Abstract Abstract Paintings

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

Stunning original oil painting by the French abstract artist, Yvette Dubois-Habasque (1929-2016). The painting has excellent provenance having come from the artists studio sale in Pa...

Abstract Expressionist Composition by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed canvas size: 16.5 x 13 inches condition: overall very good, a few minor s...

Gold Splatter. Not just a decorative painting although it works on that level - it has real depth and layers. The gold moves around with the light and the gold spray has created circ...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Work on paper with frame in wood and glass sizes: 48x57x2 cm

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black, grey, and tan set against a light background. Signed and...

'Le Loubinou III ' is a stunning and sophisticated artwork in blue, violet, grey, purple and silver. Inspired by the moving moving tide on an island in the west side of France. The a...

Artist: French School, dated 1992 verso, inscribed into the paint to the front. Title: Black, Yellow, Grey, Taupe abstract, painted with very thick impasto paint creating a wonderf...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 26 x 20 inches provenance: private collection, Paris, France condition: overall g...

Colourful Psychedelic Abstract Landscape Painting of Urban City Scene by leading British Urban Artist Angela Wakefield. This artwork is from an intense body of abstract work that fo...

Maggy Clarysse (1931-2011) Oil on board, unframed 10.75 x 8.75 inches Signed Initials ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

108. Retrato con copas 100x120 original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production co...

Ekaterina Ermilkina’s original, abstract fine art paintings are created using a skillful combination of applying and removing oil paint with a palette knife on canvas. Her inspirations are the expressionistic skylines of big cities like Manhattan, Philadelphia, or Chicago filled with colorful skyscrapers. The urban, scenic views are abstracted and rich with vivid and textured layers. Ermilkina’s emotional architectural patchwork and mosaic cityscapes radiate a life of balance and positive energy. This artwork measures 12 inches high by 48 inches wide. Ermilkina carefully adds thick cube-like dots of oil paint with a palette knife in distinct patterns onto the surface, adding an intricate three-dimensional texture to her oil paintings. The color spots partially blend into a fuller range of background tones and give the artworks a significant depth. She signs the front of the artwork and paints the sides as a continuation of the front. It does not require framing. It is wired and ready to hang. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the gallery is included. Born in 1975, Saratov, Russia, Ekaterina Ermilkina now lives and works in New Jersey. She grew up in the beautiful city of Yalta in Crimea on the North coast of the Black Sea, where in 1985 she enrolled as a student at the School of Art of F.Vasiliev, graduating in 1991. After her first introduction to fine art in Yalta, in 1992, Ekaterina Ermilkina moved to Saint-Petersburg, Russia. In 1998 she received her MFA from State Art and Industry Academy. The unique beauty and rich culture of the city inspired her to paint cityscapes. In late 2005, Ermilkina moved to the U.S. Her works have been presented in various solo and group exhibitions in international galleries and art fairs and have been collected throughout the United States, as well as Canada, Germany, France, Switzerland, Japan, Hong Kong, and Russia. Her artworks pop with color and motion, casting a candied haze across the urban landscape. “I am focused on art all my life. It makes me optimistic, full of energy and happy. The vivid colors of Crimea where I grew up, the beautiful marine of the Black Sea, inspired me to paint for the rest of my life. I believe that paintings can reflect our desires for beauty, poetics, and perfection.” Artspace Warehouse has been representing and exhibiting Ekaterina Ermilkina's original oil paintings since 2013. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of affordable original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse is known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artspace Warehouse Los Angeles, CA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2023 “Urban Ecologies: Cities Are Built for Art”, Artspace Warehouse, Los Angeles, CA 2022 Paper Mill Playhouse, Millburn, NJ 2022 Affordable Art Fair, New York, NY 2022 Alcheringa, IIT Guwahati, India 2021 Affordable Art Fair New York 2021 Port Authority Bus Terminal, New York, NY 2021 “The Real Presence”, Artspace Warehouse, Los Angeles, CA 2020 High Point Market, North Carolina 2020 Hamptons Virtual Art Fair 2020 Six Summit Gallery, Westbrook CT 2019 Affordable Art Fair New York, NY 2019 Artspace Warehouse, Los Angeles, CA 2019 Leo House, Chelsea, New York City, NY 2019 David Parker Gallery, New York City, NY 2019 High Point Market, NC 2018 Affordable Art Fair, Hong Kong 2018 Artspace Warehouse Gallery, Los Angeles 2018 Gallery 104, New York, NY 2018 Discovery in the Details, SMI, Montclair NJ...

In creating this painting, I was inspired by the transient beauty of nature's ever-changing aspects, capturing moments that seem both fleeting and eternal. I used acrylics to explore...

This artwork was crafted using acrylic paint on canvas, featuring a mix of geometric and organic shapes in a green palette. The painting was created in large confident brushstrokes a...

Untitled by Anish Kapoor (b. 1954) Oil on canvas Overall dimensions: 122 cm (48 inches) composed of 2 parts of 61 x 61 cm (24 x 24 inches) each Signed and dated on the stretcher, An...

Untitled is an original work of art by the Catalan artist Pau Escat. This painting is created by the artist Pau Escat. The artist wants to represent landscape through his feelings a...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

Dorothy Dehner Untitled Mid Century Modern abstract sculptural drawing, 1955 Marker and graphite on paper Signed and dated by Dorothy Dehner in black felt tip pen on the front Frame ...

Abstract artist Paul Kirley creates visual experiences that connect people to place as though they were dreaming. Links between reality and abstraction are created as a series of pai...

Abstract artist Paul Kirley crafts visual journeys that seamlessly intertwine individuals with their surroundings, evoking the ethereal nature of dreams. Blurring the boundaries betw...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1959. This piece entitled "Musical" is a prime example of Zevon's relation...

"Abstraktes Bild 758-2" is an oil on canvas painting by Gerhard Richter. The framed size is 28 1/4 x 36 x 2 1/2 inches. The work is signed verso, "Richter 1992". "Abstraktes Bilds" ...

Collage, mixed technique Work on paper Black wooden frame with glass pane 75.3 x 93.2 x 3.7 cm

Title: Found You in Paradise Figurative Nature Flowers Boy Seduction Striking Sun Pride Sunflower Van Gogh Muse Inspiration Eyes Piercing Blue Ora...

Joanne Freeman Cadmium 40, 2021 oil on linen 40 x 30 in. (freem173) This original oil painting on linen by Joanne Freeman features rich, red abstracted shapes on the linen background. "My drawings and paintings utilize geometry and are influenced by architecture and design. They were initially influenced by the symbols and signage found on the streets of New York. That early visual language emerged into a reductive formal language with roots in modernist aesthetics and ideology. My drawings are made with gouache on handmade Indian Khadi paper. The source for the work can be found in the geometry of the city and the effects of light and shadow. They also reference graphic popular culture, specifically the simple direct designs of midcentury media...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Precise squares and rectangles in orange, rust red, green, mauve and white dance and swirl on a washed grey-mauve ground in this acrylic by Milly Ristvedt. Color and the grid are the...

Acrylic on canvas 90 x 210 in Unstretched Vicky Barranguet found her own voice and colorful expression of life, emotions, and music through her studies with master painters, Larry...

Clemens Wolf declares himself a champion of sensuality: 'I'm really interested in the process of transforming something trivial into a sensual object.The ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Maggy Clarysse (1931-2011) Oil on thick card, unframed 7 x 3 inches Initials Signed ...

Abstract textured acrylic painting on canvas 90x90x2 cm (35,4 x 35,4 x0,8inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of ...

A Colorful 1956 Gouache Titled "Sunday in Torromolinos, Spain" by Samuel Butnik. Artwork size: 18" x 25". Archivally matted to: 24" x 30". Biography...

In creating this piece, I channeled deep emotions, letting splashes of color collide in a dance of dream and reality. I poured my heart into layering acrylics, letting the interplay ...

Diptych - acrylic on canvas Pierre-Alain Michel is a Swiss painter born in 1959 who lives & works in Delémont in Switzerland. In 1989 he was enrolled at the School of Fine Arts in B...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

The oil painting depicts a jester in a blue hat playing a guitar. The black lines give an element of graphic design and accentuate specific details. As the jester plays his guitar th...

“Points of Contact “ second painting in the “Dance with a Fan” series Each work in the polyptych “Points of Contact” reveals moments of unity and interaction through the imagery of...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

Diana Kurz Summer Joy, circa 1960 Signed and titled on verso Oil on canvas 70 1/2 x 66 1/4 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

In this large work the artist has shown a lovely bouquet of peonies in various states of bloom. The glass pitcher that holds them glints in the light. and casts a shadow on the table...

The Still Life paintings created by Mel Davis are a masterful melange of bright colors and expressive, dynamic forms. The Montreal-born artist’s contemporary work is inspired by natu...

ABSTRACTION Mid-Century Abstract Non-Objective Color Field oil American Modern James Daugherty (1887 – 1974) "Abstraction" 11 ¾ x 13 ¾ inches Oil on...

Edward L. Loper Jr. was a self-taught artist, while being strongly influenced by his father's later work. 39" x 39" Framed Signed lower right.

Abstract portraits, Colours of life. Bright interior work, a surge of desire to live, write, produce new art works, a continuation of life, positive energy

Mary Didoardo Blue Poem , 2024 oil on wood panel 30 x 30 in (dido118AP) Artist Statement In order to make a meaningful painting I have to establish form somewhere in the swirl of ...

Shape 28 (2019) by Ryan Park of Shapes Only Abstract, nonobjective, gestural, geometric art, acrylic on 300GSM archival paper. Abstract shape innovated by the artist. Neutral pal...

Amit Kalla - Symphony - 84 x 144 inches (unframed size) Acrylic on Canvas, 2019 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by ...

Immerse yourself in a vibrant yet tranquil world of impasto colors infused with meditative floral magic. My style reflects influences from abstract expressionism and modern art, empl...

"Sentinel" (2024) by Jessica Cook is an original, handmade oil painting on canvas mounted on panel. This piece depicts a hawk sitting in an abstracted tree.