Abstract Paintings

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

This contemporary abstract painting inspired by nature is by Pat Service. The allure of the open road has long been a favorite subject for this Canadian artist. And with that artist...

This is one in a series of elegant abstract compositions Shireen Kamran created to remember the forced exodus of many people from the town of Suluk, Syria. Using paper collage and ac...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Finely painted American impressionist gold gilt framed landscape painting. Oil on canvas. Image size, 16 by 20 inches. Excellent ready to hang condition.

Artist: Jack Graves III (American, 1988-) Title: "Joan Mitchell Jazz Garden" Series: Abstract *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2025 ...

"Eggshell Yellow Curls" is an abstract painting triptych by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined...

Choose your frame: black or wood Sophie Dumont is a renowned painter whose works are a perfect blend of figuration and abstraction. Working primarily with oil on canvas, she creates ...

Superb original British abstract oil painting, from the 1980's period. The painting is by the hitherto undiscovered abstract painter Isaiah Gerard Calleja (1936-2016), who was base...

Ethereal and minimal, Susan English’s paintings play with light and space. She employs transparent pigments and layering to manipulate light and illuminate her color fields. Soft var...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 19 x 15.5 inches condition: excellent provenance: all the paintings we hav...

Susan English Opening in Sun, 2025 tinted polymer on Yupo paper 26 x 20 in (eng275)

In Between Words III, 2021, Horizons Series Handwoven painting, linen, cotton yarn, acrylic textile paint, 65 x 50 cm ‘Horizons’ are a symbiosis of two disciplines of art, Painting and Weaving. Handwoven Canvas is entirely constructed on a weaving loom using a painting technique of glazing - applying semi-transparent layers of textile on each other' Inspiration is the colour perspective which exists in nature and the line of the horizon – border of the space visible to the eye and the one hidden by the ground. Marta Pokojowczyk...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Purple Lavender background with thick use of pain...

Blue Spruce by Shirley Lewis is a serene and sophisticated mixed media painting that captures the quiet beauty of nature through a contemporary lens. Measuring 40 x 40 inches, this original work features soft layers of blues, greens, and neutral tones that subtly reference botanical and woodland forms with a modern, abstract twist. Perfectly scaled for intimate spaces or layered gallery walls, Blue Spruce brings calm, texture, and visual interest to any interior. Ideal for collectors of abstract landscapes or designers seeking a nature-inspired piece with a minimalist feel, this painting adds a refined organic element to bedrooms, offices, or transitional spaces. Blue Spruce is an elegant, one-of-a-kind original that balances tranquility with sophisticated artistry. Shirley’s love of creating came at an early age. She learned many of her techniques from the time she spent with her depression-era grandmother, making artistic statements from items found. Working with various mediums over the past 25 years, she has developed a unique way to manipulate ink and color movement, using traditional and non-traditional artistic tools. Interpreting nature in its various spectrums, Shirley’s paintings and the techniques used allow the colors to organically blend and take their shape. With spontaneous composition, each painting creates magnificent imagery, allowing for multiple interpretations. The looseness in the process demands a layering of complex colors, yet the results are intended. botanical abstract painting blue spruce inspired artwork nature-themed abstract 40 x 40 canvas painting organic neutral art...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Antique American school modernist abstract oil painting. Oil on canvas, circa 1950. Unsgned. Image size 36L x 60H.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

A stunning composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of Bunnies against a black diamond dust background. Slonem traces these b...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Contemporary Art, Abstract Painting Acrylic on canvas 100 x 120 cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escult...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a double bunny on a turquoise blue gradient background with thick use of paint and diamon...

"Florentine Expressions: A Portrait Series XI", oil on canvas, mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an inter...

Title: Original Oil Abstract Still Life with Cheese Slices and Knife Artist: Roland Pichard Medium: Oil on oil paper, mounted on card Size: 9.5 (height) x 13.25 (width), (Includin...

Emily Mason So Slight a Film (from the Lehman Brothers art collection), 1978 Oil on paper Abstract Expressionist painting Signed and dated 'Emily Mason '78' bottom right in pencil Fr...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Image size, 11H by 14L.

Abraham P. Hankins (1904-1963). Tabletop Still Life , 1950. Oil on canvas, 24 x 33 inches. Signed with artist monogram center right. Signed and dated in...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: Floating Lilies Size: 30" x 56" x ...

"Small in Size; Big on Impact: Discover the Charm of this fabulous petite original art piece" About "City Bloom II": “City Bloom II” bursts with life, energy, and unapologetic vibr...

Green, white, gray original botanical painting.

Abstract Expressionism is an original contemporary artwork realized by the Italian artist Giorgio Lo Fermo in 2021. Original Oil painting on canvas. Hand-signed and dated on the b...

Impressive American school impressionist landscape oil painting. Framed. Oil on canvas. Signed. Image size, 18H by 24L.

C. Clinton's "Cloud Study" is a fresh, contemporary take on landscape painting that explores subtle variations of color and transparency reflected as abstract forms. This 15 x 16 in...

Impressive early American school modernist abstract oil painting. Framed. Oil on canvas board. Signed.

This work is a part of the "Geometric Abstraction" series. Within the "Geometric Abstraction" series, the image happens in a moment - I create geometric forms, combining them in ecc...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of the work are painted. The artwork is signed, dated and titled. Original artwork with signed Certificate of Authenticity. My artworks are a result of years of studying spiritual books written by Eckhart Tolle. Eckhart Tolle, a spiritual teacher and author, often uses flowers as a metaphor for living in the present moment, which is a central concept in his philosophy. He notes that a flower doesn't think about the past or the future; it simply exists in the present moment, fully expressing its beauty and essence. By observing and appreciating a flower, we can learn to live more fully in the present moment and experience the beauty of life around us. In Tolle's view, flowers can also remind us of the interconnectedness of all things. A flower is not separate from its environment; it relies on the sun, the soil, and other elements to grow and thrive. Similarly, we are not separate from the world around us; we are part of a larger interconnected web of life. By recognizing this interconnectedness, we can develop a greater sense of empathy and compassion for all living beings. Overall, flowers can serve as a powerful symbol and reminder of important concepts in art and spirituality. Whether we are admiring a beautiful flower in a painting or contemplating the lessons that flowers can teach us, they can help us connect with the beauty and interconnectedness of the world around us. I would like to invite you to immerse yourselves in a colorful yet calm world of impasto colors full of meditative floral magic. Style: My technique shows some influence from abstract expressionism and modern art. I use original mixed media in which undiluted acrylic paint, ink, gel medium and structure paste are applied to the canvas. I like to paint impasto abstract paintings...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Peter Stephens Quadrivium 80, 2025 acrylic and collage on paper 30 x 22 in. image size: 16 x 16 in (ste029)

ARTIST : Alex Senchenko © Title : Abstract 2378 Technique: Acrylic & structure on canvas 100cm. x 100cm. Original Painting on a 1.5cm Deep Canvas Ready to hang 2023 -------...

'Portraits of Timeless Expressions No. 11', oil on canvas mounted on board, by Florentine School (circa 1980s-90s). This gallery has ...

A wonderful composition of one of Slonem's most iconic subjects of Abraham Lincoln. The thick use of paint is greatly recognizable as he slathers on layer after layer of oil paint, d...

This is a unique original acrylic painting on canvas in a fantasy abstract style by Serg Graff Titled "Phoenix". It comes signed, dated, and with a COA (...

Untitled 05, 2015-16 Oil on canvas (signed on reverse) 13.77 H x 9.84 W in. 35 H x 25 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Twenty-one, 2024 mixed medium on canvas 36 x 48 inch This bold artwork, executed on canvas in the early morning hours, with a variety of mediums throughout speak visual impact. deta...

In this contemporary abstract painting in acrylic on canvas, horizontal stripes of color in gradient shades of cobalt blue from bright lapis to midnight navy are split diagonally dow...

El cauce de un río dentro del surco de una hoja, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 80x80cm Signed and dated Yumnia's artistic journey is deeply roo...

View from a Verandah, acrylic on canvas, 30cm x 23cm, 2021 Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

"Coral Curves II" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70...

"Woman of Heart" is a striking contemporary abstract expressionist painting by French artist Natalya Mougenot, blending elements of art naïve and figurative art. As part of her Women...

French late 20th Century Abstract Expressionist oil on canvas by Abstrus. The painting is signed bottom right and signed titled and dated to the rear stretcher. Presented in a fine b...

Stephen identifies the delicate texture and beauty of the natural oxidation process. Oftentimes a found object initiates his work: By incorporating an object directly, imprinting, or...

Josine Vignon (French 1922-2022) ...

Bernhard Zimmer has created a positive stir at major international art fairs (Art Basel, Kunst Köln, etc.). His lively and mysterious compositions pique the taste of the serious art ...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Medieval Castle on a Cliff by the Sea on North Coast of Ireland by 20th Century Irish Artist, John Wright. An impressionistic impasto original oil painting of Dunce Castle, used in Game of Thrones. Art measures 24 x 18 inches Frame measures 34 x 28 inches This vibrant painting captures the dramatic beauty of a rugged coastal scene, dominated by an ancient castle perched atop a rocky cliff. The artist's dynamic brushwork and bold use of color bring the landscape to life, with the turquoise and blue hues of the sea contrasting against the warm, sunlit rocks and castle walls. The swirling water and textured rocks in the foreground add depth and movement, making the scene both captivating and lively. Encased in a classic gold-trimmed frame, this artwork is a striking piece that will add a touch of historical grandeur and natural beauty to any space. Dunluce Castle is a now-ruined medieval castle in Northern Ireland, the seat of Clan MacDonnell. It is located on the edge of a basalt outcropping in County Antrim and is accessible via a bridge connecting it to the mainland. The castle is surrounded by extremely steep drops on either side, which may have been an important factor to the early Christians and Vikings who were drawn to this place where an early Irish fort once stood. Dunluce is one of the most picturesque and romantic of Irish Castles. With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th Centuries. It was inhabited by both the feuding McQuillan and MacDonnell clans. Richard Óg de Burgh, 2nd Earl of Ulster, built the first castle at Dunluce, In the 13th century. The earliest features of the castle are two large drum towers about 9 metres (30 ft) in diameter on the eastern side, both relics of a stronghold built here by the McQuillans after they became lords of the "an Rúta" (territory) in the early 1500s. Later Dunluce Castle became the home of the chief of the Clan MacDonnell of Antrim and later John Mor MacDonald the 6th chief Clan Donald of Scotland. In 1584 with the passing off John Mor MacDonald, the Antrim Glens and Castle were seized by Sorley Boy MacDonnell, making it the seat again solely of the MacDonnell Clan. Sorley Boy took the castle, keeping it for himself and improving it in the Scottish style. Sorley Boy swore allegiance to the crown and his son Randal was made 1st Earl of Antrim by King James I. The Girona, a galleass (Ship) from the Spanish Armada, was wrecked in a storm on the rocks at Lacada Point on the night of 26 October 1588. Cannons from the ship were installed in the gatehouses and the rest of the cargo sold, funding restoration of the castle. Dunluce Castle served as the seat of the Earl of Antrim until the impoverishment of the MacDonnells in 1690, following the Battle of the Boyne...

Colourful, French mixed media abstract, acrylic, newsprint and ink from the 1980s. The canvas is signed and dated bottom right but we have not yet managed to decipher it. A colourful and engaging painting crossing over styles. The colourfield elements are reminiscent of the work of Mark Rothko, three defined bands of colour in orange/pink tones vertically dissecting the painting with one horizontal band across the top, and yet the elongated depiction of the female figures within the bands remind us of Gustav Klimt and his paintings of Adele. The background of the painting has been worked broadly with a palette knife whilst the detail has been added quickly and deftly with ink or finer brushstrokes. With the addition of newsprint (in French) the artist may...

Antonio Puri's "Tantra" sculptural painting is one of 100 intimately-scaled minimalist round mandala circles built from tiny seed beads adhered to canvas in a range of red hues, crea...

"Eye of the Beholder" 2024, 48"x60" horizontal abstract painting by Argentine-born artist Karina Gentinetta (featured in Elle Decor, Architectural Digest, the New York Times, Traditi...

As one of the last generation to remember a childhood lived in the desert hunting and gathering with her family, Walangkura Napanangka's paintings recall the stories of country and the location of specific sites in her traditional homeland west of the salt lake of Karrkurutinjinya (Lake Macdonald). Born around 1946, at Tjitururrnga west of Kintore, in the remote and arid country between the Northern Territory and Western Australia, she lived with her father Rantji Tjapangati and mother Inyuwa Nampitjinpa and later, while still a teenager, travelled by foot with her family over the hundreds of kilometres from their remote desert home eventually joining Uta Uta Tjangala's group as they walked in to the settlements of Haasts Bluff and then Papunya. The lure of settlement life with its promise of plentiful food and water belied the harsh conversion they would make to an alien lifestyle with its many problems and unfamiliar demands. The upheaval however, was ameliorated to some degree by the proximity of her immediate family including her mother Inyuwa, adoptive father Tutuma Tjapangati, and sister Pirrmangka Napanangka (now deceased) all of whom became artists. Relocated to the community of Kintore in 1981 when the outstation movement began, Walangkura participated in the historic women's collaborative painting project (1994) that was initiated by the older women as a means of re-affirming their own spiritual and ancestral roots. It was a time of specifically female singing, ceremony and painting, away from the gaze of outsiders and men folk. The huge and colourful canvases that emerged from the women's camp were 'alive with the ritual excitement and narrative intensity of the occasion' (Johnson 2000: 197). Within a year, Papunya Tula Artists, now established at Kintore, had taken on many of these women as full-time artists, revitalising the company after the deaths of many of the original 'painting men'. While individual women forged their own stylistic trajectory, these paintings were immediately distinguishable from the men's more cerebral and symmetrical style. They radiated an exuberant and vibrant energy, the felt heart-beat of women's affinity to country and spirit. Walangkura's early works, created from 1996 onward, are characterized by masses of small markings and motifs covering large areas of canvas. Her favorite colour, a deep sandy orange predominates, accentuated against more somber blacks and reds and dusky greens or yellows. More recent works show a gestural quality though still tightly packed with an intensity of geometric line work representing sandhills. In a sense this provides a strong visual and contextual link to the men's linear style as exemplified by the works of George Tjungurrayi...

"Divine Spontaneity II" 2023, 48" H x 36" W. Vertical abstract painting consisting of acrylics, house paint, oil pastels, color pencils, and carbon pencils on canvas by Argentine-bo...

Original oil paint and acrylic paint on wooden panel by the well known American artist, Syd Solomon. Signed lower left. Signed, titled and dated 1971 verso . Condition is very good. No restorations. Original frame. Overall framed measurements are 17 by 14 inches. Partial Saidenberg Gallery, New York City label verso. Provenance: A Long Island, New York collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

In this contemporary abstract landscape, a sense of wonder and whimsy is conveyed, blending of fantasy and realism. Shane McAdams' unique ballpoint ink process layers striations of b...

John Vitale works on many canvases at once, moving between them, adding brushstrokes in acrylic paint, house paint and mark making with pencil and China markers. His process is intui...

"Gestural Study of Presence and Absence I" is a framed mixed media work on canvas by Meredith Pardue, depicting organic, overlapping shapes in vibrant hues of yellow, blue, pink, gr...

Man with a Glass of Wine -  is a modern artwork realized by the painter Adriano De Laurentis. Mixed colored oil painting on canvas. Includes frame. Hand signed on the lower margin.

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Colourful Abstract Landscape Painting of Waterworks in the English Countryside by British Artist Art measures 28 x 20 inches Frame measures 33 x 25 inches Capper still lives and w...

Kathy is an abstract artist who explores a diverse range of mediums and techniques, including painting with oil or acrylic, incorporating paper in collage, and experimenting with pri...