schweitzer.
Located in Storrs, CT
Portrait of Albert Schweitzer. Etching. 11 3/4 x 9 3/4 (sheet 16 1/4 x 14). Illustrated: Beall, American Prints in the Library of Congress, page 205....
Category
1950s American Modern Art by Medium: Engraving
Materials
Etching, Drypoint
$750 Sale Price
50% Off
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595.
This is an English translation of an excerpt from the original text in the atlas:
"Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown.
Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category
16th Century Old Masters Art by Medium: Engraving
Materials
Engraving
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Lux Aeterna I (Eternal Light -The Requiem/ copters hover over fearful refugees)
By Ana Maria Pacheco
Located in New Orleans, LA
Ana Maria Pacheco portrays the fear and feelings of the displacement of refugees cowering beneath helicopters overhead. The title of the work refers ...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Drypoint
Icecream Bean plant..., plate no. 58, Metamorphosis Insectorum Surinamensium
Located in Middletown, NY
Metamorphosis Insectorum Surinamensium, Plate No. 58; Ice Cream Bean Plant, Cloudless Sulphur Butterfly and Caterpillar with Mot...
Category
Early 18th Century Naturalistic Art by Medium: Engraving
Materials
Watercolor, Engraving
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size 6.24 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$956 Sale Price
20% Off
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
Located in Fairlawn, OH
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier
Drypoint, 1900-1901
Signed in pencil lower left (see photo)
Titled in pencil low...
Category
Early 1900s Impressionist Art by Medium: Engraving
Materials
Drypoint
Giant Petrel, 18th century bird engraving by John Latham
By John Latham
Located in Melbourne, Victoria
Copper-line engraving. 1781. From John Latham's 'General Synopsis of Birds' 1781-1785, and its Supplements. Plate number top left. Laid paper.
John Latham was the leading English or...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Wandelaars II, Contemporary Mezzotint by Anne Dykmans
By Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Paul Jouve - Eagle - Original Engraving
By Paul Jouve
Located in Collonge Bellerive, Geneve, CH
Paul Jouve - Eagle - Original Engraving
Editions Rombaldi, Paris, 1950.
Copy on velin creme de Rives
Artwork by Paul Jouve.
Original copper engraving heightened with pochoir.
Paul...
Category
1950s Modern Art by Medium: Engraving
Materials
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Art by Medium: Engraving
Materials
Engraving
The Fight with Morhoult, from Tristan and Iseult
Located in Washington, DC
Artist: Salvador Dali
Title: The Fight with Morhoult
Portfolio: Tristan and Iseult
Medium: Color engraving
Year: 1970
Edition: XII/XXV
Frame Size: 25 1/4" x 20 3/4"
Sheet Size: 17 3/...
Category
1970s Surrealist Art by Medium: Engraving
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
1810s Naturalistic Art by Medium: Engraving
Materials
Engraving
Crustaceans - Coconut and hermit crabs, natural history engraving print, 1837
Located in Melbourne, Victoria
'Crustacea'
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 130mm (sheet)
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Degas, La Loge, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 4.75 x 6.5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$956 Sale Price
20% Off
Belkis Ayon Untitled
Located in Miami, FL
Untitled 1994
Serigraphic
7.5x 5.5 in
COA by Belkis Ayon State
Category
1990s Art by Medium: Engraving
Materials
Engraving
Degas, Famille Cardinal, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size 6.24 x 4.75 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the ...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$956 Sale Price
20% Off
Raimundo Orozco Cuban Artist Original Hand Signed engraving 2000
Located in Miami, FL
Raimundo Orozco (Cuba, 1949)
'Untitled', 2000
engraving on paper Guarro Biblos 250g.
10.1 x 6.6 in. (25.6 x 16.6 cm.)
Edition of 60
ID: ORO-312-054
Hand-signed by author
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Aquatint, Screen, Engraving
Canterbury: An Original 16th C. Framed Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a framed 16th century map and city view of Canterbury, England entitled "Cantuarbury" by Braun & Hogenburg, from their famous landmark atlas of city views 'Civitates Orbis Terrarum' (Atlas of the Cities of the World), which was first published in Cologne, Germany in 1572. The map of Canterbury was first published in 1588. It depicts a detailed birdseye view of the completely walled and fortified city of Canterbury, with its cathedral the most prominent feature. The coat of arms of England, Canterbury, and the Archbishop of Canterbury are included.
This beautifully hand-colored map is presented in a gold-colored wood frame with a beaded inner trim and a paprika-colored mat that highlights details in the map. The frame measures 18.75" high by 22.25" wide by 0.875" deep. There is a central vertical fold, as issued. The map is in excellent condition.
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe.
Georg Braun (1541-1622) was German Catholic...
Category
16th Century Old Masters Art by Medium: Engraving
Materials
Engraving
Degas, La Pianiste et le Chanteur, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the vo...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$956 Sale Price
20% Off
Degas, Au Salon, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 6.25 x 8.25 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From the...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$716 Sale Price
20% Off
Nature Morte country side farming scene
Located in Belgrade, MT
This lithograph is part of my private collection. It is original and pencil signed and numbered by the artist.
Category
20th Century Abstract Expressionist Art by Medium: Engraving
Materials
Engraving, Lithograph
$320 Sale Price
30% Off
Salvador Dali "Picasso: a Ticket to Glory"
Located in Boston, MA
Artist: Dali, Salvador
Title: Picasso: a Ticket to Glory
Series: After 50 Years of Surrealism
Date: 1974
Medium: drypoint engraving with hand coloring
Unframed Dimensions: 26" ...
Category
1970s Surrealist Art by Medium: Engraving
Materials
Engraving, Drypoint
Cuban Artist signed limited edition original art print Portrait silkscreen
Located in Miami, FL
Nicolás Lara (Cuba, 1943)
'Nikoleto Von Lara'
silkscreen on paper
27.2 x 19.3 in. (69 x 49 cm.)
Edition of 100
ID: LAR1276-001-100
Unframed
Hand-signed by author
Excellent condition
Category
20th Century Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Screen
"Maternity" 2002, original hand signed mezzotint etching art Mexican sculptor
Located in Miami, FL
Jose Sacal (Mexico, 1944-2018)
'Maternidad', 2002
mezzotint on paper
22.1 x 18.4 in. (56 x 46.5 cm.)
Edition of 25
ID: SAC-101
Hand-signed by author
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Ink, Mezzotint, Etching, Aquatint
Retained Time
By Sonja Lamut
Located in Fairlawn, OH
Retained Time
Color mezzotint, c. 1970's
Signed, titled and numbered in pencil by the artist (see photos)
Edition: 30 (15/30)
Condition: Excellent
Image size: 11 7/8 x 15 3/4 inches
Sheet size: 30 x 22 inches
Sonja Lamut: A contemporary illustrator, painter and mezzotint engraver, Sonja Lamut received her B.F.A. from the University of Arts, Belgrade, Yugoslavia, and her M.F.A. from Hunter College, City University of New York. She is presently Assistant Professor of Illustration at the Fashion Institute of Technology, New York City.
During her career Sonja Lamut has illustrated numerous books, particularly in the field of children's literature. These include, Voyages of Doctor Dolittle, The Great Green Notebook of Katie Roberts, The Famous Adventures of Jack, Lemuel the Fool, Little Mermaid, Thanksgiving is for Giving Thanks (New York Times Children's Books list Bestseller), Love You, Soldier, . She is also the author and illustrator of the following works; Too Noisy!, Bugs and Halloween Costumes.
Sonia Lamut's art has been the subject of solo and group exhibitions at institutions such as Gallery shows in New York, Boston Miami, Greenwich Stockholm, Ljubjiana and numerous other national and international group shows. Today her art is included in the following collections; the Brooklyn Museum, New York, the Museum of Modern Art , Fredrikstad, the Museum of Modern Art, Ljubljana, the Museum of Modern art, Belgrade, he National Museum, Krakow and many other important private and public institutions.
For several decades, the American artist, Sonja Lamut has produced a number of striking works of art in the most demanding of all graphic media -- the mezzotint. In 1974 she was a participating artist in the exhibition, "International Mezzotint Today" in London, England. Utilizing the unique, black tonal values of this intaglio method she has created intriguing imagery, such as, "Cage".
Courtesy: Art of the Print
Collections
Brooklyn Museum, New York
Grafiska Sallskapet, Stockholm
Museum of Modern Art, Fredrikstad
Museum of Modern Art, Ljubljana
College Board, New York
Utubo Gallery, Kyoto
Museum of Modern Art, Belgrade
National Museum, Krakow
Awards/Publications:
“Grand Prix” in Mediterranean Art...
Category
1970s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Late 18th Century Victorian Art by Medium: Engraving
Materials
Engraving
Flowering Spurge: 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Esula seu Tithyinalus Africanus SpinosusCera Effigie, B. Esula seu Ti...
Category
Mid-18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Mezzotint
Southern Greece: A Large 17th Century Hand-colored Map By Sanson and Jaillot
Located in Alamo, CA
This large original hand-colored copperplate engraved map of southern Greece and the Pelopponese Peninsula entitled "La Moree Et Les Isles De Zante, Cefalonie, Ste. Marie, Cerigo & C...
Category
1690s Art by Medium: Engraving
Materials
Engraving
Marica Sabini, antique botanical blue flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
In th Bighorns (Wyoming)
Located in Fairlawn, OH
In th Bighorns (Wyoming)
Drypoint, c. 1930's
Signed in pencil lower right (see photo)
Titled in the plate lower left
Condition: Excellent
Image/Plate size: 6 3/8 x 4 3/8 inches
Hans Kleiber (1887-1967)
Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains.
Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife.
Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...
Category
1930s American Realist Art by Medium: Engraving
Materials
Drypoint
'Fantasia Americana, 1880' — Mid-Century American Surrealism
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Art by Medium: Engraving
Materials
Drypoint, Etching
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
Mid-18th Century Art by Medium: Engraving
Materials
Engraving
Hope, by Art Werger
By Art Werger
Located in Palm Springs, CA
A spectacular view of the sun breaking through the clouds above waves crashing on an ocean shore. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story ...
Category
2010s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Singer II (Woodgrain, incised metal plate of a Singer typewriter casts shadows)
By Carol Wax
Located in New Orleans, LA
Carol Wax's mezzotint, Singer II looking at the end of the typewriter portrays the incised metal and the wood grain of the machine. It was issued as an edition of 75. This image is i...
Category
1980s Contemporary Art by Medium: Engraving
Materials
Mezzotint
Johann Weinmann: 18th Century Engravings of Sunflowers, Set of 4, Framed
Located in Richmond, GB
A complete set of four hand-coloured mezzotint engravings of sunflowers from: "Phytanthoza Iconographia", c1739, presented in hand-made, parcel-gilt, ebonised and decalcomania frame...
Category
18th Century Art by Medium: Engraving
Materials
Watercolor, Mezzotint
Nicolas Delaunay After Fragonard - 19th Century Engraving, The Swing
Located in Corsham, GB
A charming engraving depicting Jean-Honoré Fragonard's 'The Swing'. Inscribed and signed in plate. Well presented in a redwood frame. On paper.
Category
19th Century Art by Medium: Engraving
Materials
Engraving
Asia Declineatio: A 17th Century Hand-colored Map of Asia by Justus Danckerts
Located in Alamo, CA
This is a scarce 17th century beautifully hand-colored copperplate engraved map of Asia entitled “Exactissima Asiae Delineatio in Praecipuas Regiones Caerterasque Partes divisa et de...
Category
Late 17th Century Old Masters Art by Medium: Engraving
Materials
Engraving
Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter.
This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition.
The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category
Late 17th Century Other Art Style Art by Medium: Engraving
Materials
Engraving
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Mid-18th Century Rococo Art by Medium: Engraving
Materials
Engraving
Degas, Le Coucher, E. Degas Monotypes (after)
By Edgar Degas
Located in Fairfield, CT
Medium: Engraving on vélin du Marais paper
Year: 1948
Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches
Inscription: Unsigned and unnumbered, as issued
Notes: From t...
Category
1940s Impressionist Art by Medium: Engraving
Materials
Engraving
$716 Sale Price
20% Off
Reflet - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
This impression is #8 of 50
Mezzotint artist Mikio Watanabe was born in 1954 in Ja...
Category
1980s Art by Medium: Engraving
Materials
Mezzotint
$650 Sale Price
24% Off
Alexandria, Egypt & Lighthouse: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...
Category
Early 19th Century Romantic Art by Medium: Engraving
Materials
Engraving, Aquatint
Salvador Dalì (1904 - 1989) - Poseidon - drypoint etching hand-colored
Located in Varese, IT
Mixed media incorporating heliogravure and drypoint etching hand-colored on Arches paper , edited in 1966
Limited edition of 150 copies , numbered 18/150 in lower left
Hand signed by...
Category
1960s Abstract Art by Medium: Engraving
Materials
Drypoint, Etching
Justo Barboza Argentinean Artist 1998 Original Hand Signed silkscreen n19
Located in Miami, FL
Justo Barboza (Argentina, 1938)
'Sin título (rosa rojo)', 1998
silkscreen on paper Guarro Geler
27.6 x 19.7 in. (70 x 50 cm.)
Edition of 15
Unframed
ID: BAR1437-019-015
Hand-signed b...
Category
20th Century Abstract Art by Medium: Engraving
Materials
Paper, Engraving, Screen
Rio Osmarin (boats on the canal Rio de S. Provolo o de l'Osmarin, Venice)
Located in New Orleans, LA
Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...
Category
21st Century and Contemporary American Modern Art by Medium: Engraving
Materials
Mezzotint
Palazzo dell'Angelo
Located in Middletown, NY
Palazzo dell'Angelo
1931
Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif.
Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116.
[Fletcher 233]
Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design.
In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436.
Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...
Category
1930s American Modern Art by Medium: Engraving
Materials
Etching, Drypoint
Dans les Cendres (In the embers)
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing.
Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work.
In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category
Late 19th Century Impressionist Art by Medium: Engraving
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Die Nacht (The Night), nude and cupids, German antique engraving
By Virgilio Tojetti
Located in Melbourne, Victoria
'Die Nacht'
(The Night)
German wood-engraving, 1903.
310mm by 230mm (image)
410mm by 280mm (sheet)
Category
Early 20th Century Symbolist Art by Medium: Engraving
Materials
Engraving
Raimundo Orozco Cuban Artist Original Hand Signed engraving 2000
Located in Miami, FL
Raimundo Orozco (Cuba, 1949)
'Untitled', 2000
engraving on paper Guarro Biblos 250g.
10.1 x 6.6 in. (25.6 x 16.6 cm.)
Edition of 60
ID: ORO-313-047
Hand-signed by author
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Aquatint, Screen, Engraving
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.