Portrait Photography

New England Skiing - 'Skiing Starters' (1955) - Limited Edition Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) A young skier prefers to ca...

Edition # 1/10 This is the framed price listed. The photograph is also available unframed in the two additional sizes listed. Heal disguises her contemporary characters in a fict...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of superstar Michael Jackson. From personality portraits and advertising campaigns to magazine layouts and fine art work, Greg Gorman has developed a unique style in his profession. His distinctive use of light in his black and white portraits is one of the identifying aspects of a Gorman photograph. Gorman’s strength has been photographing motion picture and music personalities. His work has been used in film advertising and publicity campaigns as well as album and CD covers. Some of the motion picture celebrities that he has photographed include Ben Affleck, Lauren Bacall, Alec Baldwin, Antonio Banderas, Kim Basinger, Marlon Brando, Pierce Brosnan, Kevin Costner, Bette Davis, Robert De Niro, Brad Pitt, Andy Garcia, Sir Anthony Hopkins, Dustin Hoffman, Sophia Loren, Al Pacino, Barbra Streisand, Kiera Knightley, Clive Owen, Jennifer Lopez and John Travolta. In the music field, Mr. Gorman has worked with Elton John, Michael Jackson, David Bowie, Morrissey, John Mayer, Bette Midler, Grace Jones and Frank Zappa to name a few. A partial list of the films that he has generated graphics and publicity for include “The Hurt Locker”, “Pirates of the Caribbean”, “King Arthur”, “Tootsie”, “The Big Chill”, “Bull Durham...

Palm Beach Pastels (1959) Limited Estate Stamped (Photo By Slim Aarons) Socialite Alice Topping relaxing by a swimming pool in Palm Beach, Florida, ...

This black-and-white group portrait features some of the greatest stars of the 1920s and 30s all standing together and chatting. From left to right: Bela Lugosi...

Dayworker (American Depression), diptych - 1999 Edition of 10, plus 2 Artist Proofs. 58x57cm each, 58x122cm installed including an 8cm gap in between both pieces. 2 analog C-Prin...

Fine art print of Elvis Presley from the collection of acclaimed photographer. Lynn Goldsmith, taken in 1960 These prints are open edition and come with full certification. Availab...

This work is offered by CLAMP in New York City.

Paper size 44 x 35”, Image size 40 x 26.5" Limited Edition of 10 + 2AP’s This is print NO 10/10 On Thursday March 30th 1967 Frank Herrmann was despatched to Abbey Road Studios ...

American model Jerry Hall with singer Mick Jagger of the Rolling Stones, photographed for Norman Parkinson’s exhibition at the National Portrait Gallery, London, July 1981. NORMAN P...

A documentary portrait of Helen Frankenthaler (1925-2011) in her studio in New York in the 1950s. Frankenthaler has remained a major American woman artist and female force of nature ...

"Velvet Crest" The smooth coat and bridle are highlighted in this profile portrait of a delicately arched horse's neck. The print series Equus: Light & Form focuses on the details...

Fred Astaire was an American dancer, singer, actor, choreographer, and television presenter. He is widely regarded as one of the most influential dancers in the history of film and t...

Oil on canvas Signed in red, u.l. $6500.00 + $300.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...

Rodney Pleasants, Alessandro Spicaglia, Pauline Cappa, Don C. Napolitano and Luigi Boscaln walking on the island of Capri, Italy, in August 1980. Slim Aarons Estate Edition, Certif...

The Beatles getting their hair combed on the set of A Hard Days Night. The Beatles were an English rock band formed in Liverpool in 1960. The group, whose best-known line-up compri...

'Andros Island' Friends prepare for a day snorkeling by Andros Island, Bahamas, 1957. 30x30" inches / 76 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by ...

Kate Moss Supreme New York: In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasda...

Beautifully colorized image of actress Elizabeth Taylor on the set of the 1956 film "Giant". Giant is a 1956 American epic Western drama film, about sprawling epic covering the life of a Texas cattle rancher and his family and associates. Directed by George Stevens from a screenplay adapted by Fred Guiol and Ivan Moffat from Edna Ferber...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

Julian Assange 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

Tennis in The Bahamas, 1957 - Tennis Players Socialise after Tennis Match in Sun by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

"Fabric of Youth" A young Rendille woman named Adato watches over the deserted salt flats of the Chalbi Desert. She is a beacon of hope for the future of her tribe. This image is ...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features a man wearing diving equipment talking with a girl in a wicker chair on the beach, Bahamas...

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

Roots II is a limited-edition photograph (Digital Print on Baryta Fine Art paper) by contemporary artist Tamary Kudita. This photograph is sold unframed as a print only. It is avai...

Apres Ski, Gstaad, Switzerland, Estate Edition, Portrait Photography This early 1960s landscape photograph, captured by society photographer Slim Aarons, features a group of women r...

11 x 14" vintage silver gelatin photograph of twin brothers Jay and Jed Johnson photographed for 'After Dark' magazine on June 8, 1970. Comes dire...

This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the town centre at the ski resort of Gstaad, Switzerland. This is an estate stamped and...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Al Pacino is smoking a cigar, a s...

Robert Mapplethorpe's (1946-1989) place in the canon was earned from his incredible output of images that ranged from beautiful to brutal. Mapplethorpe boldly showcased the beauty ...

1949: American Jazz trumpeter and singer Louis Armstrong (1898 - 1971) enjoys a plate of spaghetti in Rome. Slim Aarons Dinner Jazz Louis Armstrong in 1940s Rome Black and White Pho...

After appearing before a Senate Committee on air safety, Amelia took off in the Department of Commerce's new safety plane for a flight over Washington D.C.. 1936. Amelia Earhart was...

Edition of 7 Also available in 73 x 100 cm / 28.7 x 43.3 in, Edition of 3, price on request A very beautiful and naked woman is stepping up a circular staircase in an apartment in P...

This black and white full body vintage original photograph features Marilyn Monroe posed in a bathing suit and heels. -- One-of-a-kind original vintage press print from the Celebri...

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 3/25. Paper size 25 x 17...

"Mindisayo's Gaze" In this best-selling image, a young women in the Rendille tribe of Northern Kenya wears the unique jewelry and ornamentation of this culturally-rich region. The...

Emilio Lussu is a vintage black and white photograph realized in the 1960s. Good conditions.

Donald Trump, Dove of Peace 1985 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photog...

President Jimmy Carter Archival pigment print 14 x 14 inches Signed and numbered edition of 15 William Coupon is an American photographer, born in New York City, known principal...

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Paris Longchamp, 1989 by Leonard Freed is stamped and signed verso (back of photo), a gelatin silver vintage print, 16" x 12". The documentary photograph captures chic beautiful peop...

Andy Warhol Baroness de Waldner, ca. 1975 Unique Acetate positive This piece comes with a signed letter of provenance from the representative of Chromacomp, Warhol's printer. Frame i...

This candid black and white capture features Audrey Hepburn, star of "Sabrina", candid on the set, posed against a large studio light. Film and fashion icon Audrey Hepburn was a Bri...

Markets are the lifeblood of social interaction in the Omo valley as they bring together widely scattered groups for a few hours each week. For the remainder of their time, many fam...

Edition 15, framed Chromaluxe Rat Pack grey. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiographic imaging equipm...

Whisky Dance I (Sidewinder) - 2005 Edition 5/10, 8 pieces installed including gaps 172x,338cm, 82x80cm each. 8 analog C-Prints, hand-printed by the artist, on Fuji Crystal Archiv...

Black and white action shot of actor James Dean loading his Porsche on to a trailer at a car rally. James Dean was an American actor. He is remembered as a cultural icon of teenage...

Portrait of Silvana Mangano is a vintage black and white photograph realized in the 1970s. Good conditions.

Elegant color capture of star actress Marilyn Monroe posed outdoors in a sheer black dress, looking down to the camera. Marilyn Monroe was an American actress and model. Known for p...

Black and white photograph of a nude Marilyn Monroe taken by Tom Kelly in 1949. The work was distributed as calender art and one was featured in an issue of Playboy magazine in 1953. The photograph is not framed. Artist Biography: Kelley was born in Philadelphia, Pennsylvania. He learned photography as an apprentice in a New York photo studio, and then worked for the Associated Press and Town & Country magazine. After coming to California in 1935, Kelley established a photography studio in Hollywood and produced promotional photographs of motion picture stars. David O. Selznick and Samuel Goldwyn retained Kelley to take promotional photos of their stars and starlets for magazine covers and advertising. Later, Kelley's business shifted to commercial and advertising photography. Some of Kelley's most famous photo subjects have included Gary Cooper, Greta Garbo, James Cagney, Clark Gable, Winston Churchill, Bob Hope, Marlene Dietrich, Joan Crawford, Jack Benny, David Bowie, John F. Kennedy, Dwight D. Eisenhower, Franklin D. Roosevelt, Yma Sumac and, of course, Marilyn Monroe, with and without clothes. Tom Kelley had a way of making his subjects feel comfortable behind the camera. He would bring his wife with him to his shoots to create a more soothing and relaxed atmosphere. Kelley served on the panel of judges at the Miss Universe...

Slim Aarons A Relaxing Read, 1982 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Cheryl Tiegs...

Otto Fenn (1913-1983). Andy Warhol, 1956. Gelatin silver print, 9 7/8 x 10 inches; 11 x 14 sheet. Studio stamp, verso. Biography: Otto Fenn photographed fashions, decorations and food for Harper’s Bazaar, Town & Country, Good Housekeeping, Ladies’ Home Journal, McCall’s, House Beautiful and House and Garden magazines. Among the celebrities he photographed were Tallulah Bankhead, Jackie Gleason, Sid Caesar, Bette Davis, Yves Montand and Rosalind Russell. He also did Lord & Taylor’s advertising photography. Mr. Fenn served as chairman of the Sag Harbor Historic Landmarks District. He lived in the Nathan P. Hand house, which dates to the 1600′s and is named for a whaling captain who once owned it. Since 1964 Mr. Fenn and Mr. Krug operated the 1964 Sag Harbor Antiques Shop. Born in Manhattan, Mr. Fenn grew up in Lincoln Park, N.J. He studied at the New York School of Design and taught painting there. Early in his career he made sets for summer theater and backgrounds for fashion sittings and painted murals for the 1939 World’s Fair and the passenger ship America...

Signed limited edition print of David Bowie by Barry Schultz. Taken in Hilversum, Holland at the TOP POP TV studios. Bowie mimed (several times) "Rebel Rebel" the hit single from the...

Asleep, 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2020-833. ...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets whether In France or Italy, photographing people in love, at ...

150,000 Dollars (The Princess and her Lover) - 2007 part of the 29 Palms, CA project. Edition of 10, 20x24cm. Archival C-Print, based on the Polaroid. Signature label and Ce...

Norman Parkinson captures Apollonia van Ravenstein wearing YSL in Barbados. Vogue, July 1973 Apollonia wearing YSL in Barbados. Vogue, 1973 C print Estate stamped and numbered editi...

Muscle Boy is an iconic image by Leonard Freed who was a pioneer in socially conscious photojournalism. In this photo a boy flexes his muscles for the camera perhaps making a state...