Abstract Paintings

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 7 x 5.5 inches condition: very good provenance: fro...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 6.75 inches condition: very good provenance: fr...

Abstract Composition signed by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 9.5 inches condition: very good provenance: from a large private coll...

Lavender Hills by Roy Wilce Oil Pastel on Paper image 18x43", framed 30x54" *Shipping cost includes the custom packing required to transport fine art securely. ABOUT THE ARTIST: “W...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 9 x 11 inches condition: very good provenance: from a large private collection ...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 10 x 10 inches condition: very good provenance: from a large private collection ...

David Hare Cronus View from the Cave, 1971 Graphite, Ink wash, Paper Collage on Paper on Board 25 x 33 inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 5.75 x 8 inches condition: very good provenance: from a large private collection...

Abstract Composition signed initials by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6.5 x 7 inches condition: very good provenance: from a large pri...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 6 x 8 inches condition: very good provenance: from a large private collection o...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed measurements: 8.75 x 6.75 inches condition: very good provenance: from a large private collec...

Abstract Compositions by Sally Vaughan (contemporary) set of two gouache paintings on card, unframed measurements: 9.5 x 9.25 and 10.5 x 6 inches condition: very good provenance: fro...

Abstract Composition by Sally Vaughan (contemporary) gouache painting on card, unframed ( frame used in photos are for display purposes only. Not including in purchase.) measurement...

A walk in the village Oil on cardboard, 45x45 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

rare sumi ink painting

Gordon House 1932-2004 Red/Green Ornament Frieze I, 1976-1977 signed and dated on the canvas overlap acrylic on canvas 91 x 91 cm 35 7/8 x 35 7/8 in Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing...

This painting by Frank Vaders is a unique piece from the 1990s, made in oil on canvas with the dimensions 251 × 200 cm. It is in good condition. Vaders' works have been offered at au...

This painting by Frank Vaders is a unique piece from the 1990s, made in oil on canvas with the dimensions 251 × 200 cm. It is in good condition. Vaders' works have been offered at au...

Woman with Flower and Bird Al Amatulli American (1935) Date: circa 1972 Oil on Canvas, signed verso Size: 44 in. x 33 in. (111.76 cm x 83.82 cm)

Stuart Bigley is an artist based in New York’s beautiful Hudson Valley. He has been making and showing his artwork for over 40 years. During this time he also co-founded and ran the ...

This painting was created by Canadian artist Max Epstein. Epstein's paintings, like this one, often feature Canadian motifs and bright colors. This painting is signed and titled vers...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

The coming 1994, acrylic on cardboard, 40x50 cm Ilze Avotina (1952) "Painting for me as dedication myself for a higher authority, that is, how a man loves a woman, as a mother loves...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

Shangri-La 54”x48” Oil on Canvas Abstract Art Bold Colors Red Shapes As life often does, the life of Marilyn Biles has come full circle since her life as a fashion illustration stu...

"Tin Can Hands" 1995 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a B...

Dennis Hollingsworth (Spanish/American, b. 1956), "Lil' Franklin," 1997, Oil on canvas, Hand signed on stretcher bar verso, Gallery label verso (Bennett Roberts Fine Art, Los Angeles, CA) affixed verso, canvas: 45"h x 42"w, overall (with frame): 46"h x 43"w. Dennis Hollingsworth, Born 1956 in Madrid, Spain he has lived and worked in Los Angeles, California. He currently lives and works in New York City and Tossa De Mar...

Dimensions: 19" x 13" including frame, 17.5" x 11.5" image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Gianni Dova (1925-1991) Bird 1972 Oil painting on canvas in ebonized frame Signed lower right, Size 33 x 24 cm (60x71 cm including frame)

Nachume Miller (Israel/Germany/New York, 1949-1998) Untitled, 1992 Ink and paint on canvas 23 3/4 x 28 x 1 1/2 in. Initialed and dated verso Nachume Miller (1949–1998) was a German ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. ...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

Gouache on paper, signed by different Chubac friends artists, lower right. The artists are: Max Charvolen, Serge Maccaferri et Martin Miguel that constituted the Groupe 70 a Nice. A ...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and ...

Running the Light (Abstract painting) Gouache on matte board. Unframed. This work is part of an early series made in 1998 where Gordon explored with free flowing interacting with c...

Composition 1992., Canvas, oil, 50x60 cm Abstract composition "Composition" is an abstract artwork created in 1992. The medium used is oil on canvas, and the dimensions of the artwork are 50x60 cm. As an abstract composition, the artwork does not represent specific objects or subjects in a realistic manner. Instead, it focuses on elements such as color, form, line, and texture to create a visual expression of the artist's ideas and emotions. The oil medium provides a rich and vibrant quality to the artwork, allowing for the blending of colors and the creation of various textures. This creates depth and visual interest within the composition. Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, Latvia. Studied in the Art School of Rozental, the Latvian Academy of Arts and private studios of the famous painters and teachers Abram Bikov and Vitaly Karkunov. Participates in exhibitions since 1987. Awards: 1991 – One of the main grants at the International Art Project «Golden Brush» at the Central Painters' House, Moscow, Russia Solo Shows: 2008- Gallery "Antonia", Riga. exhibition "Dream City" 2002 – Open exhibition “Genesis” Austria, Vienna 2002 - «Painting», Blackhead's House, Riga (printed brochure) 2000 - Personal exhibition in Austria, Vienna “Gallery Atelier T” 2000 – Personal exhibition in Riga, Latvia 2000 - Institute of Practical Psyhogy, Riga (printed brochure) 2001 - Gallery «AtelierT», Vienna, Austria 1998 – Joined exhibition with N.Bessonova «Garant», Vienna, Austria 1998 - Gallery «Nelliya», Riga 1998 - Co-project with N.Bessonova «Birds and Fish», Gallery «Nelliya», Riga 1997 - Gallery «Dzintars», Riga 1997 - Insurance Company «New Re» Gallery, Geneva, Switzerland 1997 - Gallery «Rigas Vini», Riga 1997 - Gallery «Goldshidhaus», Gilzenkirken, Germany, with N.Bessonova 1996 – Personal exhibition in “Rigas vini” Gallery, Riga 1996 - Gallery «Sofia», Gilzenkirken, Germany 1991 - Russian Culture Fund, Riga 1991 – Last personal exhibition in Riga Group Shows: 2007 - Museum der stad Bad Ischl”Genesis2000” 2007 -“Art Innsbruck” International Messe. 2004 - Showcase of Latvian painters dedicated to Latvia joining the EU, museum «Horst Shloss», Germany 2004 - «Hungary by the Latvian Painters», Moscow House, Riga 2003 - «Autumn-2003», Latvian State Art Museum 2003 - Autumn exhibitions of Latvian Painters, Gallery «Nelliya», Riga 2003 - «Abstract Art in Latvian Painting», Latvian State Art Museum 2000-2006 - International Project dedicated to the Book «Genesis», Austria 2002 - «Autumn», Latvian State Art Museum 1999 - Participation in exhibition “Gold of Russian Art” Austria, Vienna, “Gallery Atelier T” 1999 – Participation in projects “Genesis” Austria, Vienna, “Gallery Atelier T” 1997 - «Art Expo» New York, USA 1996 - «Art of the Chosen Ones», Latvian State Art Museum «Arsenal» 1995 - «Surrealism in Works of Latvian Painters», Russian Culture Fund, Riga 1994 - «Christmas Exhibition», Embassy of Poland in Latvia, Riga 1993 - «Art of the Russian Painters», Embassy of Russia in Latvia, Riga 1993 - «Golden Brush», Central Painters' House, Moscow, Russia 1993 - «Latvian Painters», Gallery «Sofia», Germany 1992 – sept.,Oct. – exhibition in Baad Goseberg, Germany 1992 - «Artmyth», International Art Festival, Manezh, Moscow, Russia 1992 - «Latvian Art», Berlin, Germany 1991 – «Reshaping», exhibition in Moscow 1991 - «Golden Brush», Central Painters' House, Moscow, Russia 1991 - «Transformation», Youth Palace, Moscow, Russia 1991 - «Latvian Painters», Belver, Germany 1989 - «Artcontact» National Art Project, Culture House of Railroad workers, Riga 1989 - «Artist and Religion», Riga - Moscow 1988 - «Free Art», Rigas Modes, Riga 1987 - First exhibition with painters A.Alekperov and G.Huckivadze in the Culture House of Railroad workers, Riga Auctions: 2002 - «Doroteum» Vienna, Austria - paintings «Russian Art» and «Portrait of Olga...

Karl Momen, Swedish b. 1937. This oil on canvas was painted in 1989 and finished in 1990, titled "The Golden Force." It is titled and signed on the reverse. Provenance: Marissa de...

An abstract mid century painting by Duayne Hatchett . Oil on canvas, circa 1973. Signed verso. Framed. Duayne Hatchett was a visual artist whose work included prints, painting...

Pierre Andre Obando creates process oriented abstract paintings. He was born in Belize City, Belize and grew up in the Caribbean, the U.S. Virgin Islands, Miami, Fl and Jackson, MS. Pierre Obando completed his MFA at Hunter College and completed his undergraduate studies at New World School of the Arts, Miami, Fl. His work was featured in the Queens International Biennial in 2004, and 2006 at the Queens Museum of Art. His work has been in group exhibitions at Angela Hanley Gallery, Los Angeles, CA; Rockland Center for the Arts, West Nyack, NY; Rush Arts Gallery, New York, NY; MACO Mexico Art Fair in Mexico City; Nina Freudenheim Gallery, Buffalo, NY; Royale Projects, Indian Wells, CA; The Painting Center, New York, NY; and Dean Project, New York, NY. In 2008, he had a solo exhibition at Heskin Contemporary, New York, NY and in 2009, at project space show at Rush Arts Gallery, New York, NY. He has participated in the Atlantic Center for the Arts Artists-in-Residence Program. In the fall of 2012, he participated in the group show Caribe Now, at the Nathan Cumming Foundation, which was organized by El Museo del Barrio, New York, NY. Contemporary Pattern and Decoration piece, The original movement was championed by the gallery owner Holly Solomon. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures, The Pattern and Decoration movement was influenced by sources outside of what was considered to be fine art. Blurring the line between art and design, many P&D works mimic patterns like those on wallpapers, printed fabrics, and quilts. There is a close connection between the Pattern and Decoration movement and the Feminist art movement. The P&D movement arose in opposition to the Minimalist and Conceptualist movements. Mary Grigoriadis, Valerie Jaudon, Joyce Kozloff, Miriam Schapiro, Robert Zakanitch were early proponents of this style. The artist lives and works in New York City. Education: 2001 MFA, Painting, Hunter College, New York, NY 2000 Study Abroad, Slade School, UCL, London, United Kingdom 1997 BFA, Painting, New World School of The Arts, Miami, FL Solo Exhibitions: 2015 ‘Like New’, Thierry Goldberg Gallery, New York, NY 2009 ‘Nowhere’, Rush Arts, New York, NY 2008 ‘Noise’, Heskin Contemporary, New York, NY Group Exhibitions: 2018 ‘Revival: Contemporary Pattern and Decoration’, El Museo at Hostos, Bronx, NY Including artists: Abelardo Cruz Santiago Pierre Obando Antonio Pulgarín Keisha Scarville Mickalene Thomas and others. 2017 Locust Projects Contemporary in Miami benefit auction including artists Dara Friedman, Trenton Doyle Hancock, Larry Bell, and more 2017 ‘Browsing Chamber’, Torch Gallery, Amsterdam, Netherlands 2015 ‘#BemisPainters, 1982-2015’, Bemis Center, Omaha, NE 2015 ‘Spat Spell’, Thierry Goldberg Gallery, New York, NY 2013 ‘Un-Natural Constellations’, Newman Popiashvili Gallery, New York, NY 2012 ‘Caribe Now’, Nathan Cummings Foundation/El Museo del Barrio, New York, NY 2012 ‘Lucid Fence’, Dean Project, New York, NY 2012 ‘Abstract Gambol’, Heskin Contemporary, New York, NY 2012 ‘Reenacting Sense’, Yace Gallery, Long Island City, NY 2010 ‘Continuing Color Abstraction’, The Painting Center, New York, NY 2009 ‘West/East’, Royale Projects, Indian Wells, CA 2009 ‘Alternative Abstraction’, Nina Freudenheim Gallery, Buffalo, NY Including works by Stephen Antonakos, Warren Isensee, Gary Lang, Melissa Meyer and Katherine Sehr...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. I Duayne Hatchett was a visual artist whose work included prints, pain...

Edward Avedisian Gouache Watercolor Abstract Painting on Arches paper. (notebook cover not included) Unsigned, (bears name verso in pencil.) Dimensions: 10" X 14" Late 1970s, early 1...

Sunil Das - Untitled - 12 x 9.5 inches (unframed size) Ink on Thick Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from B...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

This acrylic painting on paper was created by New York-born artist Jay Rosenblum. In his art, he seeks to correlate his great love for chamber music sonatas with freely evolving bloc...

Milly Ristvedt has captured, in vivid colour, and expressive form the wonders of the ‘deep’ in this gorgeous abstract painting. Against a rich blue colour field, ethereal forms and g...

Georges Ferrato Sommières Oil on Canvas 35 x 45.5 in, 89 x 116 cm 1996 Signed at bottom, signed dated and titled on the back Georges Ferrato (born in 1949 in Aix-en-Provence) is ...

March 1st by Roy Wilce Oil Pastel on Paper image 30x42" framed 35x48" Landscape in pink hues, trees on plains. Shipping price includes the custom packing necessary for safe transpo...

Sunil Das - 56 x 56 inches (unframed size) Pin Work, Pins and Acrylic on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Mast...

Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...

Modernist abstract figurative painting by Abraham Pariente. Oil on canvas, circa 2000. Signed. Displayed in a modernist frame. Important large and impressive work!

Artist: Tony King Year: 1975 Title: M R3 C5 Medium: Acrylic on Canvas Canvas Size: 48 x 48 inches (121.92 x 121.92 cm) Frame Size: 49 x 49 inches (124.46 x 1...

Sebastian Matta-Clark was born in 1943, twin of Gordon Matta-Clark. Son Of Chilean Surrealist Roberto Matta Sebastian, known as Batan died in 1976. He showed 3 exhibitions in his sho...

Passol blue original abstract acrylic canvas painting. framed Artwork by Spanish artist ISIDRO CAHUE. Acrylic on canvas Perfect state The personality of the artist is reflected i...

Antique American abstract expressionist painting. OIl on canvas. Framed. Finely painted with wonderful color palette. Signed. Dated Verso.

Untitled. From "La Música Ausente" series. Oil on canvas Image Size: 170 H x 190 W cm. Unframed _______ The paintings of Sergio Bazán have a strong gesture and expressionist impri...

Las Tablas de JC. From "La Música Ausente" series. Painting Acrylic on canvas Image Size: 57 7/8 H x 83 7/8 W in. Unframed _______ The paintings of Sergio Bazán have a strong gestu...