Portrait Photography

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's art was the art both created during the movie. Stefanie's images were also used for Ryan Gosling's memory sequence, for the end titles, for edits in between and as art paintings hanging in several scenes within the movie. This Piece: Sam (Stay) - starring Ewan McGregor, 2006, 49x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, matte surface, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 5026. Not mounted. ----- Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

The original Star Wars trilogy, formerly marketed as the Star Wars Trilogy (and colloquially referred to as the 'original trilogy'), is the first set of three films produced in the S...

Limited Edition of 25 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

*Listing includes framed archival pigment print and daguerreotype Man with Pocket Watch by Thomas Kennaugh is an enlarged and enhanced print of a dagu...

'Stars in the Dance', 2009 30x30cm. Edition 1/10. Archival C Print based on a multiple exposure Polaroid, mounted under Plexi. Signed on back. 'We are all in the gutter, but some of us are looking at the stars' - Oscar Wilde This piece will be exhibited at the Bombay Beach Biennale in the newly founded Polaroid Museum in it's permanent collection. The Museum opens its doors in March 23rd, 2019. AND in the "Instant Dreams" Polaroid curation by Stefanie Schneider at Saatchi's The Other Art Fair in Los Angeles 28/03/19 - 31/03/19. Urizen Freaza was born in Tenerife in 1982 and is based in Berlin since 2010. He's a self-taught photographer and film-maker. Self-taught meaning that this is a path he's still walking, while hoping there is always more path to walk. He's a member of the Film Shooters Collective and part of the team behind the analogueNOW! festival in Berlin. Vita: Group exhibitions: 2018 'Feel', Brooklyn Film Camera, New York, USA 2017 'The decisive light', Projekteria, Barcelona, Spain 2017 'The face', Darkroom Gallery, Vermont, USA 2017 'A surreal vision', Galería LoosenArt, Roma...

Signed limited edition 20x24"" print of Blondie members, Chris Stein and Debbie Harry relaxing in a hammock on the rooftop of their New York City apartment in 1978 by Lynn Goldsmith....

Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by Letter of Provenance from the representative of Chromacomp, Andy Warhol's printer Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass. Measurements: Frame: 17.75 x 14.75 x 1.5 inches Photograph: 10.75 x 7.75 inches This unique photographic positive acetate is of the 19th and early 20th century French novelist Marcel Proust, who's chef d'oeuvre A la recherche du temps perdu inspired some Warhol titles. Warhol would transfer the acetate to a transparency, allowing an image to be magnified and projected onto a screen. Warhol created a silkscreen painting of Marcel Proust and sent this acetate to his printer, Chromacomp, Inc. for consideration as a silkscreen multiple, which was never made. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp,Inc. a fine art printing studio in New York City. During the 1970s and 1980s, it was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Warhol had considered creating limited edition prints with Chromacomp of his famous portrait of Proust based upon this photographic image. The original painting was commissioned by art dealer Marie-Louise Jeanneret for a group of Italian collectors and avid Proust enthusiasts, Warhol's original four acrylic and silkscreen ink on linen works were based on a famous 1895 photograph of the French novelist captured by Otto Wegener. Marcel Proust, the distinguished French novelist, literary critic, and essayist, achieved renowned for his monumental 1908 seven-volume novel In Search of Lost Time. The literary masterpiece delved into the intricacies of memory, time and the profound complexity of the human experience. Proust's literary genius revolutionized the landscape of literature, leaving an enduring impact on the Parisian cultural scene at the turn of the century. About 50 years later, Andy Warhol emerged as a visionary artist who challenged artistic conventions, exploring themes that resonated with Proust's own ideas. Warhol, a trailblazer in his own right, delved into philosophical reflections on consumerism, mass production and the nature of fame. His artistic endeavors mirrored Proust's explorations, albeit through a contemporary lens, as he sought to redefine the boundaries of art and popular culture. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee...

An original silver gelatin black and white photograph by Robert Cohen for AGIP. Brigitte Bardot in 1967. Features: Original silver gelatin print photograph unframed. Press photograph...

Margarita (Till Death do us Part) - 2005 126x125cm, Edition 1/5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Protection. ...

"Nautilus II" A braided mane adds to the perfection of this horse in this classic, detailed equestrian portrait. The print series Equus: Light & Form focuses on the details of so...

Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches; 17 x 21 inches framed. Artist studio stamp on verso. Excellent cond...

Marilyn aka Jane Bond - (part 1) (Heavenly Falls) - 2016 50x49cm, Edition of 10, digital C-Print based on the Polaroid Certificate and signature label. Artist inventory number: 19...

Limited Edition of 25 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

Limited Edition of 25 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

Limited Edition of 25 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

Cries and Whispers (Till Death Do Us Part) triptych - 2007, 20x24cm each, 20x80cm installed, Edition of 10, plus 2 Artist Proofs. 3 Archival C-Prints, based on 3 Polaroids. Cert...

'Love Scene against the Wall" (Sidewinder) - 2007, Edition of 10, plus 2 Artist Proofs. 4 x 20x20cm, 20 x 100 cm installed with gaps in between each piece. 4 Archival C-Prints, b...

Dolls (Till Death Do Us Part) - 2016 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist inventory numb...

Cleaning up (Oxana's 30th Birthday) - 2010, Edition of 5 plus 2 Artist Proofs. 30x40cm each, installed 30x190cm. 4 Analog C-Prints, hand-printed by the artist on Archive Fuji Chr...

Christopher Makos, Andy Warhol Portrait of Andy Warhol taken by photographer Christopher Makos (Hand signed by BOTH Andy Warhol and Christopher Makos), 1986 Gelatin Silver Print, hand signed and annotated by Andy Warhol, Hand signed by Christopher Makos with studio stamp and copyright Hand signed and annotated "Xtra" by Andy Warhol; hand signed, dated and stamped by Christopher Makos with copyright Frame included: elegantly framed in a museum quality wood frame with UV plexiglass; there is a die cut window on the back to reveal the signatures, annotations and copyright stamp A rare proof hand signed by both photographer and subject: Hand signed and annotated "Xtra" by Andy Warhol on the back; hand signed, dated and stamped by Christopher Makos with this copyright Measurements: Frame: 19 x 16.75 x 1.75 inches Photograph: 12.25 x 10.25 inches About Christopher Makos: Christopher Makos was born in Lowell, Massachusetts, grew up in California, and moved to New York after high school. He studied architecture in Paris and briefly worked as an apprentice to Man Ray. Andy Warhol, Makos' good friend and frequent portrait subject, called Makos "the most modern photographer in America." His photographs have been exhibited in galleries and museums such as the Guggenheim Museum in Bilbao, the Tate Modern in London, the Whitney Museum of American Art in New York, the IVAM in Valencia (Spain) and the Reina Sofia Museum in Madrid. His pictures have appeared in magazines and newspapers, including Paris Match and Wall Street Journal. He is the author of several important books, like the volumes Warhol/Makos In Context (2007), Andy Warhol China...

"Legend" This wild horse's mane stands out among the rest of the 500 horses on Sable Island. It is the grandest and most regal of them all. The print series Discovering the Horses...

Copts 07- Signed limited edition archival pigment print, 2012 - Edition of 5 Man in a market, Cairo, Egypt. In assignment for ARTE & LE LOUVRE 2012 Exhibition in Le Louvre, Pari...

Tom Kelley Ann St. Marie c. 1950's C print 38 x 30 inches Edition of 45 Photographs are printed on Archival Hahnemühle paper (luster) estate signed and numbered in the border Captio...

For a limited time only these Slim Aarons prints are available to purchase at 15% discount. Please contact the gallery for any queries. Please bear in mind that all prints are produ...

Verena Prenner Ready-For-The-Party Croco 4/5 - Contemporary Animal Portrait Photography Edition 4/5+II AP C-Print, 70 x 60 cm Print is unframed and comes with sticker signed by the a...

Twins Entwined, 1991: Photographed by Ron Baxter Smith. Identical Twins, Mark and Ian, shot together in a studio portrait. Shot with 4 x 5 Polaroid Type 55 Positive/Negative; Sinar &...

The Moment of Truth (Heavenly Falls) - 2016 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C- Print, based on the Polaroid. Certificate and signature label. Artist invent...

Brigitte Anne-Marie Bardot, born 28 September 1934, often referred to by her initials B.B. is a French animal rights activist and former actress, singer, and model. Famous for portra...

Ted Williams Count Basie 1950's (printed later) Silver gelatin print 30 x 40 inches Estate stamped and numbered edition 25 with certificate of authenticity Count Basie at the Trian...

Waiting for Randy (Wastelands), 2004 - Edition 5/5, 58x56cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist Inven...

Untitled (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 21395. ...

L(i)ebe (Stage of Consciousness) - from the 29 Palms, CA project - 2007 starring Udo Kier 75x90cm, Edition 4/5. Analog C-Print, hand-printed by the artist, based on the Polaroid....

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

Untitled (Suburbia) - 2004 featuring actress Radha Mitchell 20x24cm, Edition of 10 plus 2 Artist proofs. Archival C-Print based on the Polaroid, Signed on verso with Certificate...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Unknown Girl 01 - Street Portraits (Stranger than Paradise) - 1999 Edition of 10, 40x40cm. Archival Print, based on the Polaroid. Signature label and Certificate. Artist Invento...

Slim Aarons Paola Mussetti, 1982 Fiber print Paola Mussetti, a science student from Turin, poses in a bikini in Porto Rotondo, Sardinia, Italy, in August 1982. (Photo by Slim Aarons...

Slim Aarons Underwater Drink, 1972 Chromogenic lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. A woman drinking from a...

Wild Things (Till Death Do Us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invent...

With his multimedia portraits, Moroccan artist Hassan Hajjaj thrives in a space between cultures, traditions, mediums, and artistic movements. The subjects of his photography range f...

Untitled (Beachshoot) - 2005 50x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Mounted under Plexiglass (matte) with Aluminum backing. Signe...

Verena Prenner Elephant With The Blue Boxing Gloves - Contemporary Portrait Photography C-Print ed. 1/3+2 AP Print is unframed and comes with a sticker signed by the artist "The Ele...

Ted Williams Billie Holiday 1948 (printed later) Silver gelatin print 30 x 40 inches Estate stamped and numbered edition 25 with certificate of authenticity Billie Holiday on-stage...

Open and Limited Edition Silver Gelatin Prints Hand Signed by Bob Gruen 8" x 10" Unframed Open Edition 11" x 14" Unframed Open Edition 16" x 20" Unframed Open Edition 20" x 24" U...

Brainpower I, Untitled I, and Untitled II (Triptych) 2018 by Juan Lamarca From the Horse Series Fine Art Cotton Paper Overall size: Image size: 16.5 in H x 36 in W Frame size: 17.7 ...

Stefanie Schneider's Mini Saigon (Stranger than Paradise) - 2003 signed in front, not mounted. Digital Color Photographs based on a Polaroid. Polaroid sized open Editions 1999-2023...

The party is over (Oxana's 30th Birthday) - 2007 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print print, based on a Polaroid. Certificate and Signature label. Arti...

"Majesty at Sea" With only 9 of these iconic boats still left on the water, and with history of competition in the Olympics and Americas' Cup races, these boats represent the apex o...

Untitled (Beachshoot) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 18572. ...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinated how h...

Loneliness doesn't exist outside of your mind! (The Girl Behind the White Picket Fence) - 2013 38x48cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Si...

The original Star Wars trilogy, formerly marketed as the Star Wars Trilogy (and colloquially referred to as the 'original trilogy'), is the first set of three films produced in the S...

Saigon - 2003 50x49cm. Archival C-Print, based on the original Polaroid. Artist inventory Number 463. Signature label and Certificate. This piece has been used by the RED HOT C...