Portrait Photography

Peacocks roam freely in the streets around Coconut Grove in Miami. Arguably, they are one of nature's most exquisite works of art. They are adorned wit...

12.25 x 16 inches - Edition 1 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Merle Oberon, 1930s - Cecil Beaton (Portrait Photography) Inscribed 'Merle Oberon' and stamped with Sotheby's Cecil Beaton studio ink stamp on reverse Sil...

Leandro Franco Diamonds are forever, 2020 48 x 40 inches 120 x 100 cm Archival Pigment Print Edition of 10 Framed Fashion Photography - Portrait...

Black and white original photography by Cyrille Druart. Edition: II/VIII Dimensions: 50 x 40 cm Cyrille Druart is a French photograph and arch...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A beautiful naked woman is kneeing on a stone bank and looks into the blue sky. You can o...

"Kate Moss Nr. 15" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with blue and pink tint, stre...

Karen Seltenrich by Baron Wolman, taken in San Francisco in 1970 as part of Baron's Groupies series, taken for Rolling Stone magazine. Limited edition number 2/150, signed and noted...

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Maybe tomorrow (Stranger than Paradise) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20658. Si...

Mick Jagger of The Rolling Stones by the legendary late photographer, Baron Wolman, Taken on the set of "Performance" in London, September 1968. One copy available Signed limited e...

Alina • 2009 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series ...

Moench Portrait Color Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963). ...

11 x 14" vintage silver gelatin photograph of Meredith Monk and Ping Chong in "Paris", 1987. Comes directly from the Jack Mitchell Archives with a certi...

Brigitte Bardot in her apartment in Paris, by André SAS. Print on pigment fine art print, and signed on the back by the rights-owner, Philippe SAS. This picture is part of the "Hommage à André SAS" exhibition, in our gallery, in Paris. "Quelques jours après le décès de mon père, André Sas, en 2020, j'ai reçu de nombreux témoignages très émouvants et plein d'éloges à son égard de la part de ses anciens collègues et partenaires de la profession « me proposant de m'aider à valoriser le patrimoine photographique laissé par mon père ». Je restais sans voix. J’ai réalisé - peut-être tardivement - l'immensité de l'héritage et de l'oeuvre que je récupérais. En toute modestie, j’ai également compris la valeur artistique de ces archives et l'importance de continuer à les faire vivre. C'est dans cet esprit que nous avons décidé avec mes fils, Julien et Nicolas, d'organiser cette exposition-hommage, réunissant certaines des plus belles photos prises par mon père. Parmi les centaines d'images, nous avons choisi de privilégier aujourd’hui les portraits de célébrités (Édith Piaf, Brigitte Bardot, Salvador Dalí, le Général de Gaulle, J.F. Kennedy, ou bien encore le Pape...) sans oublier pour autant ses reportages sur le terrain...

Her last Call II (The Girl behind the White Picket Fence) - 2013 78x77cm, Edition 3/5, Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature...

Cary Grant Seated Looks Right, 1955. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Eac...

Fine art 20x24" print of Freddie Mercury of Queen by acclaimed photographer, Denis O'Regan. Taken on stage at Slane Castle, just outside Dublin, Ireland 1986 Printed to order on Hah...

Somali-American fashion model and actress Iman at King Peter’s Bay, Tobago wearing a Mexicana dress made from Liberty fabric. British Vogue magazine, May 1...

John Lennon sits alone at the mixing desk of the famed Studio 2 in Abbey Road. According to Herrmann he was the only one who spoke to him, trying to put him at his ease by saying "al...

Close Encounter of the Third Kind - 2014, 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Photograph of Bianca Jagger holding a birthday cake for Alana Stewart on her birthday by Andy Warhol in 1985. This photograph is published in "Andy Warhol Party...

Annie Leibovitz Photographs 1970-1990 (Hand signed by Annie Leibovitz), 1993 Offset lithograph poster (hand signed) Boldly signed in black marker on the front 30 × 24 inches Ansel Adams Center for Photography, San Francisco in collaboration with the National Portrait Gallery, Smithsonian Institution Unframed This offset lithograph poster was published on the occasion of the Annie Leibovitz' 1993 survey exhibition at the Ansel Adams Center for photograph in San Francisco. The photograph of course depicts the actor and renowned art collector Steve Martin in front of a Franz Kline painting entitled Rue, which Martin apparently once owned. Steve Martin was said to have always wanted to be part of the painting; Complete with black brushstrokes on his white suit, Martin realized his dream and posed for Leibowitz in front of Rue. (Of course the irony is that Martin cuts a gleeful, almost clownish pose in front of a painting, Rue, whose very name means sorry and regret. Perhaps Martin will rue the day he sold this Franz Kline!) A companion photo appeared on the cover of Rolling Stone magazine. The Portland Art Museum also exhibited the photo Annie Leibovitz took of Steve Martin in Beverly Hills when he posed for his portrait. A coveted poster when hand signed by Annie Leibovitz Provenance: Collection of former Trustee of the Portland Museum of Art Annie Leibovitz Biography: Born in 1949, Annie Leibovitz graduated from the San Francisco Art Institute in 1971. Photos she took during college while living on a kibbutz in Israel and working to uncover the remains of King Solomon’s Temple helped land her a job at Rolling Stone magazine, where she was quickly named chief photographer. Between photographing John Lennon and documenting the Rolling Stones’ 1975 concert tour, Liebovitz reinforced her reputation as the most prominent celebrity photographer of her generation. In 1983, she moved to Vanity Fair, where she broadened her range of subjects from rock stars to other public figures like the Dalai Lama. In 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery. Overview and Early Life For decades, Annie Leibovitz and her camera have exposed to the public eye subtleties of character in rock stars, politicians, actors, and literary figures that lay beneath their celebrity personae. Her work first fueled the American fascination with rock ’n’ roll dissidents in the 1970s and then, in the 1980s and 1990s, captured the essence of the day’s great cultural icons. Her photographs make plain that, as Leibovitz herself once put it, she was not afraid to fall in love with her subjects. Anna-Lou Leibovitz was born on October 2, 1949, in Westbury, Connecticut. She was the third of six children of Marilyn Leibovitz, a modern dance instructor, and Sam Leibovitz, an air force lieutenant colonel. As the daughter of a career military officer, Leibovitz moved with her family frequently from town to town. The constant relocation fostered strong ties among the six Leibovitz children. Education and Work with Rolling Stone Leibovitz attended the San Francisco Art Institute from 1967 until 1971. She shifted her focus from painting to photography early in her college career. In 1969, she lived on Kibbutz Amir in Israel. The archaeological team on which she worked during her five months in Israel uncovered the remains of King Solomon’s Temple. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone. Soon after she was hired, Leibovitz convinced editor Jann Wenner to grant her a breakthrough assignment. Leibovitz flew with Wenner to New York City to interview John Lennon. A photo from that trip adorned the cover of Rolling Stone, the first of dozens Leibovitz would shoot over the course of her career with the music magazine. In 1973, she was named chief photographer. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the rock band the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock ’n’ roll life-style. She began using cocaine on tour and struggled for years afterward to recover. Photography Exhibits and Move to Vanity Fair In 1983, Leibovitz put together her first major exhibit, which led to the publication of her book Annie Leibovitz: Photographs (1983). Her ability to work with her subjects to get beneath the veneer of superficiality that typically characterizes Hollywood paparazzi has reinforced her reputation as the most prominent celebrity photographer of her generation. The rapport Leibovitz develops with her subjects creates an atmosphere in which celebrities will strike the most unconventional of poses and show emotions that other photographers could not evoke. Among her most famous shots are a naked John Lennon curled around a fully clothed Yoko Ono, Bette Midler in a bed of roses, and the Blues Brothers painted blue. In 1983, after more than a decade of photographing such rock ’n’ roll legends as Lennon, Bob Dylan, Stevie Wonder, and Bruce Springsteen, Leibovitz left Rolling Stone for Vanity Fair. This move gave her the opportunity to shoot a broader range of subjects, including the Dalai Lama, Vaclav Havel, and Donald Trump. Her art did not suffer from the change. The American Society of Magazine Photographers selected her as the Photographer of the Year in 1984. Advertising Work, Awards, and Honors In addition to her work for Vanity Fair, Leibovitz became active in advertising photography. In 1986, she was the first photographer ever to be commissioned to design and shoot posters for the World Cup. A campaign she designed for American Express brought Leibovitz a storm of critical acclaim. In 1987, she received the Innovation in Photography Award from the American Society of Magazine Photographers, a Clio Award from Clio Enterprises, and a Campaign of the Decade Award from Advertising Age for the “Portraits” campaign she produced for American Express. Then, in 1990, the International Center of Photography recognized the same work by giving Leibovitz the Infinity Award for applied photography. n 1991, Leibovitz became only the second living photographer to be featured in an exhibit at the National Portrait Gallery in Washington, D.C. She published this retrospective in book form under the title Annie Leibovitz: Photographs, 1970–1990. In anticipation of the centennial Olympic games, Leibovitz spent two years photographing athletes...

Norman Parkinson captures Paris Drama, Jean Patchett wearing Balenciaga, Vogue Magazine, 1950 Jean Patchett wearing Balenciaga, Vogue, 1950 C print Estate stamped and numbered editi...

Sea Crown, by Ricky Cohete Color Archival Pigment print Medium size: 36 in H x 24 in W. Edition of 10 + 1AP Unframed 2020 The artist uses a vivid contrast of color to add an extra...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

Darling (Oxana's 30th Birthday) - 2007, 20x24cm, Edition of 10. digital C-Print print, based on a Polaroid, Certificate and Signature label. Artist Inventory # 4737.. Not mount...

This print forms part of Frank Herrmann's 2021 "Icons of the 1960's" publication of the best of his work from the decade that keeps on giving. Contact sheet Paper size 44 x 35” Ima...

INSTANTDREAMS - Monograph - signed Hardcover Edition, 62 pages. published by Avanso, Berlin, 2014 ISBN 978-3-935971-69-0 This book comes with a 20x20cm Edition of 10 plus 2 artist ...

Red Desert (Stranger than Paradise) - 2006, 38x37cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventor...

"Women of the IDF" Large Exhibition color Photograph 30 x 40 inches, mounted on masonite and laminated. Edition of 4 + 2 artists proof. minor dings and bumps to edges Born in Tehran, Iran, Ashkan Sahihi moved with his family to West Germany at the age of seven. Although he began taking photographs as a teenager, Sahihi traces the beginning of his professional trajectory to New York in 1987, a thriving “pop culture metropolis” where he could do the kind of photography work that he wanted to do, exploring the underbelly of the society around him. Taking assignments from German publications such as the Süddeutsche Zeitung Magazine, Der Spiegel, Dummy and GEO, he photographed subjects like prisoners on death row, players in the hip-hop scene, and the downtown art scene of New York. Neither black nor white, an insider among outsiders, he found himself able to navigate spaces and dynamics that others might have had difficulty entering. He considered this both a privilege and an obligation – to visit these places and tell these stories. His success led to commissions from American publications as well, including the New York Times Magazine, the New Yorker, Rolling Stone, and Vogue. Put off by the limitations of photojournalism (the expectation that he would illustrate the writer’s perspective rather than author a narrative of his own), Sahihi began to embark on independent, highly compact conceptual series. His main goal in these series has been to drive forward public discourse on topics he believes have not provoked enough or the right kind of discussion: drugs, gender in the media, women in the military, etc. His portraits draw on a familiar visual language – often seated subjects before a neutral backdrop – but push the viewer to feel and think about entirely new things. Although he constantly challenges the comfort level of both the viewer and the subject, Sahihi never removes himself from the line of fire; all of his work requires the artist to immerse himself in uncomfortable situations and challenge his own emotional fortitude. Photographic Series In the “Face Series”, latex-gloved hands manipulate the subjects’ features, stretching, pushing, squeezing, pinching at the whim of external direction – from the artist? The customer? The public? The “Hypnosis Series” comprises 8 portraits of hypnotized subjects each experiencing a single emotion, e.g. helplessness, withholding/anger, or regret. In a society that rewards the suppression of such naked emotion, the purity of these depictions is arresting. In 2006, Sahihi photographed himself in the homes and with the families of six ex-girlfriends and one ex-wife, imposing himself more or less awkwardly on the constellations that emerged after he had exited their lives (“Exes Series”). For Sahihi’s most well-known work, the “Drug Series,” he convinced 11 non–drug users to consume a particular drug, then took their portraits over the course of their trips. The series was born out of Sahihi’s frustration with the hypocrisy of the political conversation about drugs in the United States. “By attempting to present an objective image of drug use, the artist addresses the cultural politics that allow our society to simultaneously glamorize the ‘drug look’ in fashion magazines and the entertainment industry and meanwhile turn a blind eye to the complicated, and vast, problem of drug abuse.” Sahihi has exhibited this series at MoMA PS1 New York in 2001, in Dresden in 2008, and alongside his installation “100 Million in Ready Cash." Sahihi’s dense explorations through small photographic series include “Women of the IDF," portraits of female Israeli soldiers...

"Wrapped Series Untitled #1B" Photography Edition 1/10 42x28 in by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Exclusivity New photo recently released from the archives of Bert stern Marilyn new black dress 2009 draw 72 copies Signature on front and back Dated...

Frank Sinatra during a break from recording at Studio A at Capitol Records. Approximate Date: 1956-1957. Capitol Photo Archives Archival digital print. Printed on 100% Cotton Rag...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Raphael Macek Domino, 2020 Afresco series 60 x 40 inches Archival Pigment Print Edition of 10 Framed Large-scale photograph from the Equine Beauty series. The legendary and comple...

No Edition Signed, titled and dated in pencil on print verso by Earlie Hudnall, Jr. Gelatin silver print 20 x 16 inches. Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas. After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon Johnson...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted. The artist known as A...

Edition of 25 Signed and numbered by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 Accla...

Untitled (Nr. 4995) Black & White Photography 44" x 36" Ed. of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

'The way we were' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219...

Photographie disponible en deux formats : 30x42cm et 40x60cm Veuillez nous contacter si intéressé. Ce tirage fait partie de la série "Regards Croisés". « Nous allions passer l’un à...

Gelatin silver print Paper size: 10 x 8 in., Image size: 7 1/2 x 7 1/2 in. Printed 2013 Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas. After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon...

Ghislaine Lounges in Elsa Schiaparelli's Home -- Mark Shaw photographed Elsa Schiaparelli's best-known model, Ghislaine de Bosisson in an ankle-length dress lounging on an elongated ...

Transformation (Suburbia) - 2004 20x24cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted, Signature label and Certificate. Artist Inventory No. 1675.01. St...

"Marvin Gaye at the Recording Session for 'Let's Get It On'" black and white framed photograph hand signed by Jim Britt. This image is in the collection of the Smithsonian Portrait G...

93 Portrait Contemporary Photography on Dibond with Perspex Front UV Resistant Billy und Hells are two photographers: Anke Linz (Nürnberg, 1965) and Andreas Oettinger (Munich, 1963)...

Black and white promo photo of Marilyn Monroe posed in a bathing suit for her role in "Monkey Business", circa 1952. -- One-of-a-kind original vintage press print from the Celebrity...

Open and Limited Edition C-Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Limited Edition of 150 16" x 20" Unframed Limited Edition of 150 20" ...

Liza Minnelli is an actress and singer, winning an Academy Award in 1973 for her role in Cabaret. Liza entered Warhol’s social circle during the 70’s when...

In it together (Till Death do us Part) - 2005 20x24cm, Edition of 10, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 9371. Not mount...

D. and Felix (Stranger than Paradise) - 1997 Edition of 2/30. Image size 16 x 21.6 inch, External dimensions: 17.7 x 23.3 inch. Archival C-Print, based on the Polaroid. Mounted...

In Other Words (Till Death do us Part) - 2005 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Invent...

Stefanie Schneider Polaroid sized unlimited Mini 'The Muse' - 2009 - signed in front, not mounted. 1 Digital Color Photographs based on a Polaroid. Polaroid sized open Editions ...

Stefanie Schneider's Mini Her last Call (The Girl behind the white Picket Fence) - 2013 - featuring Heather Megan Christie signed in front, not mounted. Digital Color Photographs ba...