Impressionist Landscape Paintings

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2023 Style: Impressionism, Subject: Meadow, Size: 30" x 30" x 1'' i...

Signed figures in cityscape oil on canvas circa 1940 by sought after French impressionist painter Jules Rene Herve. The piece depicts a view of a crowded stall selling paintings besi...

Doesn't this scene just make you want to be there, in this cottage in the country? I liked this painting enough that I actually put some money into it with a restorer to get it into ...

French Impressionist School, early 20th century most likely a working sketch 'en plein air' oil painting on canvas stuck on board, unframed board: 10 x 14.75 inches provenance: priva...

Title: British Impressionist Watercolor of a Tranquil River at Sunset with Figures By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 ...

Artist: Boris Serdyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Impressionism Year: 2020 Title: Renovation of the temple Size: 23.5"...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This painting by contemporary impressionist David Farren prese...

Technical Data of the Artwork Title: Life by the Pier Artist: Rosendo González Carbonell Medium: Oil on panel Dimensions: 8.3 x 10.2 inches (unframed), 13 x 15 inches (framed)...

Oil landscape showing a view of the Provencale countryside, looking across a field with a goat grazing towards a village with trees and, beyond, to rolling hills beneath a clouded bl...

Title: British Impressionist Watercolor of "Quiet Reflections" at Grizedale Pike By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimen...

European artist, second half 20th century signed lower corner oil on canvas, framed framed: 25 x 35 inches canvas: 20 x 30 inches provenance: private ...

House on the headland, Cornwall by Georgie Dowling [2022] Original painting Oil paint on board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:2c...

Very nicely painted, early American impressionist landscape painting. Oil on board. Housed in a period and valuable gold giltwood frame. Image size, 8 by 10 inches. Circa 1910.

Jules Herve (French, 1887 - 1981) Place Jeanne D'Arc, Paris, circa 1930 Oil on canvas 8 3/4 x 10 3/4 inches Signed lower right; signed on the reverse Jules Rene Herve, an impression...

The evening painting with the Moon over the river is an unordinary wall decoration of any interior. The artwork is full of different difficult colours. The artist masterfully capture...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Subject: White Grove, Size: 44.5" x 30" ...

Signed lower right, 'André Prévot-Valéri' (French, 1890-1959) and painted circa 1920. André Prévot-Valéri was the son of the landscape painter, August Pr...

Idyllic Watercolor Landscape original watercolour painting on artist paper signed by Marjorie Schiele (1913-2008) *see notes below piece of paper is 9.5 x 12 inches In good condition...

Judd Mercer's (US based) "024 - Plein Air-Horsetooth Rock, CO" is a gouache painting depicting mountainside with lush wilderness. Artist bio/statement Judd Mercer is a contemporary ...

Hadley Rampton's (US based) "Halcyon Hues" is an original, handmade oil painting that depicts a forest of trees casting long shadows. Born in Salt Lake City, UT in 1975, Hadley Ram...

Title: British Impressionist Watercolor of a Snowcapped Mountains and a Lake By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 x 15.2...

THIS WORK IS CURRENTLY ON LOAN TO THE MUSEUM OF MODERN ART IN LE HAVRE AND IS BEING EXHIBITED IN THEIR ELECTRIC NIGHTS EXHIBITION 2020 A stunning oil on original canvas by Achile-Emile Othon Friesz depicting a night time view of the Pont Neuf bridge over the Seine, Paris. The painting shows deep blues and reds - richer than those of traditional impressionist paintings - and shows the transition into Fauvism. Signed and dated 1903 lower right. Framed dimensions are 24.5 inches high by 20 inches wide. Achille Friesz was the son of a family of sailors from Le Havre. From 1885 he often spent time in Marseilles visiting his maternal uncles. As a child he dreamed of going to sea, but from the age of 12 he developed a passion for art, and after secondary school he attended the École des Beaux-Arts in Le Havre. There, from 1896 to 1898, he studied under Charles-Marie Lhullier who had been a friend of Jongkind and whom, like Dufy and Braque, he remembered fondly throughout his life. Lhullier introduced his students to the work of Chardin, Corot, Géricault and Delacroix. After receiving a bursary from the local authorities in 1898, he went to Paris and, while his friends Matisse, Rouault and Marquet studied under Gustave Moreau, enrolled at the École des Beaux-Arts at the studio of Léon Bonnat, where he was joined by Dufy. However, he scarcely attended the studio, preferring to go to the Louvre and make copies of the works of Clouet, Veronese, Rubens, Claude Lorraine and Delacroix. He did his military service in Paris in 1902 but continued with his art. Around this time he met Camille Pissarro and sought his advice. As a young man he began to make frequent trips away, not necessarily travelling very far, but looking for subjects for his work, usually landscapes. Among the places he visited were the Creuse region around 1903, Antwerp in 1905, returning there with Braque in 1906, and La Ciotat, Cassis and L'Estaque in 1906-1907, again in the company of Braque. In Paris he frequently moved lodgings until 1914. He moved in with Henri Matisse at the Couvent des Oiseaux from 1905-1910, that is to say at the period when Fauvism was at its height. In 1908 he returned to his native Normandy to reimmerse himself in his early environment; he would return to the region throughout his life. He made a trip to Munich with Dufy in 1909, and visited Portugal in 1911-1912 and Belgium in 1912. In 1914 he was called up and assigned to technical services, not being demobilised until March 1919, although he did manage to maintain a certain independence. From 1914 until his death he lived in Paris at 73 Rue Notre-Dame-des-Champs, where he occupied Bouguereau's old studio. He made frequent trips to Cap-Brun near Toulon where, in 1923, he acquired a property called Les Jarres, as well as making numerous visits to Normandy and Le Havre. In 1925 he received the highest commendation at the Carnegie Prize in Pittsburgh for Portrait of the Decorative Artist Paul Paquereau. Also in 1925, at the same time as Matisse, he was made a Chevalier of the Légion d'Honneur, rising to in Officier in 1933 and Commandeur in 1937. He was also made Commander of the Swedish order of Vasa in 1934. Throughout his life, Friesz was a teacher: from 1913 at the Académie Moderne; from 1929 at the Académie Scandinave; and from 1941 until his death at the Académie de la Grande-Chaumière. Alongside his activity as a painter, he illustrated several works of literature, including: in 1920 Le Pacte de l'Écolier Juan by Jules Tellier; in 1924 Échelles de Soie by Jean Pédron; in 1926 Le Jardin sur l'Oronte by Maurice Barrès; in 1926 En Suivant la Seine by Gustave Coquiot; in 1929 Rouen by André Maurois; in 1931 The Song of Songs; in 1934 Poésies by Pierre de Ronsard; in 1945 Le Bouquet de la Mariée by Gabriel-Joseph Gros; in 1947 Paul et Virginie by Bernardin de St-Pierre; in 1949 Le Livre de Job by Pierre Poussard; in 1949 Petronius's Satyricon, and in 1949 a collection of 12 unpublished lithographs for Le Désert de l'Amour by François Mauriac. He also designed several pieces of decorative art: from 1906 to 1909 ceramics executed by Metthey among others; a façade for a private house in Le Havre; a china service for two for the Le Havre writer J.-G. Aubry; vases, dishes and plates; in 1912 four sets for La Lumière by Georges Duhamel, performed at the Odéon; in 1916 a screen for the Le Havre collector Léon Pédron; in 1918 panels for Pédron's dining room; in 1920 a mural entitled Children Dancing (Enfants Dansant); in 1920 Les Volières for the apartment of Vicomte Amédée de Flers; in 1935 Peace (La Paix), a Gobelins tapestry presented by France to the Palais des Nations in Geneva; in 1937 La Seine in collaboration with Dufy for the Palais de Chaillot, with each artist taking half of the river's course - From the Source to Paris by Friesz and From Paris to the Estuary by Dufy. The Fauves were producing Fauve paintings before they knew it: it was not until the critic Louis Vauxcelles saw their work at the Salon des Indépendants in 1905 and mockingly used the word Fauve to describe it that the term was born. It is known that Vlaminck and Derain worked together and that the École de Chatou was composed of just these two artists. Friesz was living with Matisse and after his first trip to Antwerp in 1905, he returned in 1906 with Braque. In 1906-1907 Friesz and Braque went to La Ciotat to paint and there they met up with Matisse. The paintings Friesz produced in Antwerp are Fauve inasmuch as they are painted in pure colours and are more or less free of the divisionism of the Impressionists, although the draughtsmanship is fairly standard; these works include The Port, The Escaut, The Canals, The Dock with Sailing Ships and The Red Slipway. Those of Braque the following year, in particular Terrace on the Escaut, show great similarities with those Friesz painted of the same subject. Friesz was already avoiding the hardness of pure flat tints by graduating them in thin glazes, allowing the whiteness of the canvas to penetrate the transparency, a technique that came to characterise his entire Fauve period. At La Ciotat Friesz and Braque adopted completely different Fauve styles, with Braque composing his paintings on horizontal and vertical orthogonals painted in small, regular, spaced-out touches, whereas Friesz developed his own personal rhythmical style of wide arabesques of colour in works such as The Bec-de-l'Aigle, Women Bathing and L'Estaque. Many of Friesz's Fauve works were produced in the south of France, and his Portrait of Fernand Fleuret also dates from this period. When he returned to Normandy in 1908 the period that he described as his 'return to form' began; with compromise paintings such as Entrance to the Port of Honfleur, Côte de Grâce Landscape, The 'Bains Marie-Christine' in Le Havre and the great compositions characteristic of this period - Autumn Labours, Spring, Fisherman on a Rock and Women Bathing. His draughtsmanship retains something of the rhythm of the Fauve period, his figures following the lines of the landscape and the colour remaining clear and resonant. In 1909 he painted the Cirque Médrano series: The Trapeze Artist, The Clown and The Horsewoman. In the south of France he also painted the Olive Trees series. He made a trip to Munich with Raoul Dufy resulting in Winter in Munich. This was also the year of his first trip to Italy. Boat in a Rocky Inlet of 1910 marks one of the pivotal points between a totally rhythmic drawing style of sensual curves typical of his Fauve period and a reduced palette of muted ochres, browns and blues. From 1910 onwards, the final traces of Fauvism become less and less apparent in his work. His use of colour follows the same course, towards the transcription of reality, with broken tones, ochres and browns. After his demobilisation, as well as in his studio in Paris, Friesz spent time in his house in Toulon, returned to Normandy and Le Havre and continued to make frequent, often local, forays in search of new subjects: in 1919 to Jura, producing the series Forests, Pine Trees, Road in the Snow and Invitation to Skate; in 1920 to Italy producing Piedmont Village, Florence Grape Pickers; in 1920 to Le Havre, producing The Étretat Cliffs, People Bathing at Étretat; in 1923 to his house in Toulon, producing View of Coudon, Women Bathing, Grape Harvesting, Jars; in 1924 he painted the Large Nude (which he exhibited at the Salon d'Automne the same year) and landscapes of Toulon; in 1928 he made a trip to Algiers, producing The Algiers Kasbah and its Phantoms; in 1931 to Annecy, producing Women Bathers by a Lake; in 1934-1935 to Dinan and St-Malo producing The Great Dinan Viaduct, The Dock with the Terre-Neuvas, After Bathing; in 1936 to Honfleur; in 1941-1944, remaining in Paris because of the war, he painted mainly still-lifes, including Studio Corner, Earthenware. In 1946 he returned to Honfleur; and in 1947 to La Rochelle producing The Port Tower, Tuna Boats, The Red Sail. Numerically Friesz's work is dominated by landscapes but it should be remembered that throughout his career he tackled more ambitious compositions and appeared to do so with great ease. These include Boat in a Rocky Inlet of 1910 with its frolicking women bathers, Allegory of War of 1915 executed in 24 hours, Invitation to Skate of 1919, numerous paintings of Women Bathing over several periods and much later Women beside a Pond of 1944, which clearly demonstrates his attachment to Cézanne. He exhibited at the Salon des Artistes Français from 1901 to 1903 and then at the Salon des Artistes Indépendants. From 1906 he exhibited annually at the Salon d'Automne, of which he later became a committee and jury member. In 1923 he took part in the founding of the Salon des Tuileries and became head of two of the Salon's sections. His work has been exhibited at countless group exhibitions all over the world. Among the most recent thematic exhibitions is Fauvism in Black and White. From Gauguin to Vlaminck, Fauvist Engraving and its Setting (Le Fauvisme en Noir et Blanc. De Gauguin à Vlaminck, l'Estampe des Fauves et son Environnement) at the Musée d'Art Moderne in Villeneuve d'Ascq in 2001. He also showed his work in numerous solo exhibitions in Paris: his first in 1904 at the Galerie des Collectionneurs and another the same year at the Société des Peintres du Paris Moderne...

Original Mid 20th Century Northern California Landscape Painting by Jon Blanchette (1908-1987). This vintage plein air style painting depicts a serene rural scene with a white farmho...

Rouen, France, 19th century Impressionist, 1898, City, River, Gray, blue, Landscape Paintings Charles-Jean AGARD (Savignac de Nontron, 1866 - 1950) He studied with Bonnat. Since 189...

Sir Alfred East was both a full member of the Royal Academy and president of the Royal Society of British Artists, so his pedigree is impeccable. He be...

Etaples Simone Forge 1950's French Impressionist oil on board unframed board: 13 x 16 inches inscribed verso Provenance: private collection, Paris Condition: overall good and sound...

Wylye by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled *FREE SHIPPING ON THIS PAINTING*: AMERICAN, EUROPE & UNI...

The Ancient City (Greece? Italy?) signed by Georges Bordonave (French contemporary) dated 1996 oil painting on canvas, unframed unframed: 18.5 x 22 inches condition: very good prove...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Garden Still Life with Flowers, Plants and Pumpkins) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 in...

Title: British Impressionist Watercolor of Swans Gliding Across a Tranquil Lake at Dawn By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Ye...

"The Cinema" is an impressionist oil on panel painting. It depicts a sag harbor cinema with trees in front of it and buildings on the sides. Signed "Amy Florence" in bottom right co...

Cloudy Meadow English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.5x 11 inches From a large private collection of English wat...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. Snows Hills exemplifies the warm and inviting feeling of the surrounding landscape resplendent with aging shrubs, mellowed stone, worn pathway as does this Barbizon influenced impressionist original oil painting. by legendary artist John Phillip Osborne...

This painting by Lucien Durand is part of my private collection. It is one of a kind, original and signed on the back by the artist.

Georges BINET (1865-1949) Bords de Seine aux Andelys, 1905 Oil on canvas Size: 21 x 33 cm Signed and dated lower right Painting in perfect condition. Old gilded frame (some small chi...

Wonderful early 20th century impressionist landscape of Los Altos, California prior to Silicon Valley, circa 1900, by an unknown artist (American, 19th-20th ...

A painting by William Wendt. "Laguna Hills" is an impressionist landscape, oil on canvas in an earth-tone palette by American artist William Wendt. The artwork is signed in the lower...

Judd Mercer's (US based) "Heading Down" (2023) is an original handmade oil painting depicting a man hiking back down the path during sunset. Artist bio/statement Judd Mercer is a c...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a homemade mixture of oil paste...

A splendid impressionist harbor scene with boats and figures by well-known Dutch / American artist Anthony Thieme (1888-1954). Thieme was born in Rotterda...

Dynamic mid century seascape capturing the moment a wave crashes upon the rocks at Emerald Bay, Laguna Beach, California by listed artist Mildred Ruth Finch Brown (American, 1891-1969), c.1955. Signed lower right: "Margaret Finch Brown." Titled in pencil on verso: "Wind and Wave" and stamped on the stretcher bar: "Original Oil Painting by Mildred Finch Brown, Laguna Beach, Calif." Presented in a rustic, carved wood frame with linen liner. Image, 20"H x 30"W. Mildred Ruth Finch Brown was born on October 24, 1891. She wed Leroy Brown in 1925. She began painting as a hobby in 1948. She was largely self- taught but studied with Bennett Bradbury...

Nautical Impressionism Large size Original oil Painting, Ready to Hang Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Yea...

Melvyn Goode is an English Impressionist landscape painter. His work is highly collected throughout the world and he has had many single artist exhibitions of his work in various g...

Mikael Olson's (US based) "Beaver Dam" is an oil painting that depicts a stream flowing past the banks of brush and dead foliage as the winter snow melts.

Title: French Impressionist Oil Painting of Pink Roses in a Glass Vase By Fanch Lel (French b. 1930) Size: 16.25 x 13 inches (height x width) Oil...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. Title: Windmill Landscape Medium & Size: oil painting canvas: 18 x 22 inches Condition: the painting is very sound and good. Provenance: private collection, France The painting is for auction with...

"PLowing Ahead" by Robert Hagan is an original oil on canvas and measures 101x58 in. In this large western original painting by Australian artist...

A wonderful depiction of an Italian landscape with a church in the distance by the country side. For this beautiful depiction, we find distinct attention to detail luring us down the pathway on this Italian scene. Among other things, this Italian artist is notable for his painting with the trends of the times. The result of this beautiful oil painting is one of provoking imagery and emotion in an impressionistic technique. This piece is signed by the artist lower right and it comes housed in a beautiful decorated gold tone wood frame with linen inner and is ready to hang with hanging wire on verso. Art measures 12.75 x 17.5 inches Framed measures 7.5 x 12.5 inches Eugen Ankelen was born in 1858 Laupheim, Germany and was a well-known German painter and writer of the late 19th-early 20th century. He studied at the Academies of Stuttgart and Munich in 1879-81. His works are displayed in the museums of Munich and Ludwigshafen. He died in 1942 Munich, Germany. PROVENANCE: Estate of a Private collection Queens, New York; Private Collection Manhattan, New York; Lilac Gallery...

This wonderful scene depicts a bright blue river flowing through a rich forested area. Achieved through plein air, the vibrant blues, teals and whites of the water allow it to stand ...

Josh George's (US based) "Castle of Contaminant" is an original, handmade mixed media painting that depicts an urban cityscape of crowded, colorful buildings extending into the sky. ...

Very finely painted winter impressionist landscape by Allen Dean Cochran (1888 - 1971). Oil on canvas. Housed in a spectacular, period, gold giltwood frame. Signed.

A fine impressionist painting of a French pastoral landscape with trees and cows in the distance by American artist John Leslie Breck (1860-1899). Breck was born in the South Pacific...

"Santa Catalina Island Harbor" Seascape at Sunset in Oil on Board Vibrant harbor seascape by Gary J. Schildt (American, 1938-2021). Several boats are anchored in the harbor, with the shore stretching out into the distance along the right side of the composition. The water reflects the yellow and orange sky, creating a shimmering effect. Signed "G Schildt" in the lower left corner. Titled and signed on verso "Santa Catalina Island Harbor by Gary Schildt...

The painting was painted en plein air in the alla prima technique in 2012.

Artist: Vahe Yeremyan Work: Original oil Painting, One of a Kind Medium: Oil on Canvas Year: 2016 Subject: Seashore SIZE: 20" x 16" x 3/4''inch Unframed, Stretched on the wooden bar,...

Signed oil on canvas landscape circa 1930 by German impressionist painter Otto Eduard Pippel. This wonderful and good sized piece depicts a recently harvested field in Chiemsee, Bava...

Title: French Impressionist Oil Painting of Riverside Scene in Guînes, Northern France By Fanch Lel (French b. 1930) Size: 5.75 x 7.75 inches (height x width) Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All the paintings we have for sale by this artist have come from the artists estate and have had no previous owners at all. Description: This evocative painting by Fanch Lel, titled "Guînes," presents a serene depiction of the French countryside near the town of Guînes in northern France. The artwork captures the tranquil charm of rural life, with soft, earthy tones and lush greenery framing the small, picturesque structures that dot the landscape. Lel’s brushwork brings depth to the trees in the foreground, while the subtle, reflective water in the lower portion of the scene mirrors...

Finely painted and highly detailed winter landscape painting. Oil on board. Framed. Signed.