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Two Stags in Winter Landscape, Twilight Oil on Canvas, Dated 1912

1912

“In June (Im Juni)” Julius Paul Junghanns (German, 1876-1958) Oil on canvas Signed and dated “1913,” titled on reverse 18 ½ x 23 1/4 (27 1/4 x 31...

Antique Animal Painting "3 Rabbits in a Meadow" Dated 1920 Johan Cornelis Jacobus Lodewijk Stern (Dutch 1879-1939) OIl on canvas Signed and dated 1920 17 1...

"Young Shepherd with Montbèliarde Calf" Julius Paul Junghanns (German, 1876 - 1958) Oil on canvas 23 7/8 x 30 (35 x 41 frame) inches Signed l.l...

Antique Animal Painting "Shepherd Boy at Rest with Calf, Goat, Kid, Lamb and Dog" Julius Paul Junghanns (1876 - 1958) Oil on canvas 29 x 23 1/...

Master painter of this genre, George Armfield is renowned for his depictions of dogs in the chase. Here a pheasant sails safely above their heads, while the dogs enjoy the chase belo...

This charming late 19th-century French School oil painting depicts a forest view with deer. Stylistically, it fits with the approach taken by the Barbizon school of artists who were...

This charming late 19th-century oil painting by British artist Alfred Augustus Glendening (1840-1921) depicts a picturesque river landscape with cattle and ducks. Born in Hampton on Thames, London, Glendening was raised in an area popular with Victorian artists. The river, with its zig-zagging steamboats and silvery waters, providing ample inspiration for a young impressionable mind. This fascinating environment delivered the building blocks for his artistic development, and one can imagine him sketching on the riverbank along with other painters. It would take a little time before he turned to art as a career but, once he pursued his calling, success was inevitable. Travel during the mid-19th century was becoming a little easier thanks to the emerging rail network, and Glendening filled his sketchbooks on various cross-country trips. In 1864, he debuted at The Royal Society of British Artists with a view from Cumbria’s picturesque Lake District. And the following year, he exhibited ‘A Cornfield, Kent’ at the Royal Academy. Many of his works were centred around shimmering water with the Isle of Wight another frequent destination. Soon, the rising middle classes took note and he quickly became a firm favourite. With views in North Wales, the Highlands, Surrey, and Devon captured with a deft touch. His approach was predominantly naturalistic and lacked the grandiosity of many early Victorian painters. His tranquil vignettes are skilfully observed with dapples of light dancing across reflected foliage. The occasional bird picked out with weight and movement. Here, in this picturesque sunlit view from 1896, he captures nature at her most buoyant. Cattle cool off under a prominent beech tree as the surface of the skilfully-handled river flickers into life. Glendening’s exquisite draughtsmanship was matched by a keen understanding of tone and value - resulting in balanced compositions with blissful moods. By 1903, he’d exhibited 47 works at the Royal Academy. Quite an achievement for a late starter. Today, various museums hold examples including at Southampton and Newport. Signed/dated lower left and held within a later frame. Provenance: Private collection, Germany. Artist’s auction maximum: £32,000 for ‘Bramber Castle’, Oil on canvas, Christie’s, 19th Century Pictures...

Ferdinand Sommer (German, * 28.5.1822 Coburg, † 26.7.1901 Luzern) Romantic view of the wild Lauterbachbrunnental with the Schmadribachfall and the Jungfrau Mountain and three circli...